Re: (313) Philly joints?

2011-08-28 Thread anthony susan
Armands was great. its 5 years since ive been there though.
Anthony

On Thu, Aug 25, 2011 at 1:39 PM, Patrick Wacher pwac...@gmail.com wrote:

 Hi all,
 Any record store tips for Philly? Will also take recommendations of
 other fun things to check out ;)

 Thanks!
 Patrick.



Re: (313) Mills' Last Weekend Tracklist Update]

2006-12-01 Thread Anthony Susan
 Original Message 
Subject: Re: (313) Mills' Last Weekend Tracklist Update
From:Thomas D. Cox, Jr. [EMAIL PROTECTED]
Date:Thu, November 30, 2006 2:41 am
To:  313@hyperreal.org
--
He also has a compilation l.p. out on Azuli with his all time classic
favorites on it. Has Denroy Morgan, geraldine hunt, jackie noore etc etc.
really good.
Might help.
Anthony



On 11/29/06, Wojtek [EMAIL PROTECTED] wrote:
 The Wiz also played Shades of Jae in LA, along with The Man With the
 red Face

those are two of my all time favorite tracks. man, i would have loved
to have been there for these sets.

 Now, if someone could only ID the track he played that has early
 '80's-sounding, almost disco-like female vocals (not the Wee papa
 Girls one) and a slowed down, Chaka Khan like melody/bassline...

have you checked his inspirations mix thats floating about on the
net? it could be something that he played on there, its mostly disco
stuff...

tom





Re: (313) Louis Haiman /Chris Schubert/ Bill VanLoo

2006-11-13 Thread Anthony Susan
Couldn't agree more. Best thing to happen to electronic music in years.
Louis Haiman Is a Man among boys on the techno tip. And Chris Schubert is
just 23 years old, imagine what kinda music he'll be making 5 - 10 years
from now. All release's well above par on the Fwdthought label. MUCH
respect.
Anthony



On Mon, November 13, 2006 2:34 pm, theREALmxyzptlk wrote:
 Has the new Haiman been mentioned on the list yet?
 It really, really should be. Louis has outdone himself. Deep, lush
 Detroity-techno.
 I know Chris Schubert's debut was discussed briefly (redefines
 'pop-ambient' with -imho- great success) and I wholeheartedly agree with
 the positive assessments.
 Fwdthought is really dishing up some lovely music.
 Big 'hats-off' to Mr. Haiman.
 And while I'm at it, Bill VanLoo's Chromedecay pt.2 is a really fine
 piece of work as well. It's not straight 313, but has 2 really fine,
 deep, pure-this-listy tracks on it which will make you salivate - along
 with the rest of his work, which moves through other genres, but is
 definitely a worthy acquisition.

   jeff







(313) RE:(313) What time is it?! (oh yeah, 9:30 PM)]

2006-10-06 Thread Anthony Susan
 Original Message 
Subject: (313) What time is it?! (oh yeah, 9:30 PM)
From:[EMAIL PROTECTED]
Date:Thu, October 5, 2006 7:19 pm
To:  313@hyperreal.org
--
Excellent music. Top shelf. Emotive Such depth Very couragous.
Anthony



www.spacial-abstraction.com/demo/cschubert-930pm.mp3






also:
new album out on Louis Haiman(Transmat Time:Space comps) 's fwdthought label
Pupil is The Black Hole in Brilliant Space

www.cdbaby.com/chrisschubert

you can also check it @ iTunes or Amazon.com


Love,

Ronald Chi



--
Me:
www.myspace.com/spacialabstraction

Music:
www.myspace.com/spacialabstraction2





(313) RE:(313) records]

2006-09-23 Thread Anthony Susan
 Original Message 
Subject: (313) records
From:Derek Plaslaiko. [EMAIL PROTECTED]
Date:Fri, September 22, 2006 8:41 pm
To:  [EMAIL PROTECTED]
Cc:  list 313 313@hyperreal.org
 kent williams [EMAIL PROTECTED]
--



Do you even play records? don't bother letting me know about the best
timecode joints this summer.thanks
Anthony




My records are at home, but I would be more than glad to put together a
top 50 of the summer for you guys.


I will also state that Kent, or ANYONE else, if you want to know what Im
playing, ask me when i'm playing it. I have NO idea what I played that
night! I probably would not even been able to answer that question 5 mins
after I played!


I DO know I played 3 tracks off that Samuel Sessions on Klap Klap. The new
Klap Klap is really great too!

Also, Petter's Some Polyphony on Border Community. Probably a Rekorder
record or 2. *shrugg*

derek.




On Fri, 22 Sep 2006, [EMAIL PROTECTED] wrote:





 Who cares - it's been slow today and there isn't much 313 discussion going
 on

 anyway - Kent is the super here so if he asked you better start talking
 ;-)

 MEK

 Derek Plaslaiko. [EMAIL PROTECTED] wrote on 09/22/2006 01:54:16 PM:





 I would talk about them, but many wouldnt be considered 313 material...
 or
 at least not by most of the members of this list.


 ...and no, i do not mean that as a diss, so please save the hate mail.


 derek.



 On Fri, 22 Sep 2006, kent williams wrote:

 Sure. You should talk about all those killer records I'd never heard
 before that you played at SubTonic when I was there.

 Damn Record Distributor yobbos who keep all the good stuff for
 themselves ;-)

 On 9/22/06, Derek Plaslaiko. [EMAIL PROTECTED] wrote:

  can we all PLEASE STOP! TALKING! ABOUT! RICHIE! HAWTIN!

  PLEASE!?






Anthony J. Susan




Re: (313) What's the one track that will make you hit the dancefloor???]

2006-09-07 Thread Anthony Susan
 Original Message 
Subject: Re: (313) What's the one track that will make you hit the
dancefloor???
From:kent williams [EMAIL PROTECTED]
Date:Wed, September 6, 2006 3:45 am
To:  list 313 313@hyperreal.org
--
Titonton Duvante's CHRONOLOGIC
  OR:
Metro Area's DANCE REACTION

speaking Techno/House of course
The list could go on cause I love to dance anyway.



Now someone should do a mix of all these tracks named on this heads.
I'm afraid it would make people's heads explode!

On 9/5/06, Ben Thompson [EMAIL PROTECTED] wrote:

 Hell yeah!!!

 A blinder in my book

 On 6/9/06 3:46 am, Ryan [EMAIL PROTECTED] wrote:

  Pépé Bradock's Deep Burnt
 








Re: (313) really]

2006-08-31 Thread Anthony Susan
 Original Message 
Subject: Re: (313) really
From:Thomas D. Cox, Jr. [EMAIL PROTECTED]
Date:Thu, August 31, 2006 6:51 pm
To:  313@hyperreal.org
--
Relax guys. Just do your own thing and you should be happy. Who gives a
hoot what some idiot is doing on their laptop. It's bogus to even consider
the biters in the equation. The more the market is flooded with non sense
the more your music should stand out. Its a good thing.
Mr. Twon


On 8/31/06, Dale Lawrence [EMAIL PROTECTED] wrote:

 For every hack artist that installs some software
 and declares themselves a musician there are
 hundreds of individuals in the past who picked up
 a guitar and thought they were rock stars.

it could be that it was like that in the past. but i bet the number
right now of people who own a computer without making music is far
more than the number of people who own a guitar that sits around for
no reason. so for those people, it takes almost no effort to DL and
install any variety of music software, whereas if you wanna play
guitar youve gotta go out and buy a guitar, learn how to play it (no
matter how basic your music is going to be), and find people to play
in a band with, and then on top of that either buy or borrow equipment
to actually record and mixdown said music.

with a laptop, you can do everything and have it posted on the web in
under 2 hours. you dont even have to have any idea how to physically
play any instrument, you can just point and click with your mouse, a
technique many people already have mastered! we're only at the start
of the use of computers to make music, really. and if the quality
keeps going down the way it has been, one day people will be yearning
for the early 00's.

 Dylan knows how to play guitar, etc... Kraftwerk
 knows how to work their synthesizers (and they
 use a computer as their sequencer--if not having
 moved completely over to software synthesis in
 their own studio already)... hell, *I* know how
 to work synthesizers too... Producing sound in
 real-time within the computer is just another
 tool.  Either you're good at it or you aren't.

 Some get the A grade... others get the F... and a whole lot of in between.

the problem with the tool of course is that it requires nothing in
addition to work. no techiques, no abilities, nothing. hell, you can
even get sample packs on the web of every drum machine ever and use
them all. nothing at all is required to get going. which i appreciate
in theory. in practice however, it makes people really lazy and more
than willing to just copy and bite things left and right. if you want
to start a band or even just use a hardware electronic music studio,
its going to require 10 times more thought and effort just to get
going than it is to make a remedial track in most software apps. that
efforts weeds out jokers. not all of them, unfortunately, but alot of
them.

 Personally, if we're talking about tools, I only
 use Live and one plug-in, which is simply a
 synthesizer that I like.  I've rarely even read a
 manual for a piece of gear.  I've figured out all
 of the synthesis parameters out there myself, and
 have usually stayed out of gear discussions
 because I already had the tools/gear I wanted and
 really didn't care about anything else.  I was
 never a gear head, I am a music head. There are
 so many people out there that are exactly the
 same way... many that have strolled in and out of this list over the years.

for all these music heads, where is the good music? are they just not
working hard enough? too many people bite the trendy style, too many
people follow the paint by numbers method of making music in genre X.
and that isnt limited to computer users, but it seems extremely
prevalent amongst them.

 Yes, every morning I wake up, turn on my
 computer, double-click the Live 5.0 icon on my
 desktop, and press return.  The songs just come
 pouring out.  Check my page.  It's astounding.

 I hope nobody else figures out what program I use. I'll be ruined.

hey man, YOU might not. but many other people do just use their
programs in the same old way and make the same old crap.

im not gonna say what i feel about your tracks because this isnt what
the discussion is about. but i bet you can guess.

 Did you receive my point about all the new technologies in music...
 or even art in general, such as photography, always receiving
 resistance in their infancy?
 
 its not really a new point,

 Extraneous insult ignored.

which extraneous insult was that?

 You may understand it, but I'm not sure if the point is sinking in.

 Is photography art?  If so, why?  All you have to
 do is press a button. Some people make
 masterpieces with their Polaroids while others
 make trash with their elaborate camera systemsand vice versa.

but the point is that if you try to substitute the elaborate setup for
talent, it doesnt 

Re: (313) t-mobile]

2006-08-27 Thread Anthony Susan
 Original Message 
Subject: Re: (313) t-mobile
From:Thomas D. Cox, Jr. [EMAIL PROTECTED]
Date:Sat, August 26, 2006 5:39 pm
To:  313@hyperreal.org
--

On 8/26/06, Nick Breinich [EMAIL PROTECTED] wrote:

I can vouch for that. Suckers beware! Tom Cox will let you know why and
how you suck!


 that's some next level lame dude.  highschool level (at best) taunting
 followed by the chilling threat of authority.  classic combo.  but i
 guess that's all there was.

threat of authority? i was just suggesting to him that i wasnt going
to reply to emails that mention threatening the president.

all i know is that in my life, people have never said things to my
face like people will say over the internet. and everything i say over
the internet i would say and have said to people to their face.

tom






(313) hello guys

2006-07-11 Thread Anthony Susan
img src=http://www.spacial-abstraction.com/img/flyer.jpg;/img

Hi, I'm new to this mailing list so i hope im doing this correctly. This
is a party I'm throwing here in Pittsburgh Pa down the road as of Labor
Day weekend.