Re: [313] Ectomorph / Danny Wang gig in Chicago

2002-03-13 Thread James Hurlbut
If it was the same he brought to LA and if my memory serves correct, it was 
one of those nice Big Briar ones with the wooden stand, the Ethervox MIDI 
enabled one.



jamie.hurlbut
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www.hurlbotics.com

At 11:59 AM 3/12/2002 -0500, you wrote:

what kind of theremin was it?

-jenn without the -ifer

 Original message 
Date: Mon, 11 Mar 2002 19:11:40 -0600
From: Matthew MacQueen [EMAIL PROTECTED]
Subject: [313] Ectomorph / Danny Wang gig in Chicago
To: [EMAIL PROTECTED] org [The Music Institute] (E-mail)
313@hyperreal.org

My (overdue) comments on this Ghostly gig at Empty Bottle
in Chicago last thursday w/ Ectomorph live and Danny Wang as
DJ.

Ectomorph played a set with a LOT of new material I haven't
heard before, with less gear on stage and twin white laptops
with the ectomorph logo glowing where the apple logo should
be.  Those kids!  The crew is tight and funky, some effects
and mixers, some gear but anyone who saw them live years
ago, they used to have trunks and trunks of gear to travel
with...  Anyway the music was no less thick, interesting and
some deeper stuff, trademark dark electronic funk style.
Some improvisation from Danny Wang on the live Theramin (set
up on the other side of the stage) on a couple tracks that
was impromptu and interesting.  It's clear unlike most
people who goof around with Theramins, Danny actually knows
what he's doing and can do just about whatever melodies and
notes he wants, which was certainly impressive to me
anyway.  Danny leaves the stage and Ectomorph hits a few
more cuts solo, trademark rife-shot tight snares and wobbly
deep 808 kicks.  They end with remake/remix/cover/tribute of
Shari Vari with robotic vocals out of the glowing red
megaphone vocoder and overall a nice tight funky set.
Cheers all round.

Danny Wang took to the decks, said a few words about
Ghostly, fiddled with a uncooperative mixer for a pregnant
pause and finally and dropped for an opener I Believe In
Music (who was this, The Carpenters?  Barbara Mandrell and
the Mandrell sisters!?  ha ha).  This gets my vote for most
creative way to start a DJ set, though not necessarily most
effective?  Ha!  He was mixing crazy stuff including Depeche
mode's loving refrain 'this ain't no disco' (oh how true for
the Empty Bottle) and having a good time, if a little rough
here and there.  Dropped Metro Area 3 and an assortment of
what sounded like plenty of quality old electronic disco
gems.  A little rough on technique overall, but as someone
who tries to beatmatch old disco and italo records myself
(before tight sequencing and studio quantizing became the
norm on late disco productions) it's definitely challenging
to pull off seamlessly every time.  I applaud the effort to
play older cuts with newer!!  Be on the lookout for his epic
remix of Block 16's big cut Elektrocution, I believe
coming out on Nuphonic.

Turnout could have been better for this caliber of talent
at Empty Bottle, which is historically a bar for live indie
and irony rockers, recently starting to book more electro
(god forbid they call it techno or house) and a crowd
somewhat notorious for bowling shoes and no capacity (or
skill?) to actually DANCE... but it was a Thursday and there
was in fact a decent gathering of legit groovers getting
down near the stage.  Overall a nice night of electronics
and bourbon worthy of a Friday work hangover, hats off to
the artists and thanks to Ghostly for a Chicago presence.

Cheers,
Matt MacQueen






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[313] Ectomorph / Danny Wang gig in Chicago

2002-03-12 Thread Matthew MacQueen
My (overdue) comments on this Ghostly gig at Empty Bottle in Chicago last 
thursday w/ Ectomorph live and Danny Wang as DJ.

Ectomorph played a set with a LOT of new material I haven't heard before, with 
less gear on stage and twin white laptops with the ectomorph logo glowing where 
the apple logo should be.  Those kids!  The crew is tight and funky, some 
effects and mixers, some gear but anyone who saw them live years ago, they used 
to have trunks and trunks of gear to travel with...  Anyway the music was no 
less thick, interesting and some deeper stuff, trademark dark electronic funk 
style.  Some improvisation from Danny Wang on the live Theramin (set up on the 
other side of the stage) on a couple tracks that was impromptu and interesting. 
 It's clear unlike most people who goof around with Theramins, Danny actually 
knows what he's doing and can do just about whatever melodies and notes he 
wants, which was certainly impressive to me anyway.  Danny leaves the stage and 
Ectomorph hits a few more cuts solo, trademark rife-shot tight snares and 
wobbly deep 808 kicks.  They end with remake/remix/cover/tribute of Shari Vari 
with robotic vocals out of the glowing red megaphone vocoder and overall a nice 
tight funky set.  Cheers all round.

Danny Wang took to the decks, said a few words about Ghostly, fiddled with a 
uncooperative mixer for a pregnant pause and finally and dropped for an opener 
I Believe In Music (who was this, The Carpenters?  Barbara Mandrell and the 
Mandrell sisters!?  ha ha).  This gets my vote for most creative way to start a 
DJ set, though not necessarily most effective?  Ha!  He was mixing crazy stuff 
including Depeche mode's loving refrain 'this ain't no disco' (oh how true for 
the Empty Bottle) and having a good time, if a little rough here and there.  
Dropped Metro Area 3 and an assortment of what sounded like plenty of quality 
old electronic disco gems.  A little rough on technique overall, but as someone 
who tries to beatmatch old disco and italo records myself (before tight 
sequencing and studio quantizing became the norm on late disco productions) 
it's definitely challenging to pull off seamlessly every time.  I applaud the 
effort to play older cuts with newer!!  Be on the lookout for his epic remix of 
Block 16's big cut Elektrocution, I believe coming out on Nuphonic. 

Turnout could have been better for this caliber of talent at Empty Bottle, 
which is historically a bar for live indie and irony rockers, recently starting 
to book more electro (god forbid they call it techno or house) and a crowd 
somewhat notorious for bowling shoes and no capacity (or skill?) to actually 
DANCE... but it was a Thursday and there was in fact a decent gathering of 
legit groovers getting down near the stage.  Overall a nice night of 
electronics and bourbon worthy of a Friday work hangover, hats off to the 
artists and thanks to Ghostly for a Chicago presence. 

Cheers,
Matt MacQueen





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Re: [313] Ectomorph / Danny Wang gig in Chicago

2002-03-12 Thread jenn without the -ifer
what kind of theremin was it?  

-jenn without the -ifer

 Original message 
Date: Mon, 11 Mar 2002 19:11:40 -0600
From: Matthew MacQueen [EMAIL PROTECTED]  
Subject: [313] Ectomorph / Danny Wang gig in Chicago  
To: [EMAIL PROTECTED] org [The Music Institute] (E-mail) 
313@hyperreal.org

My (overdue) comments on this Ghostly gig at Empty Bottle 
in Chicago last thursday w/ Ectomorph live and Danny Wang as 
DJ.

Ectomorph played a set with a LOT of new material I haven't 
heard before, with less gear on stage and twin white laptops 
with the ectomorph logo glowing where the apple logo should 
be.  Those kids!  The crew is tight and funky, some effects 
and mixers, some gear but anyone who saw them live years 
ago, they used to have trunks and trunks of gear to travel 
with...  Anyway the music was no less thick, interesting and 
some deeper stuff, trademark dark electronic funk style.  
Some improvisation from Danny Wang on the live Theramin (set 
up on the other side of the stage) on a couple tracks that 
was impromptu and interesting.  It's clear unlike most 
people who goof around with Theramins, Danny actually knows 
what he's doing and can do just about whatever melodies and 
notes he wants, which was certainly impressive to me 
anyway.  Danny leaves the stage and Ectomorph hits a few 
more cuts solo, trademark rife-shot tight snares and wobbly 
deep 808 kicks.  They end with remake/remix/cover/tribute of 
Shari Vari with robotic vocals out of the glowing red 
megaphone vocoder and overall a nice tight funky set.  
Cheers all round.

Danny Wang took to the decks, said a few words about 
Ghostly, fiddled with a uncooperative mixer for a pregnant 
pause and finally and dropped for an opener I Believe In 
Music (who was this, The Carpenters?  Barbara Mandrell and 
the Mandrell sisters!?  ha ha).  This gets my vote for most 
creative way to start a DJ set, though not necessarily most 
effective?  Ha!  He was mixing crazy stuff including Depeche 
mode's loving refrain 'this ain't no disco' (oh how true for 
the Empty Bottle) and having a good time, if a little rough 
here and there.  Dropped Metro Area 3 and an assortment of 
what sounded like plenty of quality old electronic disco 
gems.  A little rough on technique overall, but as someone 
who tries to beatmatch old disco and italo records myself 
(before tight sequencing and studio quantizing became the 
norm on late disco productions) it's definitely challenging 
to pull off seamlessly every time.  I applaud the effort to 
play older cuts with newer!!  Be on the lookout for his epic 
remix of Block 16's big cut Elektrocution, I believe 
coming out on Nuphonic. 

Turnout could have been better for this caliber of talent 
at Empty Bottle, which is historically a bar for live indie 
and irony rockers, recently starting to book more electro 
(god forbid they call it techno or house) and a crowd 
somewhat notorious for bowling shoes and no capacity (or 
skill?) to actually DANCE... but it was a Thursday and there 
was in fact a decent gathering of legit groovers getting 
down near the stage.  Overall a nice night of electronics 
and bourbon worthy of a Friday work hangover, hats off to 
the artists and thanks to Ghostly for a Chicago presence. 

Cheers,
Matt MacQueen






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-  jenn without the -ifer
-- [EMAIL PROTECTED] / [EMAIL PROTECTED]
-- diyska.org / detroitska.com
aim -- dubstylist

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