Dear Neil,
thanks for Your help! Now I know, how I can do it!
2009/6/7 Neil Puttock
> 2009/6/6 Stefan Thomas :
> > Dear community,
> > how can I define webern-style accidentals for all staves in a score in
> the
> > layout-block?
> > I tried it with
> > \ver
Dear community,
how can I define webern-style accidentals for all staves in a score in the
layout-block?
I tried it with
\version "2.13.0"
\layout { \context { \Staff #(set-accidental-style 'dodecaphonic) } }
but without success
___
lilypond-user mailin
I agree, this is ingenious!
2009/5/27 Jonathan Kulp
> Mark Polesky wrote:
>
>> Jonathan Kulp wrote:
>>
>>> If you like the results of this code, you have Mark Polesky to thank.
>>> This is something from the mailing list just a little while back. It
>>> produces some warnings in the terminal, b
= #'(8 . 6 )
f''8 [ ( es''' ) g'' ] d'''([ b'') a'' ] %no collision to the tie, but
still not convincing
\time 2/4
c'''4 c''' }
2009/5/27 Jonathan Kulp
> Stefan Thomas wrote:
>
Dear Community,
in the below quoted snippet, there are tow collisions between slurs and
accidentals.
Is there any way, to solve this problem, either automatically or by hand?
\version "2.13.0"
{
% \override Staff.Accidental #'avoid-slur = #'around
\time 7/8
dis''8 ([cis''' ) f''] ais''4 ais''
Dear Francisco,
thanks! It worked!
2009/5/26 Francisco Vila
> 2009/5/26, Stefan Thomas :
> > Dear Francisco,
> > maybee I didn't espress clearly, what I wanted.
> > Here is a little longer snippet, which makes my intentions hopefully
> clear:
> (...)
> >
7;4 -- 8
-. [ gis''8 -. ] }
% the beginning of this measure looks not good, in my opinion
\times 2/3 {
4 -> eis''4 -- 8
-. [ gis''8 -. ] } }
2009/5/26 Francisco Vila
> 2009/5/26 Stefan Thomas :
> > Dear community,
>
Dear community,
I would like to change the horizontal position of an interval in the below
quoted snippet. But I don't know, how to do.
Here is the example:
\version "2.13.0"
{
\time 2/4
%the first examnple without moving the note columns
\times 2/3 {
4 -> \p eis''4 -- 8
-. [
Dear Wilbert,
I tried installing meinproc4, but, unfortunately, it is not in the
repositorys of Kubuntu.
I guess I will wait, until a package for my distro is built.
2009/5/24 Wilbert Berendsen
> Op zondag 24 mei 2009, schreef Stefan Thomas:
> > /bin/sh: KDE4_MEINPROC_EXECUTABLE-NOTF
Dear Francisco,
thanks for Your help.
Yes, You're right, I should change << \lower >> to \lower.
I somebody else knows, what the Output_property_eOutput_property_engraver
does, I still would like to know it.
It seems to be important
2009/5/24 Francisco Vila
> 2009/5/24 Stef
Dear community,
I have a question concerning this snippet:
http://lilypond.org/doc/v2.13/input/lsr/lilypond-snippets/Expressive-marks#Piano-template-with-centered-dynamics
I don't know, what the "Output_property_engraver" does.
I've read the explanations, but I didn't understand, unfortunately
Dear Wilbert,
unfotunately, I couldn't install frescobaldi from source.
After running make I got the message:
Scanning dependencies of target
bytecompile_python
[ 0%] Byte-compiling
signals.py
[ 0%] Byte-compiling
rational.py
[ 0%] Byte-compiling
kateshell/mainwindow.py
[ 0%] Byte-compiling
Dear Eluze,
thanks for Your help!
It works, but it seems to be really complicated, for me at least!
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Dear community,
in the below quoted snippet, the crescendo -text should have more space.
How can I do it?
I made a trial, but without success.
Here the short example:
\version "2.13.0"
dynalong= {
\override DynamicTextSpanner #'extra-spacing-width = #'(0 . 0)
\override DynamicTextSpanner #'extra
Dear community,
with Your hints I made success with my idea of changing the enharmonic context.
But, what I did doesn't still work like I expect it.
Here is an example with short comments on it:
\version "2.13.0"
#(define (naturalize-pitch p)
(let* ((o (ly:pitch-octave p))
(a (* 4 (ly
Dear community,
I have a question about the great naturalize music function, I found at
http://lilypond.org/doc/v2.11/input/lsr/lilypond-snippets/Pitches#Pitches
Is it possible to define another function, that shows an written "dis"
as an "es" and vice versa?
I'm thinking of something like \showFla
me ask one more question:
I read in the README file of ffado:
note: At the moment there is no support for ALSA nor for pulseaudio
And I would like to use it with csound, for live midi-playing. This
works without jack.
Is it a problem?
2009/4/14 John Haxby :
> Stefan Thomas wrote:
>>
>> De
Dear community,
I would like to get to work my edirol fa-66 soundcard.
It is an external firewire module and I'm using kubunte (kde 4.1.).
Could You give me a tipp, please?
--
This SF.net email is sponsored by:
High
Dear Neil,
thanks! I'm now able to do what I wanted!
2009/4/7 Neil Puttock :
> 2009/4/7 Stefan Thomas :
>> Yes, this is exactly what I want
>
> I think you'll have to fake the grace notes in this situation. You
> probably won't get them to look perfectly grace-l
Dear Kieren,
I think it could be easy, for someone, who can handle scheme, but for
me, I guess, it's too complicated.
2009/4/7 Kieren MacMillan :
> Hi Stefan,
>
>> there is one feature, that I know from Sibelius and Finale, which
>> would be great to have in Lilypond too.
>> If You have for exampl
Dear community,
concerning the notation of microtonal accicentals, in my opinion the
solution of Hans Zender is quite good.
He suggests to write changes of intonation with (-) (+) (on 12th of a
tone higher or lower), (--) (++), and so on.
This can be done easily in Lilypond and is quite understanda
Dear community,
there is one feature, that I know from Sibelius and Finale, which
would be great to have in Lilypond too.
If You have for example just one sixteenth note in a 4/4 bar, than
sibelius automatically fills the rest of the bar with rests.
I think rosegarden is able to do that too, but as
note(s) too. Is this not
> what you would expect?
>
> Trevor
>
> - Original Message - From: "Stefan Thomas"
>
> To: "lilypond-user"
> Sent: Tuesday, April 07, 2009 7:14 AM
> Subject: lyrics and aftergrace
>
>
>> Dear community,
&
Dear community,
I have a problem with lyrics and aftergrace.
In the following snippet, the lyrics don't align to the music as expected.
global = { \key d \major \time 6/8 }
melodie = \relative c'' { \global \afterGrace cis2.\trill{ b16 [ cis] } d4 }
text = \lyricmode { Lied im Grund. }
\version
Dear Neil,
thanks! Now I understand.
2009/4/3 Neil Puttock :
> 2009/4/3 Stefan Thomas :
>> Dear Neil,
>> I tried it with
>> \relative { c1 ~ c
>> \override Tie #'(details ratio 1.2) \override Tie #'(details heigth-limit
>> 13)
>> c ~ c }
>>
Dear Neil,
I tried it with
\relative { c1 ~ c
\override Tie #'(details ratio 1.2) \override Tie #'(details heigth-limit 13)
c ~ c }
but without sucess!
2009/4/2 Neil Puttock :
> 2009/3/31 Stefan Thomas :
>> Thanks! Great!
>> But I would like to ask one more que
Thanks! Great!
But I would like to ask one more question.
If the distance between two notes is larger, I think the amount of the
curve should be a little larger too. Can this be changed, generally if
possible, too?
2009/3/30 Neil Puttock :
> 2009/3/30 Stefan Thomas :
>> Dear community,
Dear community,
in the below quoted snippet the position of the tie isn't convincing,
in my opinion. It should be al little further apart from the
notes. Off couse I could type \override Tie #'staff-position all the
time, but I would be interested in tweaking it generally.
Is there a possibilitie?
And, one more point:
If I would like to change it generally, for all cases?
In my opinion the tenuto should alwyas closer to the note than the accent.
2009/3/27 Stefan Thomas :
> Dear Mats,
> thanks for Your tip! But how can I use this \tweak-command in this special
> case?
>
>
Dear Mats,
thanks for Your tip! But how can I use this \tweak-command in this special case?
2009/3/27 Mats Bengtsson :
>
>
> Jonathan Kulp wrote:
>>
>> Stefan Thomas wrote:
>>>
>>> Dear communitiy,
>>> I would like to change the order of arti
Dear communitiy,
I would like to change the order of articulation symbols in the below
quoted example.
But I don't know how to do it.
Here es a short snippet:
\version "2.12.1"
notes = { \repeat unfold 4 {8->-- es''-. -- fis''-. } }
arti = {
\repeat "unfold" 4 { s8 ->-- %the accent should be a
Dear Kieren,
thanks for Your help. Yes, it would be really great to get it
qutomatically. Maybee with lilypond 2.14.
2009/3/27 Kieren MacMillan :
> Hi Stefan,
>
>> Yes, I don't now how to reduce the distance and first staff in this
>> example.
>> It is an excerpt of a larger score, and the first
Dear community,
I would like to make a substition in the paper block, for the part
title. I usually use:
\paper{
oddHeaderMarkup = \markup
\fill-line {
"name of the part"
" "
\on-the-fly #print-page-number-check-first \fromproperty
#'page:page-number-string
}
evenHeaderMarkup = \markup
\fi
]fis'64 [ gis'64 e''64 a''64 ]
b''64 [ f'''64 bes'''64 ] | % 129
\ottava #1 2 ~ \fff ~ |
g''''32 [ ges''''32 \> es''''32 d'''
Dear Matthew,
I am very much interested in this plugin. I used sibelius for a long
time and I'm still searching for a good way, too export my music to
lilypond. I will test Your plugin as soon as possible!
___
lilypond-user mailing list
lilypond-user@gn
ose to the staff. Isn't there a
possiblitie to have a "magnetic position" for TimeSignature's
vertical position?
This would be great!
2009/3/22 Neil Puttock :
> 2009/3/22 Stefan Thomas :
>> Dear Lilypond-users,
>> I've got a new problem, concerning the Ti
Dear Lilypond-users,
I've got a new problem, concerning the TimeSig-Context.
I don't understand, why the Time-Signature takes so much space in this
example, when the bar starts with a rest.
How can I change it?
\version "2.12.1"
\include "compound.ly"
%taktarten
zwozwodrei = { \compoundMeter #'(2 2
c4 }
\score { <<
\new Staff <<\global \notenA >>
\new Staff << \global \notenB >>
\new Staff << \global \notenC >>
Dear Kieren,
I've provided a new (musically senseless) example. What makes me wondering:
How it is possible, that the Metronome-mark is shown only in the
top-staff? I wish, this would be possible also with the ritardando
(which I don't need in the third Staff) and with the timesignature,
which unfo
Dear Kieren,
thanks for Your help, but I guess, would be still to complicated.
Because I have too many bar changes in the score and too many other
things in the Time-Sig, like ritarrdando, etc.
Or is it maybee possible too hide the Staff, but not too hide the TimeSignature?
I don't know, how to do
Dear Kieren,
that sounds good, but I'm not sure if I understood You right. Do You
mean a Staff-context without notes, but with Time-Signatures? Could
You give me please a very short example?
2009/3/19 Kieren MacMillan :
> Hi Stefan,
>
> Have you considered abandoning the TimeSig context, and simpl
Dear Lilypond users,
I still have the problem with getting the right distance between first
staff and TimeSig.
In the below quoted snippet, the first staff is not alwys the same.
How can I (if possible, automatically) control the distance between
TimeSig and first staff?
Here is the snippet:
\ver
Dear Neil,
thanks for Your help, but what can I do, if the first Staff below the
time-signature isn't always the same?
2009/3/10 Neil Puttock :
> 2009/3/6 Stefan Thomas :
>> Dear all,
>> I forgot to switch on
>> \override Score.VerticalAlignment #'max-stretch =
&
Dear Lilypond users,
I wanted to switch on auto-completion for lilypond-files i vim.
I tried it with adding
autocmd FileType lilypond set omnifunc=lilypondcomplete#Complete
but without success.
How can I get it?
___
lilypond-user mailing list
lilypond-u
Dear all,
I forgot to switch on
\override Score.VerticalAlignment #'max-stretch =
#ly:align-interface::calc-max-stretch
If I do so, the distance between topmost-Staff and TimeSig is too
large, in my opinion.
2009/3/6, Stefan Thomas :
> Dear Neil,
> I think I have solved the probl
%\override Score.BarNumber #'break-visibility = ##(#t
#t #t) %jede Taktzahl wird gezeigt, spaeter wieder loeschen!!
\override TimeSig.VerticalAxisGroup #'minimum-Y-extent
= #'(-0 . 1)
% \override Score.VerticalAlignment #'max-stretch =
#ly:a
Dear Robin,
thanks for Your help. But I do need max-stretch. Off course not for
this snippet, but in "real" scores!
2009/3/5 Robin Bannister :
> Stefan Thomas wrote:
>>
>> I can't reduce the distance between the TimeSig and
>
> the first Staff of the Scor
Dear Lilypond-users,
I have the problem, in the below quoted example, that I can't reduce
the distance
between the TimeSig and the first Staff of the Score.
How can I do it? I tried it with
\override VerticalAxisGroup #'keep-fixed-while-stretching = ##t
but without success.
Here is the snippet:
%%%
Dear lilypond-users,
I tried to make a substitution in the layout-block, but without
success. I don't know what could be wrong.
Here is the short snippet:
\version "2.12.0"
keineTaktart = \layout { \context { \Staff \remove
"Time_signature_engraver"} }
keineTaktzahl = \layout{ \context { \Score \
Dear Wilbert,
many thanks for Your fine Lilypond-editor Frescobaldi!
It looks fine and is a very convenient tool to work with lilypond.
I'm only missing a feature, that can change pitches enharmonically,
e.g. convert a cis to des.
Is it possible to write a plugin for this?
___
Dear Chris,
thanks very much for Your help! I successfully installed Frescobaldi!
2009/2/24, Chris Snyder :
> Stefan Thomas wrote:
>> I tried to install Frescobaldi from source.
>> But I get the following error message:
>> The C++ compiler "CMAKE_CXX_COMPILER-NOTFOUND
Dear lilypond-users,
I tried to install Frescobaldi from source.
But I get the following error message:
The C++ compiler "CMAKE_CXX_COMPILER-NOTFOUND" is not able to compile a
simple test program.
I don't undertand the meaning of it-
I use Kubuntu, with KDE 4.2
_
Dear lilypond-users,
when compiling one of my scores I get the following error message,
which I don't understand:
musik/musik_ab115.ly:63:16: warning: No tuplet to end
s8\fp\< s\f\>
\times 4/6 { s32*5\p\< s 32\!} \pedtrem s4...\ff
\startTextSpan s32 \stopTextSpan }%lautleise 1
Dear Robin,
excellent! It works now! What does this \with-dimensions-command exactly do?
Is it explained in the manual?
2009/2/1 Robin Bannister :
> Stefan Thomas wrote:
>>
>> Is there a possibilitie to avoid automatically this collision
>
> The eyeglasses example in NR
Dear Lilypond-users,
in the below quoted snippet I get a collision between the two staves.
Is there a possibilitie to avoid automatically this collision, without
increasing the distace between the two staves generally?
Here is the snippet:
\version "2.12.0"
%%some definitions
onBeat = \markup {
Dear Reinhold,
thanks! I didn't see that!
2009/1/25 Reinhold Kainhofer :
> -BEGIN PGP SIGNED MESSAGE-
> Hash: SHA1
>
> Am Sonntag, 25. Januar 2009 22:37:39 schrieb Stefan Thomas:
>> Dear lilypond-users,
>> I tried the example for cue notes I found in t
Dear lilypond-users,
I tried the example for cue notes I found in the snippet repository
http://lsr.dsi.unimi.it/LSR/Snippet?id=388
Unfortunately, I can't compile it with my version (2.12.0) of Lilypond.
Can someone help me?
Thanks
Stefan
___
lilypond-u
Dear lilypond-users,
the question I'm asking You is not directly connected with lilypond,
but I guess, that some of You could help me a lot.
I'm searching for instructive examples from the french baroque-music,
where the so called "jeux inegales" (it's a little bit like swing) has
tu be used. Mostl
Dear Kieren,
Yes, I'm trying to make it not cross through the stemsm
2009/1/11 Kieren MacMillan :
> Hi Stefan,
>
>> with me version of lilypond it looks like in the attached png-file.
>
> Looks just like mine… and I like it!
>
> Are you trying to make it not cross through the stems?
> Kieren.
__
Dear Kieren,
with me version of lilypond it looks like in the attached png-file.
2009/1/11 Kieren MacMillan :
> Hi Stefan,
>
>> in the below quoted example (from the mutopia library)
>> the slur doesn't look very nice.
>
> What isn't nice about it? It looks quite nice to my eye…
>
>> How can I cha
for
those notes, where it is obvious.
2009/1/10 Neil Puttock :
> Hi Stefan,
>
> 2009/1/10 Stefan Thomas :
>> Dear lilypond-users,
>> I have question about the accidentals in the "neo-modern-style". In my
>> opinion, it should also add extra-naturals, if you have
Dear lilypond-users,
in the below quoted example (from the mutopia library) the slur
doesn't look very nice.
How can I change it? I now there is a snippet in the snippet repository
http://lsr.dsi.unimi.it/LSR/Snippet?id=134
but I don't understand it !
Thanks for Your help.
Here is the snippet:
Dear lilypond-users,
I have question about the accidentals in the "neo-modern-style". In my
opinion, it should also add extra-naturals, if you have chords with
cis and c' together. Unfortunately it does not do this, as the below
quoted snippet shows.
How this can be changed?
\version"2.12.0"
\new
Dear Kieren,
thanks! I did'nt think on the possibilitie to do this with latex!
2009/1/10 Kieren MacMillan :
> Hi Stefan,
>
>> I'm searching for a possibilitie to get automatic numberings for
>> different short music examples.
>
> With lilypond-book (and LaTeX) it would be quite easy — don't know a
Dear Lilypond-users,
I'm searching for a possibilitie to get automatic numberings for
different short music examples. Something like this:
\markup { example 1}
\scoreOne
\markup { example 2}
\scoreTwo
and so on.
Is it possible?
___
lilypond-user ma
#(ly:make-moment 1 4 )
> \times 2/3 { $x } \unset tupletSpannerDuration
> #(revert-auto-beam-setting '(end 1 12 4 4) 1 4 'Staff)
> % #(revert-auto-beam-setting '(end 1 12 * *) 2 4 'Staff)
> #(revert-auto-beam-setting '(end 1 12 4 4) 3 4 'Staff)
> #
Dear Lilypond-users,
in the following snippet I changed succesfully the beam-settings for
8th-triplet.
But I couldn't revert it, for the sixputplets.
Here the example:
\version "2.12.0"
AT = #(define-music-function (parser location x) (ly:music?)
#{
#(override-auto-beam-setting '(end 1 12 * *)
Dear John,
I tried now Your key-diatonic tranposition, but, in the below quoted
snippet, it doesn't work. I get the error message:
programming error: moving backwards in time
Here is the snippet:
%% begin %%
%
\version "2.12.0"
\include "intervalle.ly"
oberstim
Dear Bertalan,
I don't know the NoteNameMap and Note class. Can You explain me what it is?
2009/1/1 Bertalan Fodor :
> Remember you can use lilypondtool's NoteNameMap and Note class for quite
> interesting things. Possibly for this as well.
>
>
___
li
omatic passages.
>
> Andrew
>
> On Wed, Dec 31, 2008 at 6:09 AM, Stefan Thomas
> wrote:
>> Dear David,
>> thanks for Your answer. So, it should be possible to do this within
>> jedit, with a macro.
>>
>> 2008/12/31 David Picón Álvarez :
>>> I doub
Dear David,
thanks for Your answer. So, it should be possible to do this within
jedit, with a macro.
2008/12/31 David Picón Álvarez :
> I doubt such resolution is possible given that MIDI notes are given in a
> numeric form, meaning n semitones over the baseline. As far as I can tell
> MIDI is jus
Dear Andrew,
I've downloaded Your very useful plugin. It is grat, but in my opinon
is one important feature missing;
as far as I see, the enharmonic spelling of a note can't changed
immediatels with this tool. This would be very helpful, because an
"es" can also be a "dis", even in c-major.
Good n
Dear lilypond-users,
I have the following, I guess very simple problem, that I can't solve.
How can I get the beams in the below quoted example automatically?
Thanks for Your help
Stefan
\new Staff \relative { \time 2/4
c8 [ d e f ] g2 %this works, but it isn't automatic
#(override-auto-beam-set
\diatonicTranspose c \major #3 { $x }
#})
But, what can be done, if the key is not c?
2008/12/29 Stefan Thomas :
> Dear John,
> many thanks for Your fantastic macro! There is only one thing, I don't
> understand. I tried to transpose to a minor. Why does it, in the below
> quoted ex
Dear John,
many thanks for Your fantastic macro! There is only one thing, I don't
understand. I tried to transpose to a minor. Why does it, in the below
quoted example, start with d? The first note should be a, I assume.
pattern = \relative c' { c2~ c8 d16 e f g a b c4 g e c }
\new Staff {
\pat
;
> - Original Message - From: "Stefan Thomas"
>
> To: "lilypond-user"
> Sent: Sunday, December 28, 2008 11:54 AM
> Subject: error message I don't understand
>
>
>> Dear lilpond-users,
>> when compiling the below quoted file I get t
Dear lilpond-users,
when compiling the below quoted file I get the error message:
warning: type check for `stencil' failed; value `#t' must be of type `unknown'
I think it has to do with the tuplets, but I don't understand, what
I've done wrong. Here is the snippet:
\version "2.11.65."
klammernor
Dear Carl,
thanks for Your explanation!
Now I understand it!
2008/12/22 Carl D. Sorensen :
>
>
>
> On 12/22/08 2:30 AM, "Stefan Thomas"
> wrote:
>
>> Dear Lilypond-users,
>> I trie to substitute the variable "zackigschnell' with "APZ'
Dear Lilypond-users,
I trie to substitute the variable "zackigschnell' with "APZ', but
without sucess.
What is wrong with the following snippet?
\version "2.11.60"
\include "rhythmustest.ly"
\new Staff { \APZ { c' d' e' f' } }
rhythmustest.ly
Description: Binary data
Dear Lilypond-users,
I get the following error message now (from the linux bash):
[main] [error] PluginJAR: Cannot load plugin
/home/Stefan/.jedit/jars/antlr-runtime-3.0.1.jar
14:07:08 [main] [error] PluginJAR: java.util.zip.ZipException: error
in opening zip file
14:07:08 [main] [error] PluginJAR:
Dear Lilypond-users,
I tried to install the new Lilypond-Tool but I get the error-message
(when starting jedit):
~/.jedit/jars$ 11:03:00 [main] [error] ErrorListDialog
$ErrorEntry:
/home/Stefan/.jedit/jars/LilyPondTool.jar:
11:03:00 [main] [error] ErrorListDialog$ErrorEntry:
Dear lilypondusers,
is it possible to change the first barnumber in the layoutblock?
I tried it with:
\layout { \context { \Score
\set currentBarNumber #115 } }
but without succes.
Is there another possibilitie?
___
lilypond-user mailing list
lilypond-us
Dear lilypond-users,
I have again some questions concerning the TimeSig context.
I made a comment to those lines I do not understand. It would be very kind
if someone could explain the mening of these lines to me.
Thanks!
Stefan
\layout{
\context {
\type "Engraver_group"
\consists "Bar_engraver
Dear lilypond-users,
I found out that in a timeig-context the time-signature too far on the left
side, if there are clef-changes. In the below quoted snippet the second
score-block looks good, but the first doesn't.
How can I avoid it?
Thanks for Your help!
Stefan
\version "2.11.60"
\layout{
\co
Dear Mark,
thanks for Your answer. I knew that it is possible, to get the beamnings
with putting the beams and the music into the same context. But I wanted to
ask, if there is maybee a possibilitie to do this fully automatically. I
know that there is a possibilitie to do this in Finale and Sibeliu
Dear lilypond-users,
I have a question: is it possible, to get the beams in the below quoted
example automatically?
\relative { r8 [ c 8] r8 [ r16 d] r16 [ e8. ] r8 [ d] }
Thanks,
Stefan
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.g
If You are interested: I made short-cuts for jedit by myself. I type, q qi
wi ei and I get c'', dis'', dis'' und eis'' for example and I can input
chords quicker. I type asd (shift enter) and then I get . I You
are interested, I can send it to You. But now I use most of the time
lilykde, which I pr
Dear Lilypond-users,
I would like to have, in the below quoted example, the "Dsechsvier" on the
same heigth as the "T".
How can I get this?
Thanks for Your help,
Stefan
\version "2.11.60"
Dsechsvier = \markup { D \super { \combine \raise #1.1 6 4 } }
T = \markup {T}
\new Staff \relative c
Dear Lilypond-users,
these days I found the great function with the slashed stems.
http://lilypond.org/doc/v2.11/Documentation/user/lilypond/Special-rhythmic-concerns#Special-rhythmic-concerns
Unfortunately, in the below quoted example, it does not work with the beamed
notes.
\version "2.11.60"
Dear Lilypond users,
how can I get a dotted brevis with lilypond?
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Dear Lilypond-users,
in the below quoted example the symbol for the half diminished chord is, in
my opinion, not printed correctly.
How can I get the right one?
\version "2.11.59"
\header { title ="Beautiful love" composer = "Victor Young" }
melodie = { \key d \minor \time 4/4 \partial 2.
d'4 e
Dear Mark,
I use the "Wanderer"(I call this rhythm because it is the basic motive in
the Wanderer-Fantasie by Schubert ) and "Sarabande" rhythms like this:
\include "rhythmen.ly"
\relative {
\wanderer { c d e f e d }
\time 3/4 \sarabande { e d c g' f e } }
But, this is not my idea! You can fi
ou want a note with a duration of 5 sixteenth,
> what's wrong with
> c16*5 or c4*5/4
>
> /Mats
>
> Stefan Thomas wrote:
>
>> Dear Lilypond users,
>> I hope, I am not boring. But I found out a possibilitie to get very easily
>> a five-sixteenth note.
&
Dear Lilypond users,
I hope, I am not boring. But I found out a possibilitie to get very easily a
five-sixteenth note.
with the use of the "make-rhythm"-function. If You like it, please feel
free to use it!
\version "2.11.60"
\include "rhythm.ly"
viertelsechzehntel = #(define-music-function (pars
bass
\textLengthOff
\ottava #-1
\oneVoice 1 ~ ^\geklaster
1 ~
1 ~
4~ 8
r8 r2
\ottava #0
}
\new Staff { \ganzunten }
2008/11/2 Stefan Thomas <[EMAIL PROTECTED]>
> Dear Nick,
> thanks for Your tipp!
> But I still don't understand the reas
t;
> {\makeClusters { 32 32 } s16*15 |
> }
>
>
>
> }
>
> >>
>
>
>
> \ottava #0 }
>
> \new Staff { \ganzunten }
>
>
>
> *From:* [EMAIL PROTECTED] [mailto:
> lilypond-user-bounces+nick.payne =
&g
Dear lilypond-users,
in the below quoted example the text takes, in my opinion, too much space,
athough I wrote the command \textLengthOff.
How can I avoid it?
Here is the snippet:
\version "3.11.60"
ganzunten = {\clef bass
\textLengthOff
\ottava #-1
%es wird zweistimmig!
Dear Bayley,
sorry, I expressed it not quite clearly. I thought of a stroked out (hope
this is the right expression in english) notehead.
2008/10/25 Bailey James E. <[EMAIL PROTECTED]>
> Yes, see section 1.1.4 of the Notation reference on NoteHeads.
>
> Am 25.10.2008 um 19:03
Dear lilypond-users,
is it possible to get slashed note-heads?
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Dear lilypond-users,
the e-mail I'm writing is not directly concerned with lilypond , but:
Mr. Becker-Foss in Hameln/Germany searches urgently people to make a fair
copy of the first movement of "Les Beatitudes" by Cesar Franck.
He and his team have already done this work but the datas got lost. So
601 - 700 of 964 matches
Mail list logo
