Re: [313] New Tejada album!!!
The new Polar/Tejaja 12" is off the proverbial meat rack! -J on 5/17/02 7:48 AM, Moe Fuzz at [EMAIL PROTECTED] wrote: >> From: [EMAIL PROTECTED] (Arne Weinberg) >> John Tejada - Daydreams in cold weather / Plug Research LP > > recommended release! This album is a very very good follow up to his album > on De:focus.Nice soulful electronica, hip hop, downbeat, call it what > you want music. Also featured on this masterpiece a new track with the > Divine Styler. > > > It's a great downtempo album, it's a essential release!! > John Tejada should have another full length out in a few weeks on Immigrant > Records. I love what I've heard from it! > > attention in the press??? Honestly there are not much articles or interviews > here in germany about/with him... What's the situation in other countries? > > > He definitely deserves more press, considering all the great releases he's > put out. > > > > > _ > MSN Photos is the easiest way to share and print your photos: > http://photos.msn.com/support/worldwide.aspx > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] dj bone mix track id
sounds like dj rush. ryan From: robin pinning <[EMAIL PROTECTED]> Reply-To: [EMAIL PROTECTED] To: 313@hyperreal.org Subject: [313] dj bone mix track id Date: Fri, 17 May 2002 11:34:42 +0100 (BST) hi all, ok i need a track id...it's on this mix at 3:13 (i kid you not) www.klubradio.de and the mix you want is the mighty dj bone (seeing him in liverpool(voodoo) tonite, to say i'm looking forward to this is an understatement) the male vocal says (over an acidic track) 'believe in me, i am the future, i am the music, all you have to do is believe in me, i can make you move, i can make you dance , i can make you shake, i'm coming to get ya' ok one of you should be able to get it from that :) many thanks robin... - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Send and receive Hotmail on your mobile device: http://mobile.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] See Rob Spin
This just in! I may have to rethink the Sound Signature party. What a horrible decision to have to make, both undoubtedly ending in bliss. :) This is one of the most impressive lineups (seven deep) I've ever seen. Tristan --- http://www.mp313.com <- Music http://www.metrotechno.net <- DC techno + more http://www.metatrackstudios.com <- DC DJ/Production studios http://phonopsia.tripod.com <- Hub [EMAIL PROTECTED] <- email === It was so good last year we had to bring it back... Join us as we celebrate the release of the highly-acclaimed new album from RECLOOSE > Cardiology! - Planet E Presents: ALL ACCESS > Session 2 Sunday May 26, 2002 @ Labyrinth 1703 Cass Avenue (at Bagley) Downtown Detroit Featuring special performances by: CARL CRAIG (DJ set) HERBERT as RADIO BOY (Live ) PLUS BONUS DJ Set SHAKE (DJ Set) MARK from RHYTHM & SOUND (Berlin, DJ Set) Mike "AGENT X" Clark (DJ Set) TODD SINES + NATACHA LABELLE (Live) performing their new Planet E release "Skin" IBEX (DJ Set) ROB THEAKSTON (DJ Set) 10 pm til 6. $20 admission 18+ with picture ID - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] playlist WNUR Chicago - 10 May 2002
- Original Message - From: "Matthew MacQueen" <[EMAIL PROTECTED]> To: "[EMAIL PROTECTED] org [The Music Institute] (E-mail)" <313@hyperreal.org> Cc: "Eric Scuccimarra" <[EMAIL PROTECTED]>; "Dave Siska (E-mail)" <[EMAIL PROTECTED]> Sent: Friday, May 17, 2002 1:00 PM Subject: RE: [313] playlist WNUR Chicago - 10 May 2002 > > Is this available online anywhere? I'd love to hear this mix... > > Thanks for your interest, as of now WNUR only netcasts them in realtime (during showtime). I will talk to them about the ability to create archives. Also the general station website is kind of difficult, I'll have to create a site just for this show I think... which I alternate every other week with Dr. Siska. My old site has an archive (I know the 2000 shows say "archives coming soon" , but if you scroll way down the page to the 199 shows) they are available in in RealAudio. http://www.macqueen.com/radio -- this was when I had the show on Mondays. I've broadened the format a bit since then but there's still some fun stuff there. > I'd highly recommend doing this. A great schooling in all things italo, and more. Tristan --- http://www.mp313.com <- Music http://www.metrotechno.net <- DC techno + more http://www.metatrackstudios.com <- DC DJ/Production studios http://phonopsia.tripod.com <- Hub [EMAIL PROTECTED] <- email - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] delsin going east
for all our german friends?! delsin representives.. . sat 18.05. tangofabrik/leipzig (spinnereistr.7) dj's: peel seamus newworldaquarium drehmoment & edd || sun 19.05. bahnhof plauen/dresden (altplauen 20) dj's: peel seamus newworldaquarium daniel wang .. . :: http://nomorewords.net - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fwd: too much gear
These studios are nothing: check: http://www.markglinsky.com/MsgStudio.html wtf o - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Ghostly International : Idol Tryouts
Friday May 24th, 2002 Detroit, Michigan Idol Tryouts: The Ghostly International 2002 Tour Kick-Off Info @ http://www.ghostly.com/itry - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Detroit Tonight
I see that portal is open friday and saturdays, but I cant tell that anything is really going on there. what gives? the search continues, -Joe - Original Message - From: ":P" <[EMAIL PROTECTED]> To: "john arnold" <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Friday, May 17, 2002 5:04 PM Subject: Re: [313] Detroit Tonight > hmmm I'll consider it. :) what else is up in D tonight? > > motor seems silly tonight... where is lush? > > need. techno. > > -Joe > > > - Original Message - > From: "john arnold" <[EMAIL PROTECTED]> > To: <313@hyperreal.org> > Sent: Friday, May 17, 2002 4:42 PM > Subject: [313] Detroit Tonight > > > > Hello List, > > If anybody is interested, I will be spinning with Eric Hinchman and > Jarred > > Sykes(Percussionist for Norma Jean Bell) at Lush in Hamtramck tonight. It > > is really low key and a lot of fun. > > john arnold > > > > _ > > Join the world's largest e-mail service with MSN Hotmail. > > http://www.hotmail.com > > > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Detroit Tonight
hmmm I'll consider it. :) what else is up in D tonight? motor seems silly tonight... where is lush? need. techno. -Joe - Original Message - From: "john arnold" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Friday, May 17, 2002 4:42 PM Subject: [313] Detroit Tonight > Hello List, > If anybody is interested, I will be spinning with Eric Hinchman and Jarred > Sykes(Percussionist for Norma Jean Bell) at Lush in Hamtramck tonight. It > is really low key and a lot of fun. > john arnold > > _ > Join the world's largest e-mail service with MSN Hotmail. > http://www.hotmail.com > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Hebert - Secondhand Sounds
Are there any articles or reviews that go into what Hebert did on the remix and additional production on Secondhand Sounds? mediadrome - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Detroit Tonight
Hello List, If anybody is interested, I will be spinning with Eric Hinchman and Jarred Sykes(Percussionist for Norma Jean Bell) at Lush in Hamtramck tonight. It is really low key and a lot of fun. john arnold _ Join the worlds largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] new reviews
finally got some newer stuff up there. :) www.techno-rebels.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Fwd: too much gear
he definitely has gear I would love to have,, but there is a belief that the best creativity and design comes from having limitations. I guess this guy doesn't believe in that. :) -Original Message- From: Mike Taylor [mailto:[EMAIL PROTECTED] Sent: Friday, May 17, 2002 2:44 PM To: 313@hyperreal.org Subject: [313] Fwd: too much gear http://acapella.harmony-central.com/Forum7/HTML/009209.html this guy has the most ridiculous studio I have ever seen. mt _ Join the world's largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: Re[2]: [313] Fwd: too much gear
Sounds like it's time for an Audigy or SBLive w/Emu APS drivers. -Original Message- From: Brian 'balistic' Prince [mailto:[EMAIL PROTECTED] Sent: Friday, May 17, 2002 4:29 PM To: :P Cc: 313@hyperreal.org Subject: Re[2]: [313] Fwd: too much gear Friday, May 17, 2002, 12:16:37 PM, a knob was tweaked and out came: P> ASIO support for a sb 128: not happening P> twist a knob and wait 200ms for the CC change? sure I tend to do my knob tweaking in Orion's event channels instead of touching the actual . . . er, virtual knobs. But yeah, latency can be an issue. Sometimes its faster to ping a Quake server in Alaska than it is to ping my own soundcard :) - Brian "balistic" Prince http://www.bprince.com - art and techno Strokes of Defiance EP . . . soon. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] dont take more
yeah, he´s good at autocad or whatever he uses. d Date: Fri, 17 May 2002 14:44:07 -0400 To: 313@hyperreal.org From: "Mike Taylor" <[EMAIL PROTECTED]> Subject: Fwd: too much gear Message-ID: <[EMAIL PROTECTED]> http://acapella.harmony-central.com/Forum7/HTML/009209.html this guy has the most ridiculous studio I have ever seen. mt _ Join the world's largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] dj bone mix track id
dj rush ´believe in me´ outta H.o.R d yperreal.org From: robin pinning <[EMAIL PROTECTED]> Subject: dj bone mix track id Message-ID: <[EMAIL PROTECTED]> hi all, ok i need a track id...it's on this mix at 3:13 (i kid you not) www.klubradio.de and the mix you want is the mighty dj bone (seeing him in liverpool(voodoo) tonite, to say i'm looking forward to this is an understatement) the male vocal says (over an acidic track) 'believe in me, i am the future, i am the music, all you have to do is believe in me, i can make you move, i can make you dance , i can make you shake, i'm coming to get ya' ok one of you should be able to get it from that :) many thanks robin... - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re[2]: [313] Fwd: too much gear
Friday, May 17, 2002, 12:16:37 PM, a knob was tweaked and out came: P> ASIO support for a sb 128: not happening P> twist a knob and wait 200ms for the CC change? sure I tend to do my knob tweaking in Orion's event channels instead of touching the actual . . . er, virtual knobs. But yeah, latency can be an issue. Sometimes its faster to ping a Quake server in Alaska than it is to ping my own soundcard :) - Brian "balistic" Prince http://www.bprince.com - art and techno Strokes of Defiance EP . . . soon. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] [EVT][Portland] Scion and Tikiman - Tonight , May 17, 2002
Hello all, I hadn't seen anyone mention this on the list. Looks like we get a nice treat of some good music , before we all fly out for the DEMF. For those in Portland, OR or Seattle, if you are fans of the sounds of the Basic Channel/Chain Reaction/Rhythm and Sound/Burial Mix crew, please check out: Tikiman & Scion - Burial Mix/Chain Reaction - Berlin -- ragga MC Tikiman teams up with minimal/downtempo dub techno mainstays Scion (Germany) CNSE (live) - OMCO Portland -- Portland representing Portland's own brand of dubworthy techno, in a Klang or Perlon sort of vein! CNSE has just appeared with a 12" on Starbass (Portland) and has several more 12"s forthcoming. Bliss (djing) - Renegade Rhythms - Portland -- exploring the inner dimensions of sounds. Friday, May 17th at the Blackbird (www.theblackbird.org), $7, 21+, 3728 NE Sandy Blvd 503-282-9949 hosted by Outward Music Company (www.outwardmusic.com) drop on in for what should be a great show! for more info [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fwd: too much gear
ASIO support for a sb 128: not happening twist a knob and wait 200ms for the CC change? sure :P -Joe - Original Message - From: "Brian 'balistic' Prince" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Friday, May 17, 2002 4:19 PM Subject: Re: [313] Fwd: too much gear > MT> http://acapella.harmony-central.com/Forum7/HTML/009209.html > > MT> this guy has the most ridiculous studio I have ever seen. > > SoundBlaster 128: $20 > Stereo WAV writer for Impulse Tracker: $30 > Orion Pro: $99 > Being able to shrug your shoulders at a mountain of gear: > > priceless. > > - > Brian "balistic" Prince > http://www.bprince.com - art and techno > Strokes of Defiance EP . . . soon. > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fwd: too much gear
plus the first guy has a dog. ben On Fri, 17 May 2002, Eric Scuccimarra wrote: > Not sure about this one... This one looks like less stuff crammed into more > space. I think that the first guy actually has a lot more. > > At 03:06 PM 5/17/2002 -0400, :P wrote: > >nope, Amanda has him completely beat > > > >http://www.cikira.com/GearPile.html > > > >now that I think about it, I should thin my studio out too :) > > > >-Joe > > > > > > > >- Original Message - > >From: "Mike Taylor" <[EMAIL PROTECTED]> > >To: <313@hyperreal.org> > >Sent: Friday, May 17, 2002 2:44 PM > >Subject: [313] Fwd: too much gear > > > > > > > http://acapella.harmony-central.com/Forum7/HTML/009209.html > > > > > > this guy has the most ridiculous studio I have ever seen. > > > > > > mt > > > > > > > > > > > > _ > > > Join the world's largest e-mail service with MSN Hotmail. > > > http://www.hotmail.com > > > > > > > > > - > > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > > >- > >To unsubscribe, e-mail: [EMAIL PROTECTED] > >For additional commands, e-mail: [EMAIL PROTECTED] > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fwd: too much gear
im only jealous of: Oberheim Matrix 12 ARP 2600 Moog MiniMoog Roland Jupiter 8 Sequential Cirvuits Prophet 5 rev. 2 Moog MemoryMoog Linntronics Advanced MemoryMoog Roland SVC-350 Vocoder and for that chick's studio, i really an only jealous of the Xpander they use way too much new gear for my taste : P tom ~ Thomas D. Cox, Jr. AKA Kevlar Moneyclips CEO http://www.steelcitysoul.com Record Reviews http://www.ukgarageworldwide.com/ Blood-Clot DeeJay http://www.strikefm.co.uk/ ~ - Original Message - From: "Mike Taylor" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Friday, May 17, 2002 2:44 PM Subject: [313] Fwd: too much gear > http://acapella.harmony-central.com/Forum7/HTML/009209.html > > this guy has the most ridiculous studio I have ever seen. > > mt > > > > _ > Join the world's largest e-mail service with MSN Hotmail. > http://www.hotmail.com > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fwd: too much gear
nice gleeman pentaphonic damn... -Joe - Original Message - From: "Mike Taylor" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Friday, May 17, 2002 2:44 PM Subject: [313] Fwd: too much gear > http://acapella.harmony-central.com/Forum7/HTML/009209.html > > this guy has the most ridiculous studio I have ever seen. > > mt > > > > _ > Join the world's largest e-mail service with MSN Hotmail. > http://www.hotmail.com > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fwd: too much gear
MT> http://acapella.harmony-central.com/Forum7/HTML/009209.html MT> this guy has the most ridiculous studio I have ever seen. SoundBlaster 128: $20 Stereo WAV writer for Impulse Tracker: $30 Orion Pro: $99 Being able to shrug your shoulders at a mountain of gear: priceless. - Brian "balistic" Prince http://www.bprince.com - art and techno Strokes of Defiance EP . . . soon. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fwd: too much gear
Not sure about this one... This one looks like less stuff crammed into more space. I think that the first guy actually has a lot more. At 03:06 PM 5/17/2002 -0400, :P wrote: nope, Amanda has him completely beat http://www.cikira.com/GearPile.html now that I think about it, I should thin my studio out too :) -Joe - Original Message - From: "Mike Taylor" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Friday, May 17, 2002 2:44 PM Subject: [313] Fwd: too much gear > http://acapella.harmony-central.com/Forum7/HTML/009209.html > > this guy has the most ridiculous studio I have ever seen. > > mt > > > > _ > Join the world's largest e-mail service with MSN Hotmail. > http://www.hotmail.com > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fwd: too much gear
nope, Amanda has him completely beat http://www.cikira.com/GearPile.html now that I think about it, I should thin my studio out too :) -Joe - Original Message - From: "Mike Taylor" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Friday, May 17, 2002 2:44 PM Subject: [313] Fwd: too much gear > http://acapella.harmony-central.com/Forum7/HTML/009209.html > > this guy has the most ridiculous studio I have ever seen. > > mt > > > > _ > Join the world's largest e-mail service with MSN Hotmail. > http://www.hotmail.com > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Fwd: too much gear
http://acapella.harmony-central.com/Forum7/HTML/009209.html this guy has the most ridiculous studio I have ever seen. mt _ Join the worlds largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] test again
One more test .please ignore.. thx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Mutek Res
Motreal is like Europe in that there's tons of quaint little hotels that are cheap scattered throughout the city. i went there to see Innerzone Orchestra at their Jazz Festival a few years back. We just got off the plane, found the phone terminal with all the hotels and got one that day (on the eve of their biggest music fest.) On Thu, 16 May 2002, Greg Lee wrote: > Hey, > Since everyone's on the topic of accomodation, and since I'm NOT going > to > demf,anyone got tips on good accom inthe Montreal Area? I'm looking > for a couple of nights. at the end of May. > > greg > kamloops, bc > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] playlist WNUR Chicago - 10 May 2002
> Is this available online anywhere? I'd love to hear this mix... Thanks for your interest, as of now WNUR only netcasts them in realtime (during showtime). I will talk to them about the ability to create archives. Also the general station website is kind of difficult, I'll have to create a site just for this show I think... which I alternate every other week with Dr. Siska. My old site has an archive (I know the 2000 shows say "archives coming soon" , but if you scroll way down the page to the 199 shows) they are available in in RealAudio. http://www.macqueen.com/radio -- this was when I had the show on Mondays. I've broadened the format a bit since then but there's still some fun stuff there. Peace, Matt MacQueen -Original Message- From: Eric Scuccimarra [mailto:[EMAIL PROTECTED] Sent: Friday, May 17, 2002 11:38 AM To: [EMAIL PROTECTED] Cc: [EMAIL PROTECTED] org [The Music Institute] (E-mail) Subject: Re: [313] playlist WNUR Chicago - 10 May 2002 At 12:28 PM 5/17/2002 -0400, glyph1001 wrote: >Wow, some nice italo disco! > >g. >>> - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] playlist WNUR Chicago - 10 May 2002
Is this available online anywhere? I'd love to hear this mix... At 12:28 PM 5/17/2002 -0400, glyph1001 wrote: Wow, some nice italo disco! g. Matthew MacQueen wrote: Clinically Inclined 10 May 2002 11 pm - 1 am CST www.wnur.org / 89.3 fm in Chicago Selector: M. MacQueen Wood, Brass & Steel - Funk-a-nova (bootleg '76) Klein & MBO - More Dirty Talk (Ram's Horn '85) Taffy - I Love My Radio [USA mix] (Emergency '86) Claudio Simonetti - College [dub version] (Jumbo, '84) My Mine - Hypnotic Tango - Danica '85) ABC - How to Be A Zillionaire [Wall Street 12" mix] (Mercury '84) Sheila E - The Glamorous Life - The Glamorous Life (WB, '84) Section 25 - Looking From A Hilltop (Factory '84) New Order - Everything's Gone Green (Factory '81) Portion Control - The Great Divide (Razormaid '85) Afrika Bambaataa - Bambaataa's Theme [Assault on Precinct 13] (Tommy Boy, 1986) Scape One - Utopian Etude - Fizzy Soda EP (Emoticon) Total Science - Sugar Sweet (Head 2 Toe) Double Helix - D&A - Funxtiles EP (Rush Hour) Deepart - Select Window - Collage #1 (Rush Hour) Dimension 5 - Dark City - Dark City (Delsin) Sympletic - Space 4-2 (Ifach) The Orb - Blue Room [remix] (Big Life) Plaid - Booc - Booc (Warp) Schooly D - Gucci Time (bootleg, '8?) West Street Mob - Breakdance: Electric Boogie (Sugar Hill '83) peace - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] playlist WNUR Chicago - 10 May 2002
Wow, some nice italo disco! g. Matthew MacQueen wrote: Clinically Inclined 10 May 2002 11 pm - 1 am CST www.wnur.org / 89.3 fm in Chicago Selector: M. MacQueen Wood, Brass & Steel - Funk-a-nova (bootleg '76) Klein & MBO - More Dirty Talk (Ram's Horn '85) Taffy - I Love My Radio [USA mix] (Emergency '86) Claudio Simonetti - College [dub version] (Jumbo, '84) My Mine - Hypnotic Tango - Danica '85) ABC - How to Be A Zillionaire [Wall Street 12" mix] (Mercury '84) Sheila E - The Glamorous Life - The Glamorous Life (WB, '84) Section 25 - Looking From A Hilltop (Factory '84) New Order - Everything's Gone Green (Factory '81) Portion Control - The Great Divide (Razormaid '85) Afrika Bambaataa - Bambaataa's Theme [Assault on Precinct 13] (Tommy Boy, 1986) Scape One - Utopian Etude - Fizzy Soda EP (Emoticon) Total Science - Sugar Sweet (Head 2 Toe) Double Helix - D&A - Funxtiles EP (Rush Hour) Deepart - Select Window - Collage #1 (Rush Hour) Dimension 5 - Dark City - Dark City (Delsin) Sympletic - Space 4-2 (Ifach) The Orb - Blue Room [remix] (Big Life) Plaid - Booc - Booc (Warp) Schooly D - Gucci Time (bootleg, '8?) West Street Mob - Breakdance: Electric Boogie (Sugar Hill '83) peace - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] dj dijital prototype mix 2
desperately searching for this mix. Havn't been able to find it anywhere. If anyone knows where to get it (its listed at recordtime but out of stock), or has a copy of it and wants to do a trade, get back to me on [EMAIL PROTECTED] i have over 200 mixes available. All detroit orientated. [EMAIL PROTECTED] mail2web - Check your email from the web at http://mail2web.com/ . - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Hawtin/Magda Afterhours NYC
Tonight from 2-7am @ 59 Canal St. [ 2nd Floor , ring the buzzer ] Richie Hawtin - http://m-nus.com/ Magda Miss Dinky For those of you that went to Plant Bar last night and Drinkland on Tuesday night, you know you shouldn't miss out on this. Hope to see some of you there! -Pete --- Peter Grammenos Goldman Sachs & Co. Tel : 212.902.2446 --- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Mutek Res
www.expedia.ca Click on hotels section and enter the city and dates of stay. Expedia will bring up all available hotels/motels and list the prices. cheers K. _ Chat with friends online, try MSN Messenger: http://messenger.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Nu Groove
Kinda late on this thread...been busy with work but I can't agree more with ya on this Stewart. Nu Groove was among my favorite labels at that time period...people have forgotten or never heard of people like Ronald and Reggie Burrell...anyone remember Metro!? NY Housing Authority!? oh man that was the best chit! Also L.B. Bad and Mark Wilson of Open House... I'd love to hear more people playing these gems out and taking chances with older records. I never go out these days cause everyone wants to play the new "hot" "floor burners" instead of being adventurous and playing a mix of all things great new and old. Well I hope to be surprised at DEMF this year...excited to see who is gonna impress me with an outstanding mix. minto dL music http://downlowmusic.org >I agree, Some were a bit hit and miss, but 12's >like 'Searching' by 33 >and a third queen, Some of the early Lenny Dee and >Frankie Bones stuff, >How and Little, Joey Beltram's 'Forgotten Moments'. >For me this was >possibly the greatest era in electronic dance music, >the boundaries >between house, techno, funk and soul were less >defined and DJs played it all. >People like the now drum and bass god Grooverider >would drop a track >like Technarchy into a Masters at Work Latin house >workout and then out >into an early 4 Hero breakbeat cut. Anything went and >labels like Nu >Groove kinda summed up that spirit nicely for me. __ Do You Yahoo!? LAUNCH - Your Yahoo! Music Experience http://launch.yahoo.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] KIRSON.BORGHI.NOSTRANT::LIVE::TONIGHT
KIRSON.BORGHI.NOSTRANT will be doing a performance tonight in Ypsilant, MI at The Elbow Room. They'll be playing with a variety of other great acts including: Defender (from Chicago ala Neu! or Trans Am), as well as The Delta Waves (space rock) The Rattling Wall Collective (experimental ensemble), goat (stygian war noise via indianapolis), and Caleb Grayson (quaker-cage). For more info check out: http://www.mattborghi.com/performance.htm You can find a mapquest link there, and other information about the venue. m@ m a t t b o r g h i kirson.borghi.nostrant email. [EMAIL PROTECTED] web. http://www.mattborghi.com/kbn.htm postal. P.O. Box 181 New Hudson, MI 48165-0181 USA - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Baby Ford / Zip
spot on matt just wondering though: when i have seen Hood he hasn't done *much* more than blend the recs together, no particular tricks etc (loved his set) - is he capable of more than this, or rather what do you feel it is about his mixing (rather than tune selection) that would set him apart from other 'blenders'? personally i am very much into both styles > -- > From: Matthew MacQueen > Sent: Thursday, May 16, 2002 8:09 PM > To: 313@hyperreal.org > Cc: Ian Cheshire; [EMAIL PROTECTED]; [EMAIL PROTECTED] > Subject: RE: [313] Baby Ford / Zip ... > Rob Hood and Jay Denham are = >less tricky than Claude, but without a doubt their DJ styles also adds = >trenemdous soul and funk beyond what the records themselves were 'born = >with'. IMHO, far too many DJs select a set by what is easy to mix, not = ... This e-mail and any attachment is for authorised use by the intended recipient(s) only. It may contain proprietary material, confidential information and/or be subject to legal privilege. It should not be copied, disclosed to, retained or used by, any other party. If you are not an intended recipient then please promptly delete this e-mail and any attachment and all copies and inform the sender. Thank you. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Theo "First Floor"
Hi, i recently picked up Theo Parrish "First Floor" on Peacefrog (for 7.50 euros!!). The first track, First Foor Metaphor, ends with a locked groove while all the other tracks don't. Is this intentional or is it a mis-press? thanks fab - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] New Tejada album!!!
From: [EMAIL PROTECTED] (Arne Weinberg) John Tejada - Daydreams in cold weather / Plug Research LP recommended release! This album is a very very good follow up to his album on De:focus.Nice soulful electronica, hip hop, downbeat, call it what you want music. Also featured on this masterpiece a new track with the Divine Styler. > It's a great downtempo album, it's a essential release!! John Tejada should have another full length out in a few weeks on Immigrant Records. I love what I've heard from it! attention in the press??? Honestly there are not much articles or interviews here in germany about/with him... What's the situation in other countries? > He definitely deserves more press, considering all the great releases he's put out. _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] dj bone mix track id
hi all, ok i need a track id...it's on this mix at 3:13 (i kid you not) www.klubradio.de and the mix you want is the mighty dj bone (seeing him in liverpool(voodoo) tonite, to say i'm looking forward to this is an understatement) the male vocal says (over an acidic track) 'believe in me, i am the future, i am the music, all you have to do is believe in me, i can make you move, i can make you dance , i can make you shake, i'm coming to get ya' ok one of you should be able to get it from that :) many thanks robin... - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Baby Ford / Zip
>it is sad to see that the some of the surviving members of these innovators >are now playing dj sets that barely cross a couple of genres, in a boring >"smooth mixng" style. That is so on the mark. Anyone who heard (fill in with any lauded techno favourite) even as late as the mid-'90's will remember how sheer 'riffing' a good techno set could be. The pressure of the advent of late-'90s tribal techno - which I embraced at the time I admit (but for the sake of variety not for the sake of *exclusivity*!) meant almost everyone soon succumbed. Luckily it seems nearly everyone I speak to is now heartily sick of that style and the monotonous mixing that tends to go with it and already people are pushing the boundaries ... I can't wait to see Aphex at Lost he has been decrying flat mixing (& exclusive 4/4 sets) for years. My 'most funky dj' at the moment?: DJ Shufflemaster (aka Tatsuya Kanamori: http://www.discogs.com/artist/DJ_Shufflemaster k >-Original Message- >From: Rc [mailto:[EMAIL PROTECTED] >Sent: Friday, May 17, 2002 9:45 AM >To: Matthew MacQueen; 313@hyperreal.org >Subject: Re: [313] Baby Ford / Zip > > > >I couldn't agree with Matt more. > >as i listen to my old wizard, hotmix 5, ron hardy, derrick may mixes it is >difficult to overlook the fact that their innovative status and >their unique >sound came from their style of mixing a diversity of often elusive records >in a creative way. > >it is sad to see that the some of the surviving members of these innovators >are now playing dj sets that barely cross a couple of genres, in a boring >"smooth mixng" style. > >perhaps this a result of the commercialsim of the music; forcing >djs to play >sets that are perhaps easier to swallow for the musically shallow minded >consuming majority..who knows; it's weird that some djs have >left behind >the skills which made them popular in the first place. > >claude young is an example of someone that is not afraid to cross >genres and >to try virtually everything on the decks. everytime i've seen him here in >sydney.he plays with doubles of every record, he hardly lets a bar pass >without doing some sort of beat juggling or scratching (using virtually >every appendage he has). he f***cks up a small portion of the time but he >always walks away saturated with sweat. The man earns his money. > >sometimes it seems the art of djing within the house/techno community does >not assume skill and creativity as a barrier to entry. > >on 17/5/02 10:09 AM, Matthew MacQueen at [EMAIL PROTECTED] wrote: > >>> I'd still be interested in other theories as to why a culture >>> of skilled, performing DJs is strong in the US and not so >>> strong in Europe - I know mine is pretty flawed, but in >>> the absence of alternatives (other than "euro-faggots suck" :) >>> I'm generally confused as to why it is the way it is. >>> Although I guess another theory could be explained in only >>> two words - "hip hop"... >> >> and 'battles', yeah. >> >> I've been following this thread with a lot of interest and >actually trying to >> put some thoughts toward an explanation. Bear with me >> >> Contributing factors from a roots perspective are (as far as >Detroit jocks go) >> when you grow up listing to the Wizard 'quick mix' style on the >radio, you >> benchmark that as quality skills, something as a kid you think >in your head >> "now that is what a stellar DJ does." Or booty jocks, etc. it's >part of what >> you hear on the radio or in your environment, and influences >you, as obviously >> a lot of that (even Mills) influenced and by pop dance of the >80s of which >> hip-hop and Mojo's eclecticism is a big part. A whole >generation of people in >> Detroit who heard 'hot-mix' and/or "quick mix" style shows and >the Wizard on >> the radio learn that skills = more than selections and more into >the realm of >> "what creatively/aggressively can you do with 2+ records"... >including early >> experimentations by Derrick May and even Richie with what could >you do with a >> Reel-to-reel machine during a radio show or DJ gig, etc. Also what the >> HotMix 5 were doing in Chicago was all about cramming as many hot 'street >> tracks' into a show, and that also means stuff like doubles, drop-ins, >> phasing, cut-n-scratch, EQs, 33/45 tricks, effects, etc. And >Yes I am talking >> about with (proto) techno and house music, italo, etc. >> >> I'm with the camp who would rather see someone try and fail at >something more >> 'reaching' and funky and experimenting with really CREATING more >than the sum >> of an intro and an outtro of 2 records that flow seamlessly >together. Yes >> there is a time for that, but to me it's a lot easier and >'safer' than really >> trying to ask yourself as a DJ "how can I go beyond just these 2 >records, as >> the artists intended them?" >> >> Esp. when you have records that are maybe hard as nails and 'straight' >> techno.. you have to inject some funk into them with the way you >play them in >> a
[313] Iridite 002
On behalf of JB. Hi Everyone, I'm having a few internet problems at the moment and can't post to the list directly but I just wanted to say thanks to John, Arne, Matt, Sean and Stewart for their kind words about Iridite and also to everyone who replied off-list- thanks again. The record will be in the shops as of May 29- enjoy! Cheers Jason Brunton Iridite The contents of this message and any attachments are confidential and are intended solely for the attention and use of the addressee only. Information contained in this message may be subject to legal, professional or other privilege or may otherwise be protected by other legal rules. This message should not be copied or forwarded to any other person without the express permission of the sender. If you are not the intended recipient you are not authorised to disclose, copy, distribute or retain this message or any part of it. If you have received this message in error, please notify the sender by telephone (+44-20-7002-4000) and destroy the original message. We reserve the right to monitor all e-mail messages passing through our network. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Baby Ford / Zip
I couldn't agree with Matt more. as i listen to my old wizard, hotmix 5, ron hardy, derrick may mixes it is difficult to overlook the fact that their innovative status and their unique sound came from their style of mixing a diversity of often elusive records in a creative way. it is sad to see that the some of the surviving members of these innovators are now playing dj sets that barely cross a couple of genres, in a boring "smooth mixng" style. perhaps this a result of the commercialsim of the music; forcing djs to play sets that are perhaps easier to swallow for the musically shallow minded consuming majority..who knows; it's weird that some djs have left behind the skills which made them popular in the first place. claude young is an example of someone that is not afraid to cross genres and to try virtually everything on the decks. everytime i've seen him here in sydney.he plays with doubles of every record, he hardly lets a bar pass without doing some sort of beat juggling or scratching (using virtually every appendage he has). he f***cks up a small portion of the time but he always walks away saturated with sweat. The man earns his money. sometimes it seems the art of djing within the house/techno community does not assume skill and creativity as a barrier to entry. on 17/5/02 10:09 AM, Matthew MacQueen at [EMAIL PROTECTED] wrote: >> I'd still be interested in other theories as to why a culture >> of skilled, performing DJs is strong in the US and not so >> strong in Europe - I know mine is pretty flawed, but in >> the absence of alternatives (other than "euro-faggots suck" :) >> I'm generally confused as to why it is the way it is. >> Although I guess another theory could be explained in only >> two words - "hip hop"... > > and 'battles', yeah. > > I've been following this thread with a lot of interest and actually trying to > put some thoughts toward an explanation. Bear with me > > Contributing factors from a roots perspective are (as far as Detroit jocks go) > when you grow up listing to the Wizard 'quick mix' style on the radio, you > benchmark that as quality skills, something as a kid you think in your head > "now that is what a stellar DJ does." Or booty jocks, etc. it's part of what > you hear on the radio or in your environment, and influences you, as obviously > a lot of that (even Mills) influenced and by pop dance of the 80s of which > hip-hop and Mojo's eclecticism is a big part. A whole generation of people in > Detroit who heard 'hot-mix' and/or "quick mix" style shows and the Wizard on > the radio learn that skills = more than selections and more into the realm of > "what creatively/aggressively can you do with 2+ records"... including early > experimentations by Derrick May and even Richie with what could you do with a > Reel-to-reel machine during a radio show or DJ gig, etc. Also what the > HotMix 5 were doing in Chicago was all about cramming as many hot 'street > tracks' into a show, and that also means stuff like doubles, drop-ins, > phasing, cut-n-scratch, EQs, 33/45 tricks, effects, etc. And Yes I am talking > about with (proto) techno and house music, italo, etc. > > I'm with the camp who would rather see someone try and fail at something more > 'reaching' and funky and experimenting with really CREATING more than the sum > of an intro and an outtro of 2 records that flow seamlessly together. Yes > there is a time for that, but to me it's a lot easier and 'safer' than really > trying to ask yourself as a DJ "how can I go beyond just these 2 records, as > the artists intended them?" > > Esp. when you have records that are maybe hard as nails and 'straight' > techno.. you have to inject some funk into them with the way you play them in > a mix, because on their own, (just cleanly mixing one into the other) tends to > be pretty funk-less, or at best just a tad boring or uninspired... That is > why to me I love hearing Claude Young, because what he plays tends to be > harder than I'd buy/play, but the crazy funky stuff he does in the mix really > ads that funk that's IMHO missing from some of the individual tracks > themselves. Rob Hood and Jay Denham are less tricky than Claude, but without > a doubt their DJ styles also adds trenemdous soul and funk beyond what the > records themselves were 'born with'. IMHO, far too many DJs select a set by > what is easy to mix, not by how great the tracks really are *on their own > merit*. > > I guess to me the idea of just smoothly blending 2 great tracks is an average > way to play, (the cost of entry to DJing, if you will) but what really set up > you up as a creator / crowd mover became what you could do beyond that... > either with experimental selections (cross-genres/years/styles!!) or more > aggressiveness or experimentatin through other various techniques. > > So - in summary? - there's new generations of DJs who never were really > exposed to that as an archetypal kind of radio aggress
RE: [313] Baby Ford / Zip
Yeah good point, Bone is brilliant at mixing! Charles Siegling too. I'm supposed to be going to Voodoo to catch him tonight with DJ Rush but unfortunately can't make it now. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Baby Ford / Zip
Heard DJ Bone last week dj live for the very first time and was very impressed I must say! Not as much tricks as Claude Young, but 3 decks, effects, it was great! Remco - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Baby Ford / Zip
Esp. when you have records that are maybe hard as nails and 'straight' techno.. you have to inject some funk into them with the way you play them in a mix, because on their own, (just cleanly mixing one into the other) tends to be pretty funk-less, or at best just a tad boring or uninspired... That is why to me I love hearing Claude Young, because what he plays tends to be harder than I'd buy/play, but the crazy funky stuff he does in the mix really ads that funk that's IMHO missing from some of the individual tracks themselves. Rob Hood and Jay Denham are less tricky than Claude, but without a doubt their DJ styles also adds trenemdous soul and funk beyond what the records themselves were 'born with'. IMHO, far too many DJs select a set by what is easy to mix, not by how great the tracks really are *on their own merit*. Couldn't agree more with these comments from Matt. I think exactly the same way which explains why I get bored with just hard, minimal blended techno sets but love hearing Dave Clarke adding more to minimal records with doubles, drop-ins, EQs, cut & scratch etc. So we have Claude Young & Dave Clarke that can mix techno in that style but are there any others?? If there are then please tell me and I'll look out for them. On the issue of who understands mixing better than who - I think anyone that owns a set of turntables should appreciate mixing that requires a higher level of skill. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] tronic treatment @ DEMF (fwd)
Venue: The old UR Building 2030 w Grand River Detroit MI Located Downtown Detroit behind the State Theater. Less then 4 blocks from Hart Plaza Contact Info : 248-988-1058 DJs Sunday: may 26 G-Flame a.k.a. ADVENT (live) - Alphawave,UK Steve Rachmad - Music Man, Holland Bryan Never a.k.a Bryan Zentz - Electrix, UK/VA Nigel Richards - 611, Philly James Pennington - UR, Detroit Punisher - Seismic, Detroit Cosmic Spore - Seismic, Detroit Shortround - Real, Detroit Jay Langa aka Green Hornet - Incecticyde, Detroit Automan - Hypothesis, Detroit Monday - may 27 Special guest (Drumcode, Sweden) + Marco Carola (Zenit, Italy) tagging on 4 tables Christian Smith - Tronic, Sweden John Selway - Tronic, NY Lynxx - DEM Records, Detroit Neil V - Techno City Records, Detroit Dillion and Allistar Todd - Changing Faces, Detroit Cop A Feel - Feel This, Detroit Presales - $20 Record Time Roseville 586-775-1550 Ferndale 248-336-8463 Detroit Threads 313-872-1777 More $ @ Door www.TronicTreatment.com www.SeismicDetroit.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] playlist WNUR Chicago - 10 May 2002
Clinically Inclined 10 May 2002 11 pm - 1 am CST www.wnur.org / 89.3 fm in Chicago Selector: M. MacQueen Wood, Brass & Steel - Funk-a-nova (bootleg '76) Klein & MBO - More Dirty Talk (Ram's Horn '85) Taffy - I Love My Radio [USA mix] (Emergency '86) Claudio Simonetti - College [dub version] (Jumbo, '84) My Mine - Hypnotic Tango - Danica '85) ABC - How to Be A Zillionaire [Wall Street 12" mix] (Mercury '84) Sheila E - The Glamorous Life - The Glamorous Life (WB, '84) Section 25 - Looking From A Hilltop (Factory '84) New Order - Everything's Gone Green (Factory '81) Portion Control - The Great Divide (Razormaid '85) Afrika Bambaataa - Bambaataa's Theme [Assault on Precinct 13] (Tommy Boy, 1986) Scape One - Utopian Etude - Fizzy Soda EP (Emoticon) Total Science - Sugar Sweet (Head 2 Toe) Double Helix - D&A - Funxtiles EP (Rush Hour) Deepart - Select Window - Collage #1 (Rush Hour) Dimension 5 - Dark City - Dark City (Delsin) Sympletic - Space 4-2 (Ifach) The Orb - Blue Room [remix] (Big Life) Plaid - Booc - Booc (Warp) Schooly D - Gucci Time (bootleg, '8?) West Street Mob - Breakdance: Electric Boogie (Sugar Hill '83) peace - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] network 23
i am wondering if anyone has any info. on a label called "Network 23." -sam __ Do You Yahoo!? LAUNCH - Your Yahoo! Music Experience http://launch.yahoo.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Baby Ford / Zip ==> mixing styles
i didn't mean to come out so arguementative, but i think you see my point. i think for most people, no matter who it is or where they are, if they're going off it's more about a connection with the sound and surrounding space... not so much about something to do with their ego or whether or not it's been done before. so yes, you will have different styles and attitudes in different areas. i guess i can see some people getting inflated egos, but i can't imagine any dj standing up futzing with records thinking "gee, i'm so innovative right now... i'm breaking all the rules"... well... i take that back. still, i think some people are justified in being defensive... especially when what they are doing is treated as such a commodity and because of the competitive nature of that "game". as for the low key dj's... i see that, too. i love that. peace, chad http://hyperreal.org/~chad - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Baby Ford / Zip ==> mixing styles
- Original Message - From: "chad" <[EMAIL PROTECTED]> To: "Giles Dickerson" <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Thursday, May 16, 2002 8:44 PM Subject: RE: [313] Baby Ford / Zip ==> mixing styles > On Thu, 16 May 2002, Giles Dickerson wrote: > > +rules. BUT, and this is a big one, you usually need to know the rules to > +break them. > > what? seems to me that people who don't know the rules break them all the > time. I'm with Gilles. I see tons of kids coming into the DJ/production studio I work at with big notions of "doing something that's never been done before". People who want to get 2progressive4jumpstep... In production this is even more obvious, but that's a different story. Like Matt said, learning how to mix two records seamlessly is just the first step. I'm pretty sure that's the "rule" Gilles is talking about. But really I think this is moving the thread back to where it started, covering the same ground again. The biggest issue I have with the original comments is the idea that Detroit (or Chicago) are representative of DJing in the US. This is not the case. Techno and its offshoots are really the only genres other than hip hop where you see DJs get crazy on the decks. "Smooth" mixing is what's most popular in house, trance, progressive, drum 'n bass or whatever. There are exceptions in almost every genre, but my long belabored point is that techno doesn't have a home anywhere in the US but Detroit, or maybe New York, so the idea that the Detroit or Hot Mix style is representative of the US is very misleading. If I'm not mistaken, you don't see too much of this in Chicago anymore even. "The long mix" is the goal most DJs in most genres aim for these days. It can be nice, particularly with thick, deep house, but generally I wanna see someone go off and you don't see that much outside of the Midwest. Tristan --- http://www.mp313.com <- Music http://www.metrotechno.net <- DC techno + more http://www.metatrackstudios.com <- DC DJ/Production studios http://phonopsia.tripod.com <- Hub [EMAIL PROTECTED] <- email - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Vladislav Delay / LLuomo / AGF Live in NYC
OTHER MUSIC presents... An Evening with AGF/DLAY including live performances by: Vladislav Delay (Mille Plateaux - Helsinki, Finland) AGF (Orthlong Musork - Berlin, Germany) AGF/DLAY (...) Luomo (Force Tracks) Thursday, May 30 10:00p.m. to 4:00a.m. FUN 130 Madison St. (btwn. Market and Pike Streets) New York, NY 212.964.0303 $14 - Buy: http://www.othermusic.com/perl-bin/OM/CD_Add_To_Cart.cgi?sku=0175852&refer_url=email - Giles D I G I T A S // B O S T O N -- Giles Dickerson Art Director 800 Boylston Street Boston, MA 02199 -- mobile 617 899 9635 office 617 369 8601 - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Baby Ford / Zip ==> mixing styles
On Thu, 16 May 2002, Giles Dickerson wrote: +rules. BUT, and this is a big one, you usually need to know the rules to +break them. what? seems to me that people who don't know the rules break them all the time. you don't need to know a damn thing. chad - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Baby Ford / Zip ==> mixing styles
Let me just throw something out. There's no one way to do anything. If you thionk you can mix house with choppy edits and do it well, then go ahead an experiment. The whole idea of moving forward means breaking the rules. BUT, and this is a big one, you usually need to know the rules to break them. - Giles D I G I T A S // B O S T O N -- Giles Dickerson Art Director 800 Boylston Street Boston, MA 02199 -- mobile 617 899 9635 office 617 369 8601 > -- > From: Super Coffee Beans > Sent: Thursday, May 16, 2002 9:34 PM > To: 313@hyperreal.org > Subject: Re: [313] Baby Ford / Zip > > here`s my two cents. > after hearing so many local dj`s who play techno like proggy house or > even worse mixing it only in the end, i must say techno is a kind of > music which should be mixed as hell. people like mills,hood,young and > suchr masters at this. trying to mess with some gigolo 80`s stuff will > end in very sad sounds, but i mean techno is made for this kick ass > riggid mix, thats how u should play it and thats how i try to play it. > but other genere likes house and stuff should IMHO mixed long slow mixes > with not so much fader work but more knobs turning. > i heared peter ford play he mixes fine his music is not so bumby ass > like the riggid techno, and he`s selection is huge. i do not like people > do scartch over techno sometimes its too much. > about the pro-tools mix, give any day a bumby hard edge (even with > mistakes) play with the faders and knobs like its hot potato i allways > like it.but REAL live mix throw the damm computer to hell, some things > were ment for humans to be made. in the machine its too good- i hate > this > > have a nice shavuot > Yair > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Baby Ford / Zip
here`s my two cents. after hearing so many local dj`s who play techno like proggy house or even worse mixing it only in the end, i must say techno is a kind of music which should be mixed as hell. people like mills,hood,young and suchr masters at this. trying to mess with some gigolo 80`s stuff will end in very sad sounds, but i mean techno is made for this kick ass riggid mix, thats how u should play it and thats how i try to play it. but other genere likes house and stuff should IMHO mixed long slow mixes with not so much fader work but more knobs turning. i heared peter ford play he mixes fine his music is not so bumby ass like the riggid techno, and he`s selection is huge. i do not like people do scartch over techno sometimes its too much. about the pro-tools mix, give any day a bumby hard edge (even with mistakes) play with the faders and knobs like its hot potato i allways like it.but REAL live mix throw the damm computer to hell, some things were ment for humans to be made. in the machine its too good- i hate this have a nice shavuot Yair - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Shorecrest Inn?
Shawn Rudiman is a huge fan of their sunday buffet ;-) On Fri, 17 May 2002, james bucknell wrote: > we stayed at the shorecrest last year. it's an easy walk to hart plaza, the > diner is excellent for breakfast, it's clean, has hot water and a bed. this > really is a case where the only time you spend in the hotel is sleeping. > spend the money you save buying theo parrish whitelabels at the trackmode > party. > james > www.jbucknell.com > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Baby Ford / Zip
Hell Yeah Matt !! - Giles D I G I T A S // B O S T O N -- Giles Dickerson Art Director 800 Boylston Street Boston, MA 02199 -- mobile 617 899 9635 office 617 369 8601 > -- > From: Matthew MacQueen > Sent: Thursday, May 16, 2002 8:09 PM > To: 313@hyperreal.org > Cc: Ian Cheshire; [EMAIL PROTECTED]; [EMAIL PROTECTED] > Subject: RE: [313] Baby Ford / Zip > > > I'd still be interested in other theories as to why a culture > > of skilled, performing DJs is strong in the US and not so > > strong in Europe - I know mine is pretty flawed, but in > > the absence of alternatives (other than "euro-faggots suck" :) > > I'm generally confused as to why it is the way it is. > > Although I guess another theory could be explained in only > > two words - "hip hop"... > > and 'battles', yeah. > > I've been following this thread with a lot of interest and actually trying to > put some thoughts toward an explanation. Bear with me > > Contributing factors from a roots perspective are (as far as Detroit jocks > go) when you grow up listing to the Wizard 'quick mix' style on the radio, > you benchmark that as quality skills, something as a kid you think in your > head "now that is what a stellar DJ does." Or booty jocks, etc. it's part of > what you hear on the radio or in your environment, and influences you, as > obviously a lot of that (even Mills) influenced and by pop dance of the 80s > of which hip-hop and Mojo's eclecticism is a big part. A whole generation of > people in Detroit who heard 'hot-mix' and/or "quick mix" style shows and the > Wizard on the radio learn that skills = more than selections and more into > the realm of "what creatively/aggressively can you do with 2+ records"... > including early experimentations by Derrick May and even Richie with what > could you do with a Reel-to-reel machine during a radio show or DJ gig, etc. > Also what the HotMix 5 were doing in Chicago was all about cramming as many > hot 'street tracks' into a show, and that also means stuff like doubles, > drop-ins, phasing, cut-n-scratch, EQs, 33/45 tricks, effects, etc. And Yes I > am talking about with (proto) techno and house music, italo, etc. > > I'm with the camp who would rather see someone try and fail at something more > 'reaching' and funky and experimenting with really CREATING more than the sum > of an intro and an outtro of 2 records that flow seamlessly together. Yes > there is a time for that, but to me it's a lot easier and 'safer' than really > trying to ask yourself as a DJ "how can I go beyond just these 2 records, as > the artists intended them?" > > Esp. when you have records that are maybe hard as nails and 'straight' > techno.. you have to inject some funk into them with the way you play them in > a mix, because on their own, (just cleanly mixing one into the other) tends > to be pretty funk-less, or at best just a tad boring or uninspired... That > is why to me I love hearing Claude Young, because what he plays tends to be > harder than I'd buy/play, but the crazy funky stuff he does in the mix really > ads that funk that's IMHO missing from some of the individual tracks > themselves. Rob Hood and Jay Denham are less tricky than Claude, but without > a doubt their DJ styles also adds trenemdous soul and funk beyond what the > records themselves were 'born with'. IMHO, far too many DJs select a set by > what is easy to mix, not by how great the tracks really are *on their own > merit*. > > I guess to me the idea of just smoothly blending 2 great tracks is an average > way to play, (the cost of entry to DJing, if you will) but what really set up > you up as a creator / crowd mover became what you could do beyond that... > either with experimental selections (cross-genres/years/styles!!) or more > aggressiveness or experimentatin through other various techniques. > > So - in summary? - there's new generations of DJs who never were really > exposed to that as an archetypal kind of radio aggressive Hot Mix DJ, and I > think they have newer/different influences and DJ 'role models' than the > previous genera> tion who grew up wishing you were The Wizard, who was for > most people (who heard him) the guy you wished you could DJ like. :)So > not saying one style is right or wrong, but that might explain some of the > US/Detroit style of really getting aggressive and 'tricky' in a mix, without > it coming off as mere novelty, but elevating the art of what a DJ *DOES* as > an artform, more than what a simple machine or software can do now. DOes > anyone know what I'm trying to say? > > While "we may equate machines with funkiness", you also can't program > ProTools to 'inject funk' in a mix. Well, not yet. ;) > > peace, > Matt MacQueen > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [E
RE: [313] Baby Ford / Zip
> I'd still be interested in other theories as to why a culture > of skilled, performing DJs is strong in the US and not so > strong in Europe - I know mine is pretty flawed, but in > the absence of alternatives (other than "euro-faggots suck" :) > I'm generally confused as to why it is the way it is. > Although I guess another theory could be explained in only > two words - "hip hop"... and 'battles', yeah. I've been following this thread with a lot of interest and actually trying to put some thoughts toward an explanation. Bear with me Contributing factors from a roots perspective are (as far as Detroit jocks go) when you grow up listing to the Wizard 'quick mix' style on the radio, you benchmark that as quality skills, something as a kid you think in your head "now that is what a stellar DJ does." Or booty jocks, etc. it's part of what you hear on the radio or in your environment, and influences you, as obviously a lot of that (even Mills) influenced and by pop dance of the 80s of which hip-hop and Mojo's eclecticism is a big part. A whole generation of people in Detroit who heard 'hot-mix' and/or "quick mix" style shows and the Wizard on the radio learn that skills = more than selections and more into the realm of "what creatively/aggressively can you do with 2+ records"... including early experimentations by Derrick May and even Richie with what could you do with a Reel-to-reel machine during a radio show or DJ gig, etc. Also what the HotMix 5 were doing in Chicago was all about cramming as many hot 'street tracks' into a show, and that also means stuff like doubles, drop-ins, phasing, cut-n-scratch, EQs, 33/45 tricks, effects, etc. And Yes I am talking about with (proto) techno and house music, italo, etc. I'm with the camp who would rather see someone try and fail at something more 'reaching' and funky and experimenting with really CREATING more than the sum of an intro and an outtro of 2 records that flow seamlessly together. Yes there is a time for that, but to me it's a lot easier and 'safer' than really trying to ask yourself as a DJ "how can I go beyond just these 2 records, as the artists intended them?" Esp. when you have records that are maybe hard as nails and 'straight' techno.. you have to inject some funk into them with the way you play them in a mix, because on their own, (just cleanly mixing one into the other) tends to be pretty funk-less, or at best just a tad boring or uninspired... That is why to me I love hearing Claude Young, because what he plays tends to be harder than I'd buy/play, but the crazy funky stuff he does in the mix really ads that funk that's IMHO missing from some of the individual tracks themselves. Rob Hood and Jay Denham are less tricky than Claude, but without a doubt their DJ styles also adds trenemdous soul and funk beyond what the records themselves were 'born with'. IMHO, far too many DJs select a set by what is easy to mix, not by how great the tracks really are *on their own merit*. I guess to me the idea of just smoothly blending 2 great tracks is an average way to play, (the cost of entry to DJing, if you will) but what really set up you up as a creator / crowd mover became what you could do beyond that... either with experimental selections (cross-genres/years/styles!!) or more aggressiveness or experimentatin through other various techniques. So - in summary? - there's new generations of DJs who never were really exposed to that as an archetypal kind of radio aggressive Hot Mix DJ, and I think they have newer/different influences and DJ 'role models' than the previous generation who grew up wishing you were The Wizard, who was for most people (who heard him) the guy you wished you could DJ like. :)So not saying one style is right or wrong, but that might explain some of the US/Detroit style of really getting aggressive and 'tricky' in a mix, without it coming off as mere novelty, but elevating the art of what a DJ *DOES* as an artform, more than what a simple machine or software can do now. DOes anyone know what I'm trying to say? While "we may equate machines with funkiness", you also can't program ProTools to 'inject funk' in a mix. Well, not yet. ;) peace, Matt MacQueen - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
