DEMF tip
Just heard from someone that each of the 3 days will be designated to a certain musical genre. Those 3 being - House, Techno, and Hip Hop. Also, they are banking on the largest draw being the Hip Hop day. Cheers, Gerald.
Re: (313) Discographies
In a message dated 4/27/00 5:25:01 PM, [EMAIL PROTECTED] writes: np. Detroit Breaks - Maas Actually, it's called Michigan Breaks... pw
Re: (313) DEMF tip
Well... those that would be updating the website also happen to be on the 313 list and will be attending the website, so I'm sure the website will be updated as fast as someone can post a report here anyway. ;P nyah. Dale At 05:44 PM 4/27/00 PDT, you wrote: The press conference for the festival is May 1st. Though it set to be up on the web a couple hours after, would anyone here in the detroit area who is attending want to volunteer as (313) liason? Perhaps take notes at the press junkit to relay to (313)? diana
Re: (313) DEMF tip
How redundant can I get? I meant and will be attending the press conference Too many webpages, not enough sunshine I guess... At 08:58 PM 4/27/00 -0400, you wrote: Well... those that would be updating the website also happen to be on the 313 list and will be attending the website, so I'm sure the website will be updated as fast as someone can post a report here anyway. ;P nyah. Dale At 05:44 PM 4/27/00 PDT, you wrote: The press conference for the festival is May 1st. Though it set to be up on the web a couple hours after, would anyone here in the detroit area who is attending want to volunteer as (313) liason? Perhaps take notes at the press junkit to relay to (313)? diana - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Fwd: Fw: [digitalnoise] the final email....
for those thinking u have forever to listen to the Paris live PA in Miami, please read on.Basically u have till the end of May to listen to it. this was forwarded to me by mark f. of 313 RIP frustrated. diana - Original Message - From: jon mclaughlin [EMAIL PROTECTED] To: digitalnoise.com NEWS [EMAIL PROTECTED] Sent: Thursday, April 27, 2000 4:05 PM Subject: [digitalnoise] the final email ... digitalnoise ... ... update ... .. 1 THU APR 27 - digitalnoise closes up the shop Okay, so by now you all pretty much know that last night's webcast with DJ Suv was our last one. (It was a wicked way to go out too.. look for the archive soon). I've been getting a lot of emails asking what the deal is, so I figured since I've hit up your email boxes with at least 200 emails over the past year and a half, I might as well send out one more and explain the situation. Some of you on this email list have been on here since the begining, but some of you may not know that digitalnoise has actually been around since September 1998. We started out broadcasting two nights a week from my loft in Brooklyn with DJs like Christian Bruna, Holmar Filipsson, A.Gram, Justin Johnson, Ulysses, Dharma, the Satellite Records crew, the Funky Soul Rebels and more. The DJs provided the beats for 2 hours each and we provided an endless supply of Brooklyn Lager (a fine micro brew). The first show was done by Holmar Filipsson and both he, the digi.crew and the 12 or so people hanging out that night had no idea what to expect. I think we had 5 listeners that first broadcast. There were more people in my loft than there were online :) Well, Holmar's set was unebelievably good and completely inspired me and the rest of the digi.crew to press on. It wasn't too long after our first Brooklyn Studio show that we made the switch to live webcasts from clubs. Jungle Nation and Konkrete Jungle were our first two regular events. We eventually added N'Ice, Sticky, Physics, Direct Drive and took on special one-off events. You rag-tagged digi.crew managed to broadcast 3 events from the Winter Music Conference 1999 with only 2 weeks of planning. We got to carry more CMJ events in 1999 than anyone else and we must've set records for remote webcasting with our 48 hour Baktun marathon and two simultaneous streams of audio and video for 12 hours straight from Engage down in Washington, DC. All in all, its been a fantastic year and a half. So what's the problem? Well, the entire digitalnoise.com site is basically cared for by 4 people. Expenses were covered out of our own pockets (do you know how much Ethernet cable is needed to wire a network in the Washington DC Armory??) and we all had other jobs - thankfully with very flexible hours and understanding co-workers (thanks CTG!). Our goal was to make digitalnoise even more than it currently is. We had plans for a new air studio to go back to our Brooklyn Studio roots and even more live club broadcasts. We wanted to add quality video, better audio, and more features to the site. All of this takes even more time and much more money. Being that we're a dot com and a fairly successfull one, we figured it shouldn't be too hard to get some investors to help us out and kick start digitalnoise to the next level. Unfortunately, we couldn't do that. We've spend the last 6 months or so looking for serious startup capital. Either from a lack of experience in raising the money, or from the investors' general impression that 'electronica' isn't popular enough, we just couldn't pull it off. We're positive that digitalnoise would have become one of the most extensive content and community sites centered around DJ-orientated music. There's no doubt in my mind. We just couldn't convince the people with money that this was the case. So now we've put ourselves into debt, wrecked relationships, quit jobs and generally over extended ourselves to pull this off. Was it worth it? Hells yes!! I wouldn't trade in the time I spent on digitalnoise for anything. Looking back over the 200+ webcasts we've carried (more remote webcasts than anyone ever has before - well over 1000 hours of music) I'm proud to say we probably had the best and most consitent webcast schedule on the Internet - especially for drum'n'bass. The only problem is that we stopped getting better. We have this grand vision of what digitalnoise should be and without the startup capital we just can't pull it off. So without being able to reach that goal, we've decided that its time to move on. with that said though, there actually is still a glimmer of hope. I'm not lieing when I say we are actually still talking with people and trying to make things happen. It's a last ditch effort, but if things do work out, digitalnoise will eventually startup again and things will be totally
Re: (313) Detroit Gran Pubas live
Can someone repost the URL for that Heckle Jeckle/DGP set in RealVideo? You mean this one? http://player.pseudo.com/real_clip.asp?id_arc=5268 Cheers, Hans -- Hans Veneman [EMAIL PROTECTED] http://www.TV-99-AD.com/hans/ http://www.mp3.com/TV99AD
RE: (313) Books (was rough guide to techno)
I went to Borders tonight to get a copy of rough guide to techno and was sad to find out that it isn't due to be published here in the US until June. I did stumble onto some interesting info about another book written by Tim Barr called Brighter Daze that is also due to be published in June. Looks to be another techno rebels/gen ecstacy-style book on the history of dance music. I don't know what the emphasis is though. I'm trying to contact the publisher and get a press copy. Anyone hear anything about this book? ...Jason -Original Message- From: Dissonance Electronic [mailto:[EMAIL PROTECTED] Sent: Thursday, April 27, 2000 11:25 PM To: 313@hyperreal.org Subject: Re: (313) Books (was rough guide to techno) While books are in issue i'd like to recommend a book i picked up from the music library at uni. It's a brand new book but from a major publisher so it shouldnt be to hard to track down. Its called Discographies : dance music, culture and the politics of sound By Jeremy Gilbert and Ewan Pearson.(Published: London ; New York : Routledge, 1999.) And I cant do it justice in a short description but its a critical / theoretical / cultural approach to many of the issues involved in dance music (which in their definition includes house, techno, soul,disco hip hop etc). Their analysis draws on contemporary critical theory using the work of Barthes, Kristeva, Derrida, Foucault et al. (while it utilizes these thinkers the book is always careful to explain the ideas that they are drawing on - you dont have to go and read the thinkers to understand the book) Its not a history but a very sophisticated analysis of the the role of music and dance music in particular in western culture. Of particular interest was a section where they looked at some of the reasons why western culture is so resistant to dance music. Its quite academic but very rewarding - i dont find it arrogant or pretensious either but i have some experience with this sort of writing. I'd recommend it to any one who is interested in 'dance music' in the broadest sense of the word. Its also very applicable to experimental electronic music. Any one who wants some more info feel free to email me. Peace Josh Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: (313) Track ID
Stacey Pullen's betalounge set from the Transmat tour in SF, 46 minutes in, has a slammin choon. It has a sample Let the bass kick. Any help? sounds like it could be an old N-Joi track, but I suppose I should listen to the set first, eh? :) or it could be enigma.. a dutch pregabber thing but i suppose i should listen to the set first as well :) haven't listened to this set either [naturally!] - but there's a track that sample 'let the bass kick' by the hacker out on goodlife records recently out of france - could be that.? cheers! simon
Re: (313) Track ID
marsel wrote: or it could be enigma.. a dutch pregabber thing That'd be Egma, not Enigma :) Released in 1991 on Midtown (!) I think, right around that early Praga Khan-style era. I'm pretty sure they sampled the Let the bass kick and speeded it up a little, but for the life of me I couldn't remember where from. The track in Stacey Pullen's set is different though, although the sample sounds similar, only slightly slower. Otto
this SUNDAY...SWANK! 4/30
Come check out SWANK this Sunday, 4/30, at the Token Lounge in the oh-so-beautiful Westland, MI. To kick off the first week, Michael Geiger will be in the main room with Kruse Kontrol and JB in the other room. ladies get in for free and dudes, you pay $7. if you are a dude over 21 you get a free drink ticket worth $4. Anyway, see you guys there. Token Lounge 28949 joy road 2 blocks east of middlebelt. Directions: basically get to 96. If you are coming form the East: take 96 west to middlebelt rd. go left onto middlebelt. take that 2 miles until you hit Joy road. take left on Joy. It will be 2 blocks up on your left hand side. From the West. 96 west to middlebelt. take right on middlebelt, go 2 miles down, take left at Joy Rd. 2 blocks up on your right hand side.
Re: (313) Track ID
Yeah. It isn't that one. : I think that was one of the first techno songs I ever heard though. Different vocal sample, but the same words. Tristan == PHONOPSIA[EMAIL PROTECTED] http://www.geocities.com/SunsetStrip/Lounge/5102/index.htm FrogboyMCI on AOL Instant Messenger New mix, Propper Techno and new Album, Québécois, online now. -Original Message- From: Dan Sicko [EMAIL PROTECTED] To: Phonopsia [EMAIL PROTECTED] Cc: 313 313@hyperreal.org Date: Thursday, April 27, 2000 11:02 PM Subject: Re: (313) Track ID sounds like it could be an old N-Joi track, but I suppose I should listen to the set first, eh? :) -d On Thu, 27 Apr 2000, Phonopsia wrote: Not sure if this was asked recently or not. Stacey Pullen's betalounge set from the Transmat tour in SF, 46 minutes in, has a slammin choon. It has a sample Let the bass kick. Any help? Tristan == PHONOPSIA[EMAIL PROTECTED] http://www.geocities.com/SunsetStrip/Lounge/5102/index.htm FrogboyMCI on AOL Instant Messenger New mix, Propper Techno and new Album, Québécois, online now. __ Do You Yahoo!? Talk to your friends online with Yahoo! Messenger. http://im.yahoo.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Dan Sicko http://www.reverbmag.com http://www.techno-rebels.com __ Do You Yahoo!? Talk to your friends online with Yahoo! Messenger. http://im.yahoo.com
Re: (313) Fwd: Derrick May in NY?
Spoke to the folks at Transmat and Derrick is expected to arrive in town later this afternoon... I saw flyers on the street this week...poorly promoted, but... pw In a message dated 4/28/00 11:30:05 AM, [EMAIL PROTECTED] writes: Somehow hadn't heard this being promoted, but someone just forwarded this to me; anyone know whether this has been confirmed? -- Forwarded message -- Date: Fri, 28 Apr 2000 00:43:51 -0400 From: MailingLiz [EMAIL PROTECTED] To: [EMAIL PROTECTED] Subject: Imagine Fridays Tom Mello invites you to: Imagine Fridays @ Exit 610 W 56th Street NYC This Friday: DJ's Derrick May and O'Sheen call 212-330-9018 Every Sunday Bill Spector invites you to Enjoy @ Chaos 225 E Houston St (NYC) still going strong! with DJ Mark Ronson call 212-629-2098
rave and 313
313ers... I was going through my housemates records the other day and found an old rave classic called Can You feel It by Terrorize on Hamster Records (1992) ... now i know Kevin Saunderson did a few remixes of rave tunes in the early 90s and this is one of them.. but what i found surprising was the additional production credit going to Stacey Pullen. are there any other rave tunes that 313 musicians remixed??? tan... -- Graham [tan] Wilson: 618th Sonic Warfare Division guppy.cs.adelaide.edu.au/tan [EMAIL PROTECTED] [EMAIL PROTECTED] Chicago House is about pickled vegetables.
Verdict
Hey all, just curious to know if anyone has any comments on the ruling that came out today that said MP3.COM has infringed copyright laws of the recording industry. See it here: http://webcrawler-news.excite.com/news/ap/000428/12/mp3-lawsuit Crazy shit! Pieces MM Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
Re: (313) Help!
the sonic groove web site stated that it was from the same producer. kuri Quick question, that new Abuser record that came out this week, is that done by User?? Cuz if it's not it's a blatant rip-off, not only musically but in artistic terms as well (the label on there is the same one that User uses!). Thanks in advance for the info! Pieces... 'Michigan' Myke [1 TRAK Resident] Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- Kuri Kondrak Resonance Magazine
vocals and whatnot
Hello All, Thanks to those who posted info on the RZ-1. FWIW, there is one on ebay at the moment for around USD100. It still has five days left though On a completely different trip, I was wondering if anyone out there could recommend some good techno with *tastefull* vocal samples. I really like the mills' style of vocal use in 'if'- the vocals are there, but are treated like any other instrument. They don't overpower the song. Once again, thanks for all your assistance (collectively!) out jim
Re: (techno) Verdict
A spectre is haunting [the record industry]... it is the spectre of... On Fri, 28 Apr 2000, Myke Mitchell wrote: Hey all, just curious to know if anyone has any comments on the ruling that came out today that said MP3.COM has infringed copyright laws of the recording industry. See it here: http://webcrawler-news.excite.com/news/ap/000428/12/mp3-lawsuit Crazy shit! Pieces MM Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com --- For the greater the pleasure whereby we are affected, | [EMAIL PROTECTED] the greater is the perfection whereto we pass - Spinoza | Ryan Daum
Question
Hey all! Just a quick question, anyone hear of the following record: james lLennet vs plastikman - jazz fanatics (minus) I haven't seen/heard this before, any comments, reviews?? Thanks. MM Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
show602:Andrew Duke's In The Mix now online on Cognition http://techno.ca/cognition
now online on Cognition: http://techno.ca/cognition Andrew Duke's In The Mix show 602 here's the tracklisting show 602 part one: Technasia's Charles Siegling (FR/HK Technasia/Sino) exclusive guest DJ mix; there's 29 tracks in this mix; full tracklisting available on Cognition for this mix show 602 part two: 1. Plasm Nesonic--Internal Facade from Automated Choice Response EP (NL Delsin test) 2. Universal Principles--Latin Stroll from Inspiration Light (UK Soma) 3. Peter Kruder--Root Down (DM Compost test) 4. Isolee--Music... from Rest (DM Playhouse) 5. Audio Totem Pole--Damascus from ATP2 12 (US Audio Totem Pole) 6. Hollis P. Monroe--You Belong With Me from Every Night EP (US Fiji test) 7. Da Kine--Downstream from Drift002 EP (US Driftwood test) 8. D. Diggler (Andreas Mugge)--B1 from Feel My Heat (DM Raum...Musik test) 9. G. Pal--The Passion For The Phuture from The Passion EP (US Plastic City USA test) 10. John Tejada--String Theory from Significant Numbers EP (US Seventh City test) 11. Technasia--Force from Force EP (FR/HK Technasia) 12. Brinton McKay (John Selway)--Real Cool (Abe Duque remix) from RAP002 12 (US Rapture test) 13. Le Car--Audiofile 10 (Ectomorph version) from Le Car Remixed EP (US Ersatz Audio test) 14. Redshift--Intro from Fear/Decay EP (UK Surface Effect CDR) 15. Redshift--Fear from Fear/Decay EP (UK Surface Effect CDR) 16. Shawn Rudiman--Blue Empire from Blue Empire EP (US Hypervinyl test) 17. Solenoid--Elsemoon from Alt. Frequencies (4th Installment) compilation (UK Worm Interface) -- Cognition/Andrew Duke's In The Mix mailto:[EMAIL PROTECTED] http://techno.ca/cognition 1096 Queen St #123 Halifax NS Canada B3H 2R9
Re: (313) Help!
the new abuser is user. im not a fan of all of the user stuff. but this is one of the best (ab)users out. i also got the new dan bell rmx on LADOMAT... basicly it sounds like a big web pussy played over techno. if you like bell you would like this track From: Myke Mitchell [EMAIL PROTECTED] Quick question, that new Abuser record that came out this week, is that done by User?? Cuz if it's not it's a blatant rip-off, not only musically but in artistic terms as well (the label on there is the same one that User uses!). Thanks in advance for the info! Pieces... 'Michigan' Myke [1 TRAK Resident] Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
Re: (313) DEMF tip
Where can I get info about the press conference. I am a reporter for a local media source, and would like to register. I didn't see anything on the website. How redundant can I get? I meant and will be attending the press conference Too many webpages, not enough sunshine I guess... At 08:58 PM 4/27/00 -0400, you wrote: Well... those that would be updating the website also happen to be on the 313 list and will be attending the website, so I'm sure the website will be updated as fast as someone can post a report here anyway. ;P nyah. Dale At 05:44 PM 4/27/00 PDT, you wrote: The press conference for the festival is May 1st. Though it set to be up on the web a couple hours after, would anyone here in the detroit area who is attending want to volunteer as (313) liason? Perhaps take notes at the press junkit to relay to (313)? diana - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
Re: (313) dbx - giving it to ya raw
When you don't have much money, you make do with what you have. Techno is empowering because it allows individuals who have less money still be able to afford the means of production, so they can realize their creative spirit. My setup is pretty ghetto, but it's funny how much I end up getting out of it in the end. The Alesis HR16 is one of my weapons of choice for my live PA though. And although I'm biased, I think that being able to bang a ghetto set up is a real art that deserves respect. Original Message Follows From: Danny Wolfers [EMAIL PROTECTED] To: 313@hyperreal.org Subject: Re: (313) dbx - giving it to ya raw Date: Fri, 28 Apr 2000 21:51:33 +0200 Of course you get the BOSS drummachines FOR THEIR CRAP SOUNDS! You can get WORD! 808/909 sounds from everywhere, but it's the unique sounds in those machines that make them interesting. It's great to see producers makin' tracks, whole records even, just with a simple drummachine. I know there are lot of people who say you must search for the most extreme and unique sounds as possible, synth your own sounds etc., but I think using what's available at the time is most important. You can make any old shit sound cool if you just analyze what's good about it and what's not, then you use it for it's GOOD features, be it sounds, sequncer, filters etc. Perhaps it's showing us something when most drumpatterns in modern techno -and housemusic are basic, average shit. 4/4 kick, a snare, handclaps and hi-hats, that's all about there is. There's lots of cheap and useful gear, why not use them and make things a little funkier? Funny, I was just thinking about this drummachine-thing and realised that 909s and 808s don't do it for me as much as indeed cheap drummachines such as a Tr505 or Alesis HR16 nowadays which are lot more exotic to hear. I just bought a Roland R5 (a sort of R8 for people withouth money back then) for almost nothing and I am happier with it then I possibly could be with a dozen 909's or MC303 grooveboxes. Its so dirty! the groove is completely deranged and sounds like an old italo disco drummer on some wrong dope. (Know I've heard a lot of people complaining about Rolands lack of tight MIDI triggering on some of their older instruments, but this simply adds realism!) - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
Re: (313) dbx - giving it to ya raw
I can verify that Cyborg K can bang pretty good with that setup too!!! A big thumbs up for his keyboarding skills, that's to say the least! :) Matt E-mail: [EMAIL PROTECTED] Homepage: http://magicmattkelly.tripod.com - Original Message - From: Cyborg K [EMAIL PROTECTED] To: [EMAIL PROTECTED]; 313@hyperreal.org Sent: Friday, April 28, 2000 5:22 PM Subject: Re: (313) dbx - giving it to ya raw When you don't have much money, you make do with what you have. Techno is empowering because it allows individuals who have less money still be able to afford the means of production, so they can realize their creative spirit. My setup is pretty ghetto, but it's funny how much I end up getting out of it in the end. The Alesis HR16 is one of my weapons of choice for my live PA though. And although I'm biased, I think that being able to bang a ghetto set up is a real art that deserves respect.
