Re: [arr] Rahman Sir was sleeping beneath myself - says Ramesh Kanna
Hi Aravind Sure... Your suggestion is well taken, and would be implemented at once... Thanks for the thought TAGGED On Sat, Sep 6, 2008 at 6:23 AM, Aravind AM [EMAIL PROTECTED] wrote: Hi Vithur, thanks for the transcript I have one small suggestion for you... If you can tag the Rahmania transcript posts with some label, it will be easy to search the archives. For instance, if u add [Rahmania] in ur subject line, we can find all Rahmania interviews by searching for this... similarly you can put something like [VM] for vairamuthu neram transcripts. It would be great if you do this.. Cheers, Aravind http://arrahmaniac.blogspot.com Download Rahmania show interviews at http://rahmania.4shared.com --- On *Fri, 5/9/08, Vithur [EMAIL PROTECTED]* wrote: From: Vithur [EMAIL PROTECTED] Subject: [arr] Rahman Sir was sleeping beneath myself - says Ramesh Kanna To: arrahmanfans@yahoogroups.com Date: Friday, 5 September, 2008, 10:46 PM Actor cum Asst Director Ramesh Kanna ( Asst to Dir K.S. Ravikumar ) in Rahmania He has worked as an Associate Director in the film Muthu, and had acted in various films like Padaiyappa, Thenali, Varalaaru. Q :- How and when did you meet Rahman ? RK :- That's a very memorable and an excitable experience. When I was working as an Asst Director, at that time, Illayaraja Sir was in peak, and everyone had a burning desire to meet him, and sit for his compositions. Everyone used to dream of working with Illayaraja, and do a film. At that time, Rahman had come out with Roja, and everyone was talking about it. The music was totally different, and everyone was telling, a small boy had come up with such music. That film became a big hit, and his entry was big, and washed out all other people. From that time, I had a burning desire to be part of Rahman Sir 's compositions. During my earlier time, I silently used to go and sit off in Illayaraja 's compositions, and he used to stare at me.. First and foremost, I met Rahman Sir, during Muthu Film time. Myself, Rahman Sir, Director K.S. Ravikumar, Rajni Sir, Thenappan, Vairamuthu went to Cochin, and took a room there in a Hotel. Rahman Sir was in the adjacent room. Rajni Sir came just for the composing of the music, and he has lots of love for Rahman Sir. We four members would be staying in a room, and Rahman Sir would alone stay in another room. He would come and participate in some discussions in the day, and when we were asleep in the night, he used to play some sounds in his keyboard. I used to silently sneak out to hear them. Next day, he used to play something and show it to everyone. I didn't have any knowledge on Charanam or pallavi, but our director used to have some feel about the same. When Rajni Sir used to ask Enna pa. What is this ?. what is that ?. Rahman Sir used to answer, Don't worry. Pls wait and everything would come out fine. And everyone knows how great a hit the film Muthu was. From that time, the fear of Rahman Sir used to reduce in me, as he used to behave in a very simple manner all the time. Once , when I went to the studio at night, I could see Director Subhash Ghai sleeping in a corner, and in another corner was Dir. Shankar. Everyone sleeping in a corner, and I used to feel, OMG. I have come to a very big place. I need to be careful. Rahman sir used to keep working late night inside the studio, with his tunes. I had lot of experiences with Rahman Sir , while working for Muthu. Interesting Incident with Rahman One song was supposed to be shot in Mysore. They were supposed to give me the song, and I was supposed to take it to Mysore. So Director told me to come in the next flight. The same night, when I went to Rahman Sir, he told me to wait. I was sitting there, and he was doing something out there. He went off upstairs after night 1 AM , for doing Namaz. He didn't return for about 90 minutes, and so, I slept off in the sofa kept nearby. So, Rahman Sir having composed, the song, made everything ready, and told his people to give it to me before 4 AM. Suddenly, I woke up and saw no one present in the Studio, and I was afraid that the Director would scold me for getting it late. I was fear struck, that the crew would scold me if I don't get the song the next day, and to my utter surprise, saw Rahman Sir sleeping just below me. I had a doubt , if it was Rahman Sir himself. It was a great shock to me. Slowly and stealthily, I went and opened the door, and there was a person by name Sukumar, who told, that everything was ready and that I can leave. Fav Songs If you keep sweet at an end, and any hot substance at another, or sour substance at another, we can select the sweet alone and say, we like them. But, as far as Rahman Sir songs are concerned, everything is sweet, and its tough to make a choice . But recently, amongst the mother songs, that he had done, the
Re: [arr] Rahman Sir was sleeping beneath myself - says Ramesh Kanna
Nice one :) Thanks a lot Vithur for all these transcripts. --- On Fri, 9/5/08, Vithur [EMAIL PROTECTED] wrote: From: Vithur [EMAIL PROTECTED] Subject: [arr] Rahman Sir was sleeping beneath myself - says Ramesh Kanna To: arrahmanfans@yahoogroups.com Date: Friday, September 5, 2008, 10:16 AM Actor cum Asst Director Ramesh Kanna ( Asst to Dir K.S. Ravikumar ) in Rahmania He has worked as an Associate Director in the film Muthu, and had acted in various films like Padaiyappa, Thenali, Varalaaru. Q :- How and when did you meet Rahman ? RK :- That's a very memorable and an excitable experience. When I was working as an Asst Director, at that time, Illayaraja Sir was in peak, and everyone had a burning desire to meet him, and sit for his compositions. Everyone used to dream of working with Illayaraja, and do a film. At that time, Rahman had come out with Roja, and everyone was talking about it. The music was totally different, and everyone was telling, a small boy had come up with such music. That film became a big hit, and his entry was big, and washed out all other people. From that time, I had a burning desire to be part of Rahman Sir 's compositions. During my earlier time, I silently used to go and sit off in Illayaraja 's compositions, and he used to stare at me.. First and foremost, I met Rahman Sir, during Muthu Film time. Myself, Rahman Sir, Director K.S. Ravikumar, Rajni Sir, Thenappan, Vairamuthu went to Cochin, and took a room there in a Hotel. Rahman Sir was in the adjacent room. Rajni Sir came just for the composing of the music, and he has lots of love for Rahman Sir. We four members would be staying in a room, and Rahman Sir would alone stay in another room. He would come and participate in some discussions in the day, and when we were asleep in the night, he used to play some sounds in his keyboard. I used to silently sneak out to hear them. Next day, he used to play something and show it to everyone. I didn't have any knowledge on Charanam or pallavi, but our director used to have some feel about the same. When Rajni Sir used to ask Enna pa. What is this ?. what is that ?. Rahman Sir used to answer, Don't worry. Pls wait and everything would come out fine. And everyone knows how great a hit the film Muthu was. From that time, the fear of Rahman Sir used to reduce in me, as he used to behave in a very simple manner all the time. Once , when I went to the studio at night, I could see Director Subhash Ghai sleeping in a corner, and in another corner was Dir. Shankar. Everyone sleeping in a corner, and I used to feel, OMG. I have come to a very big place. I need to be careful. Rahman sir used to keep working late night inside the studio, with his tunes. I had lot of experiences with Rahman Sir , while working for Muthu. Interesting Incident with Rahman One song was supposed to be shot in Mysore. They were supposed to give me the song, and I was supposed to take it to Mysore. So Director told me to come in the next flight. The same night, when I went to Rahman Sir, he told me to wait. I was sitting there, and he was doing something out there. He went off upstairs after night 1 AM , for doing Namaz. He didn't return for about 90 minutes, and so, I slept off in the sofa kept nearby. So, Rahman Sir having composed, the song, made everything ready, and told his people to give it to me before 4 AM. Suddenly, I woke up and saw no one present in the Studio, and I was afraid that the Director would scold me for getting it late. I was fear struck, that the crew would scold me if I don't get the song the next day, and to my utter surprise, saw Rahman Sir sleeping just below me. I had a doubt , if it was Rahman Sir himself. It was a great shock to me. Slowly and stealthily, I went and opened the door, and there was a person by name Sukumar, who told, that everything was ready and that I can leave. Fav Songs If you keep sweet at an end, and any hot substance at another, or sour substance at another, we can select the sweet alone and say, we like them. But, as far as Rahman Sir songs are concerned, everything is sweet, and its tough to make a choice . But recently, amongst the mother songs, that he had done, the song in New, for S.J. Suryah. ( Its very strange to see a song like this in S.J. Suryah 's film. ). Kaalayil Dhinamum Kan Vizhitaal. He has lot of devotion towards his mother. He is a Mother devotee. Oru Deivam Thantha Poove – Kannathil Muttamittal Rahman Sir is a great gift for TAMIL NADU -- regards, Vithur ARR -- The Sweet Cube always
Re: [arr] lata mangeshkar interview on ndtv
Lata Mangeshkar Interview to NDTV ...Transcript http://movies.ndtv.com/newstory.asp?section=Moviesid=ENTEN20080064177 NDTV's Sreenivasan Jain got talking to Lata Mangeshkar about life, music and the studio Bombay Talkies. Here's are some snippets from the interview. NDTV: Namaskar. Thank you so much for doing this. The wonderful thing is that when we were talking a little while back. You told me that Bombay Talkies has a special meaning for you. Lata Mangeshkar: Definitely.That is because my playback singing career started with Bombay Talkies. There used to be a studio called Bombay Talkies, who's owners were Ashok Kumar and Watcha. Before that, it was originally owned by Devika Rani. After she left, Ashok Kumar started running it. NDTV: So you got your first break in the Bombay Talkies studio? Lata Mangeshkar: Yes, definitely. NDTV: How did that happen? Lata Mangeshkar: What happened was that I started out as an actress but I never used to like acting. I used to work with master Vinayak. NDTV: Even then you acted in about seven to eight Hindi and Marathi films. Lata Mangeshkar: Yes, I acted in films but I never enjoyed it as I was very young. I used to hate putting on make up and having to laugh and cry in front of the camera. I used to love singing. I was always attracted to it since childhood. Then in 1947, Master Vinayak passed away and our company, Praful Pictures was shut down. I started playback singing after that. I went to Filmistan and after hearing me sing, Haiderji said that he wanted me to sing for a film. But the owner of Filmistan, Mukherjee Sahib said that my voice will not suit the film's actress as it was too thin. NDTV: He told you that your voice was too thin? Lata Mangeshkar: Well, he didn't tell me directly, but he told the music director and I was rejected. But Master Ghulam Ali Sahib never told me this. He just asked me to leave the studio with him. He was very disappointed with the rejection as he was the one who had discovered Noor Jehan and he was very respected in the industry. So, he took me to the station and we took a train to Malad, where Bombay Talkies was located. There he made me practice for two to three days and after that we recorded the song. NDTV: And this was the song from the film Mahal? Lata Mangeshkar: No, Mahal came later that was by Temton Prakash. This was for the film Majboor where I sang with Mukesh bhaiya and the words were something like Ek Angreji chora chala gaya. NDTV: So will you sing that for us? Lata Mangeshkar: No, I don't even remember the words. NDTV: So, you were discovered after that song? Lata Mangeshkar: Yes, after that I got more films. There was a film called Ziddi that I did with Kishore Kumar. Both of us were new at that time. After that I did Mahal. After that there was no looking back. There were songs like Aayega Ayega... Yes, then Naushad Sahib called me. I did films like Andaaz, Badi Bahen etc. and my songs became hit. NDTV: So, no one must have ever said that your voice was too thin after that! Also, when you entered the scene there were singers like Noor Jehan, Suraiya etc. But they had a different style. Lata Mangeshkar: By the time I started out, Noor Jehan had already left for Pakistan. Surayia was still there but she was not a playback singer. She was an actress who used to sing her own songs. Her voice was good, but after a while her film releases decreased. After that it was just me, Geeta Dutt and after a while Asha (Asha Bhonsle). NDTV: People have often said that your dominance in the field of playback singing was so great that no one else got a chance. How do you respond to such criticism? Lata Mangeshkar: I don't think that is true. I don't think we stopped anyone because at that time we had so much work that we use to refuse entire films. Actually this rumour started when a music director told a playback singer that he couldn't work with her as I wouldn't approve it. So, people started saying that Asha and I were not giving others a chance. NDTV: Which music director said this? Lata Mangeshkar: There was a music director. NDTV: You must reveal this secret to us on Bombay Talkies. Lata Mangeshkar: No, actually the director didn't want to work with her but he didn't know how to turn her down. So, he just said that I wouldn't like it. I came to know about all this much later and people started talking after this. Several other playback singers also started claiming that I was hampering their career. NDTV: Yes, Vani Jairam said that you didn't allow her to sing. Lata Mangeshkar: I have never blocked anyone. I never felt the need to do it as I was very busy myself. NDTV: How were the relations between you and Ashaji? Because both of you are sisters and have had very successful careers. There must have been some rivalry between both of you? Lata Mangeshkar:No, never. That's because both Asha and I had different styles. The other
[arr] Food Distribution - Kodambakkam
Dear All, Lets meet up for Food Distribution event tomorrow at Kodambakkam , ( Near Liberty theatre) at 11 30 AM . -- regards, Vithur ARR -- The Sweet Cube always
Re: [arr] On the Occasion of Teacher's Day 5th Sepetember to our Guru
An Ode to You Dear Sir .. You have ushered in an era of a glorious marriage between western classical and indian classical music To me, I have always been enthralled by the Trinity of Indian Classical Music And your music united the Trinity Your music is like a food for love ... Your voice is as soothing as mother's lullaby to the tender ears of a new born You have been compared to Jaconde -The Serene Monalisa While She is a figment of Da Vinci's Imagination You are a living proof of serenity and calmness. Humility, Compassion and Service are all hallmark qualities of great persons You are the very personification of all these qualities. I bow down to these exemplary qualities dear Sir. You are the messiah of peace for this disturbed world Through your Music This World Will Be An Integrated one Last but not the least I thank you for guiding us on the right path You have not been just a preacher but been practicing what you preach in every action of yours To sir with love Mahiya --- On Thu, 9/4/08, Vithur [EMAIL PROTECTED] wrote: From: Vithur [EMAIL PROTECTED] Subject: Re: [arr] On the Occasion of Teacher's Day 5th Sepetember to our Guru To: arrahmanfans@yahoogroups.com Date: Thursday, September 4, 2008, 4:44 PM Salutations to ARR... The Musical teacher. Happy teachers Day. Thanks Mahima On Thu, Sep 4, 2008 at 11:46 AM, Mahima Sengupta mahiya_is_mind_ [EMAIL PROTECTED] com wrote: Dear Sir, My salutations to you on this day - Teachers Day. I feel proud that I am a follower of such a great human being ... who has not just excelled in music but as a person too. Its rare to come across a person who can be untouched by fame and also show compassion to the society. Wish every person in power and fame in particular and everyone in general would think of the society like our guru does. I thank you dear guru for teaching us through your actions to tread on the right path. May god bless you with all happiness and give you all the strength needed to carry out your ambitions. Best Regards Mahiya -- regards, Vithur ARR -- The Sweet Cube always
Re: [arr] Rahman Sir was sleeping beneath myself - says Ramesh Kanna
Siraj,exactly i was laughing inside myself because my boss was behind.. this is a valuable news..thanks to Vithur.. On Fri, Sep 5, 2008 at 2:56 PM, Siraj K [EMAIL PROTECTED] wrote: Thanks for the transcript, Vithur.. Guyz.. see the importance of ARR among the giants like Subhash Ghai and Shankar.. I was really laughing out loud when I read this portion told by Ramesh Kanna. when I went to the studio at night, I could see Director Subhash Ghai sleeping in a corner, and in another corner was Dir. Shankar. Everyone sleeping in a corner, and I used to feel, OMG. I have come to a very big place. I need to be careful. Everybody is waiting at ARR's doorstep to get his soulful tunes.. Cheers, Siraj On Fri, Sep 5, 2008 at 12:16 PM, Vithur [EMAIL PROTECTED] wrote: Actor cum Asst Director Ramesh Kanna ( Asst to Dir K.S. Ravikumar ) in Rahmania He has worked as an Associate Director in the film Muthu, and had acted in various films like Padaiyappa, Thenali, Varalaaru. Q :- How and when did you meet Rahman ? RK :- That's a very memorable and an excitable experience. When I was working as an Asst Director, at that time, Illayaraja Sir was in peak, and everyone had a burning desire to meet him, and sit for his compositions. Everyone used to dream of working with Illayaraja, and do a film. At that time, Rahman had come out with Roja, and everyone was talking about it. The music was totally different, and everyone was telling, a small boy had come up with such music. That film became a big hit, and his entry was big, and washed out all other people. From that time, I had a burning desire to be part of Rahman Sir 's compositions. During my earlier time, I silently used to go and sit off in Illayaraja 's compositions, and he used to stare at me.. First and foremost, I met Rahman Sir, during Muthu Film time. Myself, Rahman Sir, Director K.S. Ravikumar, Rajni Sir, Thenappan, Vairamuthu went to Cochin, and took a room there in a Hotel. Rahman Sir was in the adjacent room. Rajni Sir came just for the composing of the music, and he has lots of love for Rahman Sir. We four members would be staying in a room, and Rahman Sir would alone stay in another room. He would come and participate in some discussions in the day, and when we were asleep in the night, he used to play some sounds in his keyboard. I used to silently sneak out to hear them. Next day, he used to play something and show it to everyone. I didn't have any knowledge on Charanam or pallavi, but our director used to have some feel about the same. When Rajni Sir used to ask Enna pa. What is this ?. what is that ?. Rahman Sir used to answer, Don't worry. Pls wait and everything would come out fine. And everyone knows how great a hit the film Muthu was. From that time, the fear of Rahman Sir used to reduce in me, as he used to behave in a very simple manner all the time. Once , when I went to the studio at night, I could see Director Subhash Ghai sleeping in a corner, and in another corner was Dir. Shankar. Everyone sleeping in a corner, and I used to feel, OMG. I have come to a very big place. I need to be careful. Rahman sir used to keep working late night inside the studio, with his tunes. I had lot of experiences with Rahman Sir , while working for Muthu. Interesting Incident with Rahman One song was supposed to be shot in Mysore. They were supposed to give me the song, and I was supposed to take it to Mysore. So Director told me to come in the next flight. The same night, when I went to Rahman Sir, he told me to wait. I was sitting there, and he was doing something out there. He went off upstairs after night 1 AM , for doing Namaz. He didn't return for about 90 minutes, and so, I slept off in the sofa kept nearby. So, Rahman Sir having composed, the song, made everything ready, and told his people to give it to me before 4 AM. Suddenly, I woke up and saw no one present in the Studio, and I was afraid that the Director would scold me for getting it late. I was fear struck, that the crew would scold me if I don't get the song the next day, and to my utter surprise, saw Rahman Sir sleeping just below me. I had a doubt , if it was Rahman Sir himself. It was a great shock to me. Slowly and stealthily, I went and opened the door, and there was a person by name Sukumar, who told, that everything was ready and that I can leave. Fav Songs If you keep sweet at an end, and any hot substance at another, or sour substance at another, we can select the sweet alone and say, we like them. But, as far as Rahman Sir songs are concerned, everything is sweet, and its tough to make a choice . But recently, amongst the mother songs, that he had done, the song in New, for S.J. Suryah. ( Its very strange to see a song like this in S.J. Suryah 's film. ). Kaalayil Dhinamum Kan Vizhitaal. He has lot of devotion towards his mother. He is a
Re: [arr] Anandha Vikatan - ARR bidding goodbye to Chicken
I am so glad ! and he does look more fit than before :) 2008/9/5 Vithur [EMAIL PROTECTED] Today morning , there was a news like this in Anandha Vikatan ( a Tamil Magazine ) about AR சிக்கன் ரஹ்மானின் பிடித்த டிஷ் ...உடம்பு கொஞ்சம் வெயிட் போட்டு விட்டதால் சிக்கனுக்கு குட் பாய் சொல்லிவிட்டார் இசை புயல் ...விஷயம் கேள்விப்பட்டு வாழ்த்து அனுப்பி இருக்கிறார் மாதவன்... Translation :- Chicken is Rahman's fav dish. As his body had gained some additional weight, Isai Puyal has bid good bye to chicken. Having come to know this news, Actor Madhavan had sent his wishes to Rahman. Courtesy :- Sai ram from Orkut -- regards, Vithur ARR -- The Sweet Cube always
Re: [arr] *Youtube* ARR's Sun TV interview
Thanks a zill Aravind and Vithur. Loved this interview :) God Bless all!! Cheers, Srini On Sep 4, 2008, at 10:30 AM, Aravind AM wrote: Hi all, I've recorded and uploaded the interview in Youtube. Here are the links Part 1: http://in.youtube.com/watch?v=6tOJB1BW1Qk Part 2: http://in.youtube.com/watch?v=QBEKidZLMJ0 Part 3: http://in.youtube.com/watch?v=Bvv4fOCHdXY Cheers, Aravind http://arrahmaniac.blogspot.com Download Rahmania show interviews at http://rahmania.4shared.com Did you know? You can CHAT without downloading messenger. Click here
[arr] A. R. Rahman speaks on 'Marma Yogi'
http://ads.indiaglitz.com/banman.asp?ZoneID=6Task=ClickMode=HTMLPage\ ID=41000 Print this http://www.indiaglitz.com/channels/tamil/article/41299.html E-mail this http://www.indiaglitz.com/channels/tamil/article/41299.html A. R. Rahman speaks on 'Marma Yogi' IndiaGlitz [Saturday, September 06, 2008] 'Marma Yogi', a mega-budget project set in the sixth century A.D. will bring Kamal Haasan and A. R. Rahman together after a gap of almost eight years. The last time Rahman scored music for a Kamal film was Thenali. 'It is very early to comment on the film but what I can say now is that I will do a bit of research, since this is a period film,' he says. And how about working in an animation film Sultan, The Warrior? 'It is exciting, no doubt. It offers endless scope,' he puts it succinctly. Directed by Soundarya, daughter of Rajinikanth, the 3-D animation flick will feature the superstar as a mythological, larger than life hero. The multi-lingual film is being made in English, Hindi, Tamil and Telugu. Rahman has no intentions on working only for big banners. 'I would work in ventures where the focus is concentrated on music. That was the case with 'Sakkarakatti'. I am pleased the songs have gone down well with the audience'. http://www.indiaglitz.com/channels/tamil/article/41299.html http://www.indiaglitz.com/channels/tamil/article/41299.html
Re: [arr] lata mangeshkar interview on ndtv
Thanks for this transcript Pavan On Sat, Sep 6, 2008 at 11:58 AM, $ Pavan Kumar $ [EMAIL PROTECTED]wrote: Lata Mangeshkar Interview to NDTV ...Transcript http://movies.ndtv.com/newstory.asp?section=Moviesid=ENTEN20080064177 NDTV's Sreenivasan Jain got talking to Lata Mangeshkar about life, music and the studio *Bombay Talkies*. Here's are some snippets from the interview. *NDTV*: *Namaskar*. Thank you so much for doing this. The wonderful thing is that when we were talking a little while back. You told me that *Bombay Talkies* has a special meaning for you. *Lata Mangeshkar*: Definitely.That is because my playback singing career started with *Bombay Talkies*. There used to be a studio called *Bombay Talkies*, who's owners were Ashok Kumar and Watcha. Before that, it was originally owned by Devika Rani. After she left, Ashok Kumar started running it. *NDTV*: So you got your first break in the *Bombay Talkies* studio? *Lata Mangeshkar*: Yes, definitely. *NDTV*: How did that happen? *Lata Mangeshkar*: What happened was that I started out as an actress but I never used to like acting. I used to work with master Vinayak. *NDTV*: Even then you acted in about seven to eight Hindi and Marathi films. *Lata Mangeshkar*: Yes, I acted in films but I never enjoyed it as I was very young. I used to hate putting on make up and having to laugh and cry in front of the camera. I used to love singing. I was always attracted to it since childhood. Then in 1947, Master Vinayak passed away and our company, *Praful Pictures* was shut down. I started playback singing after that. I went to Filmistan and after hearing me sing, Haiderji said that he wanted me to sing for a film. But the owner of Filmistan, Mukherjee Sahib said that my voice will not suit the film's actress as it was too thin. *NDTV*: He told you that your voice was too thin? *Lata Mangeshkar*: Well, he didn't tell me directly, but he told the music director and I was rejected. But Master Ghulam Ali Sahib never told me this. He just asked me to leave the studio with him. He was very disappointed with the rejection as he was the one who had discovered Noor Jehan and he was very respected in the industry. So, he took me to the station and we took a train to Malad, where *Bombay Talkies* was located. There he made me practice for two to three days and after that we recorded the song. *NDTV*: And this was the song from the film *Mahal*? *Lata Mangeshkar*: No, *Mahal* came later that was by Temton Prakash. This was for the film *Majboor* where I sang with Mukesh *bhaiya* and the words were something like *Ek Angreji chora chala gaya.* *NDTV*: So will you sing that for us? *Lata Mangeshkar*: No, I don't even remember the words. *NDTV*: So, you were discovered after that song? *Lata Mangeshkar*: Yes, after that I got more films. There was a film called *Ziddi* that I did with Kishore Kumar. Both of us were new at that time. After that I did *Mahal*. After that there was no looking back. There were songs like *Aayega Ayega...* Yes, then Naushad Sahib called me. I did films like *Andaaz, Badi Bahen*etc. and my songs became hit. *NDTV*: So, no one must have ever said that your voice was too thin after that! Also, when you entered the scene there were singers like Noor Jehan, Suraiya etc. But they had a different style. *Lata Mangeshkar*: By the time I started out, Noor Jehan had already left for Pakistan. Surayia was still there but she was not a playback singer. She was an actress who used to sing her own songs. Her voice was good, but after a while her film releases decreased. After that it was just me, Geeta Dutt and after a while Asha (Asha Bhonsle). *NDTV*: People have often said that your dominance in the field of playback singing was so great that no one else got a chance. How do you respond to such criticism? *Lata Mangeshkar*: I don't think that is true. I don't think we stopped anyone because at that time we had so much work that we use to refuse entire films. Actually this rumour started when a music director told a playback singer that he couldn't work with her as I wouldn't approve it. So, people started saying that Asha and I were not giving others a chance. *NDTV*: Which music director said this? *Lata Mangeshkar*: There was a music director. *NDTV*: You must reveal this secret to us on *Bombay Talkies*. *Lata Mangeshkar*: No, actually the director didn't want to work with her but he didn't know how to turn her down. So, he just said that I wouldn't like it. I came to know about all this much later and people started talking after this. Several other playback singers also started claiming that I was hampering their career. *NDTV*: Yes, Vani Jairam said that you didn't allow her to sing. *Lata Mangeshkar*: I have never blocked anyone. I never felt the need to do it as I was very busy myself. *NDTV*: How were the relations between you and Ashaji?
Re: [arr] Shankar 's Endhiran to begin on September 8
W!!! WORLD's TOP TECHNICIANS working in KOLLYWOOD GR88... EARLIER BOLLYWOOD was the BIGGEST(In terms of budget) industry in India...Now SINCE the last 2 years..We produce the BIGGEST films of the COUNTRY. And now, BOLLYWOOD cannot imagine of having a CREW like in ROBOT..
[arr] Yuvraaj Promo Download
Dear All, Download Yuvraaj promo http://rs213.rapidshare.com/files/143003579/Yuvvraaj-promo1.mp3 -- regards, Vithur ARR -- The Sweet Cube always
[arr] Rashid Ali at Unity of Light
wicked... ARR introduces Rashid here http://www.youtube.com/watch?v=ZEi-kVWI0tI
[arr] neeed guru voiceless bgm(full)
hi everybody vj here,im realy looking for GURU VOICELESS BGM FULL VERSION.!..and i wld be happy if the bgm in tamil version..plz help me..thnkz in advance!!!
Re: [arr] ARR Interview to Sun Tv ( Transcript ) - AWESOME AND RELEVANT INTERVIEW
Thanks a lot Vithur :) On Thu, Sep 4, 2008 at 10:11 PM, Vithur [EMAIL PROTECTED] wrote: Nanbaaa Nee Oru Ilavasa Taxi Meaning... Oh Friend you are a Free to use Taxi ( meaning... friends can be of any help or any utility anytime, without expecting anything in return ) On Thu, Sep 4, 2008 at 4:22 PM, haris zeenath [EMAIL PROTECTED]wrote: Na. Muthukumar speaks In Sakkarakatti, I have written three songs. Elay, Taxi taxi , I Miss U da. . Today, the CDs of Sakkarakatti have been a great hit amongst the public.* Specifically, the song Taxi Taxi has got the rank No. 1 amongst the previous 20 years of Tamil Cinema.* Rahman Sir wanted friendship to be described not in a negative manner, but still highlighting the negativity in a positive manner, and gave us the initial lyrics as Taxi taxi, nanbaa Nee oru Ilavasa taxi. If you write like this, it would be of great fun also. ./ i dint understand wat does it mean? --- On *Wed, 3/9/08, Vithur [EMAIL PROTECTED]* wrote: From: Vithur [EMAIL PROTECTED] Subject: [arr] ARR Interview to Sun Tv ( Transcript ) - AWESOME AND RELEVANT INTERVIEW To: arrahmanfans@yahoogroups.com Date: Wednesday, 3 September, 2008, 7:10 PM Dear All, ( A must watch video also... ) ARR Interview to Sun TV on Sakkarakatti ( Absolutely rocking one ) My heartfelt thanks to Sun TV for organizing this wonderful interview, and also for deputing a logical and a reasonable interviewer to interview the Meastro. He asked logical questions and it was a great treat. INTRODUCTION The Interviewer starts off by saying this When some one went and asked Swami Vivekanada, as to who is the person who is always successful in life ?. for which he replied, Whenever some one demeans you, be true to yourself. When some one praises you, don get swayed. That is the hall mark of a true successful man. I keep remembering one man 's name always, when I remember these words from Vivenakanda. A man with lot of awards, achievement, rising number of success figures, and surrounded by praises always, but still unchanged by the same smile, the same simple laugh, and sweet speech. The man whom I have been referring to, is not an alien born in some corner of the world. He is our own native, a person born on the soils of Tamil Nadu, a person who is bringing fame to each and every Tamilian across the globe, a wonderful brother and is none other than the Musical Storm A.R. Rahman. Come , lets go and meet him. Q :- There are so many Film Directors waiting for you, to make films, only if you compose music for them. In your success endeavours so far, Sakkarakatti has also been listed now. What do you feel about the success of this film music ? How did you accept this project and accepted the film ? AR :- I have earlier worked with Kalaipuli Dhanu with Kizhakku Cheemayile. He was the person, who introduced the Director Krishna of Jillenu Oru Kaadhal to me. At that time, he was telling me that his son would be doing a film, and asked if I could do the music for the film. I was busy at that time. He told, he is ready to wait for any amount of time. Usually, people say like that, but after three months, they would come and ask for a tune saying that the heroine is leaving somewhere etc . But they waited for 1.5 years with patience. Whenever I used to get time, I used to give them a song. So, its not my success, but its their success that they waited patiently. It's a success to the trust that they had in me. Prabhu is also a very patient guy, and he has religuosly spent time for making the song good, with all graphics. ( A new version of Taxi Taxi was shown…. Just AWESOME ….) Q :- You were talking about working with Dhanu Sir. And this is your third film with him. What would you like to say about the human being Dhanu ? Ar :- Everyone has his own quality, and the quality in Dhanu Sir, is that he uses his talent to the utmost extent. Its only certain producers, who spend so much of energy in highlighting their films to such extent. Q :- Normally, when people remember the word ' Taxi, they think of a means of conveyance. But now, people are associating it with the song from Sakkarakatti. Has this been specially or purposefully laid for attracting the youngsters, or is it comes natural to you ? AR :- Every three years, there is a change in the trend. The trend has been changing since the 90s. 92 it was different; 95 was different and 98 was different….. Now the trend is towards reggae style, Spanish, etc …So, we thought of getting all those styles in the song. Actually, this was a last thought that we got. This song was composed in the fag end. Originally, the song was of a different tune , like a bhangra type. We had to modify the same, and in the last moment, a magic happened. We wanted a song like an engine. Na. Muthukumar speaks In Sakkarakatti, I have written three
Re: [arr] Message to all A.R.Rahman Fans
Ameen On Fri, Sep 5, 2008 at 8:24 PM, NILIMA HARIN BUCH [EMAIL PROTECTED]wrote: Hi Serge, Since u r planning in next summerI, too, have almost same plans. I will be at KM next year ,Inshallah Guys, pray for me and say AMIN.. NILIMA On Thu, 04 Sep 2008 serge belier wrote : Thank you Thulasi, This is a feeling I wanted to express since a long time now, but I did not take the time to do (busy with work) I am planning to come to India next summer 2009 (it will then be 9 years since I did not come to India), and I hope I can meet ARR fans from this group and if possible ARR Sir himself. I would love to meet people like Vithur, Gopal, and others that I have been reading since 1999. Here are the places I wish to visit. Chenai, Pondicherry (my grown up place), Bangalore, Mysore, Delhi, Jaipur, Agra, Velankanni. I don't know where all of you people living, but I you wish we can meet. I know it's a bit earlier now. Lovingly, Serge To: [EMAIL PROTECTED]: [EMAIL PROTECTED]: Wed, 3 Sep 2008 12:38:13 -0700Subject: Re: [arr] I wish ARR Sir will read this message of Love coming from a fan who lives far enough from his Mother Land India nice one, Serge... On Tue, Sep 2, 2008 at 9:22 AM, serge belier [EMAIL PROTECTED] wrote: I am in France since 1992. I live in the suburn of Paris in a place called Créteil (94)I am a very strong fan of A.R.Rahman and also manage to go to London in 2005 specially to attend A.R.R concert which took place in Wembley Arena.I love ARR Sir music since the first time I listened to Roja. At that time I bet with everybody that ARR will be the best musician ever, many people were not convinced as they use to say that we can not judge someone on one or two albums. But I was 1000 % convinced that he will be the best. And now I am very proud of him and love him for several reasons : He is from India (my mother land), He is better that any musician in the world (for his excellence in different kind of music style, indian, western, chinese, etc... Other musicians can never be compared to him as they are not versatile as he is, even if they are known to be the best in the world), He is very humble even if he is the best, He is a great human being (for all his attention to poor people, for helping society, and fighting against disease, poverty, etc...), I totally share and admire his thoughts and attitude of being a great indian citizen (as he wants India to become more developped, he wants the success of every indian, he wants to share his experience and his love with everybody), I have never been disappointed by him, my expectation from him (his music and his behaviour) has always been fulfilled by him.Being born to indian parents in Cambodia, I lived in Reunion Island (near Mauritius Island) from 1 to 6 tears old, then I discovered this lovely country, my mother land INDIA where I lived from 6 to 18 years old (in Pondicherry between 1980 to 1992) At that time, I always wished that one day, the great country of my origin, INDIA, will become the powerful and richest country in the world. I always wanted to see in India, big high ways, big buildings, big cities (like in Paris, Singapour, London). I had lot of friends suffering from poverty, I helped them as much I could. so my dreams was also to see every indian living in good social condition, good salary, good way of life. I remember people standing in front of electronic shops to see Oliyum Oliyum on friday at 8 pm. These people could not afford having a TV set at home or a video cassette player. I don't want to recall in my memory people begging for food, it was very sad and it gives me a culpability feeling. Thank God, I think today this has changed a little. I know that there is still a long way to go, but I am confident, as if people reacts like our ARR Sir, things can only become better. My love to my mother land allows me to appreciate the mindset of people like ARR Sir. I realize it recently in 2004, when I listened to the songs of SWADES which made me cry a lot as I did not have the opportunity to return to India since 2000 To compose songs like the one in Swades, one should really love India and its people. The fact that ARR love us (indians) give him a different height and respect which even high authorities of the indian government recognized. I never met ARR (except seing him on the stage during the London concert), but if I meet him one day and if I have the opportunity to talk with him, I will first express before anything, my love for India and its people. That will be I think the best way to tell ARR Sir that I love him like someone from my own blood, my own family, my brother. When I listen to ARR Sir melodies and soft songs, I can feel the kindness, the affection and love that ARR has for his fans and thus for me. Thank you ARR Sir. Even if I am french by nationality, I always cried when I listened to Vande
[arr] Maarkazhi thingal a MASTERPTECE
hello guyz, for those who didn't listen to 'maarkazhi thingal ' song from the movie ' sangamam ' pls do listen... i ws amazed hw well did ARRji composed tat classical number most of the dayz i ws humming tat song... it is jus a masterpiece from the man we all love i hope ARRji 'll try more classical numbers in future n one more thing, i happened to listen to a moulood composed by ARRji... its also fabulous. it flows like an ocean in my ears thanks althaf hussain Cricket on your mind? Visit the ultimate cricket website. Enter http://in.sports.yahoo.com/cricket/
Re: [arr] Slumdog millionaire - clip
Listening to the Music, it sounds like ARR. On Thu, Sep 4, 2008 at 11:00 PM, Anil Nair [EMAIL PROTECTED] wrote: http://www.youtube.com/watch?v=IkBwZQpa6tk Has ARR also done the bgm for this movie ...anyone knows? -- -A http://viewsnmuse.blogspot.com -- Cheers, Pradeepan. All you need to do is, decide what to do with the time that is given to you !
Re: [arr] ARR intvw : Florida magazine
Hi Pradeepan Could you let us know what was AR saying in the interview.. could you give some link or does the magazine has a website U also wanted some BGM from alaipayudhey... Do u want the one which is Already married BGM...Tell me. I shall try to get it for you On Sat, Sep 6, 2008 at 8:14 PM, Pradeepan R [EMAIL PROTECTED]wrote: Hi all, THese are photos from ARR's interview in a Florida Desi Magazine. Sorry, I dont have a scanner. -- Cheers, Pradeepan. All you need to do is, decide what to do with the time that is given to you ! -- regards, Vithur ARR -- The Sweet Cube always
Re: [arr] neeed guru voiceless bgm(full)
Hi krish I dont get you. You want Voiceless BGMs, and you are saying, you want it from Tamil version.. Do u want it with Tamil dialogues On Sat, Sep 6, 2008 at 9:48 PM, vj krish [EMAIL PROTECTED] wrote: hi everybody vj here,im realy looking for GURU VOICELESS BGM FULL VERSION.!..and i wld be happy if the bgm in tamil version..plz help me..thnkz in advance!!! -- regards, Vithur ARR -- The Sweet Cube always
Re: [arr] On the Occasion of Teacher's Day 5th Sepetember to our Guru
A poem and a dedication directly from the heart of a RAHMANIAC... NIce one. Thanks Mahima... God Bless. On Sat, Sep 6, 2008 at 1:19 PM, Mahima Sengupta [EMAIL PROTECTED] wrote: An Ode to You Dear Sir .. You have ushered in an era of a glorious marriage between western classical and indian classical music To me, I have always been enthralled by the Trinity of Indian Classical Music And your music united the Trinity Your music is like a food for love ... Your voice is as soothing as mother's lullaby to the tender ears of a new born You have been compared to Jaconde -The Serene Monalisa While She is a figment of Da Vinci's Imagination You are a living proof of serenity and calmness. Humility, Compassion and Service are all hallmark qualities of great persons You are the very personification of all these qualities. I bow down to these exemplary qualities dear Sir. You are the messiah of peace for this disturbed world Through your Music This World Will Be An Integrated one Last but not the least I thank you for guiding us on the right path You have not been just a preacher but been practicing what you preach in every action of yours To sir with love Mahiya --- On *Thu, 9/4/08, Vithur [EMAIL PROTECTED]* wrote: From: Vithur [EMAIL PROTECTED] Subject: Re: [arr] On the Occasion of Teacher's Day 5th Sepetember to our Guru To: arrahmanfans@yahoogroups.com Date: Thursday, September 4, 2008, 4:44 PM Salutations to ARR... The Musical teacher. Happy teachers Day. Thanks Mahima On Thu, Sep 4, 2008 at 11:46 AM, Mahima Sengupta mahiya_is_mind_ [EMAIL PROTECTED] com [EMAIL PROTECTED] wrote: Dear Sir, My salutations to you on this day - Teachers Day. I feel proud that I am a follower of such a great human being ... who has not just excelled in music but as a person too. Its rare to come across a person who can be untouched by fame and also show compassion to the society. Wish every person in power and fame in particular and everyone in general would think of the society like our guru does. I thank you dear guru for teaching us through your actions to tread on the right path. May god bless you with all happiness and give you all the strength needed to carry out your ambitions. Best Regards Mahiya -- regards, Vithur ARR -- The Sweet Cube always -- regards, Vithur ARR -- The Sweet Cube always
[arr] Stage show
Hi everyone, If anybody got good stage show of Arr's, plz upload it. Thanks! Connect with friends all over the world. Get Yahoo! India Messenger at http://in.messenger.yahoo.com/?wm=n/
Re: [arr] Pappu remix at 2.55
nice on raghu! but i think thats krishna at workarr didnt have much to do with the remix. On Sun, Sep 7, 2008 at 12:49 AM, arr_raghu [EMAIL PROTECTED] wrote: What is that 1 sec vocal part at 2.55 in Pappu remix? Did ARR specially mix that 1 sec piece? Whats he saying? Thats the bottom?
[arr] Asha Bhosle's experience with Rahman
Hi All, Like all of you, I'm also Rahman fan. I visit this forum often but never posted anything before today. Not sure, if you guys got chance to watch/listen to Legendary Lata and Asha - Live In Conert CD was released by Sony BMG in 2006. Before singing Rangeela Re, Asha Bhosle talks about his experience with A.R. Rahman when she went for the recording of Rangeela Re Link - http://rapidshare.com/files/143251110/Asha_Bhosle_-_A.R._Rahman_Experience.mp3.html EnJoY!! :)
Re: [arr] Message to all A.R.Rahman Fans
All the Best. AMIN. On Fri, Sep 5, 2008 at 10:54 AM, NILIMA HARIN BUCH [EMAIL PROTECTED]wrote: Hi Serge, Since u r planning in next summerI, too, have almost same plans. I will be at KM next year ,Inshallah Guys, pray for me and say AMIN.. NILIMA On Thu, 04 Sep 2008 serge belier wrote : Thank you Thulasi, This is a feeling I wanted to express since a long time now, but I did not take the time to do (busy with work) I am planning to come to India next summer 2009 (it will then be 9 years since I did not come to India), and I hope I can meet ARR fans from this group and if possible ARR Sir himself. I would love to meet people like Vithur, Gopal, and others that I have been reading since 1999. Here are the places I wish to visit. Chenai, Pondicherry (my grown up place), Bangalore, Mysore, Delhi, Jaipur, Agra, Velankanni. I don't know where all of you people living, but I you wish we can meet. I know it's a bit earlier now. Lovingly, Serge To: [EMAIL PROTECTED]: [EMAIL PROTECTED]: Wed, 3 Sep 2008 12:38:13 -0700Subject: Re: [arr] I wish ARR Sir will read this message of Love coming from a fan who lives far enough from his Mother Land India nice one, Serge... On Tue, Sep 2, 2008 at 9:22 AM, serge belier [EMAIL PROTECTED] wrote: I am in France since 1992. I live in the suburn of Paris in a place called Créteil (94)I am a very strong fan of A.R.Rahman and also manage to go to London in 2005 specially to attend A.R.R concert which took place in Wembley Arena.I love ARR Sir music since the first time I listened to Roja. At that time I bet with everybody that ARR will be the best musician ever, many people were not convinced as they use to say that we can not judge someone on one or two albums. But I was 1000 % convinced that he will be the best. And now I am very proud of him and love him for several reasons : He is from India (my mother land), He is better that any musician in the world (for his excellence in different kind of music style, indian, western, chinese, etc... Other musicians can never be compared to him as they are not versatile as he is, even if they are known to be the best in the world), He is very humble even if he is the best, He is a great human being (for all his attention to poor people, for helping society, and fighting against disease, poverty, etc...), I totally share and admire his thoughts and attitude of being a great indian citizen (as he wants India to become more developped, he wants the success of every indian, he wants to share his experience and his love with everybody), I have never been disappointed by him, my expectation from him (his music and his behaviour) has always been fulfilled by him.Being born to indian parents in Cambodia, I lived in Reunion Island (near Mauritius Island) from 1 to 6 tears old, then I discovered this lovely country, my mother land INDIA where I lived from 6 to 18 years old (in Pondicherry between 1980 to 1992) At that time, I always wished that one day, the great country of my origin, INDIA, will become the powerful and richest country in the world. I always wanted to see in India, big high ways, big buildings, big cities (like in Paris, Singapour, London). I had lot of friends suffering from poverty, I helped them as much I could. so my dreams was also to see every indian living in good social condition, good salary, good way of life. I remember people standing in front of electronic shops to see Oliyum Oliyum on friday at 8 pm. These people could not afford having a TV set at home or a video cassette player. I don't want to recall in my memory people begging for food, it was very sad and it gives me a culpability feeling. Thank God, I think today this has changed a little. I know that there is still a long way to go, but I am confident, as if people reacts like our ARR Sir, things can only become better. My love to my mother land allows me to appreciate the mindset of people like ARR Sir. I realize it recently in 2004, when I listened to the songs of SWADES which made me cry a lot as I did not have the opportunity to return to India since 2000 To compose songs like the one in Swades, one should really love India and its people. The fact that ARR love us (indians) give him a different height and respect which even high authorities of the indian government recognized. I never met ARR (except seing him on the stage during the London concert), but if I meet him one day and if I have the opportunity to talk with him, I will first express before anything, my love for India and its people. That will be I think the best way to tell ARR Sir that I love him like someone from my own blood, my own family, my brother. When I listen to ARR Sir melodies and soft songs, I can feel the kindness, the affection and love that ARR has for his fans and thus for me. Thank you ARR Sir. Even if I am french by nationality, I always cried when I
Re: [arr] ARR intvw : Florida magazine
Vithur ALLSorry, I thought the images would be enough :)) anyways here is the transcript.. btw, this is not a Florida magazine.. its a Desi magazine for entire US. The Last Qn his Answer were especially good. Rahman is stunning in one of the Photographs ;) here is the link for it. http://www.citymasala.com/August2008/Aug08.pdf A R Rahman, the Mozart of Asia, needs no introduction. He is as well known in India as he is all over the world and his appeal lies in the way he blends popular music into the classical and remains true to music at its very core. When we hear the Bombay Theme music in Lord of War and Chaiya Chaiya in Inside Man, every Indian heart swells with pride. When CityMasala called me for an interview with Rahmanji, I was thrilled. I am fortunate enough to know this great musician. When I emailed him asking for an interview for CityMasala he replied immediately in his endearing way... soon. He was busy with the opening of his Music Conservatory and many other projects. I contacted him initially in February of 2008 and he kept in touch constantly to let me know he would do the interview soon. Finally, my wait came to an end. He said he would talk to me after his interview with Hi! Blitz on Saturday, May 31, 2008. When Rahmanji finally called me to do the interview, the first thing that came out of my mouth was a squeak! Then I took a deep breath and thanked him for giving me his time. He was at his music studio and I could hear the hustle and bustle of traffic as we started to talk. It was late in the night for him but he answered every question with openness and passion. He was relaxed and did not hurry me to get it over with. LK: Rahmanji, first of all, congratulations on all the awards you have received in the last few months, both as a composer and for Best Background Score for Guru. It is you who has made the background score as important as it is both in Guru and Jodha Akbar. How difficult or different is it from composing a regular song? ARR: It is not tough. You just have to absorb the film completely, and the music. Sometimes you go with it and sometimes, you go against it. LK: Do you see the whole movie at one time or one scene at a time? ARR: I see the whole movie first and then I take certain sequences and start working with them. Sometime we do generic themes and try to make them fit in the movie. CM: Your fame precedes you, yet you remain elusive to the media and people know very little about who you really are. Is this because you are innately shy or because it is unnecessary for people to get to know you – your music touching their hearts is sufficient? ARR: (chuckling) I think of it this way - I am not an actor, I'm just a musician so, all people want from me is my music. Although, I have done many interviews, I always feel it is not necessary. For me it is just the music and the love for it. LK: I agree wholeheartedly and we all enjoy your love for your music through your compositions. LK: What gives you the most creative satisfaction, music for Tamil or Hindi movies, for Hollywood or Broadway musicals or private albums like Vandhe Mathiram? ARR: Music is just one element in the film when you take a classic. The composition definitely has its own value such as a piece like Bombay Theme which you enjoy by itself on the radio. When you take a movie, the music may be good but the movie doesn't do well. The whole impact of the music is halved, or a percentage of it is, so it is important when the whole theme succeeds in a movie. That is when I get full satisfaction. When you consider Jodha Akbar in this scenario, or Yuva or Rang de Basanti, it gives me a lot of satisfaction because it has reached many more people and they understand what went behind it. CM: You say you are a deeply spiritual person and that Sufism is where religion and music meet – could you elaborate on this? ARR: I think art is a reflection of what is inside. Sufism is what you feel when you meditate, what you feel when you listen to beautifully composed music. It is said that there are different names for God and some of the names don't have words. In my opinion, and I feel this very deeply, music is one of the major Gods. There are no words in it, there is feeling in it and spirituality in it. LK: Is there any song from any period that you wish you had composed? ARR: Hmmm ... I can't think of any because I appreciate people for what they do. Each one has their share of creativity that God has given them and I value that and respect that, and so I look at it in a different way (laughs). LK: You have had the chance to work and create music all over the world. Other than in India itself, where do you think Indian music in particular is at its most vibrant and creative? ARR: There is good and bad all over. There are some great musicians in Kerala, some in Chennai, Calcutta, Bombay and some in Rajasthan. I don't think the place is important, it is just the feeling inside. Some musicians are yet to
Re: [arr] neeed guru voiceless bgm(full)
im sorry budy..actually the bgm both tamil and hindhi are same..but the song shuk hai..i need it in tamil...thts wht i need..thnkz budy --- On Sat, 9/6/08, Vithur [EMAIL PROTECTED] wrote: From: Vithur [EMAIL PROTECTED] Subject: Re: [arr] neeed guru voiceless bgm(full) To: arrahmanfans@yahoogroups.com Date: Saturday, September 6, 2008, 10:22 AM Hi krish I dont get you. You want Voiceless BGMs, and you are saying, you want it from Tamil version. . Do u want it with Tamil dialogues On Sat, Sep 6, 2008 at 9:48 PM, vj krish vijay_gecko@ yahoo.com wrote: hi everybody vj here,im realy looking for GURU VOICELESS BGM FULL VERSION.!..and i wld be happy if the bgm in tamil version..plz help me..thnkz in advance!!! -- regards, Vithur ARR -- The Sweet Cube always
Re: [arr] ARR intvw : Florida magazine - online link
Thanks a lot for that, Pradeepan!! :D I got the online link for the magazine.. download it here: http://citymasala.com/August2008/Aug08.pdf Thanks for bringing this to the group, Pradeepan Aravind http://arrahmaniac.blogspot.com Download Rahmania show interviews at http://rahmania.4shared.com --- On Sat, 6/9/08, Pradeepan R [EMAIL PROTECTED] wrote: From: Pradeepan R [EMAIL PROTECTED] Subject: [arr] ARR intvw : Florida magazine To: arrahmanfans@yahoogroups.com Date: Saturday, 6 September, 2008, 8:14 PM Hi all,THese are photos from ARR's interview in a Florida Desi Magazine.Sorry, I dont have a scanner. -- Cheers, Pradeepan. All you need to do is, decide what to do with the time that is given to you ! Unlimited freedom, unlimited storage. Get it now, on http://help.yahoo.com/l/in/yahoo/mail/yahoomail/tools/tools-08.html/
Re: [arr] ARR intvw : Florida magazine - online link
REad the interview here without downloading http://www.scribd.com/doc/5566329/City-Masala-Cover-Interview-Aug08 - Original Message From: Aravind AM [EMAIL PROTECTED] To: arrahmanfans@yahoogroups.com Sent: Sunday, September 7, 2008 8:53:27 AM Subject: Re: [arr] ARR intvw : Florida magazine - online link Thanks a lot for that, Pradeepan!! :D I got the online link for the magazine.. download it here: http://citymasala. com/August2008/ Aug08.pdf Thanks for bringing this to the group, Pradeepan Aravind http://arrahmaniac. blogspot. com Download Rahmania show interviews at http://rahmania. 4shared.com --- On Sat, 6/9/08, Pradeepan R pradeepanisonline@ gmail.com wrote: From: Pradeepan R pradeepanisonline@ gmail.com Subject: [arr] ARR intvw : Florida magazine To: arrahmanfans@ yahoogroups. com Date: Saturday, 6 September, 2008, 8:14 PM Hi all, THese are photos from ARR's interview in a Florida Desi Magazine. Sorry, I dont have a scanner. -- Cheers, Pradeepan. All you need to do is, decide what to do with the time that is given to you ! Unlimited freedom, unlimited storage. Get it now
