Re: (313) [313] Tracklisting on a Ferox EP.
i jotted the tracklist down on the label of mine: a1 dan curtin mike filly - the longest night a2 the invisibles - estamos perdidos b1 idiot savant - rudiment sketch b2 fusion - cube of the blues (ian o'brien rework) the dc and m.f. is one of their best, up there with the best poff! i never got much into the rest, havent checked it in awhile tho.. jt hey folks. can anyone provide me with a tracklisting for FER028? it's the further adventures in techno soul sampler. i think one track is ian o'brien. The A1 is Dan Curtin (possibly in his Purveyors of Fine Funk guise), and the B2 is Ian O'Brien, but I can't remember what the other two were - they weren't labelled on the 12 but I think I did find out at one point. If I remember I'll let you know... Cheers, Tom _ Send and receive Hotmail on your mobile device: http://mobile.msn.com
(313) Mixes and tracks on mp3!
Further to the recent thread about websites with mp3 mixes, and the interest in the Wide booty mixes, I've put up a new page at: http://www.sharesite.org/music.html This features some booty mixes, and some that are more predominantly techno or house, and will be updated regularly. It's also got some new tracks produced by myself, for anyone who used to visit the old brelson.com before it got turned into a porn site! That page will be updated pretty regularly with new mixes and tracks from myself and Guy, so if you're hungry for 313-flavoured mp3 mixes, or some nice home-spun tracks, check back regularly. Sorry for the spammage but quite a few people have asked for passwords to the Wide website download area, so there seems to be sufficient justification for posting this short-cut to the more up-to-date stuff :) Enjoy! Brendan
(313) Carl Craig Interview
There's a really good interview with Carl Craig at www.tranzfusion.net (I think that's right). I just came across this last night and I think this sheds some light on that Nelly Hot In Herre debate we had a few weeks ago. This is why I defended Nelly (plus I think he's a cool cat, focussed and talented). If you asked Puffy why he makes the music he does he would say something similiar. It also relates to the UR/Jaguar debate - indirectly - with my point being that you have to consider the context before making value judgements. Skrufff: Hip hop culture still seems to be mainly about money and front, why? Carl Craig: ³That¹s black American culture. If you look at the history of most people of African descent in different countries their concept is to be kings. The concept is, We¹ve been oppressed for so long, we¹ve got to get (what¹s) ours¹. Another factor is that when you look at popular culture what really sells are records about money.² Skrufff: Yet you and a lot of the Detroit techno people don¹t seem so obsessed with money? Carl Craig: ³Yeah that¹s because we¹re not hailing from the tenement projects (public housing estates) where there were drugs taking over not only the projects but whole neighbourhoods too. ... When you look at a lot of hip hop and the pattern of hip hop it¹s about being from the projects and being poor, trying to scrape together money and always hustling. From our background, a hustle is a lot different.²
(313) George Clinton Answers Techno#8217;s Greatest Question
Found this article on the net, made me laugh Legendary funkateer George Clinton has finally revealed what he thought of Derrick May#8217;s classic description of Detroit techno as sounding #8220;like George Clinton and Kraftwerk stuck in an elevator, in typically robust fashion. Speaking to Australian journalist Cyclone recently, he chuckled when asked what he#8217;d really create if he genuinely got stuck with the Germans in the aforementioned lift. Well, some funny lil' babies, that's for sure. We sho' f**k 'em in the butt! You'd definitely come up with some lil' battery-operated children that won't 'techno' for an answer... You'd probably come up with techno doo-wop. ___ Freeserve AnyTime, only £13.99 per month with one month's FREE trial! For more information visit http://www.freeserve.com/time/ or call free on 0800 970 8890
(313) [313] UR-World to World
Hi, can anyone confirm that this is a record wiith a break beat and 'rave sounds' in it? Also believe there is a voice saying something like 'technosis'. Someone told me this is world to world (UR 20), is this true? Thanks, Remco
(313) Terrence Dixon
hello folks. Does anybody know what's up with Terrence Dixon? After co-producing Juan Atkins Infiniti album and releasing his own album on Tresor nothing has been released from him, right? Will there be something coming up? Cheers, Arne -- °°° www.arneweinberg.de STARBABY Rec. DOWN LOW MUSIC NATIVE Rec. KEYNOTE Rec. (ex-Ground Zero Rec.) °°°
(313) OT - Chunky record store
Sorry for the off-topicness of the post but i'm out on a limb here. I'm desperately looking for the Bathrobin ep by Autophonic on DUB...the only places if have found on the net are either 2 shops in the states (Bent Crayon and Gemm) and Chunky Records from England. I've tried Smallfish, Clone, Nuloop, Groovetech, Hardwax, Tiger Sushi, Boomkat. Are there any other european shops i could try? What i want to know is if any of you have heard of Chunky or has ever done business with them. Please reply off-list. Thanks and please excuse me again, fab.
RE: (313) OT - Chunky record store
Someone on the list recommended www.gemm.com to me ages ago - Its an online interface to loads of small indipendent record shops and Ive found practically all the hard to get stuff Ive been looking for through it - def worth a shot ! peace, Marc -Original Message- From: Fabrizio Nahum [mailto:[EMAIL PROTECTED] Sent: 01 October 2002 11:35 To: 313@hyperreal.org Subject: (313) OT - Chunky record store Sorry for the off-topicness of the post but i'm out on a limb here. I'm desperately looking for the Bathrobin ep by Autophonic on DUB...the only places if have found on the net are either 2 shops in the states (Bent Crayon and Gemm) and Chunky Records from England. I've tried Smallfish, Clone, Nuloop, Groovetech, Hardwax, Tiger Sushi, Boomkat. Are there any other european shops i could try? What i want to know is if any of you have heard of Chunky or has ever done business with them. Please reply off-list. Thanks and please excuse me again, fab. -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice.
(313) titonton rushhour `s set track id.
this dude can really rock on the decks. on his set at rushhour on 20:29 into the sets start a track with funny melody. anyone have any idea? http://www.heitlager.com/antal/titonton.ram danke yair
Re: (313) clonk
I believe they were going to broadcast streaming live audio from a M-nus party a couple years back. I'm not sure if this ever took place. From: ::\) [EMAIL PROTECTED] To: 313@hyperreal.org Subject: (313) clonk Date: Mon, 30 Sep 2002 22:24:33 -0400 ne1 know whats up with this? http://www.clonk.com/index_0.html _ Join the worlds largest e-mail service with MSN Hotmail. http://www.hotmail.com
(313) test
trouble posting, please ignore
Re: (313) George Clinton Answers Techno#8217;s Greatest Question
At 8:42 AM +0200 10/1/02, [EMAIL PROTECTED] wrote: Legendary funkateer George Clinton has finally revealed what he thought of Derrick May#8217;s classic description of Detroit techno as sounding like George Clinton and Kraftwerk stuck in an elevator, in typically robust fashion. Speaking to Australian journalist Cyclone recently, he chuckled when asked what he'd really create if he genuinely got stuck with the Germans in the aforementioned lift. I'm sure that quote probably ended up annoying George C. as much as it probably annoyed everybody in the 313 for its all-too-frequent repetition. Unfortunately, with all that has been said about techno, it was this comment that always made the final print. and usually without the with only a sequncer to keep them company proviso. sheesh, the comment's more than ten years old. let it die. let it die. -marc -- NRR. have folks seen the HL server at det.servemp3.com? -- _ In the U.S. you have to be a deviant or exist in dreary boredom. Make no mistake; all intellectuals are deviants in the U.S. -- William S. Burroughs, Yage Letters (1963)
RE: (313) George Clinton Answers Techno#8217;s Greatest Question
Chill out - it's just a quote that is repeated often because it has a certain resonance with fans and journalists. -Original Message- From: marc christensen [mailto:[EMAIL PROTECTED] Sent: Tuesday, October 01, 2002 12:13 PM To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: (313) George Clinton Answers Techno#8217;s Greatest Question At 8:42 AM +0200 10/1/02, [EMAIL PROTECTED] wrote: Legendary funkateer George Clinton has finally revealed what he thought of Derrick May#8217;s classic description of Detroit techno as sounding like George Clinton and Kraftwerk stuck in an elevator, in typically robust fashion. Speaking to Australian journalist Cyclone recently, he chuckled when asked what he'd really create if he genuinely got stuck with the Germans in the aforementioned lift. I'm sure that quote probably ended up annoying George C. as much as it probably annoyed everybody in the 313 for its all-too-frequent repetition. Unfortunately, with all that has been said about techno, it was this comment that always made the final print. and usually without the with only a sequncer to keep them company proviso. sheesh, the comment's more than ten years old. let it die. let it die. -marc -- NRR. have folks seen the HL server at det.servemp3.com? -- _ In the U.S. you have to be a deviant or exist in dreary boredom. Make no mistake; all intellectuals are deviants in the U.S. -- William S. Burroughs, Yage Letters (1963)
(313) 3 posts in one
1)last week i asked about everyone's favorite label art, this week it's time for your favorite sleeve. now most of the house/techno records i buy nowadays, come in a plain black or white sleeve, but there are a few nice exceptions to the rule. one of my my favorite sleeves is not [313] but [312]: lil louis and the world - journey with the lonely lp which i just won on ebay [ $10 !!!] 2)so what have been your most lucky finds? an extremely expensive record, that you found cheap, or a record you had been looking for that you found somewhere, you'd never expected it to find, or a tune you had been looking for for ages, that you didn't even know the title of, that you happened to stumble upon. to me this is probably the most fun part of searching for records [well not always...] digging the 2nd hand/used records bins everywhere you see them. you'll be surprised at what gemms you can find at unusual places. 3)just like a lot of other [313]list members i went to amsterdam last friday to hear brett dancer and larry heard play some records at paradisco3000. and had a great time! brett was already playing when i got in at around 1.30, and he played a quality set, with almost only classics, from ymo, to model 500, 'washing machine','altered states' and many more. larry came after him around 3.00, and [to me] never really got going, maybe it was because brett dancer played quite a hard set, so going deep after that, and keeping the dancefloor filled at the same time was difficult. by 4.00 a lot of people had allready left, and that's not really helping the dj either. but he still played some great tracks, he even played 'energy flash', not a record i had expected to hear that night. so all in all, i had a great night, great music nice people, and great looking women [yes, that ís important too.] and paradiso has got a lot more to offer the next couple of months: leroy burgess, domu, sun ra dedication night with jimi tenor kirk de giorgio, and i think i saw a poster announcing kerri chandler? jurren _ Chat with friends online, try MSN Messenger: http://messenger.msn.com
RE: (313) 3 posts in one
well my lucky find was Red 2 on the orginal Red Vinyl. -Original Message- From: jurren baars [mailto:[EMAIL PROTECTED] Sent: 01 October 2002 14:25 To: 313@hyperreal.org Subject: (313) 3 posts in one 1)last week i asked about everyone's favorite label art, this week it's time for your favorite sleeve. now most of the house/techno records i buy nowadays, come in a plain black or white sleeve, but there are a few nice exceptions to the rule. one of my my favorite sleeves is not [313] but [312]: lil louis and the world - journey with the lonely lp which i just won on ebay [ $10 !!!] 2)so what have been your most lucky finds? an extremely expensive record, that you found cheap, or a record you had been looking for that you found somewhere, you'd never expected it to find, or a tune you had been looking for for ages, that you didn't even know the title of, that you happened to stumble upon. to me this is probably the most fun part of searching for records [well not always...] digging the 2nd hand/used records bins everywhere you see them. you'll be surprised at what gemms you can find at unusual places. 3)just like a lot of other [313]list members i went to amsterdam last friday to hear brett dancer and larry heard play some records at paradisco3000. and had a great time! brett was already playing when i got in at around 1.30, and he played a quality set, with almost only classics, from ymo, to model 500, 'washing machine','altered states' and many more. larry came after him around 3.00, and [to me] never really got going, maybe it was because brett dancer played quite a hard set, so going deep after that, and keeping the dancefloor filled at the same time was difficult. by 4.00 a lot of people had allready left, and that's not really helping the dj either. but he still played some great tracks, he even played 'energy flash', not a record i had expected to hear that night. so all in all, i had a great night, great music nice people, and great looking women [yes, that ís important too.] and paradiso has got a lot more to offer the next couple of months: leroy burgess, domu, sun ra dedication night with jimi tenor kirk de giorgio, and i think i saw a poster announcing kerri chandler? jurren _ Chat with friends online, try MSN Messenger: http://messenger.msn.com --- Incoming mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.380 / Virus Database: 213 - Release Date: 24/07/02 --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.380 / Virus Database: 213 - Release Date: 24/07/02
Re: (313) 3 posts in one
1)last week i asked about everyone's favorite label art, this week it's time for your favorite sleeve. now most of the house/techno records i buy nowadays, come in a plain black or white sleeve, but there are a few nice exceptions to the rule. one of my my favorite sleeves is not [313] but [312]: lil louis and the world - journey with the lonely lp which i just won on ebay [ $10 !!!] Pod - the vanguard ep Kikrokos - jungle dj 2)so what have been your most lucky finds? an extremely expensive record, that you found cheap, or a record you had been looking for that you found somewhere, you'd never expected it to find, or a tune you had been looking for for ages, that you didn't even know the title of, that you happened to stumble upon. to me this is probably the most fun part of searching for records [well not always...] digging the 2nd hand/used records bins everywhere you see them. you'll be surprised at what gemms you can find at unusual places. Open house,carl craig chapter 1, carl craig chapter 1 w/climax, paperclip people, mk, and mike dunn 6 track ep on westbrook all for £30 3)just like a lot of other [313]list members i went to amsterdam last friday to hear brett dancer and larry heard play some records at paradisco3000. and had a great time! brett was already playing when i got in at around 1.30, and he played a quality set, with almost only classics, from ymo, to model 500, 'washing machine','altered states' and many more. larry came after him around 3.00, and [to me] never really got going, maybe it was because brett dancer played quite a hard set, so going deep after that, and keeping the dancefloor filled at the same time was difficult. by 4.00 a lot of people had allready left, and that's not really helping the dj either. but he still played some great tracks, he even played 'energy flash', not a record i had expected to hear that night. so all in all, i had a great night, great music nice people, and great looking women [yes, that ís important too.] and paradiso has got a lot more to offer the next couple of months: leroy burgess, domu, sun ra dedication night with jimi tenor kirk de giorgio, and i think i saw a poster announcing kerri chandler? jurren _ Chat with friends online, try MSN Messenger: http://messenger.msn.com
(313) Betr.: (313) 3 posts in one
I like the artwork of the rerelease of Bobby Konders tracks on Gigolo, has a nice feel to it! Also non-313: Ulrich Schnauss - Far away trains passing by on City Centre Offices, nice downtempo record with nice sleeve! Lucky finds: Lil Louis - French Kiss on Diamond for 5 guilders (bij de plaatboef :-) Don't know if it's rare, people say so. Remco
(313) 3 posts in one
2)so what have been your most lucky finds? Arthur Russell's World of Deep (second copy) for the equivalent of about 2 UKP amongst mountains of cack in the only record shop open in Ghent at 9am. And I had repeatedly told Red D it wasn't worth the energy. It is always worth the energy. My first copy was $6 sealed, too.
(313) George Clinton Answers
To begin with, I am not sure how it ended up on that site, but it's kinda cool. I did the interview a few months ago for an RB magazine and it fitted the context since he had just performed at the DEMF. He is actually working on a new album of 'techno doo-wop'. Just last week I finally remembered to send the quote to a good friend of mine in Detroit and he circulated it maybe. I then saw it on a Skruff newsletter I got. George had never toured Australia before. I am not even sure if he has talked to Australian media before. I knew people here, especially younger people, would be interested in his thoughts on techno generally (as well as hip-hop) and so that was on my list of questions - that quote was a useful device to draw a link. George came across as very mellow, and was far from annoyed, he doesn't seem to get annoyed by too much. I don't believe in asking veteran artists purely about their past (he says he doesn't recall much about his anyway) as it then assumes people are musuem pieces and have nothing else to offer. If anything, that can annoy artists. From Derrick's standpoint, I think in interviews he has always been someone who carefully thinks about what he says because he knows it's for prosperity. It's more being misquoted that gets to him. The quote is part of techno's mythology, so if it dies, techno dies. Does that quote really annoy anyone? I would be interested to know. I think there's more annoying things - like being marginalised by the likes of Sasha and Digweed, or people assuming that if you're techno you will play a certain kind of techno, or being musically stereotyped, or whatever. I'm sure that quote probably ended up annoying George C. as much as it probably annoyed everybody in the 313 for its all-too-frequent repetition. Unfortunately, with all that has been said about techno, it was this comment that always made the final print. and usually without the with only a sequncer to keep them company proviso. sheesh, the comment's more than ten years old. let it die. let it die. -marc
RE: (313) 3 posts in one
1) UR Interstellar Fugitives is pretty cool I really like the artwork on the 'comin from tha d' series as well Actually I also really like the picture of richie on the de909 closer to the edit stuff with his eye blocky/digitized Non 313 Ive always liked the Mr Scruff 'keep it unreal' album cover with the quirky cartoons 2) not 313 but just got an original copy of the soundtrack to 'the prisoner' tv series for £8 [seems to sell for 40-50 but theres no way im letting go of it!!] -Original Message- From: Placid [mailto:[EMAIL PROTECTED] Sent: 01 October 2002 22:41 To: 313 mailing list Subject: Re: (313) 3 posts in one 1)last week i asked about everyone's favorite label art, this week it's time for your favorite sleeve. now most of the house/techno records i buy nowadays, come in a plain black or white sleeve, but there are a few nice exceptions to the rule. one of my my favorite sleeves is not [313] but [312]: lil louis and the world - journey with the lonely lp which i just won on ebay [ $10 !!!] Pod - the vanguard ep Kikrokos - jungle dj 2)so what have been your most lucky finds? an extremely expensive record, that you found cheap, or a record you had been looking for that you found somewhere, you'd never expected it to find, or a tune you had been looking for for ages, that you didn't even know the title of, that you happened to stumble upon. to me this is probably the most fun part of searching for records [well not always...] digging the 2nd hand/used records bins everywhere you see them. you'll be surprised at what gemms you can find at unusual places. Open house,carl craig chapter 1, carl craig chapter 1 w/climax, paperclip people, mk, and mike dunn 6 track ep on westbrook all for £30 3)just like a lot of other [313]list members i went to amsterdam last friday to hear brett dancer and larry heard play some records at paradisco3000. and had a great time! brett was already playing when i got in at around 1.30, and he played a quality set, with almost only classics, from ymo, to model 500, 'washing machine','altered states' and many more. larry came after him around 3.00, and [to me] never really got going, maybe it was because brett dancer played quite a hard set, so going deep after that, and keeping the dancefloor filled at the same time was difficult. by 4.00 a lot of people had allready left, and that's not really helping the dj either. but he still played some great tracks, he even played 'energy flash', not a record i had expected to hear that night. so all in all, i had a great night, great music nice people, and great looking women [yes, that ís important too.] and paradiso has got a lot more to offer the next couple of months: leroy burgess, domu, sun ra dedication night with jimi tenor kirk de giorgio, and i think i saw a poster announcing kerri chandler? jurren Chat with friends online, try MSN Messenger: http://messenger.msn.com -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice.
RE: (313) OT - Chunky record store
Plus it seems to me that the majority of the shops represented through Gemm are in the UK! MEK Langsman, Marc [EMAIL PROTECTED]To: 313@hyperreal.org .COMcc: Subject: RE: (313) OT - Chunky record store 10/01/02 05:25 AM Someone on the list recommended www.gemm.com to me ages ago - Its an online interface to loads of small indipendent record shops and Ive found practically all the hard to get stuff Ive been looking for through it - def worth a shot ! peace, Marc -Original Message- From: Fabrizio Nahum [mailto:[EMAIL PROTECTED] Sent: 01 October 2002 11:35 To: 313@hyperreal.org Subject: (313) OT - Chunky record store Sorry for the off-topicness of the post but i'm out on a limb here. I'm desperately looking for the Bathrobin ep by Autophonic on DUB...the only places if have found on the net are either 2 shops in the states (Bent Crayon and Gemm) and Chunky Records from England. I've tried Smallfish, Clone, Nuloop, Groovetech, Hardwax, Tiger Sushi, Boomkat. Are there any other european shops i could try? What i want to know is if any of you have heard of Chunky or has ever done business with them. Please reply off-list. Thanks and please excuse me again, fab. -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice.
Re: (313) George Clinton Answers
At 11:55 PM +1000 10/1/02, Cyclone Wehner wrote: From Derrick's standpoint, I think in interviews he has always been someone who carefully thinks about what he says because he knows it's for prosperity. I think the longevity of that one quote has certainly added to May's historically-conscious introspection. Not that he wasn't a thoughtful and articulate guy before, but that quote has just been beat like a dead horse. Does that quote really annoy anyone? I would be interested to know. The annoying thing about it at this point is that every time i see it in print, i ask: couldn't they put something fresher in here? can't they get a writer who can do a little bit of real *work* on their topic? Imagine how much fun XLR8R would be to read if each and every issue had to run that quote just one more time. I've got little against the quote itself (except that one reading of it overemphasizes the specificity of the Kraftwerk influence, which Simon Reynolds uses to pretty directly diss detroit). I object to its mass republication-as-oversimplification. -marc
(313) Let Scatalogics plan your weekend for you!
LET SCATALOGICS PLAN YOUR WEEKEND FRIDAY, OCTOBER 4TH SCATALOGICS PRESENTS... ULYSSES (CITY ROCKERS, LASERGUN, TOMMY BOY, TEKNOTIKA, SCATALOGICS) JAMES DUNCAN (ENVIRON, TRAXX, LE SYSTEME) + SPECIAL GUEST @ Filter 14 432 W14th St. at Washington SECRET PASSWORD FOR FREE ENTRY: ULYSSES DRINK SPECIALS FOR MY ALCOHOLIC FRIENDS! $3 vodka cranberry's and all beer $3 (9pm - 11:30) Be sure not to miss this one! The last Filter 14 eent was off the meat rack, it topped the scales, it overflowed the toilets... Holy Hogmuffins! People seemd to do an awful lot of that stuff called Dancing, I wonder what THAT'S all about... Plus there just might be a secret live perfomance from somebody famous, if we can talk him into it. Oh yeah, James Duncan rocks the world like no other. - SATURDAY, OCTOBER 5TH SUBTEXT ULYSSES (CITY ROCKERS, LASERGUN, TOMMY BOY, TEKNOTIKA, SCATALOGICS) JASON WILLIAMS (PARALLEL RECORDINGS) + MORE @Tonic 172 Norfolk St. - SCATALOGICS 3240 46TH ST 2B ASTORIA, NY 11103 WWW.SCATALOGICS.COM
(313) Mayday pheerce city
Has nayone got a double/spare of mayday sinister on pheerce city Will pay or find swap...
Re: (313) 3 posts in one
1)your favorite sleeve: Techno the new dance sound of Detroit - the emblem is just so cool with the skyline behind it. All Transmat sleeves - the logo the logo the logo Carl Craig's More Songs about Food and Revolutionary Art Kraftwerk covers Stacy Pullen's Today is the Tomorrow you were promised Yesterday Ken Ishii's Jelly Tones The early DJ Kicks series with just the photo of the artist and the monocolor backgrounds 2)so what have been your most lucky finds? A Number of Names Sharivari on Quality for about the same price as a cup of coffee. In one of my local used record shops they have a new arrivals and then those eventually get transferred to the masses of used stuff. I found it among the masses. How it ever slipped passed I have no idea but I had to look at it for several minutes just to get it into my head that I was holding it in my hand and for the price?? Techno: The new dance sound of Detroit - not found but given to me as a gift from a good friend's personal collection Silent Phase Psychotic Funk on Transmat - in a little DJ store, again in the used bin but in mint condition sleeve and all. Sabres of Paradise Theme - same store same story. Derrick May Strings of Life on Kool Kat w/Juan Atkins remix - slipped into a Plastic City record sleeve by whomever sold it to the shop. Malcolm McLaren Duck Rock just this past weekend Bu-Bu-Buffalo Gals. Carl Craig's Bug in the Bassbin on Mo'Wax - new but hadn't seen it around these parts before (on the same day and same shop as the Sabres of Paradise. Fade II Black The Dilemma on Elypsia (which has some cool label art) there have been so many I can't recall all of them... MEK
Re: (313) 3 posts in one
1. i really prefer minimal cardboard sleeves with minimal art. also not so detroit but MORR music make great sleeves. also all the music aus strom sleeves with r just big cardborads with engraved MAS r great. also kompakt art is simple but kool. and environ has lovely labels which express the sounds of the labels also bpitch control has nice arts. well i can`t choose just one or 2. 2.i found in spain dr. rockit double 10 and kirk degirogo message in herbies t-shirt 2X12 on the both defunkt clear for very few pesos. also in tel aviv orginal print of d-mob aceed on FRRR mint condition. y - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, October 01, 2002 5:13 PM Subject: Re: (313) 3 posts in one 1)your favorite sleeve: Techno the new dance sound of Detroit - the emblem is just so cool with the skyline behind it. All Transmat sleeves - the logo the logo the logo Carl Craig's More Songs about Food and Revolutionary Art Kraftwerk covers Stacy Pullen's Today is the Tomorrow you were promised Yesterday Ken Ishii's Jelly Tones The early DJ Kicks series with just the photo of the artist and the monocolor backgrounds 2)so what have been your most lucky finds? A Number of Names Sharivari on Quality for about the same price as a cup of coffee. In one of my local used record shops they have a new arrivals and then those eventually get transferred to the masses of used stuff. I found it among the masses. How it ever slipped passed I have no idea but I had to look at it for several minutes just to get it into my head that I was holding it in my hand and for the price?? Techno: The new dance sound of Detroit - not found but given to me as a gift from a good friend's personal collection Silent Phase Psychotic Funk on Transmat - in a little DJ store, again in the used bin but in mint condition sleeve and all. Sabres of Paradise Theme - same store same story. Derrick May Strings of Life on Kool Kat w/Juan Atkins remix - slipped into a Plastic City record sleeve by whomever sold it to the shop. Malcolm McLaren Duck Rock just this past weekend Bu-Bu-Buffalo Gals. Carl Craig's Bug in the Bassbin on Mo'Wax - new but hadn't seen it around these parts before (on the same day and same shop as the Sabres of Paradise. Fade II Black The Dilemma on Elypsia (which has some cool label art) there have been so many I can't recall all of them... MEK
Re: (313) George Clinton Answers
speaking of writers doing research: the lastest copy of REMIX mag has an article on the very last page about Juan Atkins. In it they claim that he and Rick Davis used a Roland R8 on the Cybotron - Enter album back in 1981. Maybe I'm no longer clear on my gear timelines, but it seems to me that if the Roland 808 (with analog drum sounds) was in production in (roughly) 1982 and the 909 (with a mixture of analog and sampled drum sounds) in 1983, wouldnt the R8, which contains sampled drum sounds only, have followed those machines years later (especially since it samples sounds from the 808 and 909 machines)? wow! Juan really was ahead of his time, not only did he make futuristic music, he even used equipment from the future to do it :^) sean deason From: marc christensen [EMAIL PROTECTED] Date: Tue, 1 Oct 2002 07:45:09 -0700 To: Cyclone Wehner [EMAIL PROTECTED], 313@hyperreal.org Subject: Re: (313) George Clinton Answers At 11:55 PM +1000 10/1/02, Cyclone Wehner wrote: From Derrick's standpoint, I think in interviews he has always been someone who carefully thinks about what he says because he knows it's for prosperity. I think the longevity of that one quote has certainly added to May's historically-conscious introspection. Not that he wasn't a thoughtful and articulate guy before, but that quote has just been beat like a dead horse. Does that quote really annoy anyone? I would be interested to know. The annoying thing about it at this point is that every time i see it in print, i ask: couldn't they put something fresher in here? can't they get a writer who can do a little bit of real *work* on their topic? Imagine how much fun XLR8R would be to read if each and every issue had to run that quote just one more time. I've got little against the quote itself (except that one reading of it overemphasizes the specificity of the Kraftwerk influence, which Simon Reynolds uses to pretty directly diss detroit). I object to its mass republication-as-oversimplification. -marc
Re: (313) George Clinton Answers
Yeah it seems they do have it a bit screwed up (I thought something was odd about that article too) - according to the Vintage Synth website http://www.vintagesynth.org/roland/r8.shtml the R8 was first available in '89 This is really poor for a magazine dedicated to the equipment of electronic (and more focused - dance) music. Maybe a basic phone call/email to him could have clarified that. Anyway, you'd think they'd know this sh:t or have someone on staff doing some fact checking. Sean - do you what drum machine was used? MEK sean deason [EMAIL PROTECTED]To: marc christensen [EMAIL PROTECTED], Cyclone Wehner .net [EMAIL PROTECTED], 313@hyperreal.org cc: 10/01/02 10:36 AMSubject: Re: (313) George Clinton Answers speaking of writers doing research: the lastest copy of REMIX mag has an article on the very last page about Juan Atkins. In it they claim that he and Rick Davis used a Roland R8 on the Cybotron - Enter album back in 1981. Maybe I'm no longer clear on my gear timelines, but it seems to me that if the Roland 808 (with analog drum sounds) was in production in (roughly) 1982 and the 909 (with a mixture of analog and sampled drum sounds) in 1983, wouldnt the R8, which contains sampled drum sounds only, have followed those machines years later (especially since it samples sounds from the 808 and 909 machines)? wow! Juan really was ahead of his time, not only did he make futuristic music, he even used equipment from the future to do it :^) sean deason From: marc christensen [EMAIL PROTECTED] Date: Tue, 1 Oct 2002 07:45:09 -0700 To: Cyclone Wehner [EMAIL PROTECTED], 313@hyperreal.org Subject: Re: (313) George Clinton Answers At 11:55 PM +1000 10/1/02, Cyclone Wehner wrote: From Derrick's standpoint, I think in interviews he has always been someone who carefully thinks about what he says because he knows it's for prosperity. I think the longevity of that one quote has certainly added to May's historically-conscious introspection. Not that he wasn't a thoughtful and articulate guy before, but that quote has just been beat like a dead horse. Does that quote really annoy anyone? I would be interested to know. The annoying thing about it at this point is that every time i see it in print, i ask: couldn't they put something fresher in here? can't they get a writer who can do a little bit of real *work* on their topic? Imagine how much fun XLR8R would be to read if each and every issue had to run that quote just one more time. I've got little against the quote itself (except that one reading of it overemphasizes the specificity of the Kraftwerk influence, which Simon Reynolds uses to pretty directly diss detroit). I object to its mass republication-as-oversimplification. -marc
Re: (313) George Clinton Answers
Certainly doesn't annoy me. Makes me imagine music I want to produce... even if its not an all encompassing definition of techno (not that such a thing meaningfully exists). ScottV. To begin with, I am not sure how it ended up on that site, but it's kinda cool. I did the interview a few months ago for an RB magazine and it fitted the context since he had just performed at the DEMF. He is actually working on a new album of 'techno doo-wop'. Just last week I finally remembered to send the quote to a good friend of mine in Detroit and he circulated it maybe. I then saw it on a Skruff newsletter I got. George had never toured Australia before. I am not even sure if he has talked to Australian media before. I knew people here, especially younger people, would be interested in his thoughts on techno generally (as well as hip-hop) and so that was on my list of questions - that quote was a useful device to draw a link. George came across as very mellow, and was far from annoyed, he doesn't seem to get annoyed by too much. I don't believe in asking veteran artists purely about their past (he says he doesn't recall much about his anyway) as it then assumes people are musuem pieces and have nothing else to offer. If anything, that can annoy artists. From Derrick's standpoint, I think in interviews he has always been someone who carefully thinks about what he says because he knows it's for prosperity. It's more being misquoted that gets to him. The quote is part of techno's mythology, so if it dies, techno dies. Does that quote really annoy anyone? I would be interested to know. I think there's more annoying things - like being marginalised by the likes of Sasha and Digweed, or people assuming that if you're techno you will play a certain kind of techno, or being musically stereotyped, or whatever.
RE: (313) UR Shocker...
here here From: Langsman, Marc [EMAIL PROTECTED] To: '[EMAIL PROTECTED]' [EMAIL PROTECTED],313@hyperreal.org Subject: RE: (313) UR Shocker... Date: Tue, 1 Oct 2002 09:46:05 +0100 Good Lord, some people just want to twist the facts, Like I said no one here knows the story nor what took place because of it and I am in no postion to explain things that were shared with me in confidence. If you wish to continue being ignorant and making false assumptions about things that you have no clue about, then by all means continue making an ASS out of yourself. Thats not really too constructive is it ? Maybe if things were / had been explained then the 'twisting of facts' you describe would not be occuring - but either way everyone on this this list is entitled to discuss the topic and give their own opinions. Any speculation thrown into the arena has arisen through the lack of explanation of the events which took place and seeing as UR is probably the most prolific label on this list what do you expect ? peace, Marc -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice. _ Join the worlds largest e-mail service with MSN Hotmail. http://www.hotmail.com
(313) still on the ferox thread
who is 4th wave ??? man this Rudder track is just unbeliaveble!! what a techno song!!
RE: (313) UR Shocker...
Tell us the truth then or I will continue to speculate wildly! I don't mind making an ass of myself if gets a few 313ers' knickers in a twist. Some of you guys need to lighten up and stop taking everything seriously all the time. -Original Message- From: Chana Goodman [mailto:[EMAIL PROTECTED] Sent: Tuesday, October 01, 2002 4:27 PM To: 313@hyperreal.org Subject: RE: (313) UR Shocker... here here From: Langsman, Marc [EMAIL PROTECTED] To: '[EMAIL PROTECTED]' [EMAIL PROTECTED],313@hyperreal.org Subject: RE: (313) UR Shocker... Date: Tue, 1 Oct 2002 09:46:05 +0100 Good Lord, some people just want to twist the facts, Like I said no one here knows the story nor what took place because of it and I am in no postion to explain things that were shared with me in confidence. If you wish to continue being ignorant and making false assumptions about things that you have no clue about, then by all means continue making an ASS out of yourself. Thats not really too constructive is it ? Maybe if things were / had been explained then the 'twisting of facts' you describe would not be occuring - but either way everyone on this this list is entitled to discuss the topic and give their own opinions. Any speculation thrown into the arena has arisen through the lack of explanation of the events which took place and seeing as UR is probably the most prolific label on this list what do you expect ? peace, Marc --- --- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice. _ Join the world's largest e-mail service with MSN Hotmail. http://www.hotmail.com
Re: (313) still on the ferox thread
steve paton ain't it? From: henrique casanova [EMAIL PROTECTED] To: 313@hyperreal.org Subject: (313) still on the ferox thread Date: Tue, 1 Oct 2002 13:30:38 -0300 who is 4th wave ??? man this Rudder track is just unbeliaveble!! what a techno song!! _ Chat with friends online, try MSN Messenger: http://messenger.msn.com
RE: (313) UR Shocker...
yeah it all gets bit too serious at times ... looks like this topic hit a bit of a sore point anyhow -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: 01 October 2002 18:34 To: 'Chana Goodman'; 313@hyperreal.org Subject: RE: (313) UR Shocker... Tell us the truth then or I will continue to speculate wildly! I don't mind making an ass of myself if gets a few 313ers' knickers in a twist. Some of you guys need to lighten up and stop taking everything seriously all the time. -Original Message- From: Chana Goodman [mailto:[EMAIL PROTECTED] Sent: Tuesday, October 01, 2002 4:27 PM To: 313@hyperreal.org Subject: RE: (313) UR Shocker... here here From: Langsman, Marc [EMAIL PROTECTED] To: '[EMAIL PROTECTED]' [EMAIL PROTECTED],313@hyperreal.org Subject: RE: (313) UR Shocker... Date: Tue, 1 Oct 2002 09:46:05 +0100 Good Lord, some people just want to twist the facts, Like I said no one here knows the story nor what took place because of it and I am in no postion to explain things that were shared with me in confidence. If you wish to continue being ignorant and making false assumptions about things that you have no clue about, then by all means continue making an ASS out of yourself. Thats not really too constructive is it ? Maybe if things were / had been explained then the 'twisting of facts' you describe would not be occuring - but either way everyone on this this list is entitled to discuss the topic and give their own opinions. Any speculation thrown into the arena has arisen through the lack of explanation of the events which took place and seeing as UR is probably the most prolific label on this list what do you expect ? peace, Marc - -- --- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice. _ Join the world's largest e-mail service with MSN Hotmail. http://www.hotmail.com -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice.
RE: (313) still on the ferox thread
Didn't 4th Wave do Electroluv on Planet E? -Original Message- From: henrique casanova [mailto:[EMAIL PROTECTED] Sent: Tuesday, October 01, 2002 4:31 PM To: 313@hyperreal.org Subject: (313) still on the ferox thread who is 4th wave ??? man this Rudder track is just unbeliaveble!! what a techno song!!
RE: (313) still on the ferox thread
yes it is. -Original Message- From: J. T. [mailto:[EMAIL PROTECTED] Sent: Tuesday, October 01, 2002 9:37 AM To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: (313) still on the ferox thread steve paton ain't it? From: henrique casanova [EMAIL PROTECTED] To: 313@hyperreal.org Subject: (313) still on the ferox thread Date: Tue, 1 Oct 2002 13:30:38 -0300 who is 4th wave ??? man this Rudder track is just unbeliaveble!! what a techno song!! _ Chat with friends online, try MSN Messenger: http://messenger.msn.com
RE: (313) still on the ferox thread
Robert Taylor: Didn't 4th Wave do Electroluv on Planet E? yep, nice record... Planet E was in good form at that time - the Clark doublepack, Connection Machine Gemini 12s... all quality! more 4th Wave info: http://www.discogs.com/artist/4th_Wave. rob _ Chat with friends online, try MSN Messenger: http://messenger.msn.com
Re: (313) George Clinton Answers
At 11:55 PM +1000 10/1/02, Cyclone Wehner wrote: From Derrick's standpoint, I think in interviews he has always been someone who carefully thinks about what he says because he knows it's for prosperity. I think the longevity of that one quote has certainly added to May's historically-conscious introspection. Not that he wasn't a thoughtful and articulate guy before, but that quote has just been beat like a dead horse. Does that quote really annoy anyone? I would be interested to know. The annoying thing about it at this point is that every time i see it in print, i ask: couldn't they put something fresher in here? can't they get a writer who can do a little bit of real *work* on their topic? I don't know, man. Like I said, I used it as a literary device to link some ideas together and I had never seen it employed in that context (and context is everything) before - ie a story on George Clinton that stresses his influence on and ongoing involvement in contemporary dance musics. I spent two hours finding the quote, destroying my office in the process. I think I found it in Dan Sicko's book in the end. Pop culture and journalism rely on 'hooks' as songs do (and even underground records have hooks). A lot of Derrick's insights are quotatable, he is very clever with words. I can think of similiarly memorable things Jeff Mills has said, Mike Banks has said, Juan and Kevin have said, etc. You could say some of Shakespeare's quotes are played out too. Above all I think the response was fun. George is a fun guy, even the serious questions he had humourous things to say.
RE: (313) still on the ferox thread
oh yeah...add that one to my cool finds list. Love that 4th Wave EP. MEK rob webb [EMAIL PROTECTED]To: 313@hyperreal.org il.com cc: Subject: RE: (313) still on the ferox thread 10/01/02 11:47 AM Robert Taylor: Didn't 4th Wave do Electroluv on Planet E? yep, nice record... Planet E was in good form at that time - the Clark doublepack, Connection Machine Gemini 12s... all quality! more 4th Wave info: http://www.discogs.com/artist/4th_Wave. rob _ Chat with friends online, try MSN Messenger: http://messenger.msn.com
(313) my radio show on right now
my radio show is on right now www.channelzonline.org the two (4 hrs. in total) shows consist of several mixes by me and one that is a tag team with trent abbe and I please let me know what you think. I am also looking for mixes of 313 content if you interested please contact me off list. hope you enjoy it scotto lansing, mi. ps. if you have music you composed and you would like me to review it for air play I do accept promos. delien is in the second show and they gave me a demo good stuff if you have never heard of them www.delien.com
Re: (313) titonton rushhour `s set track id.
ha... another set that mixes Spastik with a house track.. and scratching even. nothing beats derrick carter's Spastik + Glamorous Life mix though. that mix into Flash is darn nice too. - Original Message - From: moog [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, October 01, 2002 5:09 AM Subject: (313) titonton rushhour `s set track id. this dude can really rock on the decks. on his set at rushhour on 20:29 into the sets start a track with funny melody. anyone have any idea? http://www.heitlager.com/antal/titonton.ram danke yair
Re: (313) still on the ferox thread
- Original Message - From: J. T. [EMAIL PROTECTED] To: [EMAIL PROTECTED]; 313@hyperreal.org Sent: Tuesday, October 01, 2002 1:37 PM Subject: Re: (313) still on the ferox thread steve paton ain't it? is he from detroit?
Re: (313) 3 posts in one
On Tue, 2002-10-01 at 15:25, jurren baars wrote: 3)just like a lot of other [313]list members i went to amsterdam last friday to hear brett dancer and larry heard play some records at paradisco3000. and had a great time! brett was already playing when i got in at around 1.30, and he played a quality set, with almost only classics, from ymo, to model 500, 'washing machine','altered states' and many more.larry came after him around 3.00, and [to me] never really got going, maybe it was because brett dancer played quite a hard set, so going deep after that, and keeping the dancefloor filled at the same time was difficult. by 4.00 a lot of people had allready left, and that's not really helping the dj either. but he still played some great tracks, he even played 'energy flash', not a record i had expected to hear that night. I tend to disagree: I found Brett Dancer's set quite boring, partly because of all the classics; I guess I've heard no ufo's (at least) 1 time to many ;o) Can't remember hearing washing machine, he did play play it loud though which for me was the highlight of his set. I really enjoyed Larry's set: great variety of moods and grooves, danced the whole way through (the last time that happened was more than a year ago) and his set felt as a whole instead of just some trax after another as happens with most sets. Cheers, Michel
(313) Track Id
Hi, Can anyone please ID this tune: ftp://213.121.127.12/JeffMills.mp3 Its from a Jeff Mills set Cheers, James
(313) Laura Gavoor...
Somebody please tell me I am only hearing a bad joke about Laura. Tosh -- Twelve Hundred Group http://www.1200group.com/
Re: (313) 3 posts in one
On Tue, 2002-10-01 at 20:13, Michel Rijnders wrote: because of all the classics; I guess I've heard no ufo's (at least) 1 time to many ;o) the same goes for night drive (thru babylon) which is what Brett Dancer playing :o)
Re: (313) 3 posts in one
At 20:13 +0200 01-10-2002, Michel Rijnders wrote: I tend to disagree: I found Brett Dancer's set quite boring, partly because of all the classics; I guess I've heard no ufo's (at least) 1 time to many ;o) Can't remember hearing washing machine, he did play play it loud though which for me was the highlight of his set. Brett Dancer his set was a bit rougher compared to Larry his set. I can't choose which one was better, i really loved both their sets. I like the eclectic choice of records from Brett, he even played some old Armando records, Octave One and YMO and mixing it with the usual house tracks. I loved it when he played Can You Feel It just before Larry started playing. Nice to see the whole room went wild when he dropped that tune. Larry ohis set was great as well, i did not like his first records but his set kept building and he dropped the deepest tracks and energy flash in the middle of those kinda tracks was a real surprise. but it sounded nice. I really enjoyed it, a really deep set. Another brilliant night from the Rushhour people! I really enjoyed Larry's set: great variety of moods and grooves, danced the whole way through (the last time that happened was more than a year ago) and his set felt as a whole instead of just some trax after another as happens with most sets. -- [EMAIL PROTECTED]
Re: (313) 3 posts in one
- Original Message - From: jurren baars [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, October 01, 2002 2:25 PM Subject: (313) 3 posts in one 1)last week i asked about everyone's favorite label art, this week it's time for your favorite sleeve. now most of the house/techno records i buy nowadays, come in a plain black or white sleeve, but there are a few nice exceptions to the rule. one of my my favorite sleeves is not [313] but [312]: Patrick Pulsinger's 'Porno'. I'm not sure if the vinyl is as developed as the cover art on the CD (with fold-out comic strip-esque storyline). If so, it's one of my favorite covers. :) Tristan = Text/Mixes: http://phonopsia.tripod.com Music: http://www.mp313.com Contact: [EMAIL PROTECTED]
Re: (313) still on the ferox thread
- Original Message - From: rob webb [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, October 01, 2002 5:47 PM Subject: RE: (313) still on the ferox thread Robert Taylor: Didn't 4th Wave do Electroluv on Planet E? yep, nice record... Planet E was in good form at that time - the Clark doublepack, Connection Machine Gemini 12s... all quality! more 4th Wave info: http://www.discogs.com/artist/4th_Wave. So it sounds like it's time for my semi-annual question then. When will we get to hear something new from him? No one ever knows the answer to this question. :( Thanks, Tristan
Re: (313) George Clinton Answers
Cyclone Wehner wrote: [on the infamous 'elevator'-quote] I spent two hours finding the quote, destroying my office in the process. I think I found it in Dan Sicko's book in the end. The oldest source I could come across with that quote is the inlay to the Retro-Techno compilation on Network from 1991 or does someone have a citation that predates that? Totally different topic: Pop culture and journalism rely on 'hooks' as songs do. I agree that they do, but do they *need* to? I sometimes wonder if 'we' are not underestimating the audience in making everything as accessible as possible... Otto
(313) Track ID
Sorry, now changed to ftp://217.39.100.35/JeffMills.mp3 Cheers, James
Re: (313) titonton rushhour `s set track id.
The track he mixes into Flash I recognize...but can't think what it is, so it's either something i dont have but want or something I have and have lost over the years in my stacks.Anyone help me with an artist and/or title to remind me? I seem to recall it maybe being on Dance Mania?!!? Trevor Wilkes - Original Message - From: g [EMAIL PROTECTED] To: moog [EMAIL PROTECTED]; 313@hyperreal.org Sent: Tuesday, October 01, 2002 2:02 PM Subject: Re: (313) titonton rushhour `s set track id. ha... another set that mixes Spastik with a house track.. and scratching even. nothing beats derrick carter's Spastik + Glamorous Life mix though. that mix into Flash is darn nice too. - Original Message - From: moog [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, October 01, 2002 5:09 AM Subject: (313) titonton rushhour `s set track id. this dude can really rock on the decks. on his set at rushhour on 20:29 into the sets start a track with funny melody. anyone have any idea? http://www.heitlager.com/antal/titonton.ram danke yair
Re: (313) Laura Gavoor...
No...I'm afraid its true. An aneurysm caused it. Thoughts and prayers to her family friends. g. Tosh Cooey wrote: Somebody please tell me I am only hearing a bad joke about Laura. Tosh
Re: (313) titonton rushhour `s set track id.
the second track after Flash (but you can still hear Flash, i think) is a Dance Mania record: Eric Martin - Fire Alarm. but that's probably not what you mean. ;) - Original Message - From: Trevor Wilkes [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, October 01, 2002 2:07 PM Subject: Re: (313) titonton rushhour `s set track id. The track he mixes into Flash I recognize...but can't think what it is, so it's either something i dont have but want or something I have and have lost over the years in my stacks.Anyone help me with an artist and/or title to remind me? I seem to recall it maybe being on Dance Mania?!!? Trevor Wilkes - Original Message - From: g [EMAIL PROTECTED] To: moog [EMAIL PROTECTED]; 313@hyperreal.org Sent: Tuesday, October 01, 2002 2:02 PM Subject: Re: (313) titonton rushhour `s set track id. ha... another set that mixes Spastik with a house track.. and scratching even. nothing beats derrick carter's Spastik + Glamorous Life mix though. that mix into Flash is darn nice too. - Original Message - From: moog [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, October 01, 2002 5:09 AM Subject: (313) titonton rushhour `s set track id. this dude can really rock on the decks. on his set at rushhour on 20:29 into the sets start a track with funny melody. anyone have any idea? http://www.heitlager.com/antal/titonton.ram danke yair
(313) Video
A bit of self promotion :) I just found out the video for my track Emergon from Idei Lahesna CD/Deflection EP has been put on german Spex online page, so if anyone is interested in seeing it, go to: http://www.spex.de/article.xml?vpID=5lpp=0lsort=0aid=2690SID=103350 5725_1b921a9ea2ad (the video was also done by myself). Jernej www.soundoflj.com/octex
Re: (313) Laura Gavoor...
Sounds trite, but I was just thinking the other day about how I hadn't spoken to her in a while. What a shock. And a reminder. Her electric personality, her endless sense of humor, and her giant thirst for life will be dearly missed. - GMM - Original Message - From: glyph1001 [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Tuesday, October 01, 2002 2:00 PM Subject: Re: (313) Laura Gavoor... No...I'm afraid its true. An aneurysm caused it. Thoughts and prayers to her family friends. g. Tosh Cooey wrote: Somebody please tell me I am only hearing a bad joke about Laura. Tosh
Re: (313) Laura Gavoor...
fuk. I was just informed that she passed away. my condolances to her family and friends. there is too much death in the electronic music community lately :(( - Original Message - From: ::) [EMAIL PROTECTED] To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Tuesday, October 01, 2002 5:21 PM Subject: Re: (313) Laura Gavoor... I dont know what this rumor is, but it sounds bad. I hope shes alright. -Joe - Original Message - From: glyph1001 [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Tuesday, October 01, 2002 5:00 PM Subject: Re: (313) Laura Gavoor... No...I'm afraid its true. An aneurysm caused it. Thoughts and prayers to her family friends. g. Tosh Cooey wrote: Somebody please tell me I am only hearing a bad joke about Laura. Tosh
Re: (313) Video
Last week on Invisible Cracker Mom: JM A bit of self promotion :) JM I just found out the video for my track Emergon from Idei Lahesna JM CD/Deflection EP has been put on german Spex online page, so if anyone JM is interested in seeing it, go to: JM http://www.spex.de/article.xml?vpID=5lpp=0lsort=0aid=2690SID=103350 JM 5725_1b921a9ea2ad JM (the video was also done by myself). I like the wide aspect ratio you've used. Good job on the editing as well. - Brian balistic Prince http://www.bprince.com - art and techno Strokes of Defiance EP . . . soon.
