Oscar gmail.com> writes:
>
>
> Hi,This is great, but Is it possible to insert some melody measures with
> standard notation??
> Thanks,Oscar.
Of course.
% Begin Snippet
mychords = \chordmode {
c1:7
f
}
myrhythm = {
\key f \major
e8 f8 r8 b8 r8 b8 r8 b |
c1
}
%\new Staff
Hi,
This is great, but Is it possible to insert some melody measures with
standard notation??
Thanks,
Oscar.
On Thu, Jul 3, 2008 at 10:00 PM, Johan Vromans <[EMAIL PROTECTED]> wrote:
> Carl Sorensen <[EMAIL PROTECTED]> writes:
>
> > What version of LilyPond are you using? I'm using 2.11.50, and
Carl Sorensen <[EMAIL PROTECTED]> writes:
> What version of LilyPond are you using? I'm using 2.11.50, and I have
> no accidentals, just the key signatures.
I'm using 2.10.33. Thanks for all the pointers to solutions.
-- Johan
'Chord' is alive again -- http://chordii.sourceforge.net
__
Am Donnerstag, 3. Juli 2008 schrieb Johan Vromans:
> [Quoting Reinhold Kainhofer, on July 3 2008, 15:07, in "Re: Chord Charts -
> r"]
>
> > You mean the key signature (and its cancellation)?
>
> No, the accidentals (In your examples: the # in the 3rd measure).
Ah, I was using lilypond 2.11.x, and
Johan Vromans squirrel.nl> writes:
>
> Carl Sorensen byu.edu> writes:
>
> > Here is an example.
>
> Very nice!
> Is there a way to avoid the naturals and sharps? They're rather
> meaningless.
>
What version of LilyPond are you using? I'm using 2.11.50, and I have
no accidentals, just the
2008/7/3 Chris Gray :
>>Am Donnerstag, 3. Juli 2008 schrieb Johan Vromans:
>>> Is there a way to avoid the naturals and sharps? They're rather
>>> meaningless.
> Because b natural is used in the myrhythm in the first measure, a natural is
> used before that note head in the first measure. Carl w
On Thu, 3 Jul 2008, Reinhold Kainhofer wrote:
Am Donnerstag, 3. Juli 2008 schrieb Johan Vromans:
Carl Sorensen <[EMAIL PROTECTED]> writes:
Here is an example.
Very nice!
Is there a way to avoid the naturals and sharps? They're rather
meaningless.
You mean the key signature (and its cancell
[Quoting Reinhold Kainhofer, on July 3 2008, 15:07, in "Re: Chord Charts - r"]
> You mean the key signature (and its cancellation)?
No, the accidentals (In your examples: the # in the 3rd measure).
The leading key signature is significant. However, when transposing
the chords, the key signature
Am Donnerstag, 3. Juli 2008 schrieb Johan Vromans:
> Carl Sorensen <[EMAIL PROTECTED]> writes:
> > Here is an example.
>
> Very nice!
> Is there a way to avoid the naturals and sharps? They're rather
> meaningless.
You mean the key signature (and its cancellation)? That's easy: Simple create
the
Carl Sorensen <[EMAIL PROTECTED]> writes:
> Here is an example.
Very nice!
Is there a way to avoid the naturals and sharps? They're rather
meaningless.
-- Johan
'Chord' is alive again -- http://chordii.sourceforge.net
___
lilypond-user mailing li
On Wed, 2 Jul 2008, Carl Sorensen wrote:
cpgray library.uwaterloo.ca> writes:
I'm trying out LilyPond to see if there is a way to do chord charts in the
fashion illustrated in the wikipedia article on "Chord Charts". The image
there illustrates what I'm looking for:
http://en.wikipedia.org/w
cpgray library.uwaterloo.ca> writes:
>
>
> Warning: LilyPond Newbie
>
> I'm trying out LilyPond to see if there is a way to do chord charts in the
> fashion illustrated in the wikipedia article on "Chord Charts". The image
> there illustrates what I'm looking for:
> http://en.wikipedia.org/wi
s chord charts in a relatively straightforward way. After
all, it's meant to be a simple notation. This notation is all over books on
rhythm guitar, so there must be a way of doing it, but I've had a hard time
finding anything.
Thanks,
Chris
--
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