Re: [Hornlist] Chambers/Jones mouthpieces

2005-01-08 Thread Richard V. West
David:

You see, this is how I learn things from the list! Yes, it was kindly
pointed out to me by another lister shortly after I posted my original
assumptions about Chambers, Giardinelli, and Dell'Osa that Chambers was, in
fact, a student at Curtis. So, it's quite likely that he started his horn
career with a Dell'Osa mouthpiece. If that was the case, it would be
interesting to know (for me, anyway) why Chambers moved away from the
Philadelphia/Dell'Osa mouthpieces to a different design. All kinds of
suppositions come to mind: was it his evolving concept of tone or the need
to for a different response or wanting to match the New York Philharmonic
wind sound or all of the above or none?Does anyone know how the Giardinelli
C series came into being?

Richard in Seattle

On Saturday, January 08, 2005 11:31 AM, David Jewell wrote:

> Didn't Chambers study at Curtis?
> paxmaha


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Re: [Hornlist] repertoire questions

2005-01-08 Thread SANDRA CLARK
Arnold Cooke 'Rondo' - just what you're looking for!

- Original Message -
From: Julius Pranevicius
Sent: Saturday, January 08, 2005 2:40 PM
To: horn@music.memphis.edu
Subject: [Hornlist] repertoire questions

Hello,  

I need some recommendations on repertoire.  

I need some quite fast, fun to play and nice sounding intermediate piece for my 
14 years-old sister to perform in competition in addition to Nocturno (for horn 
and piano). Range from f below the staff to g or a above the staff.

And also, some advanced pieces for trio horn+trumpet+piano.

All recommendations are welcome.

Thanks in advance
Julius


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[Hornlist] Compositions for horn, marimba, and piano

2005-01-08 Thread Linda
Hello Hornlisters.

I’m trying to find pieces for a core group of horn, piano, and marimba.
Other percussion could substitute for marimba, but marimba is our first
sound-choice. We’re wiling to expand to a quartet or quintet if necessary.
Any suggestions/leads?

Thanks,
Linda
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[Hornlist] repertoire questions

2005-01-08 Thread Julius Pranevicius
Hello, 
 
I need some recommendations on repertoire. 
 
I need some quite fast, fun to play and nice sounding intermediate piece for my 
14 years-old sister to perform in competition in addition to Nocturno (for horn 
and piano). Range from f below the staff to g or a above the staff.
 
And also, some advanced pieces for trio horn+trumpet+piano.
 
All recommendations are welcome.
 
Thanks in advance
Julius


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Re: [Hornlist] Chambers/Jones mouthpieces

2005-01-08 Thread David Jewell
Didn't Chambers study at Curtis?
paxmaha

"Richard V. West" <[EMAIL PROTECTED]> wrote:
Hornisti: Dell'Osa was a Philadelphia mouthpiece maker. He made mouthpieces for 
Mason
Jones, other members of the Philadelphia Orchestra, and countless Curtis
graduates. I rather doubt he made a mouthpiece for Chambers (a Noo Yowkah!),
when Giardinelli was already in the picture. Dell'Osa mouthpieces generally
have a deeper, more V-shaped bowl than the C1-C8 mouthpieces of Giardinelli,
with a variety of bores and rims. I was told when I visited the shop in
Philadelphia many years ago that Dell'Osa essentially did it all "by eye."

Stranger things have happened, though, so this assumption could be wrong. If
so, I'd love to see the evidence.

Richard in Seattle
Possessor of both Dell'Osa and Giardinelli mouthpieces.


- Original Message - 
From: "Herbert Foster" 
To: "The Horn List" 
Sent: Thursday, January 06, 2005 2:36 PM
Subject: RE: [Hornlist] Chambers


>
> --- Aleks Ozolins wrote:
>
> > If I'm correct, the design was a Dell'Osa (a million different spellings
> > I've seen)
>
> That's the way it's spelled on my mouthpiece. He should have known!
>
> Herb Foster
>
>
>
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[Hornlist] List of beginner mouthpieces

2005-01-08 Thread Jay Kosta
The mpc you mention are all acceptable for beginner and general-purpose
use - if the rim fits the player's lips & teeth.

I would also include the Holton DC in the list, and the various Yamaha and
Schilke models if they are available to try-out - but don't waste time and
money on an extensive search unless none of the accessable choices are
satisfactory regarding fit & feel.

Just choose one that fits comfortably - not too big, not too small, not
too thin, not too fat.

After you have developed a secure 'public performance playing range' from
G below the staff to G above the staff, then it might be reasonable to
start trying other mpc to see if they give any advantage.

Jay Kosta
Endwell NY
amateur player
--
Steve Freides steve at fridayscomputer.com
..
In the interest of pedagogy and in my own interest as well, I'd like to know
how everyone feels about these mouthpieces for beginners:

Conn / UMI 7BW

Bach   11

Holton Farkas  MC
Holton Farkas  MDC

Giardinelli12
..

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[Hornlist] Recent updates to hornplayer.net (8th January 2005)

2005-01-08 Thread updates
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