Not chance the first. Might miss the fist bit of the game because of 
"Countdown", at worst.

"If all the world's a stage and all the people merely players, who in bloody 
hell hired the director?" -- Charles L Grant

http://www.youtube.com/watch?v=fQUxw9aUVik




To: scifinoir2@yahoogroups.com
From: ravena...@yahoo.com
Date: Thu, 10 Sep 2009 22:04:58 +0000
Subject: [scifinoir2] New "Vampire Diaries" deliciously sinks teeth into genre















 




    
                  Anybody watching tonight (EYE am watching feetball, myself)?



~rave!



http://usixoo.notlong.com



latimes.com



TELEVISION REVIEW



'The Vampire Diaries'



Amid the many Count Dracula-esque cliches, it's a good old-fashioned Gothic 
love story.



By MARY McNAMARA



Television Critic



September 10, 2009



For months now people have been anticipating "The Vampire Diaries" as a CW-ized 
version of "Twilight" with a bunch of sensitive young lovelies yearning and 
burning for danger, romance and the ultimate penetration. In between bouts of 
underage drinking, texting, girl-bonding, and the inevitable minor-key whine of 
a soundtrack, that is. "True Blood Lite" or "Transylvania 90210."



And you know what? It is. Almost exactly.



But this is not a bad thing, not a bad thing at all. Because "Vampire Diaries" 
knows precisely what it is -- a Gothic romance -- and doesn't try to be 
anything else. It's not going for a spangly-skinned update of "The Catcher in 
the Rye" or a pretentious political metaphor or even a 
through-the-mirror-darkly Christ myth. "The Vampire Diaries" is a good 
old-fashioned love story with vampires.



Rolling dry-ice fog? Check. Croaking raven as harbinger of evil? Check. 
Vampires bright and dark? Check. Modern girl who looks exactly like sepia-tone 
daguerreotype of noble vampire's long dead love? Honking big ring with 
vampire-related powers? Angel-winged tombstones? Promising references to local 
Civil War atrocities? Checkity, check, check, check and check. And that's just 
the first episode.



Seriously, all that's missing is Barnabas Collins with his thin-lipped smile 
and wolf-head cane. Ah, Barnabas, who will forget your tortured cries when 
Josette leaped to her death rather than succumb to your kiss of eternal life?



Not executive producers Kevin Williamson ("Scream," "Dawson's Creek") and Julie 
Plec ("Kyle XY"), that's for sure. Tim Burton and Johnny Depp may be literally 
resurrecting the fabulous "Dark Shadows," but tonally, "The Vampire Diaries" 
got there first.



Let the other franchises sniff with disdain at moldy old genre conventions, 
"The Vampire Diaries" stacks them up like corpses in a mausoleum and dances 
howling on the roof. Lonely road plus attractive couple plus swirling mist 
equals horrific death. Dueling diaries and anguished voice-overs compete with 
emo-soundtrack tunes while amid the forest primeval, girls vamp and the vamp 
broods (someday we will have a torn and troubled female vampire as a 
protagonist, but that day is not today). Eternal life results in bitter 
tenderness while true love keeps diaries and transcends centuries.



To a small town Southern enough to have had its own Civil War battle, Stefan 
(Paul Wesley), a 200-year-old vampire, has returned. He "knows the risks" of 
such a move, but cannot live without "her." "Her" is Elena (Nina Dobrev of 
"Degrassi: The Next Generation"), recently orphaned (how Gothic can you get?) 
and with the requisite beauty. Burdened by grief and the drug-related antics of 
her brother Jeremy (Steven R. McQueen), Elena nonetheless manages to engage in 
some serious back-to-school eye-lockage with new kid Stefan, who's busy 
battling his Very Nature to not drain the blood from her body. Ah, high school.



But what is Abel without Cain? What is Edgar without Heathcliff? Stefan may not 
be responsible for those recent "animal attacks" but someone is, and that 
someone is his wickedly blue-eyed brother, Damon (Ian Somerhalder, from 
"Lost"). Damon twinkles where Stefan smolders, kills where Stefan abstains and 
generally gets all the best lines.



"I liked what you did with the face," he taunts after Stefan goes all red-eyed 
and vein-riddled before pushing him through a window.



Although the show deviates more than a bit from the L.J. Smith books on which 
it is based, the essential love triangle between Elena, Stefan and his brother 
Damon should be assembled by the end of episode two, three at the latest. Add a 
best friend who may be turning psychic, an Adonis-like ex-boyfriend, his 
troubled sister and would-be-rapist wingman, and the jealous blond classmate, 
and you have a potential page turner of a show.



It may not be art, but it's as much fun as an ice-cream social in a cemetery, 
complete with the rustling chill of crows' wings overhead and the eerie outline 
of the campus cutie with strange vermilion eyes emerging from a sudden swirling 
mist.



mary.mcnam...@latimes.com



Copyright © 2009, The Los Angeles Times





 

      

    
    
        
        
        
        


        


        
        
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