Already seen it; friend of mine had a couple passes.

It was a mediocre fantasy flick.  The ninjas and lesbian elves were cool.

Amusingly enough, Boll's production company uses German production
regulations that make it a great tax shelter, so he has no problem
getting funding (if they make money, they make money.  If they lose
money, they make money).

JJ Mohareb

On Jan 13, 2008 8:59 PM,  <[EMAIL PROTECTED]> wrote:
> How does Uwe Boll keep getting work? Has he made even *one* picture that 
> rises to the level of being half bad? Surely none of you plan to waste your 
> ducats on this film? And Jason Statham: he has good screen presence. The 
> potential for it, at least. I've enjoyed him in fare such as "The One" and 
> "The Italian Job". Liked the first "Transporter" okay, but the plot was DOA.  
> I can see Statham, given the right material, being a really good action star, 
> maybe even get his only spy series or something. But, easygoing, undemanding 
> guy that Statham is, he also keeps doing true junk like "Crank" and, I guess, 
> this movie...
>
> An E online review is below. The source doesn't really matter: i'll bet all 
> the reviews are the same, but I found this funny from it:
>
> Boll clearly still has no idea how to direct or edit a movie, but there is 
> evidence to suggest he has at least learned how to shoot one. Small chunks of 
> King are actually watchable, mostly battle scenes unspoiled by attempts at 
> dialogue or exposition. The rest is merely irritating,
>
> ****************
>
> [E online Review]
>
> Review in a Hurry:  This thin swords 'n' sorcery epic is easily the best film 
> hackteur Uwe Boll has ever made—which means it may be slightly better, on 
> balance, than Ernest Goes to Jail.
> The Bigger Picture:  In the name of all that is holy, could it be that Boll, 
> whose ouevre of incompetent videogame adaptations (BloodRayne, Alone in the 
> Dark) brings shame to us all, has taken a no-name license and turned it into 
> a worthwhile film? Well, no, but at least there are signs he's trying. You 
> could call his latest project something he made rather than something he's 
> guilty of.
> In the Name of the King stars Jason Statham—you know, from The Transporter—as 
> a deadly medieval farmer (whose name is, uh, Farmer) out to save what's left 
> of his family from an evil wizard (Ray Liotta, present in body but not in 
> spirit) and his horde of monsters.
> The cast is filled out with a number of actors who apparently need work (Ron 
> Perlman, Matthew Lillard, Leelee Sobieski and a deeply incongruous Burt 
> Reynolds) and scads of extras in leftover Lord of the Rings "orc" 
> paraphernalia. In traditional Boll fashion, most of them seem to be acting in 
> completely different movies with a haphazard array of accents and styles.
> Boll clearly still has no idea how to direct or edit a movie, but there is 
> evidence to suggest he has at least learned how to shoot one. Small chunks of 
> King are actually watchable, mostly battle scenes unspoiled by attempts at 
> dialogue or exposition. The rest is merely irritating, a quantum leap forward 
> for a director responsible for several of the worst films of the 21st 
> century. At this rate, he might make a good one before the end of it.
> The 180—a Second Opinion:  You might warm to In the Name of the King during a 
> climactic fight in the forest that features some nice choreography. Be 
> advised to leave then, as there are still 45 minutes to go of nothing much 
> worth seeing.
>
> [Non-text portions of this message have been removed]
>
>
>
>
> Yahoo! Groups Links
>
>
>
>



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