[arr] AR Rahman Music is copied for International Songs

2008-05-16 Thread sendil sadasivam
ARR Fans,

Be Proud of our God. He is inspiration for many international songs. It is no 
wonder he can influence anybody.

AR Rahman Music is copied for International Songs

http://youtube.com/watch?v=-dez7l1CN78feature=related



  

[arr] Guru Polytunes

2006-11-28 Thread sendil sadasivam
Hi ARR Fans,

I need Guru RingTones in MIDI File format. 
Guru Music is great despite it is a period film. But our BOSS has given more 
contemporary shade of music to an extend.

 
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[arr] need maymadham bgms

2006-05-11 Thread sendil sadasivam



Hi All,Can anyone upload MayMadham bgms. Thanks in advance.Search is more important than destinationwith regardsS.Sendil
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[arr] Swades bgms needed

2006-04-24 Thread sendil sadasivam



Hi to all,Please upload Swades bgms needed urgent.Listening to Boss's Songs in Video iPod is great. Every tiny sound and background mixing of songs sounds great in iPod. So i want to hear Swades bgms in my iPod.
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[arr] LOBS DVD available

2005-09-14 Thread sendil sadasivam
Hai all

Legend of Bhagat Singh DVD/VCD is available at all
major music and video stores.
DVD costs only 275 bucks.
Don't wait grap your copy.

LOB has wonderful background score and songs by our
boss.
Needless to say that it was one of the best scores by
our boss in the periodic film.

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Re: [arr] Indiatimes Reviews Mangal Pandey the movie

2005-08-12 Thread sendil sadasivam
Hai 

I do not agree with IndiaTimes comment on ARR's music.
When i watched the movie BOSE-Forgotten Hero, the
background music of our BOSS is so amazing but the
cinematography is so poor doesn't give good justice
for the great music.

I believe the same happens here for our BOSS bgm in
Mangal Pandey.
Anyway i am planning to watch the movie on Aug 15th.



--- Ajit [EMAIL PROTECTED] wrote:

 Mangal Pandey': Will history repeat itself for
 Aamir? 
 
 INDIATIMES MOVIES
 
 Rating: *** 
 
 Cast : 
 A amir Khan, Rani Mukherjee, Ameesha Patel, Toby
 Stephens, Coral 
 Beed, Kirron Kher, Varsha Usgaonkar, Habib Tanveer. 
 Crew: 
 Director : Ketan Mehta 
 Producer : Bobby Bedi, Deepa Sahi 
 Music : A.R Rahman 
 Lyrics : Javed Akhtar 
 Director of Photography : Himman Dhamija 
 Editor : Shreekar Prasad 
 Screenplay : Farrukh Dhondy 
 Stunts : Abbas Ali Moghul 
 Choreography : Raju Khan, Saroj Khan, Sandip
 Soparrkar 
 Costume Design : Lovleen Bains 
 
 The four year long wait is over for the fans of
 Aamir Khan. And for 
 them `Mangal Pandey' would be well worth the wait.
 He has excelled as 
 always as Ketan Mehta's `Mangal Pandey'. 
 The movie starts in an almost epic-like, grand
 fashion with an 
 elephant giving a symbolic clarion call for freedom.
 It takes your 
 breath away, but the pace of the story, especially
 in the first half 
 (to set the tone) is a little long drawn. In the
 end, it is not 
 a `Lagaan' (which the makers didn't want it to be
 anyway) meaning 
 that in terms of entertainment value, it falls a
 star short. 
 
 The film, set in 1857, is about Mangal Pandey, a
 sepoy in the British 
 army. Revolving around this simple Brahmin, the
 movie unfolds the 
 turbulent times and the happenings that changed the
 history of India. 
 It shows the unrest brewing against the British who
 set up the East 
 India Company as traders and finally settled down as
 rulers. It is 
 also a platform around which the next century would
 revolve. The film 
 also addresses a lot of factors like abolition of
 Sati and the caste 
 system that created the mood for the restlessness
 among the Indians. 
 Aamir's character evolves from a very simple,
 staunch Brahmin who is 
 happy to receive his Rs 7/- salary from the British
 to a man who 
 fired the imagination of a nation. Mangal shares a
 deep friendship 
 with a British commanding officer, Gordon whose life
 he once saved. 
 Though, he practices untouchability and maintains
 his Brahaminical 
 faith, but time and again he shows that he would not
 tolerate any 
 injustice done to his fellow Indians. He falls in
 love with Heera 
 (Rani Mukherjee) a prostitute. He dares to visit her
 where only 
 Englishmen, eunuchs and untouchables were allowed to
 go. What 
 triggers off the revolt is the supposedly greased
 cartridges laced 
 with cow and pig fat. To use them the soldiers have
 to bite into them 
 to break the seal. When the regiment officer
 commands them to use the 
 greased cartridge in their rifles the regiment
 refuses to do so. On 
 Gordon's assurance that no animal fat is used in
 them, Mangal Pandey 
 steps forward and uses them. Soon they discover the
 truth and Mangal 
 feels betrayed and hurt. This toughens him to take a
 stand to lay his 
 life for his country. He realizes that he was not
 fighting for his 
 hurt religious sentiments but for his own freedom
 and for the freedom 
 of his country. In the end he is shown smiling -
 unafraid of death. 
 Coming to the much talked about look that Aamir
 worked on and gave 2 
 ½ years maintaining it, the long tresses and his
 moustache give him 
 an uncanny resemblance to the sketches of the real
 life Mangal 
 Pandey. Whether it's his uniform or his dhoti and
 the sacred-thread, 
 there's authenticity written all over the film. As a
 staunch Brahmin, 
 he is shown bathing in the Holy river, cooking his
 own food and 
 wearing a caste-defining long red `tika'. He does
 not speak chaste 
 Hindi as a Brahmin should, since he has not
 undergone any formal 
 education. And yet, he is not the rustic that we saw
 in `Lagaan'; he 
 is a much traveled man thanks to the movement of his
 battalion to 
 various states. He has the capacity to think that if
 the struggle for 
 freedom is launched at the same time in different
 parts of India the 
 company would definitely loose the battle as the
 sepoys outnumbered 
 the British. And Aamir plays that with his amazing
 repertoire of 
 emotional intensity and talent. As always, Aamir
 scores a 10 for the 
 sheer getting into character and dedication. Making
 that extra effort 
 to define his role apart from a `Lagaan' set in
 similar era among the 
 very same Britishers; the touch of `urbanisation' in
 character shows –
  however subtly. For his character, Aamir has put on
 weight and made 
 an effort to look older to give more gravity to the
 character of 
 Mangal Pandey. He comes across as a serious guy
 throughout the film 
 except when he along with Gorden under the 

Re: [arr] The Rising built with exceptional Tala and ragas.

2005-07-15 Thread sendil sadasivam
hai Keshav,

excellent review. Congratulations and thanks for
providing such a wonderful review.

This is evidence of true review.
There will be mixed reactions for Rising. But i
believe that i will end up atleast a big hit.

Rahman's beauty is adding lot of loops and variations
in the songs.I believe Rising songs a lot of
variations which i never ever noticed in his earlier
songs.

There is seamless integration of different variations
of tunes in the Ma vari vari song.It amazes how this
variation happening in the song without anyone can
ever notice that.
Next time keep listen carefully you find the
variations clearly.


--- keshav [EMAIL PROTECTED] wrote:

Hie..its my 10th hearing of this wonderfull
 soundtrack...while I am writing this review .I think
 Rahman's outcome this time was beyond expectation of
 many, i dunt understand why the melody failed to
 reach many, whereas in my case it glued to my soul
 just after the first hearing. If bose was a delight
 presentation of various hue of melody, some classy
 some fused to be modern. The Rising has a different
 story to tell...Amazingly rahman has fused both
 classical and Modern music elements together once
 again superbly. The Classical aspect is more evident
 in this album. Another element to be credited is the
 tala or rhythm, geniusly arranged together with the
 orchestration resulting in a chemistry to suite the
 ear drums of listeners. I find hard for me to digest
 comments such as Rahman is repetative and in this
 case adhering to the rhythm loops. Rahman has always
 been the mega-genius who exploits micro-music
 (detailed Music Presentation). Rahman has done a
 great job handling the folk genre too. What amazes
 me, is how he comes out with such original tunes
 leaving listener to just hear on without any
 distraction. Truly speaking I've only experience
 this with rahmans songs only. Now feeding into the
 soundtrack..
   1.. Mangal-Mangal-  THe initial rhythm, promises
 an immortal music sanctuary ahead..A vigouros
 affort..great rustic voice contributing to evoke a
 folkish ambience.Get the hold of the intricate
 details behind THE CHORDS..Rahman signature
 composing element it flow abundantly sparking magic.
 You will realize that by the time. you've begin to
 enjoy the song its ends  in a dash leaving your ears
 hungry for more divine melody. 
   2.. Main Vari Vari - After that promising start
 comes the stormy classical number by kk and reena.
 Its kick starts with the tabla and sarangi duo...for
 short but believe me so melidious. Once again a
 fresh tune (Mixing many hues of it together).With
 the usage of KK the song sounds divine. The
 supportive chorus have been helpfull too.The song
 ends mysteriously..I am already craving
   3.. Hori Re - One of those folkish number that I'
 ve been expecting for long from rahman. The
 highlight of this song is the rhythm, notice how it
 is geniusly woven with the melody of the track. Nice
 to see that Chinmayi and Srinivas giving their fair
 share for this song. Looking forwad for a duet from
 them soon. A good number nice adorned with fine
 arrangement. A feast for the soul.
   4.. Rasiya - Before I start commenting. The song
 seem to be the crossbreed effect of sufism and
 indian classical music call it a new genre in film
 music (meenaxi had more tendency towards sufism
 music). Its starts with the strings which haunts the
 song all over. The melody is fresh, taking dark and
 bright sides altenatively..which creates the
 ultimate listening pleasure till the end. The husky
 voice vs. the melodius is another supreme effect.
 And Boy! before i forget the Interludes are just
 breathtaking...
   5.. Mangal-Mangal (Agni) - The break which I've
 been waiting for. This version has some extended
 lyrics and melody which is added on gradually. The
 conch blowed initialy might give you the picture of
 rahmans eminence in music (rasa aspect or convence
 of emotion and feeling through music).This version
 is themed around Agni which is the methaphor of
 valor. The number is nicely inserted into the album
 conveying various shades of moods and ethics of the
 movie.
   6.. Takey Takey - Ajao! Ajao! phrases initialy
 gives us the feel that the music journey has just
 only begun and has much more to unleash on its
 course and advising to follow it genuinly. Nice
 blended bhangra genre with techno upbeats. I noticed
 that rahman have used his prodigy in the making i
 mean daugthers as supportive chorus for this song.
 They create hype all over the the song with their
 sweet and cute hindi dictions.A racy number good
 voice modulation and not forgeting the interesting
 intreludes. 
   7.. Al Maddath Maula -  Wow! Rahman Rahman Rahman,
 His high picthed delicate vocal chords is soaring
 high ever since Yeh jo Des and Aazadi. He is
 sounding very polished, this time conveying pathos
 in a great extend. The
 ragas(Shivaranjini,Puriya,Keervani etc) finely blend
 in with the support of orchestration behind and
 

Re: [arr] Mangal Pandey's music launched

2005-07-15 Thread sendil sadasivam
Hi Karthik and SyedM,

Rahman was intended to say that his work would be
nothing for this film if there were no songs in the
film.

don't take it in either way...

I hope this was his intention.

Think twice before you comment.

with regards
S.Sendil




--- SyedM [EMAIL PROTECTED] wrote:

 Dear Karthik,
 Iam sure that there is something wrong in the
 statements. You can just
 watch that sentence closely and you will understand.
 
 , Rahman said. I wanted to have a large orchestra
 and I told Bobby
 about my requirements. He said I could record the
 songs anywhere in
 the world.
 
 I think the above statement is the correct one. The
 previous sentence
 would had been added by the reporter Omkar Singh.
 
 Iam sure that he will not say this because those who
 have more faith
 in God will not appreciate themselves. Moreover i
 love Rahman for his
 Character more than his Music.
 
 He is the Gem of Character.
 
 
 I don`t know why these reporters (Omkar
 Singh)language became more complicated.
 
 
 Salam (peace)
 
 Syed.M
 
 On 7/15/05, karthik.s [EMAIL PROTECTED]
 wrote:
  http://in.rediff.com/movies/2005/jul/15rising.htm 
   
   
  If you take out the songs, there is nothing left
 in the film, Rahman said.
   
   
  Did ARR really said that???/or wrongly quoted??? 
  
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[arr] Re: �arr� To Ranojoy, Vijay Iyer, or Mathew Islam

2005-07-13 Thread sendil sadasivam
 
Hai Ajit,

I am also completely agree your comment. 
Especially Desh Ki Mitti one of the best compositions
i have ever heard in my life.
I believe Genius are born they are not made.
I don't think ARR will change his attitude of doing
these kind of films. Infact he will love to do these
kind of films rather doing masala films like Aa Aah.

I very much appreciate that our BOSS has the guts to
do these kind of films like Rising,Water,Akbar-Jodha
etc.

I am so angry when some directors use our BOSS work as
a compensation for their mistakes in the film.


--- Ajit [EMAIL PROTECTED] wrote:

 I am listening to Bose and immensely enjoying Desh
 Ki Mitti, 
 Ghoomparani, Ekla Chalo, and Azaadi.  I am also
 really appreciating 
 ARR's work on the bgm.  I feel kind of bad that
 these beautiful four 
 compositions above, which melt my heart, have not
 been recognized by 
 the public at large or promoted well.  Such
 beautiful, haunting, 
 breathtaking songs should not go unappreciated.  I
 cannot describe 
 in words how much I love these songs and appreciated
 the hard work 
 that ARR has put into composing them from his heart
 and soul.  
 
 Please, since you know Rahman personally, convey to
 him that his 
 fans really appreciate his work from Bose in a very
 heartfelt and 
 sincere way.  I listen to Bose almost daily and I
 just can't get 
 enough of these four songs.  They really move my
 soul and add so 
 much to my day.  So may beautiful feelings conveyed
 through these 
 songs.  
 
 I have a fear that ARR gets discouraged or upset if
 he knows that 
 his work has not become popular or liked by the
 public at large, 
 even though he knows that his fans are behind him. 
 Please do let 
 him know my feelings about Bose's music and
 appreciate all of his 
 hard work and very sincere efforts.  He composes
 with so much 
 passion, heart, and soul and I really do feel his
 outpouring of 
 emotion through these songs.   So beautiful,
 refined, touching, 
 heartwarming, blissful..etc. etc.
 
 Again, please do convey my feelings to him.  Thank
 you.  
 
 
 
 
 





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Re: �arr� AH Aah releasing when?

2005-07-12 Thread sendil sadasivam
hai all

Aa Aah will be releasing on this friday or saturday.
But this info is very much confirmed one.
One of the leading music store owner informed me about
this. Posters are already present at that shop.

with regards
S.Sendil


--- stylegamer [EMAIL PROTECTED] wrote:

 someone stated was onmonday but till now no signs of
 itanyone 
 knows?
 
 
 




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[arr] Article on BOSS

2005-05-27 Thread sendil sadasivam
Hai Rahmaniacs,

Check the latest article on our BOSS in times
magazines web site.



http://www.time.com/time/columnist/corliss/article/0,9565,1013198,00.html



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