FWIW, I find that knowing the keys and bpms only helps as a rough guide to what
*might* sound good once mixed. So it's a good way to come up with ideas for
some tricky mixes, but it's still up to you to try each one and find the
winning combinations. Also, there are mixes that seem like they'd clash just
looking at the key signatures, but which somehow meld together great.
Hi to all on 313 who I might have known from way way back. ;-)
-Sho
-Original Message-
From: Bulger, Tim [mailto:[EMAIL PROTECTED]
Sent: Monday, April 16, 2001 4:42 PM
To: '313@hyperreal.org'
Subject: RE: [313] DJ Mixing - keys -
Many people refer to this as 'harmonic mixing'... Very big with the
progressive DJs that get the no label records. :) I've heard
some cool
sounds come from mixing tunes together that are keyed C and E
at the same
BPM.
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Monday, April 16, 2001 12:06 PM
To: [EMAIL PROTECTED]; 313@hyperreal.org
Subject: [313] DJ Mixing - keys -
Do any Djs keep a list of keys of various tracks (as well
as BPM)?
(key as in F or Bflat etc. -the tonal center of a
track or whatever
you choose to call it)
If so:
What are the most frequently used keys?
What are the least frequently used keys?
Do certain producers have favorite keys?
What's the BMP limitation on changing tracks with different keys?
Like if you're going from F to G (Maj 2nd up), What does
that amount to in
BPM change if the F track is BPM=120 and the G track is BPM =
x? Anybody
work with stuff like that?
mediadrome
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