Re: (313) Chill Out Rooms

2008-04-05 Thread Martin Dust

Frank Glazer wrote:

were you reading
http://mnmlssg.blogspot.com/2008/04/can-somebody-please-direct-me-to-chill.html
earlier today martin?  :)
  
No, just listening to a load of stuff I'd like to play out but wouldn't 
really have a chance to, guess I should just sort some mixes.


m



Re: (313) Short Rob Hood interview in XLR8R

2008-04-05 Thread Martin Dust

Nice find, always good to see Rob get some coverage.

m

Greg Earle wrote:

Short and to the point:

http://www.xlr8r.com/features/2008/03/q-robert-hood

- Greg






(313) Just Wild Kingdom...

2008-04-05 Thread Richard Hester
Last week's Wild Kingdom playlist is at 
http://www.kfjc.org/music/playlist.php?i=29934 .


This week's set features Miss Dinky, Shyza Minelli, Velocette, Black Dog 
(Remixed), Rob Hood, Mauser (thanks, Generator), Heiko Laux, Beta Bodega 
Coalition, Damon Wild, Thee J. Johanz, and a touch more.


Check the event calendar at KFJC for upcoming specials during the month 
of May. I'm doing a special on bands/tracks with synth names 
(remember?), and a 3-part Acid special.


 The Wild Kingdom airs on KFJC-FM 89.7, Saturday night/Sunday 
Morning, 12A-3A (7A-10A GMT). The webcast is at www.kfjc.org (follow the 
links). Present and past Wild Kingdom playlists are also archived there. 
You can also check out archived playlists from my first KFJC show Just 
Desserts that aired on Fridays 10P-2A from 1992 through 1999. Archived 
playlists exist for that show starting from Fall 1995 to New Year's Eve 
1999/2000.


If you do tune in (especially via the web), please take a little time to 
let me know your locale. I'm also interested in promo music from all 
over and in promoting local (San Francisco Bay area) techno-type events. 
If you want to do some fairly serious promotion, contact the KFJC 
promotions department at [EMAIL PROTECTED] to arrange ticket giveaways 
and/or to send information for inclusion in our concert outlook. Thanks 
to those who have sent promo music so far.


   Regards,

   Richard Hester
   Mr. Goodwrench
   The Wild Kingdom
   SU 12A-3A
   KFJC-FM 89.7, Los Altos Hills, California


RE: (313) [EMAIL PROTECTED]

2008-04-05 Thread Mislav
Apologies to everyone on the list for this. I lost my phone and all accounts
had to be reset so I guess that is the reason.

Mislav




-Original Message-
From: kent williams [mailto:[EMAIL PROTECTED] 
Sent: Saturday, April 05, 2008 12:19 AM
To: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Subject: Re: (313) [EMAIL PROTECTED]

EZMLM already killed his subscriptions due to bounces


On Fri, Apr 4, 2008 at 9:32 AM,  [EMAIL PROTECTED] wrote:

  someone (Kent?) want to tell him to unsub his blackberry

  I got about ten bounce notices

  MEK






RE: (313) Chill Out Rooms

2008-04-05 Thread Dan Bean
Yes, very much.

-Original Message-
From: Martin Dust [EMAIL PROTECTED]
Sent: 04 April 2008 22:32
To: 313 Mailing List 313@hyperreal.org
Subject: (313) Chill Out Rooms

Does anyone miss them at events? I do, I'd really love to play a slow 
long 3hr set to bend some heads.

 m



RE: (313) Sebastien Leger's Jaguar

2008-04-05 Thread Christopher O'Grady
Sebastien Leger - Jaguar (Original Mix) is #1 on beatport...

*Original Mix ?

UR is not mentioned.  The artist field only shows Mr. Leger.

*Scratches chin*
 


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Re: (313) Sebastien Leger's Jaguar

2008-04-05 Thread Southern Outpost
taken from the Submerge site:

Also recently we've recieved a rash of Jaguar bootleg sightings!
but this time we are happy to report...Its all
good. Sebastian Leger who has done a legal cover version of Jaguar
not only called for permission but faced the scrutiny of the UR high
command. We applaud his honesty and wish him well. BUT dont forget the
Po folk here at Submerge if ya need a copy of the original they are
still available from us!!

P.

On Sat, Apr 5, 2008 at 10:10 AM, Christopher O'Grady
[EMAIL PROTECTED] wrote:
 Sebastien Leger - Jaguar (Original Mix) is #1 on beatport...

  *Original Mix ?

  UR is not mentioned.  The artist field only shows Mr. Leger.

  *Scratches chin*

  
  
  Looking for last minute shopping deals?
  Find them fast with Yahoo! Search.
  http://tools.search.yahoo.com/newsearch/category.php?category=shopping






-- 
--
Southern Outpost
Sydney - San Francisco - Berlin
http://www.southernoutpost.com
--


(313) Jared Wilson

2008-04-05 Thread Kowalsky
I heard, years ago, an excellent mix recorded by Jarde Wilson. It  
started with an AFX's remix for a Bug tune (run the place red) and  
some great dancehall riddims from that time, then moves to some great  
technoish sounds. I also bought a 12, that i found lost in a store,  
with some great tunes by him, when i was in Paris.

Anyone knows what else he's been doing?


Re: (313) Jared Wilson

2008-04-05 Thread /0

playing wow
- Original Message - 
From: Kowalsky [EMAIL PROTECTED]

To: [313] 313@hyperreal.org
Sent: Saturday, April 05, 2008 5:58 PM
Subject: (313) Jared Wilson


I heard, years ago, an excellent mix recorded by Jarde Wilson. It  
started with an AFX's remix for a Bug tune (run the place red) and  
some great dancehall riddims from that time, then moves to some great  
technoish sounds. I also bought a 12, that i found lost in a store,  
with some great tunes by him, when i was in Paris.

Anyone knows what else he's been doing?



(313) minimal suxs like dub

2008-04-05 Thread duf duf


It's amazing . . does anyone like anything on this list.

Maybe the 313 t-shirt should be ..

don't like it on 313

..

beatless humour aside .. I was thinking the other day that we
might be getting genre confused with technique.

ie.  minimal is a technique like dub is a technique

Alot of the slash/techno/electronic music I hear nowadays
can belong to a different genre depending on who you talk
to, what tempo you play it at .. and possibly what medium
you play it with.

I'll bet if it's on vinyl its techno, downloaded it's electro and
if you play it off a laptop then it's minimal .

I mean seriously the repetitive complaints I keep hearing
about laptop dj's or copy cat stylists .. and references to
the same single dubstep producer is wearing me thin.

I've been beat up around here before . for saying this, but
the music is moving.  It's doing new things, in a million
different ways.  Beatport is only one black hole of a dozen
where new players can loose their credibility to the hype.

It used to be Magazines, or lists like this.  However nowadays
you can pick your sound, lift you ideas from a global pool
and drop your tracks back into the same pool.

I honestly can't tell any more the difference between house,
techno, techhouse, detriot, minimal or any other genre you
might want to mention.

For me genres change between bars of a track. cut out the
high hats and it's techno, pull out the mids and its minimal.
Take out the bass  the highs sing some vocals and your
in the middle of a trance track ??

Dub is a genre of music, but it's also a studio technique that
can be transported across many different genres of music.

The current era of music can mean everyone is a producer
in their bedroom.  So what I think we are hearing is people
using the same sort of production techniques across similar
tempo's and styles of music.

What else are we too expect given the technology, history
and culture of the music?

I just think we might get more life out of electronic music
if we start to look at some of the processes going on as the
use of techniques as opposed to genreification followed by
quick dismissal.

Currently I am enjoying the sounds classified as minimal
because they provide a group of tracks that enable me to play
sets that contain a lot of spatial texture.

The use of reverbs, delays, stripped out melody modes and
monotonic rhythms enable out board sample layering and
the use of off beats on the other deck to construct the type
of sets I have wanted too for years.

Lets face it every Dj wants to be producer with out having to
do the hard work in the studio.

The likes of Lee Perry lead the way by just dubbing an existing
sound, opening the door for one knob wonders the world over.

In this regard , yes, the use of minimalist techniques by many
producers is tedious but no more than the 303 when it was
flavour or the cow bell or siren or filters . etc etc.

We listen to techno music, we listen to machines and plead
desperately for soul.

You can't have your drum machine and beat it too.

.simon










Re: (313) minimal suxs like dub

2008-04-05 Thread Frank Glazer
  I honestly can't tell any more the difference between house,
  techno, techhouse, detriot, minimal or any other genre you
  might want to mention.

well, if it ain't made in detroit, by people from detroit, it probably
ain't detroit.  pretty straightforward there.  i can't help you with
the others.

  Lets face it every Dj wants to be producer with out having to
  do the hard work in the studio.

That is not a fact.  There are tons of DJs who subscribe to the David
Mancuso school of DJing, or at least lean primarily that way.

(I don't happen to be one of them)

peace,

frank

dj mix archive: http://www.deejaycountzero.com


Re: (313) minimal suxs like dub

2008-04-05 Thread Michael Kuszynski
dont forget about mentioning brooklyn or berlin. and the ratio of
clashing colors made in downtown la to the diameter of your pant cuff.

On 4/5/08, duf duf [EMAIL PROTECTED] wrote:

 It's amazing . . does anyone like anything on this list.

 Maybe the 313 t-shirt should be ..

 don't like it on 313

 ..

 beatless humour aside .. I was thinking the other day that we
 might be getting genre confused with technique.

 ie.  minimal is a technique like dub is a technique

 Alot of the slash/techno/electronic music I hear nowadays
 can belong to a different genre depending on who you talk
 to, what tempo you play it at .. and possibly what medium
 you play it with.

 I'll bet if it's on vinyl its techno, downloaded it's electro and
 if you play it off a laptop then it's minimal .

 I mean seriously the repetitive complaints I keep hearing
 about laptop dj's or copy cat stylists .. and references to
 the same single dubstep producer is wearing me thin.

 I've been beat up around here before . for saying this, but
 the music is moving.  It's doing new things, in a million
 different ways.  Beatport is only one black hole of a dozen
 where new players can loose their credibility to the hype.

 It used to be Magazines, or lists like this.  However nowadays
 you can pick your sound, lift you ideas from a global pool
 and drop your tracks back into the same pool.

 I honestly can't tell any more the difference between house,
 techno, techhouse, detriot, minimal or any other genre you
 might want to mention.

 For me genres change between bars of a track. cut out the
 high hats and it's techno, pull out the mids and its minimal.
 Take out the bass  the highs sing some vocals and your
 in the middle of a trance track ??

 Dub is a genre of music, but it's also a studio technique that
 can be transported across many different genres of music.

 The current era of music can mean everyone is a producer
 in their bedroom.  So what I think we are hearing is people
 using the same sort of production techniques across similar
 tempo's and styles of music.

 What else are we too expect given the technology, history
 and culture of the music?

 I just think we might get more life out of electronic music
 if we start to look at some of the processes going on as the
 use of techniques as opposed to genreification followed by
 quick dismissal.

 Currently I am enjoying the sounds classified as minimal
 because they provide a group of tracks that enable me to play
 sets that contain a lot of spatial texture.

 The use of reverbs, delays, stripped out melody modes and
 monotonic rhythms enable out board sample layering and
 the use of off beats on the other deck to construct the type
 of sets I have wanted too for years.

 Lets face it every Dj wants to be producer with out having to
 do the hard work in the studio.

 The likes of Lee Perry lead the way by just dubbing an existing
 sound, opening the door for one knob wonders the world over.

 In this regard , yes, the use of minimalist techniques by many
 producers is tedious but no more than the 303 when it was
 flavour or the cow bell or siren or filters . etc etc.

 We listen to techno music, we listen to machines and plead
 desperately for soul.

 You can't have your drum machine and beat it too.

 .simon











-- 
---
Michael Kuszynski
[EMAIL PROTECTED]
[EMAIL PROTECTED]
http://www.planerecordings.com
New York, NY


Re: (313) Sebastien Leger's Jaguar

2008-04-05 Thread Cyclone Wehner

It's a cover.

Cyclone Wehner
Urban/Dance Music Journalist
[EMAIL PROTECTED]



On 06/04/2008, at 3:10 AM, Christopher O'Grady wrote:


Sebastien Leger - Jaguar (Original Mix) is #1 on beatport...

*Original Mix ?

UR is not mentioned.  The artist field only shows Mr. Leger.

*Scratches chin*

__ 
__


Looking for last minute shopping deals?
Find them fast with Yahoo! Search.
http://tools.search.yahoo.com/newsearch/category.php?category=shopping