Daryle, I concede to your points. I admit that I pay such minutiae little
mind, in greater part because of my loathing of the system.

On Sun, Aug 1, 2010 at 11:28 AM, Daryle Lockhart
<dar...@darylelockhart.com>wrote:

>
>
> Actually...that's  not ENTIRELY accurate.
>
> Remember that most of these studios are owned by corporations that have
> little to do with entertainment. As I write this,  "At The Movies"  just
>  showed a clip of a Roger Ebert  review from 1987 where he goes OFF on
> "Leonard Part 6" because at the time,  Columbia was owned by Coca Cola, so
>  Bill Cosby is holding a can up to his face randomly in the picture. THIS is
> where it all  went  left.  Corporations "getting into the movie business".
> Disney's one of the only pure-play  entertainment  companies making  movies
> right  now. This is one of the factors that  went into selling off Miramax.
>
> As for the audience not going anywhere...that's  not entirely  accurate
> either. They're slowly leaving,  as evidenced by the rise in ticket prices.
> Check the match.  You're paying an additional 2 dollars in some markets. 5
> extra  dollars for IMAX.  That's somebody's seat. The audience isn't JUST
> leaving  for the internet. People are starting to watch smaller movies, even
> movies that LOOK smaller. The "French new wave"  of the 21st Century is made
> up  of movies from Asia.  Bollywood,  Chinese,  Korean,  and Japanese films
> take risks that  American pictures don't. And they pack houses they way a
> movie during a recession is supposed to - 300 at a time.
>
> But on to the point of the article. Comic book movies are SUPPOSED to kill
> Hollywood. Comics are supposed to be counter culture. The movie business
> cycle is at a point  now just like is was in the early 60s. The pictures are
> too big. The stars are too boring. The money's just not there in some (MGM)
> cases. There's a collapse coming of "Cleopatra" proportions. When that
> happens,  it's not  gonna be about Superman or Green Lantern movies to  save
> the business.  It'll be pictures like Scott Pilgrim. Popular  comics with
>  stories you can tell a number of ways,  but  more importantly, cost
> effective pictures that relate to the audience.
>
> Comic Book movies are killing contemporary Hollywood. Long Live the next
>  Hollywood.
>
>
> On Aug 1, 2010, at 6:29 AM, Martin Baxter wrote:
>
>
>
> No one puts a gun to H'Wood's head and forces them to churn out such crap.
> If they want to do movies based on comics, they can take their time and do
> it right. The audience isn't going anywhere.
>
> On Sat, Jul 31, 2010 at 9:38 PM, Kelwyn <ravena...@yahoo.com> wrote:
>
>>
>>
>> http://news.premiere.com/blog/2010/07/comic-con-is-killing-hollywood-.html
>>
>> Super hero movies might save the box office, but they fail fans of good
>> movies.
>>
>> That's because movies based on comic book super heroes are the worst of
>> Hollywood's modern genres. These flashy passion plays that celebrate the
>> redeeming powers of violence are more loathsome than torture porn, fratboy
>> fart operas, or mopey boomer spawn tearjerkers. The brooding, misunderstood
>> heroes are boring. The erotic, computer generated fisticuffs between
>> demigods is boring. The secret identities, costume fetishes, and the super
>> powers – the grappling-hook bazookas, and lightening sneezes and berserker
>> gorilla rages – are boring. The genre is exhausted. And this is coming from
>> a dude who is currently plowing through three comic book series (Ex Machina,
>> The Walking Dead, and Top Ten.)
>>
>> http://news.premiere.com/blog/2010/07/comic-con-is-killing-hollywood-.html
>>
>>
>
>
> --
> "If all the world's a stage and we are merely players, who the bloody hell
> wrote the script?" -- Charles E Grant
>
> http://www.youtube.com/watch?v=fQUxw9aUVik
>
>
>  
>



-- 
"If all the world's a stage and we are merely players, who the bloody hell
wrote the script?" -- Charles E Grant

http://www.youtube.com/watch?v=fQUxw9aUVik

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