Re: (313) Essential Juan Atkins
well i`d say i`d call his new
Infinity feat. Juan Atkins - tempt me (tresor/132)
essential, cause he never sang that much...
:)
cu
bleed
At 14:32 Uhr +0100 17.01.2000, Robert W. Webb wrote:
Wibo wrote:
What CD titles by Juan Atkins would you consider to be essential? Sofar
I only have Deep Space
under his Model 500 monicker and the MasterMix, but what other titles
are worth checkng out?
Model 500 Classics on RS. i think the title sez it all.
Model 500 Sonic Sunset on RS... assuming the CD is the same as the
vinyl you'll get the long
long version of I Wanna Be There ('bout 15 minutes?)... a must have.
Re: (313) ERSATZ AUDIO presents...
so u get the CD if you attend the event? is there a way to get the CD with out attending this? (because you are out of state/country?) diana From: Adam Miller [EMAIL PROTECTED](by way of \Lance @ Inaudible\ [EMAIL PROTECTED]) To: 313@hyperreal.org, [EMAIL PROTECTED] Subject: (313) ERSATZ AUDIO presents... Date: Sun, 16 Jan 2000 23:41:28 -0500 ERSATZ AUDIO Presents: The Forgotten Sights Sounds of Tomorrow. -An Exhibition of Art, Design, Music Commerce.- WHERE: detroit contemporary 5141 Rosa Parks Blvd. Detroit, MI 48208 313-898-4ART WHEN: Saturday, February 19th, 2000. ART VIEWING from 6:00-11:59 pm. LIVE MUSIC from 12:00-1:30 am. This is a FREE event brought to you by ERSATZ AUDIO and detroit contemporary. One night only! WHO: Featuring the artwork of: Philip Burke Matthew Gollnick Nicola Kuperus Adam Lee Miller Pilot Pictures Rita Sayegh / Constructure Riva Sayegh Plus, featuring live performances from: PERSPECTS (first Detroit performance!) ADULT. (live entertainment) WHY: To commemorate their five year anniversary as one of Detroit's most unique and enigmatic electronic labels, Ersatz Audio is making available a CD compilation (The Forgotten Sounds of Tomorrow) featuring a comprehensive selection of works from previous releases. This spectacular collection of music culminates a true commitment to the burgeoning electronic music genre. However, what distinguishes the Ersatz Audio label from all others, is its stripped down sound. With a sublimated sense of humor, they continue to explore the often overlooked electronic synth pop of the 80s. Their austere interpretations with purposeful irony demand careful listening. The aforementioned CD compilation is also an homage to the visual artist who have helped shape EAs distinctive visual style. A look which has been featured in the internationally recognized guide to cutting edge graphic design Disc Style (©1999 Edition Olms AG). Adam Lee Miller along with Rita Sayegh of Construture Design established the initial branding which the Ersatz Audio label has become known for. The CD booklet features visuals by Philip Burke, Matthew Gollnick, Nicola Kuperus, Adam Lee Miller, Pilot Pictures, Rita Sayegh / Constructure, Riva Sayegh. This FREE event on February 19, 2000, at the detroit contemporary will include a live performance by PERSPECTS featuring Ian R. Clarke (of Le CAR) also performing are ADULT. featuring Nicola Kuperus and Adam Equation (of Le CAR). This ONE NIGHT event showcases artwork from those included in the CD booklet. It is a chance to get a glimpse of the rigorous standard within which Ersatz Audio continues to define itself. So visit and enjoy the unforgettable sights and sounds at the detroit contemporary. Espirt de corp! The audible artists featured on this CD compilation (ERSATZ AUDIO: The Forgotten Sounds of Tomorrow EZCD-11) include ADULT., ARTIFICIAL MATERIAL, BOLZBOLZ, FASTGRAPH, FIRST MODE, G.D.LUXXE, KITBUILDERS, Le CAR, LESSENINGLESSON, PERSPECTS, PLATEX, and THIRD ELECTRIC. *If you would like to be removed from future Ersatz Audio batch emails, please reply with remove in the subject.* __ Get Your Private, Free Email at http://www.hotmail.com
(313) Sony/BMG, what's the difference?
Okay, so we all know what happened with the Sony Jaguar cover mysteriously going to Bertelsmann/BMG. Now read the following: In this week's issue (nr. 3) of German mag Der Spiegel, Bertelsmann CEO Thomas Middelhoff is quoted as saying The takeover of a music firm has priority. Sony Music and EMI are candidates. Sony Music or EMI? Gosh, I wonder which of the two that is going to be... It's all falling into place now... Otto PS See http://www.spiegel.de/spiegel/nf/0,1518,59901,00.html for the full article (in German though)
Betr.: Re: (313) Essential Juan Atkins
Is that the Skynet album? W bleed [EMAIL PROTECTED] 17-01-2000 15:18:37 well i`d say i`d call his new Infinity feat. Juan Atkins - tempt me (tresor/132) essential, cause he never sang that much... :) cu bleed t have.
[Fwd: Re: (313) Essential Juan Atkins]
Robert W. Webb wrote:
Model 500 Sonic Sunset on RS... assuming the CD is the same as the vinyl
you'll get the long
long version of I Wanna Be There ('bout 15 minutes?)... a must have.
I gotta back Rob on this one. The long version is on the CD, so
no worries. Also conatins Neptune, one of my top 313 mood
pieces.
I'd also suggest the Infiniti compilation if you can find it.
Game One is a must.
- There4IM
Re: (313) Tokyo confirmation
The only thing for sure if Sony or EMI took over Bertelsmann/BMG is that quite a lot of roster bands, producers, authors and others from both companies would be made redundant (as the Brits say). Every single other such merger has been followed by a reduction in the artist roster of both labels (in the case of record companies). Fred
(313) mp3s
hi! there are unreleased or new tracks for free download at: http://www.mp3,com/moved (move d, conjoint, the suitcase) http://www.source-records.com (dave wheels/hia, transporter, dsn, rawell,...) http://www.besonic.com/source_records (gramm/aka farben, yonder kids, conjoint, ro70 / moved) hope you enjoy! david
Re: (313) avanty-bootycore
William VanLoo wrote: That's the thing I dig about Simon Reynolds - I have a pretty different context than the one he comes from, and I don't always agree with what he says, but he's at least got a sense of humor about it. Whaddya think about this paragraph where the mad coiner just about busts a blood vessel hyphenating shit? In the tradition of hardcore and jungle before it, London's garage scene works as a gigantic laboratory, a permutation space where new hyphenated hybrids and creole micro-genres flicker into life for a few months or even just weeks, then disappear: speed garage, slow jungle, ska-house, acid swingbeat, hyper-funk, breakbeat garage, disco-ragga, grunge dub, riddim blues, electro-gamelan, divas-in-the-echo-chamber, crack house, tech-2-step, quiet stormcore, sugarshack breakbeat funk, scrap iron dub, bleep garage, wildstyle soul, lover's jump-up. I can just see him with his head in a bassbin, jotting this stuff down on a notepad. Priceless! -d.w.
Re: (313) avanty-bootycore
Reynolds is a clever writer. Erm, sometimes too clever by half! I still think my favorite non-genre of all time is gabba handbag. It's like they say -- opposites attract! phred
