Fall of the Rising!
Saturday, August 13, 2005 | Entertainment

Mayank Shekhar

Film: Mangal Pandey – The Rising
Director: Ketan Mehta
Actors: Aamir Khan, Toby Stephens
Rating **
I think historians will agree with me on this. Given the lack of media at the 
time of 1857, and
the barrage of it now, clearly Aamir Khan, the lead actor of this film, is a 
far more famed
sub-continental icon than Mangal Pandey must've been in his heydays. And that's 
a burden you
have to live with, in a biopic of a man about whom we know very little, played 
by an actor with
an unbearably strong screen presence and image.
No wonder it appears Mangal plays Aamir here, and not the other way round.
One of the reasons there is little documentation of the martyred mutineer is 
that he was hanged
by the British in April, 1857, while the revolt that Indian hagiographers 
describe as the first
war of Indian independence (with the frail Mughal Bahadur Shah Zafar at the 
head), kick-started
only in May. That its seeds were borne at the 34th Native Infantry where Mangal 
served, is the
point of Mehta's tribute to a sipahi who some Western historians have referred 
to as a
foolhardy bhang-consumer who led a xenophobic barbaric tribe that was accused 
of loot, murder
and rape of Europeans and Christians.
Of course, we know Mangal as a patriot, who stood against the East India 
Company over the issue
of rifle cartridges that he and his colleagues were meant to use, which were 
coated with fats
of cows (considered unholy among Hindus) and pigs (deemed unclean by the 
Muslims).
When such debates surround a protagonist from the past, presumably it's easier 
to take
liberties over a historical account. As the film's foreword puts it, when 
history turns into
folklore, legends are born -- or killed, as is the case here.
Yes, there's nothing blasphemous about introducing a fictional 'nautch' girl 
(Rani Mukerji)
whom Mangal is supposedly in love with. Or a Brit sympathiser and friend 
William Gordon
(Stephens - astoundingly adept) -- there are records of the existence of 
Gordon, but not as
Mangal's mate. Or, a woman who is forced to perform sati (Amisha Patel) but is 
saved by Gordon
and MangalÂ… All fine I guess, so long as we keep in mind that this is a fable, 
not a factual
piece. 
What's not fine is when the screenplay writer (Farrukh Dhondy, if I recall 
right his last
'desi' work was Subash Ghai's Kisna with problems similar to this film) is way 
too eager to
please with his bunkum brief of turning the narrative into a so-called 
'Bollywood' movie. The
result is a subject that gets redundant with a part-carnival, part-crusade 
approach. The
haphazardly assembled bore just ceases to grip you then and the message so 
garbled missed me
for sure.
You do also end up overlooking some genuine gems in a film that's riddled with 
inconsistencies
in the quality of performances, camera-work and situations, though it's mostly 
second-rate all
the way.
But of course, it's also Aamir Khan all the way. Who is competent, no doubt. 
But if Mehta was
so liberal with digressions in Mangal Pandey's story, I seriously wonder why he 
couldn't create
characters that could also have given some depth to the mutiny, the subject at 
hand. Or at
least lent some character to the unbaked, dumb-struck dodos who assist in the 
uprising. This is
where Khan's precursor to The Rising, Lagaan had scored with its wit and vigour.
Unlike the sepoy mutiny, presented as a single man's campaign, cinema is 
unlikely to succeed if
it's purely a one-man show. This is one of the most tenable testaments to that.

"We neglect our cities at our peril. For, in neglecting them, we neglect the 
nation."
-John F. Kennedy




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This August, Discover the Birth of Your Independence
and The Magic of A.R.Rahman's Music in 
Mangal Pandey - The Rising
http://www.risingthefilm.com
http://www.mangalpandeythefilm.com
Music released: Jul 14, 2005 Movie releases: Aug 12, 2005

Explore, Experience, Enjoy A.R.Rahman - The Man, The Music, The Magic.
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