Re: [313] Fade In Techno
Bad Boy:The Advent . one of my favorite tracks of all time. it fades in and i love it. sometimes, when i play it in the middle of the set, i will cut the table off just to lef this track FADE in. or if not i can mix the fade into the current record(s) that is/are playing. imo the fade in or out is a key element of a lot of techno. it fades in, then bombs the speakers with a huge kick or what have you. the drum programming in spastik fades in also, and there is DEFINATELY nothing wrong with that. - Original Message - From: Jason Brunton [EMAIL PROTECTED] To: [EMAIL PROTECTED]; 313@hyperreal.org Sent: Thursday, February 28, 2002 12:11 PM Subject: Re: [313] Fade In Techno (how deep do you want this rut?) I was just thinking about how odd this discussion is. Any other musician in any other genre makes music for one purpose, for ppl to listen. Only in electronic music are producers expected to make music, not for listening, but for other ppl to use as tools. i'm not a dj, but i think anyone who complains because a track fades in is an arrogant ass. what makes you think that producers should be concerned with your needs as a dj. if you don't like it, producer your own tracks. besides, anyone who 'needs' that opening kick to mix a record certainly can't be that good of a dj. masters like mills barely play one minute of a record, let alone the full 5. i'm sure he just smirks at you and shakes his head. On Wed, 27 Feb 2002, Brian 'balistic' Prince wrote: I think this post sums up what I was trying to say but without all the cussin and dissin and playa hatin etc etc Jason Brunton Iridite - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] This Is How You Get To Be The #1 Club In America...
first WDRQ on saturdays, now this.. - Original Message - From: (Truth Be Told) [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, February 28, 2002 12:41 PM Subject: [313] This Is How You Get To Be The #1 Club In America... Motor Productions presents- DELTA HEAVY Sasha Digweed on tour wsg: Jimmy Van M. Truth I wouldn't have believed it if I didn't see it for myself... _ Join the world's largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] hawtin lecture
no, but i saw him at motor on friday. my friend asked him about mills only playing house clubs, he said that wasn't true and that mills would always be techno. what's up with that? - Original Message - From: Kao Jyan [EMAIL PROTECTED] To: 313 313@hyperreal.org Sent: Friday, June 02, 1989 3:37 PM Subject: [313] hawtin lecture did anyone attend richie hawtins lecture in ann arbor yesterday? could you give us a little run down on what he talked about/demonstrated. thanks kaojyan www.acidsonicresearch.com www.mp313.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] RE: (313) RE: Missile (was:RE: (313) Liberators)
the UMEK remix was, christopher just-house fucker. i like the original myself. i don't care for any of the remixes. - Original Message - From: Sakari Karipuro [EMAIL PROTECTED] To: [EMAIL PROTECTED] Cc: Trevor Wilkes [EMAIL PROTECTED]; Tim Maughan [EMAIL PROTECTED]; 313@hyperreal.org Sent: Friday, February 15, 2002 10:51 AM Subject: Re: [313] RE: (313) RE: Missile (was:RE: (313) Liberators) [EMAIL PROTECTED] wrote on Fri, 15 Feb 2002 about following: 2 Missile 1. Damn that To The Sky still rocks!!! hehe, had to go through the shelves and listen to it many times. i recently got to play it to somebody who hadn't heard it before and the guy was asking, where did you get this? i want one too!. he was so disappointed when i told him that its quite old one and probably quite hard to find nowadays. TO THE SKY! sakke - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Timeblind
no, but i need a copy of 1976timeblind if anyone has one. - Original Message - From: Trevor Wilkes [EMAIL PROTECTED] To: 313 313@hyperreal.org Sent: Friday, February 15, 2002 5:44 PM Subject: [313] Timeblind Anyone interested in a brand new copy of Timeblind's Bloatware Ep on Kit Clayton's Orthlorng Musork label? I don't need two of em...I'll take almost any offer. Trevor Wilkes inyerear.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] DEMF or what?
did anyone else hear that there is supposed to be more electronic music bands and less djs there this year? - Original Message - From: Jayson B. [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, February 12, 2002 3:52 PM Subject: Re: [313] DEMF or what? some of the top performers will be regular detroit favorites such as Lisa Lashes, Judge Jules, Paul Oakenfold and a performance by 313 favorite, Moby...also a special rare performance by dubiously named godfather of detroit techno...Cat Stevens!...the master of ceremony this year will be none other then the lovable scamp carrot top, this was *so* last year. Although i understand that being a member of the super underground elite requires everyone to constantly show their superiority over the mainstream by tossing out such witty and crass comments on a regular basis, but i just find this so old. All i'm gonna say is lets just hold off on the DEMF-is-so-commercial-now-i-remember-back-in-the-day-when-it-was-so-undergro und-because-i'm-old-school UNTIL the lineup and everything is announced. Sometimes people on this list are so ready to pounce and attack something, and *you* don't even know what's going on with it yet. As far as i know, k-hand took over cc's position. can anyone confirm this? Now if oakie, or tall paul, or any of those sleazebags DO appear on the lineup, then go ahead and rip the festival to shreds. But lets try to hold off on that for now. _ Chat with friends online, try MSN Messenger: http://messenger.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Black techno artists
DAVE ANGEL AND TREVOR ROCKLIFE are black. - Original Message - From: FC3 Richards [EMAIL PROTECTED] To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Tuesday, February 12, 2002 3:51 PM Subject: RE: [313] Black techno artists as far as i know, and from some pics i have seen they appear to be black...Mr Angel was obviously heavily influenced by Detroit judging by his production sound. As far as more recently though, i don't think he has done anything. Trevor Rocklife has done some work with Blake Baxter and plays out some good quality records...if that is what you are looking for on the Europe tip. peace Jeff -Original Message- From: Gerald [SMTP:[EMAIL PROTECTED] Sent: Friday, February 08, 2002 3:50 PM To: 313@hyperreal.org Subject: [313] Black techno artists Figured since it's Black History Month... Just wanted to hear about Black artists and their influence on the music we all know and love TECHNO. Now we all know about the role a few Detroiter's had in the beginning. I'm more interested in hearing about more recent influences. Guys like Titonton Duvante, and Charles Noel come to mind. How about Europe? Anyone...? G - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Don't forget the Wizard!
this fashion thread is pretty lame. as far as mills not playing techno anymore, that is no big thing to me, seeing how he has been to the detroit area like twice in the past seven years. he hasn't rocked it since sickness anyway, so i am not all that bent up about it. if i lived in the UK it might have more of an impact on me, cause they get to see him more often there. i have always thought of mills as an overrated techno snob..i mean why does he even have three tables if he never uses three at once. i have never seen or heard a mix of his where he didn't trainwreck. i never held that agianst him for some reason though. he could just throw on step to enchantment and that would make his set. the main thing i will miss is his use of the 909. oh well - Original Message - From: Ron [EMAIL PROTECTED] To: 313 313@hyperreal.org Sent: Monday, January 28, 2002 2:01 PM Subject: Fw: [313] Don't forget the Wizard! hi tim,, i could share your attitude concerning the what to wear topic, but i do live in germany and if you would have been to a technoparty over here in the last 3 years you would probably think the same way peter does. its such a f***huge fashion thing, its become a thing about how to wear what and how to get his hair dressed up to stand 6 inches high,,,not to mention the accesories it happened to me more than once that a absolutely clueless doorkeeper (is it called like that??) told me im not going to get to that party because im not dressed the proper way and my hair isnt styled and i dont wear that neglace you have to wear if you are into techno.and so on. you see,,,i really love to see mills teaching the crowd... because thats also what means techno or music at all for me,, learning and teachingunderstanding.. ron -Ursprüngliche Nachricht- Von: Tim Maughan [EMAIL PROTECTED] An: Grammenos, Peter [EMAIL PROTECTED]; 'laura gavoor' [EMAIL PROTECTED]; 313@hyperreal.org Gesendet: Montag, 28. Januar 2002 19:11 RON Betreff: Re: [313] Don't forget the Wizard! on 28/1/02 5:28 pm, Grammenos, Peter at [EMAIL PROTECTED] wrote: How many dj's do you know that ban glowsticks and all that accessory raver crap from his dancefloor? Too many. that might not be his or my style, but telling people what to wear is too much attitude. it goes against everything that first attracted me to house music. we don't need that sort of ego, and people need to wise up and realise who is paying who's wages. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] track id
laurent garnier, i love techno, about 16 mins. into his set. it is like the 5th record he spins. lots of crowd noise in the background while it is playing. he also uses the efx on the pioneer a lot when the record is playing. mills also uses it in his i love techno set also, about 5 or 6 tracks after jaguar. the one mills uses seems to be a different mix of it though. thanks, dan.
