RE: [313] Friendliest UK record shops

2000-12-03 Thread Phil Chan
is there any particular reason no one has mentioned eukatech? i've always
found richard and marco to be incredibley helpful and they have as good a
backstock as atlas. they are a little out of the way, in covent garden
rather than soho, but they are worth the trip in my opinion. i'm not sure of
the street exactly, but it is across from the theatre where "rent" was
showing for a couple of years... maybe archer... or is that the street atlas
is on.

phil.

-Original Message-
From: scott mcgill [mailto:[EMAIL PROTECTED]
Sent: Wednesday, November 29, 2000 12:32 AM
To: 313@hyperreal.org; Phonopsia
Subject: Re: [313] Friendliest UK record shops


Check Mark @ www.hedonizm.demon.co.uk

He may take time with records but he will definitely get them if he can, he
is that straight up.

Scott Mc

- Original Message -
From: "Phonopsia" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>; <313@hyperreal.org>
Sent: Wednesday, November 29, 2000 1:58 AM
Subject: Re: [313] Friendliest UK record shops


> Is there a reason no one mentions Tag? I love that store. They turned me
on
> to Thomas Brinkmann. Atlas is very good too.
>
> And Reckless has a *LOAD* of Detroit techno and other electronic music in
> now. If only I had more money when I was there...
>
> Tristan
> ==
> PHONOPSIA<[EMAIL PROTECTED]>
> http://www.geocities.com/SunsetStrip/Lounge/5102
> "FrogboyMCI" on AOL Instant Messenger
>
> "Most people have the cataract.
> They do not see what they look at.
> Dum Dee Dum Dee Dum Dee Dum..." - Stereolab
> -Original Message-
> From: Todd Gys <[EMAIL PROTECTED]>
> To: 313@hyperreal.org <313@hyperreal.org>
> Date: Monday, November 20, 2000 10:20 PM
> Subject: [313] Friendliest UK record shops
>
>
> >If you're looking for the most helpful record stores, these are my picks:
> >
> >1. Ambient Soho
> >Their staff is really really cool and very knowledgable about all genres
of
> >musik.  Do some artist/label name dropping and they'll point you to some
> >great stuff.  They turned me on to so many new artists and
labels...really
> >incredible experiences in there.
> >
> >2. Atlas Records
> >Ok, this place is the bomb for the detroit sound and the help there is
> >really into the same stuff.  Again, tell them the kind of stuff you're
> >looking for and they'll expose you to all sorts of new stuff you've
> probably
> >never heard, but will love.  I discovered a lot of UK labels from that
> place
> >including Bluetrain.  That's also where I found my copy of 3MB (Maurizio)
> >and Juan Atkin's colaboration...very cool.
> >
> >
> >Now, I have to also mention Sister Ray it's a great store, but a very
> >eclectic collection so the staff isn't as good at helping you find cool
> >stuff.  But, that said, I found all sorts of great classic Tresor, Plus
8,
> >etc.  Tons of rare IDM stuff in there too.  You'll like it.  I found one
of
> >Hawtin's first ever releases in there ("From Our Minds to Yours" on
States
> >of Mind).
> >
> >Anyway you look at it, London has some kick ass record stores...but,
alas,
> >you'll get screwed a little bit on the exchange rate.  It's worth it.
> >
> >GYS
> >
> >
> >-
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Black Nation Night at Motor: Cancelled

2000-12-03 Thread Aaron M Bennett


Due to circumstances beyond our control, the Black Nation Night at Motor
on 
December 15 has been cancelled.

We hope to have a make up date for this soon...we're tentatively looking
to 
do the night sometime in April or May of 2001.  Stayed tuned to 
www.black-nation.com for news regarding this




--
aaron bennett
black nation records: kalamazoo, michigan
[EMAIL PROTECTED]www.black-nation.com

halfway between detroit and chicago


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RE: [313] ultradyne

2000-12-03 Thread Conway, Simon
there's also an lp out on pi giao called antarctica - some harsh
electro/techno and a couple of really twisted ttracks

> -Original Message-
> From: Jongsma, K.J. [SMTP:[EMAIL PROTECTED]
> Sent: Saturday, 2 December 2000 1:41
> To:   '[EMAIL PROTECTED]'; 313@hyperreal.org
> Subject:  RE: [313] ultradyne
> 
> 
> > also in search of sum ultradyne stuff, on warp, e coli, and  
> > on sum austrian
> > label..
>  
> Ah you mean their 'Cities in Ruin EP' on sabotage records. I don't think
> that EP was ever released. Clone did have some promo's of that EP for some
> while, really nice EP.
> 
> [EMAIL PROTECTED]
> 
>  
> > clone is out of emclaim they bought them all
> 
> -
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Re: [313] Sydney siders....how was Laurent G

2000-12-03 Thread David Gillies

How did the Laurent Garnier gig go??
I want full details.  I'm still crying due to missing
it. :^(


Absolutely awesome. I'll post some more details later.

out.
d.

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Records for sale on ebay

2000-12-03 Thread Vladimir Grocic

Hey y'all,

Got 20 records up for bids on ebay...Carola, Advent, Speed Jack...more.
Interested?  Do an item search:  513571168

Thanks,
V
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looking for a Record/Vinyl Case (80-100 capacity)

2000-12-03 Thread turgan savas
hi 
i am looking for a Vinyl case that would hold around
80 - 100 vinyls. Can anyone tell me a cheap source
online or around New York City.
I would be grateful if anyone can help.

turgan

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more suburban knight props

2000-12-03 Thread Nathaniel Hovan
I also saw James at Tresor in April, lots of UR techno and he dropped, "I didn't
know I loved you (til I saw you Rock and Roll)" in the middle.  Definitely had
the place jumping


Nate




St. Germain

2000-12-03 Thread Charles Prince
St. Germain is playing here in Toronto this week. Has anyone seen the
new live set yet? Back when Boulevard came out, Navarre spent the
show behind the desk while his musicians were on stage. I guess the
music's the thing, right? 

Thanks,
Wes 
n.p. Inner City: Do Ya (C. Craig remix)
  





Mills Apollo CD?

2000-12-03 Thread Curt
an internet site claims they have Jeff Mills - Apollo on CD.  Yet i can't
find any information on this CD no matter where i look.  i have even seen
the Tresor dicography.  all they have is the Apollo EP and it is a
record.  so my question is: does the Apollo CD exist?

  


      
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/   //___\
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Re: [313] Jean-Louis Huhta

2000-12-03 Thread Andreas Holmgren
He also works with Jesper Dahlback under the name Bromage Dub on the Swedish
record label SVEK

- Original Message -
From: "Andrew Duke" <[EMAIL PROTECTED]>
To: "Fahd Al Noor" <[EMAIL PROTECTED]>
Cc: <313@hyperreal.org>
Sent: Saturday, December 02, 2000 10:59 PM
Subject: Re: [313] Jean-Louis Huhta


> Fahd Al Noor wrote:
>
> > Peace..
> >
> > Can anybody give me some background info on Jean Louis Huhta..
>
> ***He's based in Sweden and is friends with and has recorded with
> Simon Hartley (Wild Planet). Don't have a discography, but think there's
> a WP interview on http://techno.ca/cognition (yes, it's true, i often
> forget
> what's online on my own  site! :)) andrew duke
>
> >
> > Nationality..discography..current and upcoming projects..
> > I would appreciate it..
> >
> > Fahd Al Noor
> > [EMAIL PROTECTED]
> > Albuquerque, NM
> >
> > ___
> > Tired of slow Internet? Get @Home Broadband Internet
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> > -
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>
>
>
>
> --
> Cognition/Andrew Duke's In The Mix
> http://techno.ca/cognition
> 1096 Queen St #123
> Halifax NS Canada B3H 2R9
>
>
>
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suburban knight

2000-12-03 Thread benny


saw his set last nite in perth, was absolutely blown away- starting a set
with 'blue monday' is something youd think
would be cool but never done in a tec/house nite, and i think the set just
went up an up from there,

i loved his expression whilst mixing, i think it just gave the nite
something special - he was infectuos :)!

anyway, just thought id post that up, quite possibly the best set ive heard
this year- up amongst surgeon's, mills and mike bishop's code breaker set :)





Gemini

2000-12-03 Thread Cyclone Wehner

I am looking for info on the elusive Gemini for a little article I am
writing. Does anyone have any experince watching him DJ, ideas on his
releases etc. He just brought out The Music Hall this year which has a kinda
Detoit/Chicago feel and of course he's released material on Planet E (not
sure of all the titles).

Cheers

Cyclone


Laurent Garnier In Melbourne

2000-12-03 Thread Cyclone Wehner
Hardware 17: Laurent Garnier & Cari Lekebusch, Melbourne Docklands

The long-awaited return of French house/techno star Laurent Garnier to
Melbourne went down a treat with those devotees at the front who lapped up
his cleverly orchestrated mix of live and turntable components.
Hardware 17 was already underway at 1 am when Sweden's Cari Lekebusch,
somewhat ironically and inadvertently relegated to support slot at this
event, came on and span a tight two-hour set of trademark minimal techno,
Swedish stylee. A grinning Cari - sporting a military-style shaved head -
gave the glowstick-clasping ravers in the house what they wanted, bangin'
shit, while steering his set into some quirkier directions.
But Garnier was the real drawcard on the night for most - clearly some had
experienced his DJ sets in previous years, while others recognised the name
from the techno canon. Garnier successfully alternated between live
performance (with a three-piece band) and DJing.
In five years Garnier has evolved beyond rave culture, so his forays into
cerebral and sophisticated Detroit techno/house may have passed over many of
the younger crowd members' heads. At one point Laurent jammed on a symbolic
track with a spoken-word sample concerning "the battle for the soul of the
music," which sounded like "Mad" Mike Banks of Underground Resistance. (Help
anyone?)
>From there, Garnier gradually ventured into harder territory, performing the
neo-rave anthem The Sound Of The Big Babou at the apex. He delivered The Man
With The Red Man twice - reprising it as the night's finale. Garnier's sax
player Philippe Nador (methinks) - thankfully not looking too red in the
smoky environs - was the night's unexpected hit and had one over-the-moon
girl blowing kisses (which he nonchalently ignored, heh-heh).
The fact that Garnier, ever jovial and demonstrative, DJed for much longer
than scheduled would suggest that he was enjoying himself. He gave the crowd
a history lesson with Mayday's Jaguar remix, Inner City's Good Life and even
vintage Model 500.
My only criticism, other than the wasted crowd, was the terrible security at
the venue. Just as Garnier was finishing my bag was snatched off me. It
contained my migraine medication, phone, money, etc. I approached the
security and explained what had happened. He was like, "Well, what do you
want me to do about it?" I was totally coherent and sober and polite as I
don't drink or take drugs but I felt very vulnerable being on my own and had
a headache brewing. All I wanted was access to an emergency phone, so I
could reverse charge for help, but apparently there weren't any which I
think is irresponsible. The First Aid wasn't much better. So I walked across
all this industrial wasteland to the nearest police station I could think of
and filed a report. It then took 24 hours to get a locum to tend to my
splitting head and I had a reaction to the injection which has made me sick
all week. All up the experience has cost me nearly A$500. So I am over
raves. I would prefer to see DJs of the calibre of Garnier and Mills play
clubs and not raves where there is less of a drug subculture and they will
be appreciated by an older, musical crowd.
Garnier encored at the more intimate surrounds of the Prince Of Wales, I
couldn't go.


Re: [313] http://recognition.art.pl/

2000-12-03 Thread Phonopsia
I encourage everyone to check this out. Jacek Sienkiewicz' music is
phenomenal! Think: minimal Rob Hood with extrememly controlled emotional
textures on top.

Good to see him on the list.

Tristan
==
PHONOPSIA<[EMAIL PROTECTED]>
http://www.geocities.com/SunsetStrip/Lounge/5102
"FrogboyMCI" on AOL Instant Messenger

"Feeling Like A Kid Again... My Eyes Are Glued to the Floor.
I Hope I Mumble Goodbye As You Walk Out the Door.
UhOhUhohh... UhOhUhohhh... UhOhUhohhh...
The Damage is Done." - Yo La Tengo

-Original Message-
From: Jacek Sienkiewicz <[EMAIL PROTECTED]>
To: 313@hyperreal.org <313@hyperreal.org>
Date: Friday, December 01, 2000 8:55 PM
Subject: [313] http://recognition.art.pl/


>http://recognition.art.pl/
>
>New Release:
>
>December 2000:-  Jacek Sienkiewicz  "Meaning" (Recognition 003)
>
>
>
>
>Peace,
>
>
>Jacek
>
>-
>To unsubscribe, e-mail: [EMAIL PROTECTED]
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Re: [313] get ready to rock...

2000-12-03 Thread Phonopsia
If GV busted out the new Vestax, that'd be one thing. I doubt it's marketed
for him though. I actually thing it might compliment his show well. But he's
been publishing music for close to ten years if I'm not mistaken and I think
his live show is supposed to have a little humor to it. For instance, you
might see GV use it live, but you wouldn't see Cajmere spin with it.

The "gimmicking" of turntables is genereally unhealthy for the scene, even
if it would have little to no effect on us 313ers save the occasional laugh.

Tristan
==
PHONOPSIA<[EMAIL PROTECTED]>
http://www.geocities.com/SunsetStrip/Lounge/5102
"FrogboyMCI" on AOL Instant Messenger

"Feeling Like A Kid Again... My Eyes Are Glued to the Floor.
I Hope I Mumble Goodbye As You Walk Out the Door.
UhOhUhohh... UhOhUhohhh... UhOhUhohhh...
The Damage is Done." - Yo La Tengo
-Original Message-
From: Cyclone Wehner <[EMAIL PROTECTED]>
To: 313 Detroit <313@hyperreal.org>
Date: Friday, December 01, 2000 8:17 PM
Subject: Re: [313] get ready to rock...


>Aren't you forgetting Green Velvet? Glam but without the rock, though he
>does rock.
>
>>NO WAY! That has to be a joke.
>>
>>Can you imagine a glam rock DJ? Where's my makeup?
>
>-
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Sydney siders....how was Laurent G

2000-12-03 Thread Sam Karmel

How did the Laurent Garnier gig go??
I want full details.  I'm still crying due to missing
it. :^(

thanx

Sam

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Re: [313] Mixing that UK Loot

2000-12-03 Thread Sakari Karipuro
On Sat, 2 Dec 2000, Phonopsia wrote:

> I sat down to practice mixing those new records last night and the result
> seems to be pretty good. Weird how sometimes a good mix can happen when you
> haven't DJed in a month and you're spinning all new records. 

at least for me it seems to work like this; seems like i'll lose interest
on playing if i just keep playing all the time - it might be that i just
get bored with records i play or something like that. if i want to keep
myself deejaying some quality sets i would have to buy some 30+ 12"s a
week, to keep myself not getting bored of mixing the same songs in the
same order every time and so forth and so on.  the best set's i've played
has always been from somebody else's records, and they've been like
"hmm.. whatever could be the next track? never heard of that label or
artist etc, i'll just play it anyway" and for the record, i have never
been able to record a decent set although i've played for about 7
years. it just doesn't work at all. 


sakke