Akbar’s da dude
 by Vinayak Chakravorty
 Akbar, dude, you never seemed like a hunk in thepages of textbook history. 
Watching the biceptual beef that AshutoshGowariker unleashes by way of the 
greatest Mughal emperor ever, thethought is bound to pop up in your mind.
If mainstream cinema is allabout conscious suspension of disbelief, we will 
grant Gowariker thatbit of cinematic licence. Let’s just assume Jalaluddin 
Muhammad Akbarhas been working on his six packs while we were busy watching 
HrithikRoshan in Dhoom 2.
But then, forget all controversy over historicalaccuracy. Gowariker smugly 
dismisses all the raging debate over factand fiction right at the start, with a 
disclaimer which acknowledgesthat the love story of the Mughal emperor with a 
Hindu princess hasnever been clearly defined anywhere. The disclaimer also 
accepts thatthere are other versions of the romance, suggesting that his film 
isjust one of them. May be, there are various versions on how Akbarlooked too, 
and the Hrithik Roshan cut just suits his box-officeambitions.
If Hrithik still makes a formidable Akbar despite lookinglike a dude at a 
lavish fancy dress party, it just proves he hasevolved well as an actor over 
the years. Also, the film is awell-scripted romance by writer Haidar Ali. 
Despite the inordinatelylong runtime, Jodhaa Akbar spawns enough highlight 
scenes to captivatewith the core premise it sets out to narrate — the love 
story of Jodhaaand Akbar, with an intelligent socio-political undercurrent. 
Gowarikerhas done justice in establishing his version of the romance as 
anoutcome of political needs of the era.
Aishwarya Rai Bachchan asJodhaa looks — repeating the clichéd jargon for lack 
of a more apt word— gorgeous. Smartly, Gowariker gives her minimum dialogues 
all throughthe film. Rather, he lets Kiran Deohans’ camera wantonly play with 
herporcelain perfect face and eyes. To his credit, Gowariker has 
alsosuccessfully managed to eke out a certain chemistry between Hrithik andAsh.
Since Jodhaa Akbar has primarily been hardsold as a romance,Gowariker could 
have gone a bit easy on the sheer number of charactershe crowds his screen 
with. Also there is too much happening on theperiphery, in what appears to be 
Gowariker’s bid to establish a commenton the circumstances that led to Jodhaa 
and Akbar’s union. Technically,this is a perfect film, one that celebrates the 
past with the rightcolours (Nitin Desai’s art direction is outstanding) and 
sounds (ARRehman and Javed Akhtar).
Highlight scene? Watch Akbar enter atrance as a group of dervishes croon the 
majestic Khwaja mere khwaja.It’s a scene that epitomises the spirit of the film 
in all itssubtlety. It’s also Hrithik Roshan’s Mughal-E-Azam moment.
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Jodhaa Akbar
Cast: Hrithik Roshan, Aishwarya Rai Bachchan, Sonu Sood, Raza Murad
Direction: Ashutosh Gowariker
HHH
 outtake
Jodhaa Akbar is a well scripted romance. But director Ashutosh Gowariker could 
have gone a bit easy on the sheer number of 
characters he crowds his screen with.


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