Judging by today's movie climate, I'm saying it now.

Steven Spielberg will be confronted with unfamiliar territory- an unsuccessful 
film.

ravenadal <[EMAIL PROTECTED]> wrote:                             
www.chicagotribune.com/business/chi-sun-front-movies-pay-apr27,0,7094348.story
 chicagotribune.com
 
 FRONT AND CENTER
 Indiana Jones' quest for more than $400 million
 
 By Claudia Eller
 
 Tribune Newspapers
 
 April 27, 2008
 Click here to find out more!
 
 HOLLYWOOD — The "Indiana Jones" series is known for its cliffhangers.
 But the real cliffhanger in the coming sequel is when and if the
 famous filmmakers and the star will make money.
 
 That's because before executive producer George Lucas, director Steven
 Spielberg and leading man Harrison Ford get their hands on any
 treasure, Paramount Pictures will need to collect $400 million in
 revenue to recover its costs and make a sizable fee to distribute
 "Indiana Jones and the Kingdom of the Crystal Skull."
 
 If that seems like a no-brainer, consider the norm in Hollywood, where
 top-tier filmmakers and stars traditionally earn huge upfront fees and
 get a big cut of ticket sales before a studio recoups its investment.
 
 The atypical arrangement between the studio and the triumvirate
 illustrates the new economic realities of the movie business. As
 production and marketing costs escalate amid flat theater attendance
 and declining DVD sales, studios are looking for ways to protect
 themselves from colossal losses on a single picture.
 
 "It's good for both parties," media analyst Harold Vogel said. "If the
 talent has a true belief in the movie, they are taking a little more
 risk by getting no significant compensation upfront but a much larger
 share of the ultimate profitability. … It makes sense for studios,
 which are cash-constrained."
 
 With the movie industry becoming less lucrative in recent years, the
 studios would prefer to have talent shoulder more of the risk. One way
 is getting expensive stars, directors, writers and producers to defer
 their customary fees and forfeit their cut of box-office dollars from
 the first ticket sold, known as "first dollar gross."
 
 "Crystal Skull," which opens worldwide May 22, is the first "Indiana
 Jones" movie in 19 years. The fourth installment in one of Hollywood's
 iconic franchises arrives after years of development, script rewrites
 and dashed hopes among fans who are eager to see how the
 archeologist-adventurer outsmarts another gang of nefarious forces.
 
 Most movie franchises, including "Harry Potter" and "Spider-Man," are
 owned by studios. The "Indiana Jones" copyright, however, is held by
 Lucas, who created the adventure story in the 1970s. Lucas, who also
 invented the "Star Wars" empire, is one of the few contemporary
 filmmakers to own and control his movie properties.
 
 The structure of the deal between Paramount and Lucas' San
 Francisco-based Lucasfilm Ltd. predated the current 3-year-old regime
 at Paramount, headed by Brad Grey. Grey and his associates
 subsequently tweaked the arrangement to further lower the studio's
 risk. When it became clear the movie would cost more than expected,
 Lucas, Spielberg and Ford agreed to offset it by waiving their large
 upfront fees.
 
 Paramount executives declined to be interviewed, as did Spielberg,
 Lucas and Ford. "Crystal Skull" will have to generate around $400
 million for Paramount to make its money back and earn its distribution
 fee. Only at that point will Lucas, Spielberg, Ford and smaller profit
 participants, including screenwriter David Koepp, begin collecting
 their portion.
 
 Paramount will take 12.5 cents from every dollar thereafter, while
 Lucas and company will earn 87.5 cents.
 
 In the event that "Crystal Skull" fails at the box office, this
 arrangement will leave the filmmakers and talent empty-handed.
 Paramount would lose part of its investment but not as much as under a
 conventional deal with top talent.
 
 Although the "Indiana Jones" franchise is considered one of
 Hollywood's surest bets—the first three pictures amassed $1.2 billion
 in worldwide ticket sales—there is no guarantee that younger
 moviegoers will turn out in droves to see a now 65-year-old action
 hero in a fedora dust off his trademark leather jacket and crack his
 bullwhip.
 
 Los Angeles Times
 
 Copyright © 2008, Chicago Tribune
 
 
     
                                       


"There is no reason Good can't triumph over Evil, if only angels will get 
organized along the lines of the Mafia." -Kurt Vonnegut, "A Man Without A 
Country"
       
---------------------------------
Be a better friend, newshound, and know-it-all with Yahoo! Mobile.  Try it now.

[Non-text portions of this message have been removed]

Reply via email to