Re: new feature: accordion registers update
\stdBassSq "SAC" "\stdBassSq \"SAC\""
\vspace #1
\stdBassSq "SAT" "\stdBassSq \"SAT\""
\vspace #1
\stdBassSq "SAB" "\stdBassSq \"SAB\""
\vspace #1
\stdBassSq "SCT" "\stdBassSq \"SCT\""
\vspace #1
\stdBassSq "SCB" "\stdBassSq \"SCB\""
\vspace #1
\stdBassSq "STB" "\stdBassSq \"STB\""
\vspace #1
\stdBassSq "ACT" "\stdBassSq \"ACT\""
\vspace #1
\stdBassSq "ACB" "\stdBassSq \"ACB\""
\vspace #1
\stdBassSq "ATB" "\stdBassSq \"ATB\""
\vspace #1
\stdBassSq "CTB" "\stdBassSq \"CTB\""
}
\hspace #3
\center-column {
\stdBassSq "SACT" "\stdBassSq \"SACT\""
\vspace #1
\stdBassSq "SACB" "\stdBassSq \"SACB\""
\vspace #1
\stdBassSq "SATB" "\stdBassSq \"SATB\""
\vspace #1
\stdBassSq "SCTB" "\stdBassSq \"SCTB\""
\vspace #1
\stdBassSq "ACTB" "\stdBassSq \"ACTB\""
}
\hspace #3
\center-column {
\stdBassSq "SACTB" "\stdBassSq \"SACTB\""
}
}
}
\markup
\column{
\bold "Accordion Registers: Standard Bass IV"
\vspace #1
\line{
\center-column {
\stdBassIV "S" "\stdBassIV \"S\""
\vspace #1
\stdBassIV "A" "\stdBassIV \"A\""
\vspace #1
\stdBassIV "T" "\stdBassIV \"T\""
\vspace #1
\stdBassIV "B" "\stdBassIV \"B\""
}
\hspace #3
\center-column {
\stdBassIV "SA" "\stdBassIV \"SA\""
\vspace #1
\stdBassIV "ST" "\stdBassIV \"ST\""
\vspace #1
\stdBassIV "SB" "\stdBassIV \"SB\""
\vspace #1
\stdBassIV "AT" "\stdBassIV \"AT\""
\vspace #1
\stdBassIV "AB" "\stdBassIV \"AB\""
\vspace #1
\stdBassIV "TB" "\stdBassIV \"TB\""
}
\hspace #3
\center-column {
\stdBassIV "SAT" "\stdBassIV \"SAT\""
\vspace #1
\stdBassIV "SAB" "\stdBassIV \"SAB\""
\vspace #1
\stdBassIV "STB" "\stdBassIV \"STB\""
\vspace #1
\stdBassIV "ATB" "\stdBassIV \"ATB\""
}
\hspace #3
\center-column {
\stdBassIV "SATB" "\stdBassIV \"SATB\""
}
}
}
\markup
\column{
\vspace #1
\bold "Accordion Registers: Standard Bass IV - square symbol"
\vspace #1
\line{
\center-column {
\stdBassIVSq "S" "\stdBassIVSq \"S\""
\vspace #1
\stdBassIVSq "A" "\stdBassIVSq \"A\""
\vspace #1
\stdBassIVSq "T" "\stdBassIVSq \"T\""
\vspace #1
\stdBassIVSq "B" "\stdBassIVSq \"B\""
}
\hspace #3
\center-column {
\stdBassIVSq "SA" "\stdBassIVSq \"SA\""
\vspace #1
\stdBassIVSq "ST" "\stdBassIVSq \"ST\""
\vspace #1
\stdBassIVSq "SB" "\stdBassIVSq \"SB\""
\vspace #1
\stdBassIVSq "AT" "\stdBassIVSq \"AT\""
\vspace #1
\stdBassIVSq "AB" "\stdBassIVSq \"AB\""
\vspace #1
\stdBassIVSq "TB" "\stdBassIVSq \"TB\""
}
\hspace #3
\center-column {
\stdBassIVSq "SAT" "\stdBassIVSq \"SAT\""
\vspace #1
\stdBassIVSq "SAB" "\stdBassIVSq \"SAB\""
\vspace #1
\stdBassIVSq "STB" "\stdBassIVSq \"STB\""
\vspace #1
\stdBassIVSq "ATB" "\stdBassIVSq \"ATB\""
}
\hspace #3
\center-column {
\stdBassIVSq "SATB" "\stdBassIVSq \"SATB\""
}
}
}
\markup
\column{
\vspace #1
\bold "Accordion Registers: Free Bass"
\vspace #1
\line{
\center-column{
\freeBass "1" "\freeBass \"1\""
}
\hspace #3
\center-column {
\freeBass "10" "\freeBass \"10\""
}
\hspace #3
\center-colum
Re: new feature: accordion registers update
Il 18/01/2021 00:49, David Kastrup ha scritto: Davide Bonetti writes: At first glance, it would appear that all of those changes are intended to be upwards-compatible. As such it would not make a lot of sense to place them in a separate, different file rather than extend the existing one. Or am I overlooking something? Hi! I placed them on a different file just to mantain the original file in my version of lilypond. If the changes are approved, the best thing is to place them in accreg.scm Davide -- Questa e-mail è stata controllata per individuare virus con Avast antivirus. https://www.avast.com/antivirus
new feature: accordion registers update
Hello to everyone.
I have updated the accordion registers that are in accreg.scm.
I modified accreg.scm and renamed in "accregtwo.scm". This file must be
placed in lilypond usr/share/lilypond/current/scm directory in order to
make it work.
also, at the top of a input file is necessary to put:
#(use-modules (scm accregtwo))
Here attached also accreg.ly and accreg.pdf that demonstates the new
registers.
List of changes
- \discant
- added common names for registers, such as "bassoon", "musette",
"organ", etc.
- added new positions available for accordions with double bassoon
or double piccolo, every combination is now possible
- \stdBass
- added a method to choose every combination possible, based on the
first letter of the reed banks: S A C T B
- \stdBassIV
- added a method to choose every combination possible, based on the
first letter of the reed banks: S A T B
- the feta font did not contain any square symbol for standard bass
accordion registers, so I create this symbol with a markup command,
named \accordionStdBassSq.
The new symbol have the same dimensions of \stdBass round symbol,
and is scalable (it responds at fontsize modifications in the same way
of a glyph).
Maybe is possible to create a new glyph for the feta font, but I'm
not able to do it.
In accregtwo.scm the code of accreg.scm is modified so it can
accept the new markup command.
- \stdBassSq
- new markup command, same of stdBass with square symbol, as
commonly used in accordion notation.
based on \accordionStdBassSq
- \stdBassIVSq
- new markup command, same of stdBassIV with square symbol, as
commonly used in accordion notation.
based on \accordionStdBassSq
- \freeBassIII
- new markup command for accordions with free bass in III, using
the feta font accordion.bayanbass
- updated the documentation included in the file.
Everything seems to work well.
Testers are welcome!
Question: is there a way to make it work without putting the new file in
lilypond /scm directory?
Question 2: it is possible that this will become part of an official
release?
Thaks to all and best regards
Davide Bonetti
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;;;; based on accreg.scm
modified by Davide Bonetti
d...@davidebonetti.it
This file is part of LilyPond, the GNU music typesetter.
Copyright (C) 2013--2020 David Kastrup
LilyPond is free software: you can redistribute it and/or modify
it under the terms of the GNU General Public License as published by
the Free Software Foundation, either version 3 of the License, or
(at your option) any later version.
LilyPond is distributed in the hope that it will be useful,
but WITHOUT ANY WARRANTY; without even the implied warranty of
MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
GNU General Public License for more details.
You should have received a copy of the GNU General Public License
along with LilyPond. If not, see <http://www.gnu.org/licenses/>.
;; Accordion registration is tricky, partly because no two instruments
;; offer the same registers. In particular bass registers are not
;; standardized at all and often left unspecified (orchestra scores
;; don't use bass notes anyway).
;;
;; registration is indicated by using a control sequence name
;; indicating the register set as either a markup function or a music
;; function, taking a string as argument. The music function is a
;; standalone music event since register changes usually occur before
;; note onset. It is currently implemented as a text superscript on
;; an empty chord but could conceivably become some kind of per-staff
;; rehearsal mark at one point of time.
(define-module (scm accregtwo))
(use-modules (lily) (srfi srfi-1) (ice-9 optargs))
(define-markup-command (accordionStdBassSq layout props) ()
#:category accordion-registers
"New markup command to have a square symbol for standard bass registers"
(interpret-markup layout props
#{
\markup
\override #'(box-padding . 0)
\translate-scaled #'(-2 . .1)
\combine
\combine
\combine
\box \combine
\null
\translate-scaled #'(3.9 . .9) \null
\translate-scaled #'(0 . 1)
\box \combine
\null
\translate-scaled #'(3.9 . .9) \null
\translate-scaled #'(0 . 2)
\box \combine
\null
\translate-scaled #'(3.9 . .9) \null
\translate-scaled #'(0 . 3)
\box \combine
\null
\translate-scaled #'(3.9 . .9) \null
#}))
(defmacro* define-register-set (set-symbol doc #:optional definition)
"Defines markup command named with @var{set-symbol} for creating
accordion register markups as well as a music function of the same
name.
@var{doc} is the optional docum
Re: split chord in two staves, split multiple voices in two staves
Thank you Thomas,
I'll test your code.
Cheers
Davide
Il 07/01/2021 11:55, Thomas Morley ha scritto:
Am Do., 7. Jan. 2021 um 11:28 Uhr schrieb Davide Bonetti
:
Hi,
I am working on accordion left-hand educational scores;
I need to split chords (entered with chordmode) in two staves, and I
also need to split multiple voices (4 or more) in two staves.
I am trying to find a way to do this automatically, because I have much
material to work with.
I have tried \autochange, but the result is not what I am searching.
Attached is a minimal example, just to have an idea.
\version "2.20.0"
% autochange example with a chord
\markup "autochange example with a chord"
\score {
\new PianoStaff
\with {instrumentName = #"1"}
\autochange
\chordmode {c:/g}
}
% autochange example with multiple voices
\markup "autochange example with multiple voices"
\score {
\new PianoStaff
\with {instrumentName = #"2"}
\autochange
<<
\autochange {e'}
\\
\autochange {g}
\\
\autochange {c'}
>>
}
% desidered result
\markup "desidered result"
\score{
\new PianoStaff
\with {instrumentName = #"3"}
\autochange
<<
\autochange
\\
\autochange {g}
>>
}
Thank you and best regards.
Davide Bonetti
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Here
https://lists.gnu.org/archive/html/lilypond-user/2020-12/msg00186.html
I posted some code, with the request for testers. No reply so far.
You may be the first tester then ...
Cheers,
Harm
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split chord in two staves, split multiple voices in two staves
Hi,
I am working on accordion left-hand educational scores;
I need to split chords (entered with chordmode) in two staves, and I
also need to split multiple voices (4 or more) in two staves.
I am trying to find a way to do this automatically, because I have much
material to work with.
I have tried \autochange, but the result is not what I am searching.
Attached is a minimal example, just to have an idea.
\version "2.20.0"
% autochange example with a chord
\markup "autochange example with a chord"
\score {
\new PianoStaff
\with {instrumentName = #"1"}
\autochange
\chordmode {c:/g}
}
% autochange example with multiple voices
\markup "autochange example with multiple voices"
\score {
\new PianoStaff
\with {instrumentName = #"2"}
\autochange
<<
\autochange {e'}
\\
\autochange {g}
\\
\autochange {c'}
>>
}
% desidered result
\markup "desidered result"
\score{
\new PianoStaff
\with {instrumentName = #"3"}
\autochange
<<
\autochange
\\
\autochange {g}
>>
}
Thank you and best regards.
Davide Bonetti
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\version "2.20.0"
% autochange example with a chord
\markup "autochange example with a chord"
\score {
\new PianoStaff
\with {instrumentName = #"1"}
\autochange
\chordmode {c:/g}
}
% autochange example with multiple voices
\markup "autochange example with multiple voices"
\score {
\new PianoStaff
\with {instrumentName = #"2"}
\autochange
<<
\autochange {e'}
\\
\autochange {g}
\\
\autochange {c'}
>>
}
% desidered result
\markup "desidered result"
\score{
\new PianoStaff
\with {instrumentName = #"3"}
\autochange
<<
\autochange
\\
\autochange {g}
>>
}
autochange minimal example.pdf
Description: Adobe PDF document
Ukulele fretboards
Hello everyone.
I worked on ukulele fretboards, fixing errors and adding new predefined
fretboards.
Here the result of my work.
Regards
Davide
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\version "2.18.0"
\include "predefined-ukulele-fretboards.ly"
mychords = \chordmode {
c1 c:m c:aug c:dim c:7 c:maj7 c:m7 c:6 c:m6 \break
c:m6- c:m7+ c:m7.5- c:dim7 c:sus2 c:sus4 c:7sus4 c:9 c:7.9- \break
}
chordsline = {
\mychords
\transpose c cis {
\mychords
}
\transpose c des {
\mychords
}
\transpose c d {
\mychords
}
\transpose c dis {
\mychords
}
\transpose c ees {
\mychords
}
\transpose c e {
\mychords
}
\transpose c f {
\mychords
}
\transpose c fis {
\mychords
}
\transpose c ges {
\mychords
}
\transpose c g {
\mychords
}
\transpose c gis {
\mychords
}
\transpose c aes {
\mychords
}
\transpose c a {
\mychords
}
\transpose c ais {
\mychords
}
\transpose c bes {
\mychords
}
\transpose c b {
\mychords
}
}
\score {
<<
\new ChordNames {
\chordsline
}
\new FretBoards {
\set Staff.stringTunings = #ukulele-tuning
\chordsline
}
>>
\layout {
indent = 0
\context {
\Score
\remove "Bar_number_engraver"
}
}
} This file is part of LilyPond, the GNU music typesetter.
Copyright (C) 2009--2015 Matt Corks
LilyPond is free software: you can redistribute it and/or modify
it under the terms of the GNU General Public License as published by
the Free Software Foundation, either version 3 of the License, or
(at your option) any later version.
LilyPond is distributed in the hope that it will be useful,
but WITHOUT ANY WARRANTY; without even the implied warranty of
MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
GNU General Public License for more details.
You should have received a copy of the GNU General Public License
along with LilyPond. If not, see
