Jack Campin wrote:
>
> >Yes, after all these descriptions of the so-called Shetland guitar style, I
> >was wondering if there was any connection with the CB piano school. They do
> >sound similar.
>
> ??? The CB piano stuff is simple harmonies but very complicated rhythms
> and textural effects
>>Yes, after all these descriptions of the so-called Shetland guitar style, I
>>was wondering if there was any connection with the CB piano school. They do
>>sound similar.
>
>??? The CB piano stuff is simple harmonies but very complicated rhythms
>and textural effects: the "Shetland" guitar stuf
>I've just had a knock-back from the Crail Festival. Remember, James Oswald -
>Scotland's finest 18th-century musician - was born there to a poor family
>and rose to become the Chamber Composer to George III and muse to Robert
>Burns. I offered to have the launch of my CD of Oswald's 'guittar' mus
>Yes, after all these descriptions of the so-called Shetland guitar style, I
>was wondering if there was any connection with the CB piano school. They do
>sound similar.
??? The CB piano stuff is simple harmonies but very complicated rhythms
and textural effects: the "Shetland" guitar stuff is c
> > I've just had a knock-back from the Crail Festival. Remember,
> James Oswald -
> > Scotland's finest 18th-century musician - was born there to a
> poor family
> > and rose to become the Chamber Composer to George III and muse to Robert
> > Burns. I offered to have the launch of my CD of Oswald
Rob MacKillop wrote:
> I've just had a knock-back from the Crail Festival. Remember, James Oswald -
> Scotland's finest 18th-century musician - was born there to a poor family
> and rose to become the Chamber Composer to George III and muse to Robert
> Burns. I offered to have the launch of my CD
