SV: (313) NY Times Electronic Article
"Trance is basically house music (it's sometimes referred to as "epic" or "progressive house"), but with an emphasis on hypnotic rhythms and pretty melodies" H The way I see it, trance is basically Electronic Body Music wearing the emperor's new clothes !!
Sv: (313) www.electrofunk.com
Yeah, they have been under construction for a week and the only thing that has changed is that now, Electrofunk have Twilight 76's front page. I suppose they are using the same not very intelligent programmer ;) You can still use the site if you enter at http://www.electrofunk.com/electrofunk.htm - Rasmus
Sv: (313) dsc or archer website?
http://www.artclique.com/www/archer/ www.soundenterprises.com - Rasmus
Sv: Sv: (313) Jaguar: The Detroit Connection.
> > One must assume that 'E-Type Mix' means that he > > did the remix. > > Not necesarily at all. > > Like I pointed out. Jaguar is a well known and > respected manfacturer of large, fast,luxury cars. Yes yes, but E-Type is very famous over here and Sony Music Europe is definately down with him. If you want a cheesy remix, E-Type is the man! I'm not really into cars at all - sorry !
Sv: (313) Jaguar: The Detroit Connection.
> In fact the notorious trance mix is actually called the 'E-Type' > mix. E-Type is the name of a horrible, long-haired euro-dance producer who had a few MTV hits last year. One must assume that 'E-Type Mix' means that he did the remix. - Rasmus >
(313) Sv:
I can't see why it is so hard for some people to admit that Chicks On Speed suck. They suck. Period. I went to one of their "concerts" once and they stank up the room like Terrence and Philip. -- > Fra: urban fox <[EMAIL PROTECTED]> > Til: 313 list <313@hyperreal.org> > Emne: > Dato: 25. februar 2000 15:13 > > Brian Dillard (et al) on : chicks on speed. > > > did anyone ever respond to this question about > > the dj hell track featuring chicks on speed? > > >> chicks on speed would definately be worth seeing > >> at the what is music festival in melb > >> I've heard great reviews of their live sets. > > Went to the Notting Hill Arts Club on Monday evening > to check out what Christian Vogel is up to these days. > > He didn't pitch up. Arse > > Chicks on Speed and the Rough Trade DJ collective were > on the same bill. > > The CoS wear home made foundation year art student > outfits, project a few scatty slides, jump up and down > and shout a lot over a vaguely tekno DAT backing tape > which starts off as a bit Hip Hop flavoured and ends > about 45 mins later with a thrash punk attitude. > > They were clearly anxious, edging on stage in dribs > and drabs very late, gave the sound engineer, and > punters at the front eardrums, a 10 minute nightmare > by fiddling nervously with the mixer settings and left > at the end visibly distressed. Audience response > generally positive but muted. > > To be fair some of the lyrics are very sharp and > witty, and when the did get the timing right there was > a punky energy and some arty flair on display. File > under : 'pink folks still can't rap much but 3 girls > from Munich merit points for giving it a go'. Has > potential but far from a finished article. > > Stars of the evening were the Rough Trade boys. I came > in to the bluegrass strains of 'Froggy went a > Courting' followed in quick succession by 'My Old > Man's a Dustman', Suzi Quattro's 'Devil Gate Drive', > Chuck Berry's 'Route 66' and a old Ska track I didn't > recognise. I admitted 'spotters defeat after > this.and concentrated on laughing, dancing, > wallowing in warm nostagia, exclaiming in disbelief > and marvelling that it was possible to play classic > tunes from 40 years of pop so that as each tune ended > you thought 'That songs *still* brill, how can they > top that?' Except they nearly always did > ...&... > .two hours later they had got round to a mix of > indie guitar, Hip Hop and Techno. ;-0/ > > Eclectisism at it's best and the most I have enjoyed > DJz playing back to back ever. > > Er? Still haven't been able to help with the CoS > tech-house track id thougth > > tomataz > > &E Fox xx > > > __ > Do You Yahoo!? > Talk to your friends online with Yahoo! Messenger. > http://im.yahoo.com
Sv: (313) A few questions (Atlantis and chewing gum)
> Any tips for getting chewing gum off records? Try putting it in the freezer. This way, the chewing gum stiffens and you can scrape it off - but be careful ;^, >Some idiot has left really > thin strands of chewing gum on my black dog-spanners KIIILL THE BITCH !!!
Sv: (313) Assault Rifle WWW?
There is no Assault Rifle website at the moment (there are no ghettos on the internet :-) - R -- > Fra: Erkki Rautio <[EMAIL PROTECTED]> > Til: Detroit Mon Amour <313@hyperreal.org> > Emne: (313) Assault Rifle WWW? > Dato: 23. februar 2000 13:58 > > Does anyone know the current link of > Assault Rifle Records? > http://www.electrofunk.com/assault_rifle_records/ > gives a 404... > > e. rautio, also known as pHinn > * the webmaster of pHinnWeb - the old skool, the nu skool * > * and the pHuture skool of Finnish electronic music * > * [EMAIL PROTECTED] | http://www.sci.fi/~phinnweb * > > 020300-030300 -> > http://www.sci.fi/~phinnweb/flyers/telex/kvy/
Sv: (313) A no-brainer.
> go to submerge.net and go to detroit artist files and labels... > you will find the info you need. And if that doesn't work, try http://submerge.com - R
(313) Errol Flynn/schoolcraft/jit
I heard this wonderful record yesterday by a Rashid-Salam and Mad Mike himself called "D' Old Skool Dances" (Zero Degrees, ZDR001). It's a very simple 808 drumbeat with a few sampled chord stabs and som silly vocal samples that go: "Jit jit jit Smurf ... Smurf" Errol Flynn Errol Flynn" Schoolcraft ... Schoolcraft" I would love to hear from some of you Detroiters how these dances look. Errol Flynn ?? Schoolcraft ??? Enlighten me, please ! - Rasmus PS: If anyone knows where I can find this record, don't hold back!! PPS: Who the f**k is Rashid-Salam ?!?
Sv: (313) The Dubplate Thing
Ahem. I really hate to take this any further, since it's totally off topic. However, this is straight up BS... In the British d'n'b scene it is customary that almost all releases are distributed on dubplates to the dj's who control the scene a few months before they get a commercial release. It is a well known fact that it is virtually impossible to break through as a drum'n'bass DJ in England if you don't have these plates, and if you're not down with Goldie and Grooverider you won't get them. > You have know idea what you're talking about. First of all dubplates have > nothing to do with "controlling" the scene - whatever that means. It's > about playing out a set that nobody has heard. Second, dubplates are > hardly ever released on labels. They're pressed up played out and maybe in > another year they'll be released on some white label. As far as your > journey: You should start listening to the state of the art dnb unstead > of Bukem,Grooverider and Fabio. Who haven't done anything "logically > progressive" in a long time. Cheers. > > Mike A. > > > On Mon, 21 Feb 2000, Purpose Maker wrote: > > > I can't stand dubplates, especially within drum and bass. So many DJ's > > are just trying to control the dnb scene by playing dubplates from there > > own labels and they stick to just one sound, believe me I know, I have > > been listening to it for years. In the past few weeks I have lost faith > > in dnb and immersed myself more into techno. I find techno Dj's try to > > take you on a journey, as opposed to dnb Dj's except Grooverider, Fabio > > and LTJ Bukem. The dubplate thing is just their to cause hype, it used > > to be an experimental thing but not now, which is quite stupid really > > because why do you need hype for a self sufficient underground scene. > > > > Anand > > > > -"There's comfort in consistency" or maybe not- > > > >
(313) Moments In Club
Someone asked about this track before. I think this is the record: DJ Equalizer: Sound Of Silence (Inner City Records ICR002) I just ordered it so I guess we will know for sure in a couple of weeks :) - Rasmus
Sv: (313) Deep/Minimal Techno DJ's
I heard Doc play in Sweden a couple of years ago and I also did an interview with him. He was good at giving interviews but a pretty mediocre DJ. Unfortunately it seems that the only drum'n'bass DJ's who do trick-mixing and scratches and stuff all belong to the cheasier category. For instance, DJ Hype (True Playaz) is a great DJ but his taste in music stinks. Straight jump-up all the way. But I guess all that is off topic, so I'll shut up now :) Peace /rasmus > Given that this is 313, maybe start with Doc Scott, whose roots lie in > techno and is himself an ardent follower of Derrick May and Kevin > Saunderson. He is one of the leaders of the so-called 'tech-step' off-shoot > of drum 'n' bass. Great DJ.
(313) DIR001
Yo. I'm looking for info on this old thing: Detroit Bass: Detroit Bass (D-Invasion, DIR001) - Rasmus
Sv: (313) Drexiya (Was: Choons)
> What do other people think? I quite liked most of the stuff on there, > particularly the first few songs. I luuv it - especially 'Draining Of The Tanks' (this must be the how it sounds in the Drexciyan kingdom) and 'Universal Element' (I just love the way this track is structured rhythmically - very innovative (and bangin' as f**k)). - rasmus
Sv: (313) FW: booty ghetto whadever
Why not buy DJ Assault's 'Belle Isle Tech' CD that was just released on MoWax ? -- > Fra: Simon Walley <[EMAIL PROTECTED]> > Til: [EMAIL PROTECTED]; 313@hyperreal.org > Emne: Re: (313) FW: booty ghetto whadever > Dato: 16. februar 2000 10:49 > > Smallfish has some Twilight 76, Godfather type stuff. Honest Johns in > Portobello Road has (had?) some DJ Assault 12"s. > > But thats pretty much all you can get here in terms of Detroit electro/booty > stuff and you're lucky if you can get those... > > There just doesn't seem to be a market for electro in London like I hear > there is in Manchester or other places. > > >Can any Londoners on the list help my mate Rebekah out? I've suggested > >Smallfish but is there anywhere else which is hot on the 'straight-up > >Detroit shit'? > > > > > ...where can you get hold of dirty detroit booty ghetto techno electro > > > whatever stuff? i mean shops in london, not online... it's my bf's > >birthday > > > in a coupla weeks and he's sick of what he call's 'southern shandy > >drinking > > > nicey nicey joe clausell shite' and wants to hear the antidote. if you > >don't > > > know the answer can you forward this to someone who will please? > > > > > > cheers > > > > > > rebeKah > > __ > Get Your Private, Free Email at http://www.hotmail.com
Sv: (313) This poem...
> I heard a remix recently by Thomas Schumacher a track called Lust on bush > records he uses "the Poem" with the baseline from Micheal Jacksons Billie > Jean worth a listen for something different I don't mean to sound rude, but how can it be something different to use the Billie Jean bassline ?
(313) ADC Loot
I was just listening to one of my favourite DJ Godfather & Coon Daddy joints , 'ADC Loot' and I was wondering: what *is* that ? Would anyone care to explain this seemingly unpopular phenomenon to a bewildered foreigner? Also, is Coon Daddy out on any other records beside the ones he did with Godfather? Peace, rasmus
Sv: Sv: (313) Moments in Club
Maybe we're not talking about Moments In Dub. I'm familiar with that version and it's not the one we're looking for. I have a million billion records called Moments in something (Moments In Bass, Dub, Bed, My Girlfriend's Ass etc. etc.) -- > Fra: There4IM <[EMAIL PROTECTED]> > Til: [EMAIL PROTECTED] > Cc: 313@hyperreal.org > Emne: Re: Sv: (313) Moments in Club > Dato: 8. februar 2000 16:07 > > > What is "AON's MIL" ? > > Art of Noise's, "Moments in Love". The monumental original. > > Also the subject of this thread ought to be "Moments in Dub". > I've seen this mistake a lot > on liner notes lately, substituting a "cl" for the "d". > > - There4IM
Sv: (313) Moments in Club
> Rick Wade did a bass version of this > under his Big Daddy Rick alias a few years > back. think i have a copy around here somewhere, > but would take a whjile to find it in this mess. That would be the 'Angry Electro EP' on his own Bass Force label. Quite good, actually. It's too bad that he stopped doing bass records. > andrew duke ps yep, it's a version on AON's MIL > from the pumping iron (the women?) soundtrack > andrew duke What is "AON's MIL" ? /ra$
Sv: (313) Moments in Club
I saw mention of a track called 'Moments in Club' by DJ Equalizer And The Sounds Of Silence (whoever that is). - rasmus -- > Fra: Eugene Sotela <[EMAIL PROTECTED]> > Til: 313@hyperreal.org > Emne: (313) Moments in Club > Dato: 8. februar 2000 03:40 > > I don't know it this is a Detroit track but it's on the DJ Assault's > Straight Up Detroit S*#$ Vol. 1. The track is listed as "moments in > club" and sounds very drum n bass like with the Art of Noise's "moments > in love" playing in very sped up. I also have this track in a DJ Zap > live show at the Motor Lounge. Any info on artist, label, and year would > be greatly appreciated. Thanks, 5R >
Sv: (313) King of Bass - Cronik Tronik
Yes it does - and that keyboard is *not* crap ! Besides, it's a ghetto track so you're not supposed to let it play that long anyway ;-) If you like King Of Bass, you should also check out his record on Metroplex, 'Silicon Alley'... Very nice ! - rasmus -- > Fra: alexk <[EMAIL PROTECTED]> > Til: 313 <313@hyperreal.org> > Emne: (313) King of Bass - Cronik Tronik > Dato: 7. februar 2000 23:01 > > Man does this trak rock or what! very interesting voice sample/scratch > work, but whats up with that crap keyboarding 2 mins into the song :/ > > alex
