Re: pango problem with lilypond 2.7
Michael Porcaro writes: Either you have to find a precompiled package with Pango 1.6 (or newer) that is compatible with your system No rpm above 1.2 works on my system Then upgrade your system. Pango 1.2.0 is three years old. You mentioned that it's a server, chances are you will hit security problems if you do not upgrade. Jan. -- Jan Nieuwenhuizen [EMAIL PROTECTED] | GNU LilyPond - The music typesetter http://www.xs4all.nl/~jantien | http://www.lilypond.org ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Do brackets always result in barlines?
One obvious exception in LilyPond is ChoirStaff. But, maybe you are asking about general notation practice? /Mats Trevor Bača wrote: Question: Is it always the case that staves that bracket together (with flared brackets, square brackets, piano braces, whatever) also always *bar* together? There are two obvious exceptions: 1. The global bracket that (about half the time) groups together the entire orchestra obviously doesn't result in barlines stretching through the entire orchestra; examples are Varèse's Intégrales, Dalla piccola's Piccola musica notturna, Boulez's Marteau sans maître, etc. 2. Scores without barlines may still have brackets; Babbit's Post-Partitions is four staves for the piano, witha bracket but (almost) no barlines. But aside from these two exceptions, is it the case that brackets *always* result in barlines? Or is the generalization false? -- Trevor Bača [EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Do brackets always result in barlines?
Trevor Bača writes:
Question:
Is it always the case that staves that bracket together (with flared
brackets, square brackets, piano braces, whatever) also always *bar*
together?
Why do you ask?
In LilyPond, the barring together is performed by the
Span_bar_engraver. It will only bar together if the staves both have
a bar at the same time. You'll also have to juggle with the timing-
translator to allow different time signatures at all. Consider the
snippet below, and see what happers when you uncomment the span-bar
bit.
Jan.
\layout {
\context {
\Score
\remove Timing_translator
\remove Default_bar_line_engraver
}
\context {
\Staff
\consists Timing_translator
\consists Default_bar_line_engraver
}
\context {
\PianoStaff
%\remove Span_bar_engraver
}
}
\context PianoStaff
\context Staff = md { \time 3/4 c d e c d e c d e c d e }
\context Staff = mg { \time 4/4 \clef bass c1 c c }
--
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http://www.xs4all.nl/~jantien | http://www.lilypond.org
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figured bass problems
Hi, I have a problem with figured bass in Lilypond version 2.7.17 for Windows
(98). Here is the file:
\version 2.7.12
\relative {
\context Voice {
\clef bass
f,8 f f f f f f f f f f f f f f f g g g g c, c c c f f f f a a a a g g g g c, c
d e
f f f f a, a a a bes bes bes bes bes bes b b c4 r4 e f c r4 e f c c' c, r4
f r4 r2 bes,4 r4 r2 c4 r4 r2 c4 r4 r2 f8 f d' d c c bes bes
a a d d c c bes bes a a d, d bes bes c c f f f4 r8 f f4 r8 f f4 r8 f f4 f f f
r4}
\context FiguredBass \figuremode { \set useBassFigureExtenders = ##t
r1 6 42.. 6 48 6\!2 74. 78 r2 64. 68 r2 r4 68 6\! 5 r2 6 6
\! 51 r2 6 54 } }
2 problems came up.
1. I wish to put two extender lines lined up vertically from the figure 6 4
in bar 2. But what happens in the output file is there is only one extender
line and it extends at a point between the figures 6 and 4. Is this a bug and
is it related to the operating system that I am using (Win98)? I know for a
fact that the above method works ( 6 42.. 6 48 ) because when I only typed
that bar (2nd bar), the 2 extender lines did appear.
2. How do I shorten the distance between the figured bass and the bass notes
above it? Is it possible to change the font and/or size of the figured bass
numbers as well?
Thank you.
Yours sincerely,
Seng Liang.
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drums and chords at same time?
Hi All..
I am trying to mix drums and chords, but cant make it work.
I want the chords to be played once every bar and a hh on the quarter notes
to keep the beat.
How does this work..
My suggestion is very bad, I think...
Jannik
===
\version 2.6.3
\header
{
title = Improvise
composer = Jannik Jeppesen
}
beat = \drummode { \stemUp
\repeat unfold 20 {
hh4 hh hh hh
}
}
chordline = \chordmode {
\repeat unfold 20 {
a1:m c g e:m
}
}
drumNotes = \new DrumStaff {
\new DrumVoice {
\override Beam #'positions = #'(5 . 5)
\beat
}
}
\score {
\drumNotes
\chordline
\layout {}
}
\score {
\unfoldRepeats \drumNotes
\midi { \tempo 4 = 120 }
}
===
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Re: drums and chords at same time?
Jannik Jeppesen wrote:
Hi All..
I am trying to mix drums and chords, but cant make it work.
I want the chords to be played once every bar and a hh on the quarter
notes to keep the beat.
How does this work..
My suggestion is very bad, I think...
Not at all, just make sure to tell LilyPond that you want the drums and
the chords to happen in parallel:
\score {
\drumNotes
\chordline
\layout {}
}
Also, you may want to change 20 to 40 in
beat = \drummode { \stemUp
\repeat unfold 20 {
hh4 hh hh hh
}
}
to get the same number of bars in both parts.
/Mats
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Re: Do brackets always result in barlines?
On 11/18/05, Han-Wen Nienhuys [EMAIL PROTECTED] wrote: Trevor Bača wrote: Question: Is it always the case that staves that bracket together (with flared brackets, square brackets, piano braces, whatever) also always *bar* together? In lily, this is controlled with 2 separate engravers, the Span_bar_engraver and the System_start_delimiter_engraver, so both can be changed independently. Sorry, all: I was, as Mats guessed, asking about general notation practice. And it seems like the correct generalization with regards to notation practice is: barlines never *cross* brackets; not all brackets result in bars, but where barlines are written, they never cross the boundaries of bracketted staves. Is this last generalization true (in terms of general notation)? I might not be looking closely enough at actual scores? -- Trevor Bača [EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
RE: markup text height
Roman - Please provide enough translation of http://www.soprano-recorder.ru for an English-only person, like me, to find your music postings, especially the Lily code. - Bruce ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
RE: markup text height
How about compromising with the mf and con passione on the same vertical line as the default. Or, stack them in the order presented, as with consecutive \markups. - Bruce -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Han-Wen Nienhuys Sent: Thursday, November 17, 2005 5:06 PM To: Roman V. Isaev Cc: lilypond-user@gnu.org Subject: Re: markup text height Roman V. Isaev wrote: Yep, thanks, it worked. It looks like I'm doomed to live with development branch -- first was 2.5 because of unicode, now 2.7 because of this :) I found another collision: d'8[( ^a tempo \mf _con passione cis' a b cis' a]) | http://www.soprano-recorder.ru/tmp/question5.gif \mf and con passione got messed up. Will this behavior change? perhaps, but for now you have to intervene manually. I don't think it's unequivocal which one should be on top, so automation will be difficult. -- Han-Wen Nienhuys - [EMAIL PROTECTED] - http://www.xs4all.nl/~hanwen ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
dynamics collision
Hi, I know that this is in the manual but I'm getting a little crazy with this minimal trouble. I have to move dynamics mark. I suppose I have to use something like that \once \override ... #'padding = #1.5 \sfz but I'm not able to determine what should substitute the ... Could someone provide an example? Thanks -a- Andrea Valle DAMS - Facoltà di Scienze della Formazione Università degli Studi di Torino [EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
