Re: [313] string 'n' pad
> Grain, who features on the DE 909 mix cd, is a garage producer by trade. What name does he use for his garage stuff? I'd be interested to hear some... The new Fat Cat 12" is great - I've been mixing the B1 pitched down with some broken beat stuff and it sounds awesome... Cheers, Tom | tom churchill | emoticon recordings uk | emot 005 - connective zone/jeff samuel/scape one/schmutzig (out feb 2002) | emot 006 - otomi - zusammen/vertrauen (out feb 2002) | website/info - http://www.emoticonrecordings.com | distribution - http://www.rushhour.nl - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] string 'n' pad
Grain, who features on the DE 909 mix cd, is a garage producer by trade. He also goes under the monikers of Santos Rodriguez and Morgan Reno... in fact the latest Grain single is very "speed garage" influenced - but still full of that rhythmic force that defines techno. - Original Message - From: Odeluga, Ken <[EMAIL PROTECTED]> To: Cyclone Wehner <[EMAIL PROTECTED]>; [EMAIL PROTECTED] Org <313@hyperreal.org> Sent: Monday, January 28, 2002 12:02 PM Subject: RE: [313] string 'n' pad > MJ Cole is pretty ace. Did you hear "Attitude" last year? You're right about > the Detroit/Chicago being in there, but then that's not surprising, given > he's a former Drum & Bass head, turned Garage producer which I know > someone around these parts finds to be the worst of all worlds ... :o). > Incidentally, have you heard the As One album? There is a track on there > called 'Contours' which sounds suspsiciously like Speed Garage!... But more > like the MJ Cole style of Garage ... I used to be quite blanket negative on > that scene, but as it matures, I'm very reluctant to just dismiss it > wholesale ... I keep hearing stuff in it that I find subtle, soulful and > deep ... > > >-Original Message- > >From: Cyclone Wehner [mailto:[EMAIL PROTECTED] > >Sent: Saturday, January 26, 2002 4:23 PM > >To: 313 Detroit > >Subject: Re: [313] string 'n' pad > > > > > >There's some good stuff - MJ Cole is good! I actually hear a > >Detroit/Chicago > >influence in his material and Wookie's album was nice, cool Stevie Wonder > >influence in parts and with one track kinda Hawtin-esque strange > >techno-meets-two-step track. Gotta say just played So Solid album and am > >seriously underwhelmed. > > > > > >-- > >>From: "Odeluga, Ken" <[EMAIL PROTECTED]> > >>To: Tom Robbins/Tom Magic Feet <[EMAIL PROTECTED]>, > >"[EMAIL PROTECTED] Org" <313@hyperreal.org> > >>Subject: RE: [313] string 'n' pad > >>Date: Sat, 26 Jan 2002 3:07 AM > >> > > > >>Put that in your column and smoke it, I dare you! > >> > >>>-Original Message- > >>>From: Tom Robbins/Tom Magic Feet [mailto:[EMAIL PROTECTED] > >>>Sent: Friday, January 25, 2002 3:47 PM > >>>To: 313 mailing list > >>>Subject: Re: [313] string 'n' pad > >>> > >>> > >>>Personally I enjoyed Alex's post, if only for the outstanding use of the > >>>word 'bobbins', one of my favourite English colloquialisms and one I've > >>>hardly heard since the great days of Madchester. Discuss. > >>> > >>>And if you ask me, he's right about that garage/2-step bobbins > >>>too. So Solid > >>>my a**e. Bunch of TWOCers, the lot of 'em. Oops... :-) > >>> > >>>TOM > >>> > >>>> -Ursprüngliche Nachricht- > >>>> Von: <[EMAIL PROTECTED]> > >>>> An: <313@hyperreal.org> > >>>> Gesendet: Freitag, 25. Januar 2002 14:19 RON > >>>> Betreff: [313] string 'n' pad > >>>> > >>>> > >>>> > Memo from Alex Bond of PricewaterhouseCoopers > >>>> > > >>>> > Start of message text > >>>> > > >>>> > Ok, I'm new to this mail service, so I'm not familiar with the topics > >>>you > >>>> > discuss. > >>>> > > >>>> > But, surely if you subscribe to a mail service like this, > >you have more > >>>> > than a passing interest in music from Detroit? > >>>> > How on earth did anyone ever confuse Kevin Saunderson and > >Alex Reece??? > >>>> I'm > >>>> > gobsmacked. > >>>> > > >>>> > Also Drum and Bass. A load of ex-ravers who discovered a few techno > >>>> records > >>>> > round about 1993, what are most of 'em doing now? > >>>> > Speed bloody Garage, 2-Step, what ever you want to call it. > >>>> > > >>>> > Alright, there's a few D+B producers who can cut it > >(Photek/Dillinja?) > >>>but > >>>> > overall, I have to say it's bobbins, and barely worth a > >>>discussion, that
RE: [313] string 'n' pad
MJ Cole is pretty ace. Did you hear "Attitude" last year? You're right about the Detroit/Chicago being in there, but then that's not surprising, given he's a former Drum & Bass head, turned Garage producer which I know someone around these parts finds to be the worst of all worlds ... :o). Incidentally, have you heard the As One album? There is a track on there called 'Contours' which sounds suspsiciously like Speed Garage!... But more like the MJ Cole style of Garage ... I used to be quite blanket negative on that scene, but as it matures, I'm very reluctant to just dismiss it wholesale ... I keep hearing stuff in it that I find subtle, soulful and deep ... >-Original Message- >From: Cyclone Wehner [mailto:[EMAIL PROTECTED] >Sent: Saturday, January 26, 2002 4:23 PM >To: 313 Detroit >Subject: Re: [313] string 'n' pad > > >There's some good stuff - MJ Cole is good! I actually hear a >Detroit/Chicago >influence in his material and Wookie's album was nice, cool Stevie Wonder >influence in parts and with one track kinda Hawtin-esque strange >techno-meets-two-step track. Gotta say just played So Solid album and am >seriously underwhelmed. > > >-- >>From: "Odeluga, Ken" <[EMAIL PROTECTED]> >>To: Tom Robbins/Tom Magic Feet <[EMAIL PROTECTED]>, >"[EMAIL PROTECTED] Org" <313@hyperreal.org> >>Subject: RE: [313] string 'n' pad >>Date: Sat, 26 Jan 2002 3:07 AM >> > >>Put that in your column and smoke it, I dare you! >> >>>-Original Message- >>>From: Tom Robbins/Tom Magic Feet [mailto:[EMAIL PROTECTED] >>>Sent: Friday, January 25, 2002 3:47 PM >>>To: 313 mailing list >>>Subject: Re: [313] string 'n' pad >>> >>> >>>Personally I enjoyed Alex's post, if only for the outstanding use of the >>>word 'bobbins', one of my favourite English colloquialisms and one I've >>>hardly heard since the great days of Madchester. Discuss. >>> >>>And if you ask me, he's right about that garage/2-step bobbins >>>too. So Solid >>>my a**e. Bunch of TWOCers, the lot of 'em. Oops... :-) >>> >>>TOM >>> >>>> -Ursprüngliche Nachricht- >>>> Von: <[EMAIL PROTECTED]> >>>> An: <313@hyperreal.org> >>>> Gesendet: Freitag, 25. Januar 2002 14:19 RON >>>> Betreff: [313] string 'n' pad >>>> >>>> >>>> > Memo from Alex Bond of PricewaterhouseCoopers >>>> > >>>> > Start of message text >>>> > >>>> > Ok, I'm new to this mail service, so I'm not familiar with the topics >>>you >>>> > discuss. >>>> > >>>> > But, surely if you subscribe to a mail service like this, >you have more >>>> > than a passing interest in music from Detroit? >>>> > How on earth did anyone ever confuse Kevin Saunderson and >Alex Reece??? >>>> I'm >>>> > gobsmacked. >>>> > >>>> > Also Drum and Bass. A load of ex-ravers who discovered a few techno >>>> records >>>> > round about 1993, what are most of 'em doing now? >>>> > Speed bloody Garage, 2-Step, what ever you want to call it. >>>> > >>>> > Alright, there's a few D+B producers who can cut it >(Photek/Dillinja?) >>>but >>>> > overall, I have to say it's bobbins, and barely worth a >>>discussion, that >>>> > music is full of people just trying to make a fast buck (I >don't blame >>>'em >>>> > for that) but really, is it 'music'? >>>> > >>>> > - End of message text >>>> > >>>> > This e-mail is sent by the above named in their >>>> > individual, non-business capacity and is not on >>>> > behalf of PricewaterhouseCoopers. >>>> > >>>> > PricewaterhouseCoopers may monitor outgoing and incoming >>>> > e-mails and other telecommunications on its e-mail and >>>> > telecommunications systems. >>>> > >>>> > The information transmitted is intended only for the person or >>>entity to >>>> > which it is addressed and may contain confiden
Re: [313] string 'n' pad
There's some good stuff - MJ Cole is good! I actually hear a Detroit/Chicago influence in his material and Wookie's album was nice, cool Stevie Wonder influence in parts and with one track kinda Hawtin-esque strange techno-meets-two-step track. Gotta say just played So Solid album and am seriously underwhelmed. -- >From: "Odeluga, Ken" <[EMAIL PROTECTED]> >To: Tom Robbins/Tom Magic Feet <[EMAIL PROTECTED]>, "[EMAIL PROTECTED] Org" <313@hyperreal.org> >Subject: RE: [313] string 'n' pad >Date: Sat, 26 Jan 2002 3:07 AM > >Put that in your column and smoke it, I dare you! > >>-Original Message- >>From: Tom Robbins/Tom Magic Feet [mailto:[EMAIL PROTECTED] >>Sent: Friday, January 25, 2002 3:47 PM >>To: 313 mailing list >>Subject: Re: [313] string 'n' pad >> >> >>Personally I enjoyed Alex's post, if only for the outstanding use of the >>word 'bobbins', one of my favourite English colloquialisms and one I've >>hardly heard since the great days of Madchester. Discuss. >> >>And if you ask me, he's right about that garage/2-step bobbins >>too. So Solid >>my a**e. Bunch of TWOCers, the lot of 'em. Oops... :-) >> >>TOM >> >>> -Ursprüngliche Nachricht- >>> Von: <[EMAIL PROTECTED]> >>> An: <313@hyperreal.org> >>> Gesendet: Freitag, 25. Januar 2002 14:19 RON >>> Betreff: [313] string 'n' pad >>> >>> >>> > Memo from Alex Bond of PricewaterhouseCoopers >>> > >>> > Start of message text >>> > >>> > Ok, I'm new to this mail service, so I'm not familiar with the topics >>you >>> > discuss. >>> > >>> > But, surely if you subscribe to a mail service like this, you have more >>> > than a passing interest in music from Detroit? >>> > How on earth did anyone ever confuse Kevin Saunderson and Alex Reece??? >>> I'm >>> > gobsmacked. >>> > >>> > Also Drum and Bass. A load of ex-ravers who discovered a few techno >>> records >>> > round about 1993, what are most of 'em doing now? >>> > Speed bloody Garage, 2-Step, what ever you want to call it. >>> > >>> > Alright, there's a few D+B producers who can cut it (Photek/Dillinja?) >>but >>> > overall, I have to say it's bobbins, and barely worth a >>discussion, that >>> > music is full of people just trying to make a fast buck (I don't blame >>'em >>> > for that) but really, is it 'music'? >>> > >>> > - End of message text >>> > >>> > This e-mail is sent by the above named in their >>> > individual, non-business capacity and is not on >>> > behalf of PricewaterhouseCoopers. >>> > >>> > PricewaterhouseCoopers may monitor outgoing and incoming >>> > e-mails and other telecommunications on its e-mail and >>> > telecommunications systems. >>> > >>> > The information transmitted is intended only for the person or >>entity to >>> > which it is addressed and may contain confidential and/or privileged >>> > material. Any review, retransmission, dissemination or other >>use of, or >>> > taking of any action in reliance upon, this information by persons or >>> > entities other than the intended recipient is prohibited. If you >>> received >>> > this in error, please contact the sender and delete the material from >>any >>> > computer. >>> > >>> > >>> > - >>> > To unsubscribe, e-mail: [EMAIL PROTECTED] >>> > For additional commands, e-mail: [EMAIL PROTECTED] >>> > >>> >>> >>> - >>> To unsubscribe, e-mail: [EMAIL PROTECTED] >>> For additional commands, e-mail: [EMAIL PROTECTED] >>> >>> >> >> >> >>- >>To unsubscribe, e-mail: [EMAIL PROTECTED] >>For additional commands, e-mail: [EMAIL PROTECTED] >> > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Fw: RE: [313] string 'n' pad
you shouldnt forget raggaor dancehall,,,many of the jamaicans movd to london and built up their soundsystems there,,, ronster -Ursprüngliche Nachricht- Von: "Berislav Oremus" <[EMAIL PROTECTED]> An: <[EMAIL PROTECTED]>; "'Ron'" <[EMAIL PROTECTED]>; "313" <313@hyperreal.org>; "FC3 Richards" <[EMAIL PROTECTED]> Gesendet: Samstag, 26. Januar 2002 08:12 RON Betreff: Re: RE: [313] string 'n' pad > > > Weird, considering that Hardcore, which was the the foundation that > jungle/dnb developed from, > > i would say that breakbeat and hip hop made bigger foundation for d`n`b .. > liquid, sl2, prodigy and it is early 90` > > > > b. > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: RE: [313] string 'n' pad
sorry, its early morning , i dont have enough coffe in me - Original Message - From: "DJ Entropy" <[EMAIL PROTECTED]> To: "'Ron'" <[EMAIL PROTECTED]>; "313" <313@hyperreal.org>; "FC3 Richards" <[EMAIL PROTECTED]>; "Berislav Oremus" <[EMAIL PROTECTED]> Sent: Saturday, January 26, 2002 8:17 AM Subject: Re: RE: [313] string 'n' pad > 1/26/2002 2:12:28 AM, "Berislav Oremus" <[EMAIL PROTECTED]> wrote: > > > > >> Weird, considering that Hardcore, which was the the foundation that > >jungle/dnb developed from, > > > >i would say that breakbeat and hip hop made bigger foundation for d`n`b .. > >liquid, sl2, prodigy and it is early 90` > > That's what I said. > > > > Ian Scott aka DJ Entropy [EMAIL PROTECTED] >(bhpc, cheesestep rec., n.e. hardcore, raverporn.net, neverworld, boston) > http://www.djentropy.comhttp://www.ne-hardcore.com > Upcoming gigs: http://www.warblevx.net/djentropy/upcominggigs.html >"There is no ONE right way to live" - Daniel Quinn >Producers: http://groups.yahoo.com/group/us-production > "Educate the narrow minds, they see what they want to see. Educate the > narrow minds, they feel what they want to feel." - Narra Mine - Genacide II > > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: RE: [313] string 'n' pad
1/26/2002 2:12:28 AM, "Berislav Oremus" <[EMAIL PROTECTED]> wrote: > >> Weird, considering that Hardcore, which was the the foundation that >jungle/dnb developed from, > >i would say that breakbeat and hip hop made bigger foundation for d`n`b .. >liquid, sl2, prodigy and it is early 90` That's what I said. Ian Scott aka DJ Entropy [EMAIL PROTECTED] (bhpc, cheesestep rec., n.e. hardcore, raverporn.net, neverworld, boston) http://www.djentropy.comhttp://www.ne-hardcore.com Upcoming gigs: http://www.warblevx.net/djentropy/upcominggigs.html "There is no ONE right way to live" - Daniel Quinn Producers: http://groups.yahoo.com/group/us-production "Educate the narrow minds, they see what they want to see. Educate the narrow minds, they feel what they want to feel." - Narra Mine - Genacide II - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: RE: [313] string 'n' pad
> Weird, considering that Hardcore, which was the the foundation that jungle/dnb developed from, i would say that breakbeat and hip hop made bigger foundation for d`n`b .. liquid, sl2, prodigy and it is early 90` b. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: RE: [313] string 'n' pad
>> Also Drum and Bass. A load of ex-ravers who discovered a few techno >records >> round about 1993, Weird, considering that Hardcore, which was the the foundation that jungle/dnb developed from, dates back to as early as 1988, with the likes of Lennie De Ice and Shut Up And Dance Ian Scott aka DJ Entropy [EMAIL PROTECTED] (bhpc, cheesestep rec., n.e. hardcore, raverporn.net, neverworld, boston) http://www.djentropy.comhttp://www.ne-hardcore.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] string 'n' pad
blahblah hey isn't the artful dodger from detroit?? he sure has made alot of money off of crap. jeff _ hey alex... youre from the uk so you really should know it ,,, seems like youre a bit narrow minded bout that,,,drum n bass is music in deed,you might not like itz but you really cant say that there are only some producers that cut it,,,you should really go and look how people like optical, ed rush or bad company have pushed music and also mastering,,,just have a listen to some of their plates on your system and then play some of your own records,,,you will see what i talk about another tihng,,,you should go to a garage/2.step,,anyway called party and enjoy it,,,dont say its all crap,,be a bit more open-minded and enjoy music.. thats what i mean.. ronster -Ursprüngliche Nachricht- Von: <[EMAIL PROTECTED]> An: <313@hyperreal.org> Gesendet: Freitag, 25. Januar 2002 14:19 RON Betreff: [313] string 'n' pad > Memo from Alex Bond of PricewaterhouseCoopers > > Start of message text > > Ok, I'm new to this mail service, so I'm not familiar with the topics you > discuss. > > But, surely if you subscribe to a mail service like this, you have more > than a passing interest in music from Detroit? > How on earth did anyone ever confuse Kevin Saunderson and Alex Reece??? I'm > gobsmacked. > > Also Drum and Bass. A load of ex-ravers who discovered a few techno records > round about 1993, what are most of 'em doing now? > Speed bloody Garage, 2-Step, what ever you want to call it. > > Alright, there's a few D+B producers who can cut it (Photek/Dillinja?) but > overall, I have to say it's bobbins, and barely worth a discussion, that > music is full of people just trying to make a fast buck (I don't blame 'em > for that) but really, is it 'music'? > > - End of message text > > This e-mail is sent by the above named in their > individual, non-business capacity and is not on > behalf of PricewaterhouseCoopers. > > PricewaterhouseCoopers may monitor outgoing and incoming > e-mails and other telecommunications on its e-mail and > telecommunications systems. > > The information transmitted is intended only for the person or entity to > which it is addressed and may contain confidential and/or privileged > material. Any review, retransmission, dissemination or other use of, or > taking of any action in reliance upon, this information by persons or > entities other than the intended recipient is prohibited. If you received > this in error, please contact the sender and delete the material from any > computer. > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] string 'n' pad
Put that in your column and smoke it, I dare you! >-Original Message- >From: Tom Robbins/Tom Magic Feet [mailto:[EMAIL PROTECTED] >Sent: Friday, January 25, 2002 3:47 PM >To: 313 mailing list >Subject: Re: [313] string 'n' pad > > >Personally I enjoyed Alex's post, if only for the outstanding use of the >word 'bobbins', one of my favourite English colloquialisms and one I've >hardly heard since the great days of Madchester. Discuss. > >And if you ask me, he's right about that garage/2-step bobbins >too. So Solid >my a**e. Bunch of TWOCers, the lot of 'em. Oops... :-) > >TOM > >> -Ursprüngliche Nachricht- >> Von: <[EMAIL PROTECTED]> >> An: <313@hyperreal.org> >> Gesendet: Freitag, 25. Januar 2002 14:19 RON >> Betreff: [313] string 'n' pad >> >> >> > Memo from Alex Bond of PricewaterhouseCoopers >> > >> > Start of message text >> > >> > Ok, I'm new to this mail service, so I'm not familiar with the topics >you >> > discuss. >> > >> > But, surely if you subscribe to a mail service like this, you have more >> > than a passing interest in music from Detroit? >> > How on earth did anyone ever confuse Kevin Saunderson and Alex Reece??? >> I'm >> > gobsmacked. >> > >> > Also Drum and Bass. A load of ex-ravers who discovered a few techno >> records >> > round about 1993, what are most of 'em doing now? >> > Speed bloody Garage, 2-Step, what ever you want to call it. >> > >> > Alright, there's a few D+B producers who can cut it (Photek/Dillinja?) >but >> > overall, I have to say it's bobbins, and barely worth a >discussion, that >> > music is full of people just trying to make a fast buck (I don't blame >'em >> > for that) but really, is it 'music'? >> > >> > - End of message text >> > >> > This e-mail is sent by the above named in their >> > individual, non-business capacity and is not on >> > behalf of PricewaterhouseCoopers. >> > >> > PricewaterhouseCoopers may monitor outgoing and incoming >> > e-mails and other telecommunications on its e-mail and >> > telecommunications systems. >> > >> > The information transmitted is intended only for the person or >entity to >> > which it is addressed and may contain confidential and/or privileged >> > material. Any review, retransmission, dissemination or other >use of, or >> > taking of any action in reliance upon, this information by persons or >> > entities other than the intended recipient is prohibited. If you >> received >> > this in error, please contact the sender and delete the material from >any >> > computer. >> > >> > >> > - >> > To unsubscribe, e-mail: [EMAIL PROTECTED] >> > For additional commands, e-mail: [EMAIL PROTECTED] >> > >> >> >> - >> To unsubscribe, e-mail: [EMAIL PROTECTED] >> For additional commands, e-mail: [EMAIL PROTECTED] >> >> > > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] string 'n' pad
Personally I enjoyed Alex's post, if only for the outstanding use of the word 'bobbins', one of my favourite English colloquialisms and one I've hardly heard since the great days of Madchester. Discuss. And if you ask me, he's right about that garage/2-step bobbins too. So Solid my a**e. Bunch of TWOCers, the lot of 'em. Oops... :-) TOM > -Ursprüngliche Nachricht- > Von: <[EMAIL PROTECTED]> > An: <313@hyperreal.org> > Gesendet: Freitag, 25. Januar 2002 14:19 RON > Betreff: [313] string 'n' pad > > > > Memo from Alex Bond of PricewaterhouseCoopers > > > > Start of message text > > > > Ok, I'm new to this mail service, so I'm not familiar with the topics you > > discuss. > > > > But, surely if you subscribe to a mail service like this, you have more > > than a passing interest in music from Detroit? > > How on earth did anyone ever confuse Kevin Saunderson and Alex Reece??? > I'm > > gobsmacked. > > > > Also Drum and Bass. A load of ex-ravers who discovered a few techno > records > > round about 1993, what are most of 'em doing now? > > Speed bloody Garage, 2-Step, what ever you want to call it. > > > > Alright, there's a few D+B producers who can cut it (Photek/Dillinja?) but > > overall, I have to say it's bobbins, and barely worth a discussion, that > > music is full of people just trying to make a fast buck (I don't blame 'em > > for that) but really, is it 'music'? > > > > - End of message text > > > > This e-mail is sent by the above named in their > > individual, non-business capacity and is not on > > behalf of PricewaterhouseCoopers. > > > > PricewaterhouseCoopers may monitor outgoing and incoming > > e-mails and other telecommunications on its e-mail and > > telecommunications systems. > > > > The information transmitted is intended only for the person or entity to > > which it is addressed and may contain confidential and/or privileged > > material. Any review, retransmission, dissemination or other use of, or > > taking of any action in reliance upon, this information by persons or > > entities other than the intended recipient is prohibited. If you > received > > this in error, please contact the sender and delete the material from any > > computer. > > > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] string 'n' pad
hey alex... youre from the uk so you really should know it ,,, seems like youre a bit narrow minded bout that,,,drum n bass is music in deed,you might not like itz but you really cant say that there are only some producers that cut it,,,you should really go and look how people like optical, ed rush or bad company have pushed music and also mastering,,,just have a listen to some of their plates on your system and then play some of your own records,,,you will see what i talk about another tihng,,,you should go to a garage/2.step,,anyway called party and enjoy it,,,dont say its all crap,,be a bit more open-minded and enjoy music.. thats what i mean.. ronster -Ursprüngliche Nachricht- Von: <[EMAIL PROTECTED]> An: <313@hyperreal.org> Gesendet: Freitag, 25. Januar 2002 14:19 RON Betreff: [313] string 'n' pad > Memo from Alex Bond of PricewaterhouseCoopers > > Start of message text > > Ok, I'm new to this mail service, so I'm not familiar with the topics you > discuss. > > But, surely if you subscribe to a mail service like this, you have more > than a passing interest in music from Detroit? > How on earth did anyone ever confuse Kevin Saunderson and Alex Reece??? I'm > gobsmacked. > > Also Drum and Bass. A load of ex-ravers who discovered a few techno records > round about 1993, what are most of 'em doing now? > Speed bloody Garage, 2-Step, what ever you want to call it. > > Alright, there's a few D+B producers who can cut it (Photek/Dillinja?) but > overall, I have to say it's bobbins, and barely worth a discussion, that > music is full of people just trying to make a fast buck (I don't blame 'em > for that) but really, is it 'music'? > > - End of message text > > This e-mail is sent by the above named in their > individual, non-business capacity and is not on > behalf of PricewaterhouseCoopers. > > PricewaterhouseCoopers may monitor outgoing and incoming > e-mails and other telecommunications on its e-mail and > telecommunications systems. > > The information transmitted is intended only for the person or entity to > which it is addressed and may contain confidential and/or privileged > material. Any review, retransmission, dissemination or other use of, or > taking of any action in reliance upon, this information by persons or > entities other than the intended recipient is prohibited. If you received > this in error, please contact the sender and delete the material from any > computer. > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] string 'n' pad
No offense, Alex, but it sounds like you have more of a hatred for the people and not the music... TJ www.wireframerecords.com www.mp313.com PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] string 'n' pad
Memo from Alex Bond of PricewaterhouseCoopers Start of message text Point taken Ken, Sorry, just was on a bit of a rant. Of course people should come here ignorant, it's a good resource for people. I just can't stand a lot of that sort of music - the boundaries between that and techno, I admit ,are blurred. It's a lot of the jokers associated with that sort of music that I have a pet hate for as well (of course, NOT ALL of them). For the record I hate Student, Puffa-Jacket wearing wanna-be bad boys as well (You know the sort, were dead into rave/happy hardcore, then found some 'credibility' with 'Jungle' and now are speed garage producers/know-it-alls) - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] string 'n' pad
Careful about asking 'Is it music?' almost any dance music afficionada has to ask themselves the same question in a dark night of the soul ... But for me personally, it IS music. Perhaps a new kind of music which takes the aesthetic principles of modern art and applies them to sound - CF: The Art of Noise (the name itself is a kind of manifesto, non?). Their early records could be seen as early techno, in which the potentional of Kraftwerk, Devo, etc were finally fused into as much a new way of appreciating sound as a new kind of music(That's my stock answer to 'Is it Music' anyway!). Also, I'm happy for people to come here ignorant - to educate on modern detroit dance music is what the site's meant to do, after all. Finally, sorry for preaching to those who know more than me. Peace. >-Original Message- >From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] >Sent: Friday, January 25, 2002 1:19 PM >To: 313@Hyperreal.Org >Subject: [313] string 'n' pad > > >Memo from Alex Bond of PricewaterhouseCoopers > > Start of message text > >Ok, I'm new to this mail service, so I'm not familiar with the topics you >discuss. > >But, surely if you subscribe to a mail service like this, you have more >than a passing interest in music from Detroit? >How on earth did anyone ever confuse Kevin Saunderson and Alex Reece??? I'm >gobsmacked. > >Also Drum and Bass. A load of ex-ravers who discovered a few techno records >round about 1993, what are most of 'em doing now? >Speed bloody Garage, 2-Step, what ever you want to call it. > >Alright, there's a few D+B producers who can cut it (Photek/Dillinja?) but >overall, I have to say it's bobbins, and barely worth a discussion, that >music is full of people just trying to make a fast buck (I don't blame 'em >for that) but really, is it 'music'? > >- End of message text > >This e-mail is sent by the above named in their >individual, non-business capacity and is not on >behalf of PricewaterhouseCoopers. > >PricewaterhouseCoopers may monitor outgoing and incoming >e-mails and other telecommunications on its e-mail and >telecommunications systems. > >The information transmitted is intended only for the person or entity to >which it is addressed and may contain confidential and/or privileged >material. Any review, retransmission, dissemination or other use of, or >taking of any action in reliance upon, this information by persons or >entities other than the intended recipient is prohibited. If you received >this in error, please contact the sender and delete the material from any >computer. > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
