Dear Stuart,
What you say is very true: but perhaps the issue is more what people
"in period"_made_of the distinction: I freely give that the
distinction is there, that they could make it, and that they did make
it.
All that follows is under the bright red rubric of "In my Opinion."
T
Doc Rossi wrote:
Related to this topic, there will be an article about the influence of
"art" music on "traditional" music in the Summer 2008 issue of Fiddler
Magazine [ http://www.fiddle.com/ ], written by Andrew Kuntz, who is
responsible for The Fiddler’s Companion website.
http://www.ibibli
Related to this topic, there will be an article about the influence of
"art" music on "traditional" music in the Summer 2008 issue of Fiddler
Magazine [ http://www.fiddle.com/ ], written by Andrew Kuntz, who is
responsible for The Fiddler’s Companion website. http://www.ibiblio.org/fiddlers/i
Damien Delgrossi wrote:
Hi all,
I would like to know if anybody has recorded music from the Pollet's
book and music from the Charpentier's one. Curiosuly we can find many
informations on cittern but no music.
Luthiers make all types of citterns, that means musicians are using
them. I would
David:
Well, I could be wrong, but since bowed instruments are more recent that
plucked, it would seem that way. The crowd is one of those many instruments
that (I believe) evolved from the Greek Kithara and are known throughout Europe
by various names..zither, citera, etc (ha ha). The s
Hi Brad,
Thanks for the clarification - I had understood the evolution to have gone
the other direction (evolving from other northern european bowed lyres). It
is quite a tangle, isn't it?
Best regards,
David
On Sat, Apr 5, 2008 at 12:37 PM, Brad McEwen <[EMAIL PROTECTED]> wrote:
> Hi:
>
> it
