RE: (313) Excuse my ignorance... pad sounds

2003-09-06 Thread yussel
BAM!!! ZOOM!!! ZIP!!!

On Fri, 5 Sep 2003, Allen Goodman wrote:

 When I was small I had a book filled with onomatopoeias, needless to say
 it never came ofmuch use till I became interested in electronic music. Maybe 
 I’ll dig it
 up for you. ;)
  its definately a tricky line , writing about techno for those who know
  AND those who don't .  really hard to describe sounds that are often
  made just to sound unlike anything else.
 
  On Fri, 5 Sep 2003, Quest Pond wrote:
   Sent: 05 September 2003 4:49 PM
   To: Quest Pond; Tom Churchill; Lee Herrington IV; 313
   Subject: RE: (313) Excuse my ignorance... pad sound?
  
  
   Not being a producer or a DJ, I couldn't give two figs how
   something is made, I just wanna hear it. Maybe I should give
   a sh!t but it bores me when I hear such talk.  I wasn't
   talking about interviews anyway, I was talking about reviews
   and if I can't understand what the reviewer is referring to
   when he's talking about gates and flanges, I'm not going
   to get a good idea of what it sounds like. Not that I pay
   much attention to reviews anyway - I tend to just use them as
   a guide to what's out.
  
   -Original Message-
   From: Quest Pond [mailto:[EMAIL PROTECTED]
   Sent: Friday, September 05, 2003 2:42 PM
   To: Robert Taylor; Tom Churchill; Lee Herrington IV; 313
   Subject: RE: (313) Excuse my ignorance... pad sound?
  
  
   I hate to bring this up but i totally disagree with Rob, I
   think too many interview are non technical.
  
   This might be quite controversial but I see little point
   about asking producers about the weather, politics and the
   club scene. Might it be the case that the main source of
   inspiration is racks full of funky analog equipment? Or a mad
   sound made by feedback loops?
  
   What is important is the music and how they made it, not what
   colour underwear they have.
  
   Personally i want equipment and methods, am i the only one
   who feels like this?
  
  
   Quest Pond
  
-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 05 September 2003 12:43 PM
To: Tom Churchill; Lee Herrington IV; 313
Subject: RE: (313) Excuse my ignorance... pad sound?
   
   
I wondered what that meant - I've always read about lush
pads in techno reviews, especially of Detroit sh!t.
I hate the fact that many electronic music reviews assume you know
all about the technology involved in making the music.
   
-Original Message-
From: Tom Churchill [mailto:[EMAIL PROTECTED]
Sent: Friday, September 05, 2003 10:40 AM
To: Lee Herrington IV; 313
Subject: Re: (313) Excuse my ignorance... pad sound?
   
   
 hi folks.  i've read the term, pad sound, from time to
time on this
 list.  could someone provide me with a definition of this
 phrase?
   
In synthesiser terminology, a pad is a sustained, warm,
string-like sound
normally heard in long chords. Synthetic strings, basically...
   
Cheers,
   
Tom
   
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   Note:
  
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   not necessarily represent
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   specifically stated. This email
   and any files transmitted are confidential and intended
   solely for the use of the
   individual or entity to which they are addressed. If you have
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 --
 Allen Goodman
 [EMAIL PROTECTED]
 http://www.fksche.com





Re: (313) Excuse my ignorance... pad sounds

2003-09-06 Thread Phonopsia
- Original Message - 
From: [EMAIL PROTECTED]
To: Quest Pond [EMAIL PROTECTED]
Cc: Robert Taylor [EMAIL PROTECTED]; Tom Churchill
[EMAIL PROTECTED]; Lee Herrington IV [EMAIL PROTECTED];
313 313@hyperreal.org
Sent: Friday, September 05, 2003 11:29 PM
Subject: RE: (313) Excuse my ignorance... pad sounds


 its definately a tricky line , writing about techno for those who know AND
 those who don't .  really hard to describe sounds that are often made just
 to sound unlike anything else.


Synth terminology shouldn't be out-of-bounds for reviews. We write for an
audience that is presumably fairly clued in. If I cite 'overcompression,
'warm pads' or 'square-wave rave tones', I think that even those who aren't
producing would at least be able to associate something to the description.
Some people who have never seen a sequencer know that Swedish techno invoked
the world of overcompression. If you don't use these terms, there is a
severe descriptive void that is otherwise very difficult to fill, so there's
no communicative ground lost, even if the solution is less-than ideal.
Perhaps the jargon of synth/sample terminology is a bit exclusionary, but
it's not like envoking music theory, advanced production techniques or
circuit jargon. These are the best terms we have to describe sounds that
don't have traditional names like 'guitar', piano' or 'harp'. I don't see
these descriptions as being any different, and the learning curve to
acquaint yourself with these terms is pretty slim. If you want to read about
techno, you shouldn't be a technophobe, which doesn't mean you need to be a
technophile. At bottom, you can't separate techno criticism from technique.
Other musics don't rely on technique in the same way.

Tristan
===
http://www.phonopsia.co.uk
[EMAIL PROTECTED]




RE: (313) Excuse my ignorance... pad sounds

2003-09-05 Thread yussel
its definately a tricky line , writing about techno for those who know AND
those who don't .  really hard to describe sounds that are often made just
to sound unlike anything else.

On Fri, 5 Sep 2003, Quest Pond wrote:
  Sent: 05 September 2003 4:49 PM
  To: Quest Pond; Tom Churchill; Lee Herrington IV; 313
  Subject: RE: (313) Excuse my ignorance... pad sound?
 
 
  Not being a producer or a DJ, I couldn't give two figs how
  something is made, I just wanna hear it. Maybe I should give
  a sh!t but it bores me when I hear such talk.  I wasn't
  talking about interviews anyway, I was talking about reviews
  and if I can't understand what the reviewer is referring to
  when he's talking about gates and flanges, I'm not going
  to get a good idea of what it sounds like. Not that I pay
  much attention to reviews anyway - I tend to just use them as
  a guide to what's out.
 
  -Original Message-
  From: Quest Pond [mailto:[EMAIL PROTECTED]
  Sent: Friday, September 05, 2003 2:42 PM
  To: Robert Taylor; Tom Churchill; Lee Herrington IV; 313
  Subject: RE: (313) Excuse my ignorance... pad sound?
 
 
  I hate to bring this up but i totally disagree with Rob, I
  think too many interview are non technical.
 
  This might be quite controversial but I see little point
  about asking producers about the weather, politics and the
  club scene. Might it be the case that the main source of
  inspiration is racks full of funky analog equipment? Or a mad
  sound made by feedback loops?
 
  What is important is the music and how they made it, not what
  colour underwear they have.
 
  Personally i want equipment and methods, am i the only one
  who feels like this?
 
 
  Quest Pond
 
   -Original Message-
   From: Robert Taylor [mailto:[EMAIL PROTECTED]
   Sent: 05 September 2003 12:43 PM
   To: Tom Churchill; Lee Herrington IV; 313
   Subject: RE: (313) Excuse my ignorance... pad sound?
  
  
   I wondered what that meant - I've always read about lush
   pads in techno reviews, especially of Detroit sh!t.
   I hate the fact that many electronic music reviews assume you
   know all about the technology involved in making the music.
  
   -Original Message-
   From: Tom Churchill [mailto:[EMAIL PROTECTED]
   Sent: Friday, September 05, 2003 10:40 AM
   To: Lee Herrington IV; 313
   Subject: Re: (313) Excuse my ignorance... pad sound?
  
  
hi folks.  i've read the term, pad sound, from time to
   time on this
list.  could someone provide me with a definition of this phrase?
  
   In synthesiser terminology, a pad is a sustained, warm,
   string-like sound
   normally heard in long chords. Synthetic strings, basically...
  
   Cheers,
  
   Tom
  
   ##
   ###
   Note:
  
   Any views or opinions are solely those of the author and do
   not necessarily represent
   those of Channel Four Television Corporation unless
   specifically stated. This email
   and any files transmitted are confidential and intended
   solely for the use of the
   individual or entity to which they are addressed. If you have
   received this email in
   error, please notify [EMAIL PROTECTED]
  
   Thank You.
   ##
   ###
  
  
 
  ##
  ###
  Note:
 
  Any views or opinions are solely those of the author and do
  not necessarily represent
  those of Channel Four Television Corporation unless
  specifically stated. This email
  and any files transmitted are confidential and intended
  solely for the use of the
  individual or entity to which they are addressed. If you have
  received this email in
  error, please notify [EMAIL PROTECTED]
 
  Thank You.
  ##
  ###
 
 



RE: (313) Excuse my ignorance... pad sounds

2003-09-05 Thread Allen Goodman
When I was small I had a book filled with onomatopoeias, needless to say
it never came ofmuch use till I became interested in electronic music. Maybe 
I’ll dig it
up for you. ;)
 its definately a tricky line , writing about techno for those who know
 AND those who don't .  really hard to describe sounds that are often
 made just to sound unlike anything else.

 On Fri, 5 Sep 2003, Quest Pond wrote:
  Sent: 05 September 2003 4:49 PM
  To: Quest Pond; Tom Churchill; Lee Herrington IV; 313
  Subject: RE: (313) Excuse my ignorance... pad sound?
 
 
  Not being a producer or a DJ, I couldn't give two figs how
  something is made, I just wanna hear it. Maybe I should give
  a sh!t but it bores me when I hear such talk.  I wasn't
  talking about interviews anyway, I was talking about reviews
  and if I can't understand what the reviewer is referring to
  when he's talking about gates and flanges, I'm not going
  to get a good idea of what it sounds like. Not that I pay
  much attention to reviews anyway - I tend to just use them as
  a guide to what's out.
 
  -Original Message-
  From: Quest Pond [mailto:[EMAIL PROTECTED]
  Sent: Friday, September 05, 2003 2:42 PM
  To: Robert Taylor; Tom Churchill; Lee Herrington IV; 313
  Subject: RE: (313) Excuse my ignorance... pad sound?
 
 
  I hate to bring this up but i totally disagree with Rob, I
  think too many interview are non technical.
 
  This might be quite controversial but I see little point
  about asking producers about the weather, politics and the
  club scene. Might it be the case that the main source of
  inspiration is racks full of funky analog equipment? Or a mad
  sound made by feedback loops?
 
  What is important is the music and how they made it, not what
  colour underwear they have.
 
  Personally i want equipment and methods, am i the only one
  who feels like this?
 
 
  Quest Pond
 
   -Original Message-
   From: Robert Taylor [mailto:[EMAIL PROTECTED]
   Sent: 05 September 2003 12:43 PM
   To: Tom Churchill; Lee Herrington IV; 313
   Subject: RE: (313) Excuse my ignorance... pad sound?
  
  
   I wondered what that meant - I've always read about lush
   pads in techno reviews, especially of Detroit sh!t.
   I hate the fact that many electronic music reviews assume you know
   all about the technology involved in making the music.
  
   -Original Message-
   From: Tom Churchill [mailto:[EMAIL PROTECTED]
   Sent: Friday, September 05, 2003 10:40 AM
   To: Lee Herrington IV; 313
   Subject: Re: (313) Excuse my ignorance... pad sound?
  
  
hi folks.  i've read the term, pad sound, from time to
   time on this
list.  could someone provide me with a definition of this
phrase?
  
   In synthesiser terminology, a pad is a sustained, warm,
   string-like sound
   normally heard in long chords. Synthetic strings, basically...
  
   Cheers,
  
   Tom
  
   ##
   ###
   Note:
  
   Any views or opinions are solely those of the author and do
   not necessarily represent
   those of Channel Four Television Corporation unless
   specifically stated. This email
   and any files transmitted are confidential and intended
   solely for the use of the
   individual or entity to which they are addressed. If you have
   received this email in
   error, please notify [EMAIL PROTECTED]
  
   Thank You.
   ##
   ###
  
  
 
  ##
  ###
  Note:
 
  Any views or opinions are solely those of the author and do
  not necessarily represent
  those of Channel Four Television Corporation unless
  specifically stated. This email
  and any files transmitted are confidential and intended
  solely for the use of the
  individual or entity to which they are addressed. If you have
  received this email in
  error, please notify [EMAIL PROTECTED]
 
  Thank You.
  ##
  ###
 
 


-- 
Allen Goodman
[EMAIL PROTECTED]
http://www.fksche.com