[arr] Couples Retreat music review 1 - Wordlessly mind-boggling
http://www.cinefundas.com/2009/09/25/couples-retreat-music-review Couples Retreat – Wordlessly mind-boggling If A.R. Rahman had proved off his extraordinary adeptness on Indian touch with ‘Slumdog Millionaire’, he strikes marvelously with complete Hollywood-fangled melodies. The tunes are stunningly melodic and indeed aptly sound in accordance with film’s title ‘Couples Retreat’. The original soundtrack of ‘Couples Retreat’ has 15 melodies with uniquely spelled attributes. SAJNA… SAJNA Re Just heed to the fortepianos and mild-strike of chord with crystal-chimes accompanying them. Rahman adds to the Indianized touch by adding the Hindi word ‘Sajna Sajna Re…’ The English lyrics are mesmerizingly touching and perhaps, the western people wouldn’t have listened to such an appealing melody. KURU KURU… Vocal: A.R. Rahman Fine! After uttering ‘Ellam Pugazhum Iraivan Oruvanukke’ – it’s one more turn to express his gratitude for his TAMIL. The song starts off with slow-rhythms of 6/8 March on soft-guitars later with slow-stringed running notes. The Tamil lyrics tuned in complete Hollywood style happen to be the best flavors. Totting up to the best panoramas is the unique-patterned rhythm on scissors. Sound engineering has been marvelously performed… Doubtlessly, KURU KURU is the best pick of soundtrack. Jason and Cynthia Suite Realms of stringed instruments as it keep playing on various octaves. The melodic notes are played on solo guitar and Cello joins the instrumentation in latter part. Merely after couple of minutes, the song is shifted to higher scales and it goes on with same notes. Trombones and oboes are played in final part. Moreover, it’s the best song that sweeps all on your senses. NANA It’s a Spanish-styled hip-hop with Blaaze’s specific vocalisms on rap lines. The beats over the synchronized drum pads keeps repeating while fill-ins over Brasses and trumpets over synthesizers does takes you straight into those ambiences. TOUR OF THE VILAS If you ever spellbound listening to ‘SAJNA SAJNA’, Rahman delivers the same tune over instrumentals. All through the track, the scales are raised and lowered. Beats over Congo-drums with vibes mingled in makes it sound yet more embellished. More than all, Rahman has utilized more instruments on various parts, say, like cymbals, solo violin, flute and pan flutes. MEETING MARCEL Sounds quite unique from previous numbers… It offers the touch of meditational relaxation music with the style of percussions inherited from Tai Chi. the melodiously refreshing tune suddenly transforms into an emotional genre with flutes, cellos, violins and other stringed instruments coalesced on the parts. We get to hear orchestral-hits here and there. ITINERARY Starts off with overpowering instrumentations over percussions, keyboards and stringed ones… Rahman has to thank his music supervisor John O’Brien for having engineered the entire group with such grandeur. Finally, after the fast-rushing instrumentals, you’ve Rahman’s vocalism echoing on higher tone. UNDRESS Wow! This is the prettiest work that any music lover would’ve heard. On the beginning note, we have Mridangam, veena taking off with predominance later with sync-bass. A perfect ‘Jugalbandhi’ treat for everyone. SHARKS The track has some traces of previous number MEETING MARCEL and the notes are almost the same. Precisely, it would be more appealing with the visuals on screens. LUAU by John O’Brien Making it blissfully done over the sound supervising, John O’Brien scores on his show with country music with 12-string acoustic guitars. The running beats on Congo-drums make an impressive sound. SALVADORE The song sounds much similar to Tamil song ‘Jumbhalaka’ that has the prelude starting off with Arabic intonation. The song has guitars and beats played on similar touch. As well, it has similarities with Rahman’s previous score for ‘Mein Alabeli’ in ‘Zubeida’. INTERVENTION The maestro roars again! Of course, put your best verdicts for the brilliant orchestration of symphony based track. Rahman’s vocalism on higher pitch emblazons it stunningly. If our guesses are right, the track should precisely be inserted somewhere during emotional sequences. The Waterfall Sounds to be a romantic track with guitars and slow-stringed instruments on show with dominance of flute in initial parts…. JASON AND CYNTHIA – PIANO THEME The track doesn’t differ from the previous version in any vistas. Rahman trenchantly brings the mix of various soft instruments of piano, guitar and violin. The slow stringed chords do accompany right throughout the song. ANIMAL SPIRITS The musical track of ‘Couples Retreat’ winds-up with ‘Animal Spirits’ that has astoundingly marvelous score. It’s a track brimmed with full of high-spirited delight. So are the beats and instruments with perfect blend. The middle part has slow-running orchestrated stringed instruments while, again the last 20 seconds get back to
Re: [arr] Couples Retreat music review 1 - Wordlessly mind-boggling
Gotta wait for a non-Indian review. Need to see what they think... http://indian-music-bgm.blogspot.com/ http://www.facebook.com/elensar5233 --- On Fri, 9/25/09, $ Pavan Kumar $ pawancum...@yahoo.com wrote: From: $ Pavan Kumar $ pawancum...@yahoo.com Subject: [arr] Couples Retreat music review 1 - Wordlessly mind-boggling To: arrahmanfans@yahoogroups.com Date: Friday, September 25, 2009, 9:41 AM http://www.cinefund as.com/2009/ 09/25/couples- retreat-music- review Couples Retreat – Wordlessly mind-bogglingIf A.R. Rahman had proved off his extraordinary adeptness on Indian touch with ‘Slumdog Millionaire’, he strikes marvelously with complete Hollywood-fangled melodies. The tunes are stunningly melodic and indeed aptly sound in accordance with film’s title ‘Couples Retreat’. The original soundtrack of ‘Couples Retreat’ has 15 melodies with uniquely spelled attributes. SAJNA… SAJNA ReJust heed to the fortepianos and mild-strike of chord with crystal-chimes accompanying them. Rahman adds to the Indianized touch by adding the Hindi word ‘Sajna Sajna Re…’ The English lyrics are mesmerizingly touching and perhaps, the western people wouldn’t have listened to such an appealing melody. KURU KURU…Vocal: A.R. RahmanFine! After uttering ‘Ellam Pugazhum Iraivan Oruvanukke’ – it’s one more turn to express his gratitude for his TAMIL. The song starts off with slow-rhythms of 6/8 March on soft-guitars later with slow-stringed running notes. The Tamil lyrics tuned in complete Hollywood style happen to be the best flavors. Totting up to the best panoramas is the unique-patterned rhythm on scissors. Sound engineering has been marvelously performed… Doubtlessly, KURU KURU is the best pick of soundtrack. Jason and Cynthia SuiteRealms of stringed instruments as it keep playing on various octaves. The melodic notes are played on solo guitar and Cello joins the instrumentation in latter part. Merely after couple of minutes, the song is shifted to higher scales and it goes on with same notes. Trombones and oboes are played in final part. Moreover, it’s the best song that sweeps all on your senses. NANAIt’s a Spanish-styled hip-hop with Blaaze’s specific vocalisms on rap lines. The beats over the synchronized drum pads keeps repeating while fill-ins over Brasses and trumpets over synthesizers does takes you straight into those ambiences. TOUR OF THE VILASIf you ever spellbound listening to ‘SAJNA SAJNA’, Rahman delivers the same tune over instrumentals. All through the track, the scales are raised and lowered. Beats over Congo-drums with vibes mingled in makes it sound yet more embellished. More than all, Rahman has utilized more instruments on various parts, say, like cymbals, solo violin, flute and pan flutes. MEETING MARCELSounds quite unique from previous numbers… It offers the touch of meditational relaxation music with the style of percussions inherited from Tai Chi. the melodiously refreshing tune suddenly transforms into an emotional genre with flutes, cellos, violins and other stringed instruments coalesced on the parts. We get to hear orchestral-hits here and there. ITINERARY Starts off with overpowering instrumentations over percussions, keyboards and stringed ones… Rahman has to thank his music supervisor John O’Brien for having engineered the entire group with such grandeur. Finally, after the fast-rushing instrumentals, you’ve Rahman’s vocalism echoing on higher tone. UNDRESSWow! This is the prettiest work that any music lover would’ve heard. On the beginning note, we have Mridangam, veena taking off with predominance later with sync-bass. A perfect ‘Jugalbandhi’ treat for everyone. SHARKSThe track has some traces of previous number MEETING MARCEL and the notes are almost the same. Precisely, it would be more appealing with the visuals on screens. LUAU by John O’BrienMaking it blissfully done over the sound supervising, John O’Brien scores on his show with country music with 12-string acoustic guitars. The running beats on Congo-drums make an impressive sound. SALVADOREThe song sounds much similar to Tamil song ‘Jumbhalaka’ that has the prelude starting off with Arabic intonation. The song has guitars and beats played on similar touch. As well, it has similarities with Rahman’s previous score for ‘Mein Alabeli’ in ‘Zubeida’. INTERVENTIONThe maestro roars again! Of course, put your best verdicts for the brilliant orchestration of symphony based track. Rahman’s vocalism on higher pitch emblazons it stunningly. If our guesses are right, the track should precisely be inserted somewhere during emotional sequences. The WaterfallSounds to be a romantic track with guitars and slow-stringed instruments on show with dominance of flute in initial parts…. JASON AND CYNTHIA – PIANO THEMEThe track doesn’t differ from the previous version in any vistas. Rahman trenchantly brings the mix of various soft instruments of piano
