www.chicagotribune.com/news/local/northshore/chi-thirdworld_21sep21,1,1249014.story

chicagotribune.com

Black publisher marks 40 years in business

By Lolly Bowean

Tribune staff reporter

September 21, 2007

He's a well-respected and established child psychiatrist, but Dr. Carl
C. Bell had never expected to see his books sitting out front on
display at major bookstores with more popular authors who target
African-American readers.

In many ways, just getting his ideas on the mental health of African
Americans published was a miracle, Bell said.

"That's just how it is: Some people would rather read and publish
garbage than scholarship," he said. "Publishers are just not
interested; they don't see a market, and they don't care."

Even in an era when opportunities seem plentiful for black authors,
there is a group of writers who say they are still overlooked.
African-American scholars and critical thinkers say it's tough to get
books published about serious, non-traditional topics related to the
black community.

It was with that difficulty in mind that such authors gathered in
Chicago recently to toast one of the few publishers willing to take a
risk and get their voices out there.

South Side-based Third World Press has thrived while staying committed
to only publishing work that empowers and uplifts the black community.
Last year, the company hit a milestone when it became the first
African-American-owned press to place a book on the New York Times
Best Seller list. This year's milestone is reaching 40 years in the
business.

The company is unique because it was founded in the 1960s when black
writers had few chances to get their work published and mainstream
publishers hadn't taken note of the African-American reading audience.
But the company stayed alive and relevant without bowing to popular
sentiments or compromising its ideals.

Still, even as authors and performers celebrated Third World's 40th
anniversary, they couldn't help but lament that so much has remained
the same in the publishing world. While there is now a huge audience
for urban novels with titles such as "Street Love" and "Get Money
Chicks," work produced by scholars and researchers isn't well received.

That keeps Third World in a class of its own.

"Third World Press has been this forum, this vehicle, this arena in
which thoughtful and complex African-American notions can be published
for others to see," said Yvonne Scruggs-Leftwich, a professor and
author who writes about politics, public policy, race and gender.
"It's been a transformational presence because authors who may have
substantive or complicated ideas to discuss don't have to be held
hostage by an unforgiving publishing world."

Third World was started in a basement apartment by Haki Madhubuti, who
desperately wanted to get his and two friends' poems published. Later,
it was embraced by literary giant and Pulitzer Prize winner Gwendolyn
Brooks.

Slowly, the operation grew into its own institution. It was a place
where authors including Gloria Naylor, Opal Moore, Useni Eugene
Perkins and even Bell could get their ideas out without restrictions
and stiff filters.

"It's remarkable because I don't know how they make it," said Bell,
who wrote "The Sanity of Survival," a book about the mental health
needs of African Americans that's more than 500 pages long.

"You put a book out of that size and already people will run away
scared," he said, half-joking. "But Third World put it out there."

The company is embraced by many African Americans who see that its
journey has mirrored their own.

Third World started with an idea, but now is housed in its own
building, where a staff of 14 people keep it going. It was kept alive
over the years by some writers with wide appeal who decided to have
their work published there. That enabled Madhubuti to produce the
works of dozens of relatively unknown writers. It helped that the
press was supported by other well-known artists such as actors Ruby
Dee, Ossie Davis, Wesley Snipes and Danny Glover.

Last year, the company grabbed more mainstream success when it
produced "The Covenant with Black America," a collection of essays
with an introduction by popular commentator and social justice
activist Tavis Smiley. That book was a bestseller for 20 weeks and got
people talking about the small publishing house again.

"Third World Press is the best example of a company that found a wave,
jumped on it and developed it into a success," said Susan McHenry,
editorial director of Black Issues Book Review. "Independent
publishing is a tough and transient business."

"Madhubuti started in Chicago as this kind of rebel publisher,"
McHenry added. "Now he has mainstream notoriety and an ambitious
publishing program that ranges from poetry to fiction, non-fiction,
history, important social commentary."

When Madhubuti started out, he wanted to put out serious books. Even
as mainstream black authors have gained fame by writing about love and
romance, he has remained devoted to publishing more focused titles.
His company puts out 15 to 20 books a year with titles such as "Don't
Cry, Scream," "They Shall Run" and "What is Life?"

Even children's books published by the press have strategic purpose.
The "Children of Africa" coloring book is to teach children about
their African origins and the continent. "The Tiger Who Wore White
Gloves" aims to teach tolerance.

At the recent celebration events, authors and artists praised
Madhubuti for his vision and endurance.

Publisher W. Paul Coates said Madhubuti was like a warrior who has
fought a war and is still standing. U.S. Rep. Bobby Rush (D-Chicago)
said there is no other like him and called Madhubuti his personal
inspiration. Author Walter Mosley said Madhubuti was one of the most
important black men.

For Madhubuti, publishing wasn't a way to get rich or famous, he said,
but a way to give a voice to the voiceless, chronicle history and
further his life's mission of improving conditions for African Americans.

"Anytime a publishing company in America nears a cursory mark of 40
years, that's significant, and it's significant for us because we deal
with literacy and cultural literacy," he said. "For the next 40 years,
I'll still be around. I hope to celebrate 80 years."

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