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Chris Rock’s ‘Good Hair’ documentary hilarious, thought-provoking
By DAVID GERMAIN

Associated Press

Wednesday, January 28, 2009

Park City, Utah — Chris Rock was having a good hair day at the Sundance Film 
Festival.

Hours after President Barack ObamaÂ’s inauguration, Rock sat down to talk about 
his Sundance entry, “Good Hair,” a hilarious examination of the cultural 
pressures that prod blacks into costly, often painful methods to care for their 
hair.

The idea first hit Rock in the mid-1990s on a standup tour through Atlanta, 
where he came across the Bronner brothers hair show, a glitzy convention for 
black stylists.

“I thought, wow, this would make a great movie, but that was like 15 years ago, 
and no one was making funny documentaries 15 years ago,” Rock said in an 
interview Tuesday alongside Nia Long, one of many actresses and other 
celebrities Rock interviews in the film.

“So you cut to now, and I have daughters, and I’m really dealing with them and 
their hair a lot, and my friends have daughters, and we talk about our 
daughtersÂ’ hair issues. I kind of saw where to go at it, and now people are 
making funny documentaries,” he said.

“Good Hair,” one of 16 films in Sundance’s U.S. documentary competition, 
follows Rock from the Bronner brothers show to neighborhood salons, businesses 
dealing in hair-care products and the streets of India, where human hair is a 
huge export industry for hair weaves.

“I was kind of scared to come to Sundance in a sense, because I think this is 
the blackest movie ever made,” said Rock, a producer and co-writer on the film. 
“So I was kind of scared to come to Utah, because it’s so white.”

But Rock said Sundance crowds have given “Good Hair” an enthusiastic reception, 
bolstering his hopes that it can find a broad audience. Produced by HBO, “Good 
Hair” eventually will air on the cable channel, but Rock and his collaborators 
are considering a theatrical release first.

While loaded with the 43-year-old actor-comedian’s wisecracking humor, “Good 
Hair” also raises serious questions about identity and equality among black 
women who feel they need long, straight, silky hair to fit into white society.

“It’s this whole thing about approval. That approval is not simply, ‘I want 
white people to love me.’ It’s like, ‘I need a job. I want to move forward, and 
if I have a hairstyle that is somewhat intimidating, thatÂ’s going to stop me 
from moving forward,’” said Nelson George, executive producer of “Good Hair.”

Rock interviews women who undergo hair-relaxing treatments with chemicals that 
burn their scalps and others who pay thousands of dollars for hair weaves. 
Along the way, he trades witty, insightful observations with such figures as 
Maya Angelou, the Rev. Al Sharpton, actresses Raven-Symone and Tracie Thoms, 
and singers Eve and Ice-T.

Long talks candidly in the film about her own perms and weaves, but in the 
interview with Rock, she also speaks hopefully about how Obama, his wife and 
their two daughters can help blacks overcome the cultural inferiority complex 
that prompts them to change their hair.

“Just seeing that family photo and seeing the daughters with their hair in 
cornrows sometimes, it resonates for me in such a huge way,” Long said. “I just 
feel finally we have an image thatÂ’s the most powerful image in our country 
that actually is a part of who I am.”

Rock also reveled in ObamaÂ’s inauguration, but he joked about another hurdle 
still facing blacks.

“Excellent black people have always been compensated for excellence. Always,” 
Rock said. “The real equality is when we can have a black president as dumb as 
George Bush. ThatÂ’s when weÂ’re really equal. ThatÂ’s when the dream has come 
true.”


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