Re: [Callers] need (more) help with Rory O'More

2008-03-11 Thread Richard Hart
To continue this discussion a little longer - I hope the horse isn't already dead - we danced French Fours at the Nelson dance last night, with lots of teens and younger dancers. French Fours is a proper dance and it has one of the greatest distinctions between the actives and the inactives. (P

Re: [Callers] need (more) help with Rory O'More

2008-03-07 Thread cathy jones
I'll be sure to contact the Kellys. --- "crunchym...@juno.com" wrote: > Susan, > I've replied to you offlist, but I'll reiterate for > anyone else who may be passing through Memphis, > Tennessee: This is the Volunteer state and we love > volunteer guest callers in Memphis, and the people > to

Re: [Callers] need (more) help with Rory O'More

2008-03-07 Thread Richard Hart
David's quote of David's essay brings to mind how I sometimes see Chorus Jig (and other dances) danced here. First, concerning foot percussion and clogging, that is sometimes a hint to the musicians to simply drop out completely and let the feet make the music.for a few measures. That happens h

Re: [Callers] need (more) help with Rory O'More

2008-03-06 Thread Robert Golder
"...our dance organizer is against imbalanced dances anyway, and the Rory O'More twirls are one of her favorite moves." Unless your dance organizer is in superb physical condition, _Rory O'More_ will illustrate for her a good reason why some dances have active and inactive roles. To dance _Ror

Re: [Callers] need (more) help with Rory O'More

2008-03-06 Thread David Millstone
At the risk of overstating the case-- and thank you, Jack, wherever you are, for chiming in- I'll quote from another of David Smukler's essays. In this case, he's discussing Chorus Jig but his comments about the role of the twos are relevant in the Rory O'More context: - Valuing the role of th

Re: [Callers] need (more) help with Rory O'More

2008-03-06 Thread Jack Mitchell
At 04:40 PM 3/6/2008, you wrote: [snip] > And I am afraid I may be castigated for calling a dance where the 2's are completely inactive for more than 32 beats! I think the only way to deal with this is to face it head on, rather than to attempt to "slip it by." You might talk about how "we all e

Re: [Callers] need (more) help with Rory O'More

2008-03-06 Thread David Millstone
Dear Alison, --- You wrote: This is very bad for me, as our dance organizer is against imbalanced dances anyway --- end of quote --- Immediate (and intemperate) reaction: tell your dance organizer to go soak her head! This is a classic case of the hot-shots dance gypsies-- the "overactive 10%"--

Re: [Callers] need (more) help with Rory O'More

2008-03-06 Thread Jack Mitchell
I don't think this would work, because it is the cast off that sends folks into the middle to do the wavy line, and getting to the center (even if there was room) woudl be really awkward for the 2's. I suspect this would be tricky to "balance" by alternating 1's and 2's active because it would

Re: [Callers] need (more) help with Rory O'More

2008-03-06 Thread crunchym...@juno.com
Susan, I've replied to you offlist, but I'll reiterate for anyone else who may be passing through Memphis, Tennessee: This is the Volunteer state and we love volunteer guest callers in Memphis, and the people to contact about calling here are Joan and Ernest Kelly. Contact info may be found her