Re: (313) New Mix at threeonethree.com :: Ryan Elliott - 40 from 4AM.
Excellent mix... made my work day much more enjoyable. Thanks!! Erik Cronin http://codine.com --- Matthew Mangold [EMAIL PROTECTED] wrote: I don't normally hype these mixes that get posted on the threeonethree site, but this is the best thing I've heard since Closer to the Edit got released. If you don't grab this mix, well... I don't know what... but you'll be missing out that's for damn sure. Here's the skinny: Ryan Elliott :: 40 from 4AM 160K mp3 :: Download :: Stream Tracklist -- 01. Weltzwei - Expander ($2 Egg rmx) (Sender) 02. Peter Grummich - Searoom (reprise) (Spectral) 03. Echopilot - Deeper Function (Morris Audio CS) 04. Sweet n'Candy - Phonoautomatiq (Raummusik) 05. K. Lakizz Trike - Supress (Sender) 06. Off Pop - Today (Traum) 07. ADJD - Getting Closer (Poker Flat) 08. Donnacha Costello - Green (A) (Minimise) 09. Random Factor - Update (20/20 Vision) 10. Claro Intelecto - Contact (Ai) 11. M Core - Be Gene (Ifach) 12. False - Halflife (Minus) 13. M. Rahn - Cobra Boy (Trapez) 14. Station Rose - Dave (Hal 9000 rmx) (Gigolo) 15. Trike - Talkback (Gigolo) 16. Heiko Laux J. Heil - Old School Street (D2) (i220) 17. Peter Grummich - What About Love (Boot) 18. Matthew Dear - Grut Wall (loops) (Spectral) 19. Heib - Cargo (A1) (Auftrieb) 20. Paul Kalkenbrenner - Press On (loops) (Bpitch) 21. Und - Sikko Stub (A1) (Trapez Ltd) 22. ADJD - Believe (Poker Flat) 23. 2.13 - On This (Desaelernu) 24. Graziano Avitabile - Tel Aviv (Platzhirsch) 25. Misc - Return to Sender (Sender) 26. Borneo Sporenburg - Wiedersehen (Rochers Mix) (Italic) 27. Temptation - Sound Dealers (Dancefloor Killers) 28. Peter Grummich - Flashback (Sender) 29. Ffwds vs. Claus Richter - Swallow You (Horses Version) (Catenaccio) 30. Dial - Anti-Establishment (Kompakt Extra) 31. M. Mayer - X (Kompakt Extra) 32. Heib - Cargo (B2) (Auftrieb) 33. Carsten Jost - Uccellini (Sender) 34. Ada - Blindhouse (Areal) 35. Misc - Flow Control (loop 1) (Sender) 36. Misc - Flow Control (loop 2) (Sender) 37. Jesper Dahlback - Machine Dance (DK) 38. Robag Wruhme - Wuzzelbud 'KK' (Musik Krause) 39. Matthew Dear - Another (Spectral) 40. Gary Martin - Dark Rum (Teknotika) http://threeonethree.com longlivedetroitunderground Enjoy, Matthew info: massmail[-AT-]threeonethree[-dot-]com
(313) test
uno.. dos.. tres.. quatro.. _ MSN Search, for accurate results! http://search.msn.nl
(313) Apparently, drums don't suck anymore
Carl Craig's Tres Demented played London Express's room at the Cross Festival last night. The lineup = 2 drummers with full trap kits 1 pianist on two Korg keyboards 1 trumpet blown by Marcus Belgrave 1 conductor who sometimes played keys, triggered a few sequences, screamed in a microphone, looked moody for a while then started smiling a lot The three songs that lasted about an hour were Tres Demented, the Climax and Throw, loosely. The intro had bits that vaguely sounded like Chaz Vincent's 'Dream Zenith' synths and there was one part in the middle that sounded kinda like Landcruising. The drummers pounded the whole time w/o a break - both extremely competent and complimentary. The keyboardist was really good - he knew when to take the fore and when to accompany. Marcus Belgrave was clearly the star though, and everyone on stage seemed thrilled to be playing with him. He seemed to be having a blast too. There was relatively little electronics involved, except a looping synth and bassline, and some beats that Carl Craig tweaked a little. It still felt really thechno though! Some people asked if he did anything at all up there, but he did conduct some (as much as you can given the improvisational nature of the show), and he bitched a lot about some early sound/organisational problems. ;) They all seemed to be loving it about 1/2-way though though. Not sure where the next stop is, but I would say it's worth a hefty cover + substantial travel if it's not coming near you. Probably not everyone's cup of tea, but that room was about twice as full (and happy) as 1/2-hour later for Derrick May (mostly in loop-mode). Didn't catch a lot of other stuff. Gilles Peterson was good, not great. Idjut Boys were pretty tight. Unabombers were dope until about the last twenty minutes when I just really wanted to see Carl Craig. Brooks Live was a bit too slow to develop for the first half, but was excellent for the second. Luke Vibert did a great HDJ set as well, of which I only caught maybe 40 minutes before severe fatigue took over. In that time he pulled out YMO, LFO, Meat Beat Manifesto, the Knight Rider theme song, some acid I couldn't spot, and a bunch of other really good stuff. Boundaryless. The overall vibe was pretty good given I'd seen adverts for the festival on TV. There were definitely some sketchy people around, but on the whole it was a surprisingly good vibe. If there's a next year I will not be playing football the day before... This was probably the best weekend for music in London so far this year. Would love to hear how the 14-hour Co-op session was yesterday if anyone made it! Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
(313) TEST - Delete
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RE: (313) for the Madlib fans
good infos. thanks. speaking of madlib and azymuth, there's something floating around on slsk called madlib vs. azymuth. that appears to be unreleased.. does anyone know anything about it? there is mention of something like this on the madlib mix for gp's worldwide, which is a pretty hot mix (featuring some of that spectrum77) and apparently is available on cd quality with purchase of stevie: http://www.stonesthrow.com/news/madlib_worldwide/ also, that's some pretty good trainspotting out of making beats.. i had no idea all that backstory behind daylight-- sure adds to my respect for madlib. how's that book? worth a read? oh, and you look fantastic in your glasses and anorak-- a refreshing change from eighties shlock and little band buttons on the shirtpocket.(speaking of the anorak-- why bite liam when you could be biting Roddy Frame and kicking an anorak and like 7 layers of clothes: http://www.discogs.com/viewimages?what=Robid=206600 ) --- jurren baars [EMAIL PROTECTED] wrote: my guess would be that the rels stuff is sample based, and the yesterdays new quintet related material is at least partially sample based (so that includes the monk hughes) covers of songs by Roy Ayers, Azymuth, Weldon Irvine, etc. from Making Beats, the art of sample based hip-hop by Joseph G. Schloss: An unusually overt example of this philoshophy can be found in a cover version of the song Daylight that appears on the 2001 album Angles without Edges by Yesterday's New Quintet. The original version of the song was recorded in 1977 by RAMP on their album Come into Knowledge. It is best known among producers because a two-bar sample of its melody provided the basis for the classic hip-hop song Bonita Applebaum by A Tribe Called Quest on their 1990 album People's Instinctive Travels and the Paths of Rhythm. As a result of being sampled, the previously obscure RAMP album became highly prized by hip-hop producers, sometimes selling for hundreds of dollars, untill it was reissued on vinyl in the late 1990s. On the Yesterday's New Quintet album, Madlib constructs a cover version of Daylight from samples of other songs (augmented by his own keyboardwork). Moreover, the rhythm of Madlib's drum track is not based on the rhythm of the original version of Daylight, but on the drum loop that A Tribe Called Quest combined it with to make Bonita Applebaum, taken from the blues-rock band Little Feat. In short, Madlib's version of Daylight is a virtuoso demonstration of production technique and knowledge, referencing the social and economic history of a commodity (the RAMP album), its use in the hip-hop community (Bonita Applebaum), and Madlib's own relationship to both. ... ok, i'll get my glasses (formerly owned by Elvis Costello!!), and my new annorak (bought off ebay, used to be owned by Liam Gallagher). jurren _ MSN Search, for accurate results! http://search.msn.nl
(313) oliver ho
hey, has anyone heard anything about when the Soft machine album is going to be released? the waiting is driving me nuts. eric
Re: (313) oliver ho
greetinx from cologne. i dont know when but i been listening to promo for quite a while and yes its something. oliver rox my sox ../z99 Quoting eric trout [EMAIL PROTECTED]: :: :: :: hey, has anyone heard anything about when the Soft machine album is :: going to be released? the waiting is driving me nuts. :: :: :: eric :: :: :: :: - 23 This message was sent using IMP, the Internet Messaging Program.
AW: (313) for the Madlib fans
speaking of madlib vs. azymuth: i downloaded a cd-r, which is quite good, in a yesterdays new quintet style... comes with the following info-txt: this is one of only 100 cd-r's in existence of madlib interpreting the works of Azymuth. Please do not share this on soulseek or other p2p platforms. There are more tracks to follow... well, check slsk, you might find it there, though :) c. -Ursprüngliche Nachricht- Von: dave cronin [mailto:[EMAIL PROTECTED] Gesendet: Montag, 30. August 2004 20:28 An: jurren baars; 313@hyperreal.org Betreff: RE: (313) for the Madlib fans good infos. thanks. speaking of madlib and azymuth, there's something floating around on slsk called madlib vs. azymuth. that appears to be unreleased.. does anyone know anything about it? there is mention of something like this on the madlib mix for gp's worldwide, which is a pretty hot mix (featuring some of that spectrum77) and apparently is available on cd quality with purchase of stevie: http://www.stonesthrow.com/news/madlib_worldwide/ also, that's some pretty good trainspotting out of making beats.. i had no idea all that backstory behind daylight-- sure adds to my respect for madlib. how's that book? worth a read? oh, and you look fantastic in your glasses and anorak-- a refreshing change from eighties shlock and little band buttons on the shirtpocket.(speaking of the anorak-- why bite liam when you could be biting Roddy Frame and kicking an anorak and like 7 layers of clothes: http://www.discogs.com/viewimages?what=Robid=206600 ) --- jurren baars [EMAIL PROTECTED] wrote: my guess would be that the rels stuff is sample based, and the yesterdays new quintet related material is at least partially sample based (so that includes the monk hughes) covers of songs by Roy Ayers, Azymuth, Weldon Irvine, etc. from Making Beats, the art of sample based hip-hop by Joseph G. Schloss: An unusually overt example of this philoshophy can be found in a cover version of the song Daylight that appears on the 2001 album Angles without Edges by Yesterday's New Quintet. The original version of the song was recorded in 1977 by RAMP on their album Come into Knowledge. It is best known among producers because a two-bar sample of its melody provided the basis for the classic hip-hop song Bonita Applebaum by A Tribe Called Quest on their 1990 album People's Instinctive Travels and the Paths of Rhythm. As a result of being sampled, the previously obscure RAMP album became highly prized by hip-hop producers, sometimes selling for hundreds of dollars, untill it was reissued on vinyl in the late 1990s. On the Yesterday's New Quintet album, Madlib constructs a cover version of Daylight from samples of other songs (augmented by his own keyboardwork). Moreover, the rhythm of Madlib's drum track is not based on the rhythm of the original version of Daylight, but on the drum loop that A Tribe Called Quest combined it with to make Bonita Applebaum, taken from the blues-rock band Little Feat. In short, Madlib's version of Daylight is a virtuoso demonstration of production technique and knowledge, referencing the social and economic history of a commodity (the RAMP album), its use in the hip-hop community (Bonita Applebaum), and Madlib's own relationship to both. ... ok, i'll get my glasses (formerly owned by Elvis Costello!!), and my new annorak (bought off ebay, used to be owned by Liam Gallagher). jurren _ MSN Search, for accurate results! http://search.msn.nl
Re: (313) oliver ho
Sept 13th... - Original Message - From: eric trout [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Monday, August 30, 2004 1:09 PM Subject: (313) oliver ho hey, has anyone heard anything about when the Soft machine album is going to be released? the waiting is driving me nuts. eric
RE: AW: (313) for the Madlib fans
Carlos de Brito wrote: speaking of madlib vs. azymuth: i downloaded a cd-r, which is quite good, in a yesterdays new quintet style... comes with the following info-txt: check the video of madlib at the redbull music academy. he plays one or two azymuth covers off cd-r. both in his YNQ alterego. one song is a cover of 'young embrace'. personally i don't quite see the point of releasing all that YNQ stuff. i like the idea, and applaud madlib for the effort and determination, but i rather listen to the original songs. but that's just imho. jurren _ Play online games with your friends with MSN Messenger http://messenger.msn.nl/
