Hi Rainer and all,
For those who didn't check out these examples, they all involve a
simple melody where Milan drops down to an open string resulting in a
minor third jump rather than using a half or whole step which would
better match as an imitation.
For example, instead of
Yes. Thanks very much Rainer.
My memory is apparently not so good these days. I remember now having
seen this in an unreadable copy. This one is better.
But what version did Wyssenbach use for his ornamented edition?
Thanks again,
Robert
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Ich habe diese Nachricht mit
Dear Denys,
Thanks for this info, and sorry for the late reply.
The edition I had asked for (and kindly received from Rainer and a few
others) is
this earlier edition that Wyssenbach copied. (Borrono-Milano 1546 (8)).
The problem was that the copy most often available
online