RE: [lace] Fixing lace to a background

2020-09-30 Thread Elizabeth Ligeti
Thank you for your replies to my question about glueing lace to a background.
It is for a picture, made up of small, separate pieces, and eventually framed
with glass in front.
I had not thought about glue changing colour with age. Hmmm!
It is certainly not something that will Ever be seen from both sides!!

Needs more thought, obviously!!
Regards from Liz. L.

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Re: [lace] Fixing lace to a background

2020-09-30 Thread Lorri Ferguson
If you are entering a competition definitely check the rules.  Our local
Washington State Fair would have to disqualify the entry if it was glued in
place.
Both sides of the work must be visible.
Another thing to consider is that glues usually discolor with age.  And that
would definitely be a very bad thing later.

Lorri Ferguson

From: owner-l...@arachne.com  on behalf of Elizabeth
Ligeti 
Sent: Tuesday, September 29, 2020 7:23 PM
To: Lace@arachne.com 
Subject: [lace] Fixing lace to a background

I have just be studying my copy of “Tatting Artistry in Threads” by Helma
Siemann, and see that she has glued her multitude of Josephine Knots etc, to
Art board, to form the pictures (which are lovely) Is this an acceptable way
of fixing tatting to a background – and would it be accepted by a Judge in a
competition?

I have only ever stitched lace to a fabric background, so am quite taken
aback
by this method, and am wondering if Show and Competition Judges would pass
that method, - or would they disqualify the piece?

Personally, I cannot see what is wrong with it, as the pieces will never be
used, or removed from the setting, - so why not, -- but I wonder if it would
be acceptable when up against other pieces for Judging.

I would be interested in other people’s thought on it- especially if you are
a Judge at Shows!

Regards from Liz. L.
Melbourne, Oz.

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[lace] Lace online

2020-09-30 Thread lynrbailey
"My email sends out an automatic  message. Arachne members,
please ignore it. I read your emails."I remember getting the names of lace 
suppliers from the backs of lacemaking books.  That's how I found Holly van 
Sciver, among others.  I had been making lace, off and on as life allowed, for 
15 years before I met another lacemaker.  I had been making lace for 20 years 
before I went to a lace day, invited by Holly.  With the advent of the 
internet, all that became much easier.  I found a 'local' lace group, all sorts 
of lacemakers, a number of suppliers, local lacemakers.  I went to my first 
lace day where I took a class 25 years after I started making lace.  Before 
that I neither had the time nor the money to get to a laceday.  Now googling 
'bobbin lace' gets all sorts of resources.  I can find lacemakers and sites to 
view lace all over the world by going online.  With the internet I am part of a 
global community of like minded people.  

I still remember my beginnings as a lacemaker who qualified for food stamps.  
While lace making is not a route to wealth, or even much income, it gives great 
pleasure.  Nothing can take away from getting together with lacemakers in 
person, for Americans usually monthly with the lace group and lace days and 
conventions.  Lace days and conventions can easily be beyond what the budget 
will allow.  With online classes, talks, meetings, all sorts of things can open 
up.  People disabled, whose maturity makes it difficult to travel, whose budget 
doesn't allow for airfare and hotel rooms to take a particular class, online 
meetings, classes, can provide these people at least some of the joy healthier 
and more well endowed people spend their discretionary income on.  

With the advent of online classes, which probably will be fine tuned as we get 
in the swing of them, many more will have access to teachers, meetings, and the 
joys of lacemaking will spread.

Lyn from Lancaster, Pennsylvania, USA, where we are having a lovely early fall 
day.  Leaves are still green, short sleeves still work, but shorts instead of 
trousers are optional.


"My email sends out an automatic  message. Arachne members,
please ignore it. I read your emails."

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[lace] Virtual symposiums

2020-09-30 Thread Devon Thein
I would like to draw people's attention to the opportunities being
presented by virtual symposiums. I just signed up for The Inspired Needle:
Winterthur Needlework Conference. One of the speakers will be Tricia Wilson
Nguyen who will talk about Whitework Samplers of the 17th century which
feature cutwork techniques, presumably including reticella. The live events
will be Oct. 2 and 3, but the talks will be available for the entire month
of October.
I have also registered for the Textile Society of America's symposium, Oct.
15-17,  which will have an entire section of four talks on lace. One of the
speakers is Elena Kanagy-Loux who will discuss a lace sample book from a
Boston based lace charity.
It is startlingly cheaper to go to these events now that they are being
held on line. Also, the talks will be available for some time afterward.
So, while in real life, you have to choose what section to attend, in this
scenario you can attend all the talks if you want to.
A similar plan, also exciting to contemplate, is the Doily Free Zone
Symposium 2021 to be held in June. https://www.doilyfreezone.net/symposium
It is so great to be able to attend these without the hassle and expense of
travel, and to also be able to see all the activities over a period of
time. My cup runneth over.
Devon

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