After reading the article 3-4 times I could sense some negativity. I 
am not sure though but I feel there lies a subdued flow of mentality 
to prove that ARR is more a technocrat than a composer. May be I am 
wrong but it's been done by the Hindi film media for a long time 
ever since he arrived. 

Durba

--- In arrahmanfans@yahoogroups.com, "Thulasi Ram" <[EMAIL PROTECTED]> 
wrote:
>
> 
http://timesofindia.indiatimes.com/Cities/City_Supplements/Bombay_Tim
es/Creating_music_a_challenge_for_me/articleshow/2077668.cms
> 
>  Mixing soundtracks and getting audiences hooked on to a lyrical 
melody -
> that in some ways explains AR Rahman, a musical rage in the South 
and now,
> an all-time favourite of music-frenzy Indians spread all across 
the globe.
> As for the latest, the man with a musical mind a la Rahman is now 
bringing
> out a series of albums. This, of course, is in additon to the 
anthem song
> that he has sung and composed on saving Taj. The new range of work 
includes
> an album on Hindustani Classical music, ancient Tamil poems among 
other such
> unique experiments in the world of rhythm and sounds.
> 
>  Even for the maestro, creating music is never the proverbial 
icing on the
> cake. He recently was at an event that was aimed at saving the The 
Taj Mahal
> in Agra, but took time out to reminisces about a musician's 
constant
> struggle and passion to churn out chartbusting numbers. To put 
together some
> notes for the Taj Mahal project, for instance, all he had "was a 
piano by
> the side" and "used the instrument to its fullest despite the 
constraints of
> the musical prop."
> 
>  So what does he think about musical technology? He considers 
technology to
> be the greatest gift to every musician. "You can listen to all your
> favourite numbers and feel inspired on the array of portable music 
devices
> available today," he says. Rahman has definitely used high-
technology to get
> grooving on some musical favourites that include some western 
numbers and
> several other compositions from the genre of classical music.
> 
>  But there is more to Rahman than just music. One of them being his
> closeness to Illayaraja, another timeless musical icon from beyond 
the
> Vindhyas, who, in some ways was instrumental in Rahman's success 
as a
> musician in the filmdom - be it Tollywood or across.
> 
>  "My connect with Illayaraja dates back to my father's time. I 
used to
> listen to him when my father was working with him. Today 
Illayaraja's kids
> listen to my piano," he adds. Apart from spinning such all-time 
musical
> charm, Rahman is also betting big on a new entrepreneurial venture 
that he
> has floated in the world of music. From designing music to 
deciphering
> concepts, a huge leap may we say?
>


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