hi,
I think things like adding \set chordShape #a would only be good in barré
cases.
I suggested the string as basis because of all the chords that are not
based on the basic chords, and in different positions as well, with a root
on different strings, often found in Jazz.
I've looked at the link
Marc Hohl writes:
> Am 18.09.2015 um 08:40 schrieb bart deruyter:
>> Hi all,
> [...]
>> For inversions one might choose a number based on the n'th note of a
>> chord, for example 2 as the second note from the root note, which in the
>> case of c:m would result in a ees as the lowest note and disp
Am 18.09.2015 um 08:40 schrieb bart deruyter:
Hi all,
[...]
For inversions one might choose a number based on the n'th note of a
chord, for example 2 as the second note from the root note, which in the
case of c:m would result in a ees as the lowest note and display a
fretboard diagram accordin
Hi all,
in my study about jazz it became very clear to me that the predefined
fretboard diagrams in lilypond are very limited, and why.
There just are too many ways to form a chord on the guitar to list them
all. I know the user can create their own custom fretboard tables, but in
my case, each t