I don't think AR is very greedy. lol. He is taking things slow plus he has some 
Indian projects yet to be finished...

http://indian-music-bgm.blogspot.com/ http://www.facebook.com/elensar5233


--- On Thu, 10/15/09, Jahanzeb <jahanzebti...@yahoo.com> wrote:

From: Jahanzeb <jahanzebti...@yahoo.com>
Subject: [arr] Re: Here’s A.R. Rahman Unplugged
To: arrahmanfans@yahoogroups.com
Date: Thursday, October 15, 2009, 1:18 AM






 




    
                  Thanks for sharing. so CR was offered to him BEFORE he won 
Oscar. interesting. i am wondering there should be lot of offers AFTER he won 
Oscar but why we heard of only CR till now?



-

Jahanzeb



--- In arrahmanfans@ yahoogroups. com, Gopal Srinivasan <catchg...@. ..> wrote:

>

> Here's A.R. Rahman Unplugged

> On Jai ho & Vince Vaughn, Kylie Minogue & Farhan Akhtar, Mani & moneyA.R.

> Rahman at Hyatt Regency on Tuesday. Picture by Aranya Sen

> 

> *You will be performing in Calcutta after more than six-and-a-half years.

> Has the Rahman sound changed in this period?*

> 

> I have never changed my sound intentionally. Most of my soundtracks reflect

> what film I am doing. It's only that. It's never like I want to beat this

> sound or I want to do something better. But I do change myself. I do not

> want to do the same thing. I want to keep my job interesting to me.

> 

> There have been reports that you have been hiding in Los Angeles…

> 

> The three months immediately after the Oscars were hard to handle. Everyone

> wanted to felicitate me and have me over at social functions and

> congratulate me in ceremonies. I went to Los Angeles and went back to my

> music. Now, life is back to normal.

> Mani Ratnam with Aishwarya Rai Bachchan on the Calcutta sets of Raavan. A

> Telegraph picture

> 

> *Why did you choose the Vince Vaughn rom comCouples Retreat as your first

> Hollywood project afterSlumdog Millionaire? *

> 

> I got that offer before I got all the awards for *Slumdog Millionaire* .

> Vince Vaughn came to me much before the Oscars. He just saw the movie and he

> became very emotional and he said: "I want your music for my next film!" I

> was contemplating whether to accept the movie or not. Then after the Oscars,

> I went and saw the movie. I felt that it wasn't a musically sympathetic

> movie but it was a comedy. And nobody would ever think that a person who

> did *Slumdog *would do a comedy next. And I just wanted to experience the

> whole process of Hollywood. It was a great experience.

> Vince Vaughn and Malin Akerman in Couples Retreat: "Vince became very

> emotional and he said: `I want your music for my next film!'"

> 

> *What makes it a great experience?*

> 

> You know just the opportunity to go and work in studios where *Mary Poppins

> *and *Star Wars *were recorded, it's a great feeling. Also, it was fun

> working with Vince and with the director of *Couples Retreat*, Peter

> (Billingsley) . He's a new guy and it was good.

> 

> But *Couples Retreat* the film has been very poorly received there and the

> reviews say your music has been under-utilised…

> 

> It is a comedy… it's not a film where there were extraordinary musical

> situations. It's also a complicated movie about four couples, who all have

> resolutions. And some of the score, which is significant in the film, is

> licensed stuff… like Ennio Morricone's *The Good, The Bad and The Ugly*…. I

> know that this would happen but I had the opportunity of doing a great CD.

> And the CD is being liked by everyone.

> 

> *Of the work that has been offered to you in the West, are they all asking

> for aSlumdog-like score from you?*

> 

> No. Because they would never want to repeat the same thing. I am in a very

> extra-ordinary situation where I can do songs and I can do background

> scores. I have not been typecast… like "He's a background score guy" or "He

> can only compose songs". So, I have been trying to expand on that. Even in *

> Couples*, I have done three songs and then I have also done the background.

> Dave Stewart: "He is a dear friend... we are trying to put up a band

> together."

> 

> *Do you have a wishlist of producers or directors you want to work with?*

> 

> No, I don't want to have a wishlist. Because some things look very small in

> the beginning and they become bigger in the end. Like *Slumdog*. And some

> things look very big at the beginning and end up really small. So I don't

> have any wishlist.

> 

> *Was Slumdog ever small?*

> 

> Honestly, I would have never sent the score to the Oscars. The makers did. I

> composed the soundtrack in three weeks flat and didn't think that it would

> go on to do what it did.

> 

> *Do you think it was all because of that one song, Jai ho?*

> 

> When I saw the film, they had put another song (Shankar Ehsaan Loy's *Aaj ki

> raat *from*Don*) and all that dancing was part of the film. At that time, it

> looked like a mockery of our song and dance. But when they used it in the

> end credits with *Jai ho*, it looked really nice. See, *Jai ho *became *Jai

> ho *because it was apt for the film, not because it was a great song. It was

> the right song and that's why it worked out so well.

> Kylie Minogue: "She was very fast... it was all finished in three hours!"

> 

> *So, you haven't given any brief to your Hollywood agent?*

> 

> He is always surprised by my decisions. He said: "It's (*Couples*) a comedy!

> Don't do a comedy!" I said, why not? So, it goes like that.

> 

> *How do you plan to balance your work here with your work there?*

> 

> It's difficult choosing. I want to keep that little chain of interest of

> people wanting to hear my music. I don't want to overdo that. Also, I don't

> want to underplay that. So there will be Tamil films, Telugu films, Hindi

> films and there will be English films too. I want to choose the best

> projects that complement my music.

> 

> *Now when you compose for Mani Ratnam's Raavan, is it like a return to roots

> because you started with his Roja?*

> 

> It is, in a way. Also, Mani always surprises me. I think that now I know

> Mani Ratnam. But he surprises me. He keeps pushing me to a place where I am

> challenged and that's a great creative spirit. And that's what I need to

> keep going, rather than taking each other for granted. There's something we

> always want to achieve as a team.

> 

> *What motivated you to sign this Friday's big release Blue?*

> 

> I signed it before the Oscars. New people are really unpredictable. (*Blue *is

> directed by debutant Anthony D'Souza.) You never know. Sometimes they are

> great and sometimes they let you down. *Blue *also had a big production

> house like Ashtavinayak supporting the film. Then when I saw the visuals, it

> seemed like something genuinely interesting, something passionate.

> 

> *What about the Kylie Minogue experience?*

> 

> It was all finished in three hours (*laughs*). She was very fast. Actually

> it was also one week before the BAFTAs and I also had to finish recording

> the song.

> 

> *Why didn't Farhan Akhtar sing for the Blue soundtrack, as you had wanted?*

> 

> The song changed from what we wanted to make it. And he wasn't very sure

> that the song went with his style of singing and whether he would be able to

> pull it off. Whether it would be right for him. So I said, okay, we will

> work on something else later. The song was *Fiqrana*, actually. And I was

> happy that Vijay Prakash got a huge opportunity.

> 

> *What are you planning with Dave Stewart of Eurythmics fame?*

> 

> We are planning a lot of things actually. He is a dear friend whom I know

> for more than eight years now. We are trying to put up a band together, like

> a super band. Also, he is doing a movie for Nokia and I am helping him out

> on Indianising it.

> 

> *What about your own English album?*

> 

> I am currently working on it. It will have a lot of pop musicians. I am not

> sure who at this stage. But it is definitely the project I am really looking

> forward to, after doing so many film soundtracks.

> 

> *If a director from Bengal walks up to you with his script, would you do the

> music?*

> 

> If it's something special, I would love to do it. If I find it inspiring, I

> would do it. I have seen a lot of great work coming from here.

> 

> *But will you charge him a bomb?*

> 

> Charge is never a problem (*smiles*)!

> *Pratim D. Gupta*

> What is the one question you would like to ask A.R. Rahman?

> Tell *...@...*[image:

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