By DAN COMPORA
Source: SyFy Portal
Feb-21-2008

Growing up during the 1970s, I watched "Lost In Space" with the same 
fervor that children today get absorbed in "Spongebob Squarepants."

Fascinated by The Robot, I tried building my own. Discarded boxes and 
duct tape were often the building blocks for my creations, but my 
crowning achievement in adolescent robotics was a miniature R2-D2, made 
out of a D-cell battery, a roll-on deodorant lid, and blue and white 
electrical tape. Needless to say, my creations only looked like robots 
and didn't function -- it's not surprising why I became an English 
professor.

The symbiotic relationship between people and machines is a popular 
topic in science-fiction, and robots and humans have been connected 
since the concept of artificial life was first imagined. The connection 
is so strong that Isaac Asimov permanently joined them in the Three Laws 
of Robotics, made famous in "I, Robot." Inevitably, a marriage of man 
and machine would yield a creation resembling both parties. The robots 
of yesteryear were infused with modern technology yet imbued with 
humanistic personality traits.

This trend wasn't always positive. I've spent the better part of three 
decades trying to forget Twiki from the poorly conceived "Buck Rogers in 
the 25th Century." Not even the vocal talents of legendary cartoon 
master Mel Blanc could save this anthropomorphic disaster.

Modern robotics has evolved in a fashion quite different from what 
speculative artists depicted. While robots, androids and cybernetic 
organisms still dot the science-fiction landscape, the idea of humanoid 
robots has been replaced, in reality, by a reliance on small, personal 
electronic devices. My boys have adopted my interest in science-fiction, 
but not my interest in robots; I'm the only one who plays with our 
Robosapien.

Growing up, machines were external to my existence. I never felt a 
relationship with my alarm clock or stereo. Yet people today have the 
ability to merge their personality with their machines. They personalize 
computers with photos, sounds and movies. Cell phones and iPods become 
an extension of self, depending on which faceplates, ringtones and 
pictures are selected. Robots and androids with personalities are 
independent creatures, though like us, remain separate from us. The 
personalization of electronic devices serves as an extension of personal 
identity.

  Despite this trend in reality, the concept of humanoid machines 
remains alive on television. In "Battlestar Galactica," the line between 
Cylon and human is so imperceptible that it took three seasons to 
identify the remaining Cylons. In 'The Sarah Connor Chronicles," Sarah 
has to become more like a machine to perform actions that better serve 
mankind, while selected cyborgs become more human as they evolve. Both 
series blur the line between humanity and machines, with great effect. 
In each case, cybernetic organisms are designed to infiltrate human 
colonies, bringing about their destruction.

Sometimes, the attempt to mingle human characteristics with machine 
technology produced interesting but inefficient results. The "Lost In 
Space" robot stood 7 feet, had pinchers for hands, and arms resembling 
dryer vent coils. The hydraulics to operate the "legs" alone may have 
weighed a ton. For a robot designed to test atmospheric conditions and 
analyze soil samples, the awkward inclusion of hands and arms served 
little purpose.

Consider what the Mars Pathfinder's robot, Rover, has accomplished with 
a more compact design. The ovular globe that was the "Lost In Space" 
robot's head served no apparent purpose, except to allow Dr. Smith to 
call him a "bubble-headed booby." His "mouth" also was 
disproportionately large. Assuming it was used to transmit Morse code, 
it could have done so at a fraction of its size.

That's not to say the robot was a total design failure. The Department 
of Energy would surely love to possess the power packs that powered the 
robot.

The human body is an elaborate self-running organism, but the design 
doesn't always translate well to robotics. Data, the android on "Star 
Trek: The Next Generation" and the Cylons on "Battlestar Galactica" 
represent the high end of this spectrum, illustrating the near-perfect 
marriage between man and machine. But in retrospect, was it necessary 
for C-3PO of Star Wars to have a humanoid appearance? As a translator 
and protocol droid, C-3PO's head was the only necessary component. When 
C-3PO was nearly destroyed in "The Empire Strikes Back," he still 
performed his primary duties once his head was re-attached to his torso, 
which presumably held the power supply. C-3PO's movements were slow and 
herky-jerky at best. Considering the tasks he performed, C-3PO was 
designed quite inefficiently.

Of course, a humanoid appearance makes robotic characters life-like, 
therefore it's easier to think of them as characters. By definition, an 
android resembles humanity and possesses humanistic characteristics. 
Since communications were C-3PO's primary function, a lifelife 
appearance would arguably be helpful. Certainly, C-3PO is a solid 
character who serves an important purpose in the Star Wars universe.

  As a counterpoint, though, R2-D2 doesn't bear any resemblance to 
humans, nor does he speak. Yet we get a sense of R2-D2's character 
because of his actions. While C-3PO is an android and R2-D2 is not, both 
exhibit strong elements of character.

The creative notions speculating that robots would take humanistic form 
have been replaced by practical design principles that dictate shape and 
form. Yet early speculation that the machines we create would resemble 
man is certainly logical. Robots, in fiction and reality, are created by 
man, who tends to create what he knows.

If God created man in his own image, it's not surprising that man, when 
creating artificial life, would do the same.
http://www.syfyportal.com/news424741.html


 
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