I know what you mean.  I can't see Lindsay Lohan playing world weary  
(even though she probably is with the life she is leading)

[EMAIL PROTECTED] wrote:
> that's my point. I liked movies and books about people my age, but a good 
> scifi/fantasy film starring "old" folks would draw me just as much. And 
> sometimes I like older characters because I like to see some of the 
> experience, wisdom, or world-weariness they can bring to a role, while still 
> being effective and vigorous.
>
> -------------- Original message -------------- 
> From: "Tracey de Morsella (formerly Tracey L. Minor)" <[EMAIL PROTECTED]> 
> good assessment. Since I was in the target demographic at the time, I 
> remember being drawn to those movies. Please note: most were a 
> disappointment and did not compare to my favs which were Hitchcock, 
> Barbara Stanwick, Jimmy Stewart, Betty Davis, Glenn Ford, Ida Lupino, 
> Sofia Loren, Henry Fonda, Charleton Heston, Joan Crawford, type of 
> movies. Ironically, all those people were in the wrong demographic. 
> So, we should be blaming John Hughes, huh?
>
> Mike Street wrote:
>   
>> This pretty much started with the 80's moves that started Molly
>> Ringwald and the likes in the Brat Pack. Those movies where so popular
>> that more and more of them started to be turned out as marketers saw a
>> new market as the baby boomers started getting older and older.
>>
>> We can move forward to Gen X, Gen Y, and now the MySpace/YouTube Gen
>> where all of the money is being made and spent. It all has to do with
>> where you should be spending your ad dollars at. Right now the big
>> spend is all for online social media and that demographic is mainly
>> 18-25.
>>
>> On Dec 28, 2007 8:28 AM, <[EMAIL PROTECTED]> wrote:
>>
>>     
>>>
>>>
>>> see, that's what confuses me. When i was younger, i of course related to
>>> films and TV shows that had people close to my age. But at the same time, i
>>> absolutely enjoyed movies and shows that had people significantly older than
>>> i was then. i didn't have an issue when i was 19 watching a James Bond who
>>> was clearly in his late '30s or early '40s. Didn't complain about Kirk being
>>> 34-which is old to some---when i was only 14. Never said "McCoy is too old"
>>> about Bones. Even in the comic world back in the day, the typical age for
>>> many superheroes was around 28, some a bit younger like Peter Parker, some a
>>> bit older like Stephen Strange or Reed Richards. But still, that's darn
>>> close to 30 and i never had a problem with it. Now, the likes of Alias,
>>> Buffy, and others seems to focus more on kids 18 - 25, with 25 being at the
>>> high end. And contrast Wonder Woman, where Lynda Carter was 25 when the
>>> series started, with Joss Whedon's goal when he was on the project to craft
>>> a Wonder Woman barel
>>> y out of her teens.
>>>
>>> I went back and looked at classic action and scifi films from back in the
>>> day. From "The Towering Inferno" and "The Poseidon Adventure" to "The Omega
>>> Man" and "Bullitt". In many, many of those old films--which set the standard
>>> for their day--the stars were typically middle-aged. I found ranges from
>>> early 30s on the low end to mid-50s in the likes of Ernest Borgnine and Paul
>>> Newman. There were of course youngsters, but even the lesser known stars in
>>> these films are about a decade older than the characters Abrams and crew
>>> seem to favor.
>>>
>>> So what changed? Is it just the likes of Abrams and Joss Whedon who love
>>> the younger stars? Is Hollywood more focused on younger stars because kids
>>> have more disposable income nowadays and thus support movies with these
>>> characters more?
>>>
>>>
>>> -------------- Original message --------------
>>> From: "Tracey de Morsella (formerly Tracey L. Minor)"
>>> <[EMAIL PROTECTED]>
>>> ain't gonna happen. It seems to me, he is keeping to the studio
>>> demographic formula applied in Star Trek. Maybe some of the supporting
>>> characters will be a little older. Let's face it. Most of us over 28
>>> are not going to the theatre every week, where the initial bulk of a
>>> studios money is made.
>>>
>>> [EMAIL PROTECTED] wrote:
>>>       
>>>> yeah, though i still wonder, why is Abrams so fascinated with young
>>>>         
>>> people. all the main stars in Cloverfield seem to be in their early to
>>> mid-20s. Even the little blurb I read describes it as "Five young New
>>> Yorkers". Hopefully, like with "Lost", there'll be some old fogies my age
>>> who get meaty roles!
>>>       
>>>> -------------- Original message --------------
>>>> From: "Tracey de Morsella (formerly Tracey L. Minor)"
>>>>         
>>> <[EMAIL PROTECTED]>
>>>       
>>>>         
>>>>> maybe he is returning to his roots as a master storyteller
>>>>>
>>>>>           
>>>>> [EMAIL PROTECTED] wrote:
>>>>>
>>>>>           
>>>>>> Wanna see an exciting trailer? Then you must check the trailer for
>>>>>>
>>>>>>             
>>>>> "Cloverfield", the top-secret monster movie from JJ Abrams (Lost, Alias,
>>>>>           
>>> MI-3,
>>>       
>>>>> Star Trek). The monster(s) isn't(aren't) shown, but talk about a
>>>>>           
>>> suspenseful
>>>       
>>>>> buildup! Seeing the freakin' Statue of Liberty's head come sailing
>>>>>           
>>> through the
>>>       
>>>>> air *all the way from the water* to crash into the street? Awesome.
>>>>>           
>>> There's also
>>>       
>>>>> a scene showing the military firing like crazy at something we never
>>>>>           
>>> see. It
>>>       
>>>>> reminds me of the great scene in Spieldberg's "War of the Worlds" when
>>>>>           
>>> the
>>>       
>>>>> military attacks the Martians on that hillside and the whole area
>>>>>           
>>> literally
>>>       
>>>>> lights up with weapons fire.
>>>>>
>>>>>           
>>>>>> The Apple site has two trailers. The one labeled "trailer" is longer
>>>>>>             
>>> and shows
>>>       
>>>>> more stuff. it's the one you'll see at many other sites. The one labeled
>>>>> "teaser" gives a slightly different angle. Check 'em out. If you can't
>>>>>           
>>> see the
>>>       
>>>>> Apple trailers, try the second link below, which is to a MovieWeb page
>>>>>           
>>> with lots
>>>       
>>>>> of videos, including a two second glimpse of the monster (can't see a
>>>>>           
>>> darn
>>>       
>>>>> thing, though). Hard to find a lot of stuff on this film, as there's no
>>>>>           
>>> real
>>>       
>>>>> officiall movie site, but i included some info from a blogger below the
>>>>> trailers.
>>>>>
>>>>>           
>>>>>> If nothing else, Abrams knows how to tell an exciting, fast-paced
>>>>>>             
>>> story, and
>>>       
>>>>> he actually believes in good plotting and acting as well. he also is a
>>>>>           
>>> fan of
>>>       
>>>>> old-fashioned monster flicks like "Godzilla". So this looks to be a fun
>>>>>           
>>> ride.
>>>       
>>>>> The fact that the script has been kept secret, along with any view of
>>>>>           
>>> the
>>>       
>>>>> creature, is only heightening the anticipation. I'm looking forward to
>>>>>           
>>> this
>>>       
>>>>> movie!
>>>>>
>>>>>           
>>>>>> Trailers: http://www.apple.com/trailers/paramount/cloverfield/
>>>>>> http://www.movieweb.com/movies/film/53/5153/videos/
>>>>>>
>>>>>> *******************************
>>>>>>
>>>>>> http://www.boxofficeprophets.com/column/index.cfm?columnID=10118
>>>>>>
>>>>>>
>>>>>> What is Cloverfield?
>>>>>>
>>>>>> This is the question that has been debated across North America in the
>>>>>>             
>>> hours
>>>       
>>>>> since Transformers debuted the teaser to this upcoming 2008 release.
>>>>>           
>>> Shrouded in
>>>       
>>>>> mystery since its inception, the plot of Cloverfield is one of the most
>>>>> carefully guarded secrets in Hollywood right now.
>>>>>
>>>>>           
>>>>>> BOP is generally not in the business of breaking news as it generally
>>>>>>             
>>> leads to
>>>       
>>>>> more aggravation than it's worth, but for the first time since we
>>>>>           
>>> unveiled the
>>>       
>>>>> voice cast of The Incredibles, we are going to make an exception and do
>>>>>           
>>> so here
>>>       
>>>>> in order to clear up some of the mystery. Cloverfield is a J.J. Abrams
>>>>> production, so it should not be surprising to hear that a couple of key
>>>>>           
>>> players
>>>       
>>>>> from Abrams' television shows are on board.
>>>>>
>>>>>           
>>>>>> The writer is Drew Goddard. Goddard has been a producer on both Alias
>>>>>>             
>>> and Lost
>>>       
>>>>> and served as co-executive producer for the latter show's 2007 episodes.
>>>>>           
>>> Fans of
>>>       
>>>>> Joss Whedon (and BOP knows there are a ton of you out there since we
>>>>>           
>>> sometimes
>>>       
>>>>> double as a Firefly fan site) also know him as a writer for several
>>>>>           
>>> episodes of
>>>       
>>>>> Buffy the Vampire Slayer and Angel. Goddard was the principal scribe on
>>>>>           
>>> Dirty
>>>       
>>>>> Girls, the episode from Buffy season seven. This episode featured the
>>>>>           
>>> return of
>>>       
>>>>> Faith as well as the transition of Nathan Fillion from the recently
>>>>>           
>>> canceled
>>>       
>>>>> Firefly to Buffy wherein he portrayed a nefarious, misogynistic man of
>>>>>           
>>> the
>>>       
>>>>> cloth. Goddard's work on Angel primarily occurred during that show's
>>>>>           
>>> final
>>>       
>>>>> season as well. He wrote the World War II submarine epic, Why We Fight,
>>>>>           
>>> and
>>>       
>>>>> earned his place in permanent Whedon-lore for his invention of The
>>>>>           
>>> Immortal in
>>>       
>>>>> The Girl in Question. Clearly, he is one of the most inventive and
>>>>>           
>>> imaginative
>>>       
>>>>> young writers in the industry. His presence alone is
>>>>>
>>>>>           
>>>>>> indic
>>>>>> ative of a quality work in the offing.
>>>>>>
>>>>>> Abrams has not left anything to chance, though. He has also hired one
>>>>>>             
>>> of his
>>>       
>>>>> most trusted co-workers from the early days of Felicity for this
>>>>>           
>>> project. BOP
>>>       
>>>>> has confirmed that Matt Reeves is the director on this project. Reeves
>>>>>           
>>> is the
>>>       
>>>>> writer/director of the 1996 David Schwimmer comedy, The Pallbearer, and
>>>>>           
>>> he
>>>       
>>>>> served as executive producer during the run of Felicity (pre- and
>>>>>           
>>> post-Keri
>>>       
>>>>> Russell haircut). Reeves and Abrams created that project together with
>>>>>           
>>> Reeves
>>>       
>>>>> even writing and directing the pilot, so their working relationship goes
>>>>>           
>>> back a
>>>       
>>>>> decade now. When Goddard came up with the premise for Cloverfield,
>>>>>           
>>> Reeves was
>>>       
>>>>> the easy choice to helm the project.
>>>>>
>>>>>           
>>>>>> [Non-text portions of this message have been removed]
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>> Yahoo! Groups Links
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>>             
>>>>> Yahoo! Groups Links
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>           
>>>> [Non-text portions of this message have been removed]
>>>>
>>>>
>>>>
>>>>
>>>> Yahoo! Groups Links
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>         
>>> [Non-text portions of this message have been removed]
>>>
>>> [Non-text portions of this message have been removed]
>>>
>>>
>>>
>>>       
>>
>>
>>     
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> Yahoo! Groups Links
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