Jack Campin wrote:
Oswald himself specialised in guittar (English guittar) which has a sound like a very quiet harp or lyre. It's also a very easy instrument to write music with, as it transposes and the tuning forms two major chords (CEGceg, GBDgbd or AC#Eac#e normally).

Here's the tune, in the vocal version from the Scots Musical Museum -
I don't have Oswald's original handy.  How easy is it on the guitar?

I'll have a look, printed it out - but Barfly is so frustrating on my Mac! I can't use anything except 'beep' and it plays in a way which bears no resemblance to your demosntration - all the note lengths are wrong and the result doesn't even sound like a tune. More like some very long horrible ringtone.

The tune looks OK on guittar, but I'll report back after trying it. The speed of the ABC would be a little fast for guittar. I would transpose the entire thing to A instead of G (my guittar transposes A, Bflat, B, or C and that's it - Irish ones transposed G, Gsharp, A, Bflat)

since I have not yet made a capo I just play in A.

But Chris Egerton, a luthier in London, has just made me an entire set of bone string pins and it's sounding very good as a result!

David

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