No problem Ken. Sorry about that, I made the following example: (note
that this would not play in midi playback)
\version "2.22.2"
shMordentUp = \markup { \center-column {\musicglyph "scripts.mordent"
\musicglyph "accidentals.sharp" }}
shMordentDo = \markup { \center-column {\musicglyph "accid
Hi William;
Thank you, now I have a meaning.
What remains (that I did not specify) is how to engrave this?
Thanks,
Ken
On Mon, Jun 27, 2022 at 8:51 PM William Rehwinkel
wrote:
>
> That symbol means that the lower note is sharped. So it would be g-f#-g
> instead of g-fnatural-g. See
> https
Hi William;
Looks like I need to read more slowly :-) I see now that my
question was indeed precisely covered in the documentation.
Thank *you*. :-)
Ken
On Mon, Jun 27, 2022 at 9:29 PM William Rehwinkel
wrote:
>
> No problem Ken. Sorry about that, I made the following example: (note
> that t
Hi Andrew;
The screenshot is from 8notes.com:
https://www.8notes.com/school/pdf/piano/bach_six_1.pdf (attached)
Thanks,
Ken
On Mon, Jun 27, 2022 at 8:58 PM Andrew Bernard
wrote:
>
> Are you referring to BWV 933-938 6 Kleine Praludien? If so, I see no
> such passage in any of the preludes.
Are you referring to BWV 933-938 6 Kleine Praludien? If so, I see no
such passage in any of the preludes.
What source are you engraving from?
I am a harpsichordist so I can fairly confidently say this is not a rare
notation and all it would mean is that the mordent is to the F sharp not
F na
That symbol means that the lower note is sharped. So it would be g-f#-g
instead of g-fnatural-g. See
https://music.stackexchange.com/questions/86043/would-an-accidental-in-a-mordant-still-be-effective-for-the-whole-measure
On 6/27/22 23:13, Kenneth Wolcott wrote:
Hi;
I'm trying to engrave
Hi;
I'm trying to engrave a Piano arrangement of JS Bach, Six Little
Preludes, Nr 1, where the left hand notes have a strange thing I've
never seen before, a mordent on top of a sharp sign.
I've never seen these symbols together in this manner.
I have a screenshot attached.
Thanks,
Ken Wo
Am Mo., 27. Juni 2022 um 13:23 Uhr schrieb Jean Abou Samra :
>
>
>
> Le 27/06/2022 à 12:12, Thomas Morley a écrit :
> > Hi,
> >
> > https://lsr.di.unimi.it/LSR/Item?id=467 provides a markup-command to
> > access header-entries for use in arbitrary markup.
> > Alas it's limited to $defaultheader.
>
Jean Abou Samra writes:
> When you say "tackle the resulting parser conflicts", that means
> "add precedences to solve them by making interpretation choices",
> not "solve them in a way that always does what the user might intend",
> right? As I understand it, there is a shift/reduce conflict on
Hi Jacques,
On 27/06/2022 22:13, Jacques Menu wrote:
Does anyone know of some way to generate spiccato articulations in the scores
produced by Lily?
what would you expect that to look like?
{ a'4-! }
maybe?
Best, Simon
Hi David,
On 27/06/2022 21:07, David Kastrup wrote:
Before looking for a possible following `=`
LilyPond has to have made a decision what type the token/expression
coming before that has. It cannot look at the type of a #... expression
before deciding to look for `=` but it can (and will) look
Hi Jean,
On 27/06/2022 20:37, Jean Abou Samra wrote:
Le 27/06/2022 à 20:10, Simon Albrecht a écrit :
Hello everyone,
I’m trying to encode a piece such that I can switch whether or not
durations will be shifted (note values halved/doubled). Unfortunately
\tempo isn’t affected by \shiftDurat
Le 28/06/2022 à 00:15, David Kastrup a écrit :
David Kastrup writes:
Jean Abou Samra writes:
Le 27/06/2022 à 20:10, Simon Albrecht a écrit :
Hello everyone,
I’m trying to encode a piece such that I can switch whether or not
durations will be shifted (note values
halved/doubled). Unfort
David Kastrup writes:
> Jean Abou Samra writes:
>
>> Le 27/06/2022 à 20:10, Simon Albrecht a écrit :
>>> Hello everyone,
>>>
>>> I’m trying to encode a piece such that I can switch whether or not
>>> durations will be shifted (note values
>>> halved/doubled). Unfortunately \tempo isn’t affected
> On 27 Jun 2022, at 22:28, Jacques Menu wrote:
>
> Hello folks,
>
> Does anyone know of some way to generate spiccato articulations in the scores
> produced by Lily?
>
> Thanks for your help!
>
> JM
Google leads me to
https://www.researchgate.net/figure/Bow-Strokes-Spiccato-From-Milanovs
Hello folks,
Does anyone know of some way to generate spiccato articulations in the scores
produced by Lily?
Thanks for your help!
JM
Jean Abou Samra writes:
> Le 27/06/2022 à 20:10, Simon Albrecht a écrit :
>> Hello everyone,
>>
>> I’m trying to encode a piece such that I can switch whether or not
>> durations will be shifted (note values
>> halved/doubled). Unfortunately \tempo isn’t affected by
>> \shiftDurations (that would
Le 27/06/2022 à 20:10, Simon Albrecht a écrit :
Hello everyone,
I’m trying to encode a piece such that I can switch whether or not
durations will be shifted (note values halved/doubled). Unfortunately
\tempo isn’t affected by \shiftDurations (that would be a sensible
feature request, right
Hello everyone,
I’m trying to encode a piece such that I can switch whether or not
durations will be shifted (note values halved/doubled). Unfortunately
\tempo isn’t affected by \shiftDurations (that would be a sensible
feature request, right?), so I tried this:
%%%
\
Oh, no. This is what is needed. I just haven't come across the proposed algorithm of the program. I need to try it out.27.06.2022, 14:35, "Jean Abou Samra" :Le 27/06/2022 à 12:22, Лысов Дмитрий a écrit : It is interesting. There is something to think about.Since you say this, I suppose you are not
Aaron Hill writes:
> On 2022-06-27 6:18 am, Jean Abou Samra wrote:
>> The LSR runs LilyPond 2.22 and you have 2.18. You need to upgrade
>> LilyPond. Frescobaldi makes it easy to use several versions in
>> parallel.
>
> As far as I can see, the LSR only notes the current version in
> Contributing
On 2022-06-27 6:18 am, Jean Abou Samra wrote:
The LSR runs LilyPond 2.22 and you have 2.18. You need to upgrade
LilyPond. Frescobaldi makes it easy to use several versions in
parallel.
As far as I can see, the LSR only notes the current version in
Contributing [1].
[1]: https://lsr.di.unimi.
Le 27/06/2022 à 13:26, mark damerell a écrit :
It came from:
%% http://lsr.di.unimi.it/LSR/Item?id=328
Here is part of it:
% First version, with a single argument, i.e. the
% syntax is \triplet{ c d e }
triplet = #(define-music-function (music) (ly:music?)
#{ \tuplet 3/2 $music #})
\score
It came from:
%% http://lsr.di.unimi.it/LSR/Item?id=328
Here is part of it:
% First version, with a single argument, i.e. the
% syntax is \triplet{ c d e }
triplet = #(define-music-function (music) (ly:music?)
#{ \tuplet 3/2 $music #})
\score{
\relative c'{
c4 \triplet {c d e}
}
}
Thi
Le 27/06/2022 à 12:22, Лысов Дмитрий a écrit :
It is interesting. There is something to think about.
Since you say this, I suppose you are not completely satisfied with this
solution. What could be better about it?
Jean
Le 27/06/2022 à 12:12, Thomas Morley a écrit :
Hi,
https://lsr.di.unimi.it/LSR/Item?id=467 provides a markup-command to
access header-entries for use in arbitrary markup.
Alas it's limited to $defaultheader.
Although there is a comment to add/access other headers like from
\score, \bookpar ex
It is interesting. There is something to think about.27.06.2022, 09:48, "Jean Abou Samra" :Le 26/06/2022 à 20:25, Лысов Дмитрий a écrit : Thanks. That's not bad. Probably, the insertion of the \markup block in \score should not be done. Then you will get one midi file. Still, it is more convenien
Hi,
https://lsr.di.unimi.it/LSR/Item?id=467 provides a markup-command to
access header-entries for use in arbitrary markup.
Alas it's limited to $defaultheader.
Although there is a comment to add/access other headers like from
\score, \bookpar explicit \book, I found no way to do so.
I tried to lo
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