RPC g1:7 \NPC
>c1:7 g1:7
> }
>
> \score
> {
>\new ChordNames \chordset
> }
>
> Hope this helps!
> Kieren.
>
>
> ___
> lilypond-user mailing list
> lilypond-user@gnu.org
> http://lists.gnu.org/mailman/listinfo/lil
Robin Bannister wrote:
As "addBrackets" it wrapped only a single chord, but you could
derive a left_only and a right_only version easily enough.
I wanted to see if I could make such a pair deliver something close
to what the OP illustrated, and managed this using \put-adjacent.
This itself r
> {
>\new ChordNames \chordset
> }
>
> Hope this helps!
> Kieren.
>
>
> ___
> lilypond-user mailing list
> lilypond-user@gnu.org
> http://lists.gnu.org/mailman/listinfo/lilypond
Hi all,
This may be the easiest solution?
\version "2.12.2"
#(define (left-parenthesis-ignatzek-chord-names in-pitches bass
inversion context)
(markup #:line ("( " (ignatzek-chord-names in-pitches bass inversion
context
#(define (right-parenthesis-ignatzek-chord-names in-pitches bass
James E. Bailey wrote:
El 01.03.2009, a las 12:47, M Watts escribió:
James E. Bailey wrote:
El 01.03.2009, a las 01:12, Tim McNamara escribió:
A common jazz lead sheet convention is to parenthesize optional
chords written over the melody staff. An example is a turnaround
at the end of a
Tim McNamara wrote:
Rather than writing a separate ending, I'd like to just parenthesize
the last three chords over the final two bars so they would render:
F(Ab7Dbmaj7C7)
ChordName outputs via text-interface, so the easiest way should be
\once \override ChordNames.Cho
Hi Tim,
Rather than writing a separate ending, I'd like to just
parenthesize the last three chords over the final two bars so they
would render:
F(Ab7Dbmaj7C7)
Don't know how to (easily) parenthesize all the chords, but you can
easily parenthesize each chord — see at
El 01.03.2009, a las 12:47, M Watts escribió:
James E. Bailey wrote:
El 01.03.2009, a las 01:12, Tim McNamara escribió:
A common jazz lead sheet convention is to parenthesize optional
chords written over the melody staff. An example is a turnaround
at the end of a song that is not playe
James E. Bailey wrote:
El 01.03.2009, a las 01:12, Tim McNamara escribió:
A common jazz lead sheet convention is to parenthesize optional
chords written over the melody staff. An example is a turnaround at
the end of a song that is not played the last time through. For
example in "Easy Liv
El 01.03.2009, a las 01:12, Tim McNamara escribió:
A common jazz lead sheet convention is to parenthesize optional
chords written over the melody staff. An example is a turnaround
at the end of a song that is not played the last time through. For
example in "Easy Living" the turnaround o
A common jazz lead sheet convention is to parenthesize optional
chords written over the melody staff. An example is a turnaround at
the end of a song that is not played the last time through. For
example in "Easy Living" the turnaround over the last two bars of the
second ending is (using
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