"A.R Rehman has been nominated for "Best Original Song" for "Aayo Re 
Sakhi" along with "Luka Chupi" ('Rang De Basanti') in the Grammy 
Awards" ---- Really? Are these songs really nominated for Grammy 
Awards? Or is it an error made by the journo?

Durba

--- In arrahmanfans@yahoogroups.com, "Thulasi Ram" <[EMAIL PROTECTED]> 
wrote:
>
>  *MUSIC REVIEW OF WATER*
> 
> By Satyajit - Eye TV India Bureau
> 
> *Juke Box*
> 
> click for larger
> view<http://ww.smashits.com/news/bollywood/music-
review/6061/water.html#>Deepa
> Mehta completes her trilogy on natural elements with her new 
offering
> after the critical success of '1947-Earth' and 'Fire'. The film is 
set in
> pre-independence era and highlights the oppression of widows 
through an
> emotional love story. Mehta's bold attempt on the plight of widows 
faced the
> wrath and ire of Hindu fundamentalists forcing her to change her 
shooting
> venue to Sri Lanka. Like '1947-Earth' and 'Fire', this film 
challenges
> cultural backwardness and religious intolerance. The film promises 
path-
> breaking performances from actors like Seema Biswas, Lisa Ray, 
John Abraham
> and Baby Sarala in leading roles. The film has the backdrop set in 
the 1930s
> where it focuses on the plight of a group of widows forced into 
poverty at a
> temple in the holy city of Varanasi. It centers on a relationship 
between
> one of the widows (Lisa Ray), who wants to escape the social 
restrictions
> imposed on widows and falls for the charm of a man (John Abraham) 
who is
> from a lower caste and follower of Mahatma Gandhi. A.R Rehman has 
been
> nominated for "Best Original Song" for "Aayo Re Sakhi" along 
with "Luka
> Chupi" ('Rang De Basanti') in the Grammy Awards. Both Rehman and 
Mehta haver
> preferred soft and instrumental harmonious rendition for the 
musical scores
> in the album that echoes pain, ecstasy and suffering of the 
characters. The
> music album of 'Water' has six original soundtracks that can be 
heard on
> Sony BMG music cassettes and CD's.
> 
> 
> Aayo Re Sakhi: The soft and titillating sounds of natural beauties 
are
> resonated with brilliant concoction of delightful orchestration in 
soulfully
> enchanting soundtrack "Aayo Re Sakhi". Sukhwinder Singh shows his 
panache of
> classical singing with his mesmerizing and modulating vocals 
depicting the
> first signs of joy and happiness. It's great to hear Sadhana 
Sargam in this
> impressively conceived soundtrack where her harmonious vocals work 
in
> tandem. A.R Rehman makes the fine use of soft pitched 
instrumentation that
> shows the soft and subtle natural ambience attracting 
protagonist's heart
> and mind. The number attracted the jury of "Grammy Awards" and was 
nominated
> for the "Best Original Song" of the year. Sukhwinder Singh's 
maturely
> rendered lyrics work effectively in echoing the inhibited joyous 
sentiments
> and will put him in the cadre of meaningful lyricist.
> 
> Piya Ho: Sadhna Sargam excels again in expressing heart warming and
> sentimentally penetrative expression of distressed beloved who 
craves for
> her soul-mate in an emotionally enriched "Piya Ho". It's slow and 
supple
> classical musical arrangements show the depressing and morose 
state of mind
> where the thirsty soul craves for eternal love. Sukhwinder Singh 
comes in
> the latter half and expresses the depressed feel in soft pitched 
mode. The
> soundtrack has grief-stricken binding when the emotional female 
chorus joins
> the track. Once again Sukhwinder Singh's unexplored lyrical skills 
are at
> their best and work brilliantly in emoting out the mournful 
expressions.
> 
> Naina Neer Bahai: The sanctimonious affinity of pious love co-
relating with
> eternal bond are delivered through pathos and sufferings of the 
distressed
> beloved in soulfully pristine soundtrack "Naina Neer Bahai". 
Sadhna Sargam's
> soft and touching vocals narrate the immortal devotion of Meerabai 
and
> eternal love of Radha towards Lord Krishna in finely rendered 
lyrics. Rehman
> comes with negligible musical impact where the sorrowful emotions 
are
> conveyed with vocal finesse.
> 
> Sham Rang Mai: Playful acts of "Holi" show its colorful display 
through
> traditionally delivered lyrics in lively soundtrack "Sham Rang 
Mei". The
> musical mood shifts to acts of joyfulness after couple of 
depressing
> soundtracks. Raqueeb Alam's vocals and lyrics create a blissful 
aura of
> playful "Holi" antics of Lord Krishna in almost minimal musical 
impact.
> Richa Sharma delivers her most expressive and deserving number 
where her
> folksy vocals blend mellifluously with the voices of Raqueeb Alam 
and Surjo
> Bhattacharya.
> 
> Vaishnava Janato: The pious religious feelings are generated with 
full
> emotional flow in traditional Shri Ram Bhajan "Vaishnava Janato". 
Classical
> singer Ajay Chakraborty along with Kaushiki Chakraborty's refined 
vocals
> creates an ambience of supreme divinity with synchronized musical 
display.
> 
> Bangri Marori: "Bangri Marori" is the only romantic soundtrack of 
the album
> where the chemistry of love birds is depicted in traditional 
verses.
> Sukhwinder Singh sings this slow pitched soundtrack where the 
romantic vibes
> emote through playful acts of Lord Krishna.
> 
> A.R Rehman maintains a low tempo and soft pitched musical mode for 
the track
> that captures the eagerness and anxiety of the beloved. The 
soundtrack has
> situational feel and should work as an effective background score 
in the
> film where the love chemistry sparks between the lovers.
> 
> The album is complemented with five bonus tracks from A.R Rehman's 
composed
> numbers from the films 'Guru', 'Lagaan, 'Zubeidaa' and 'Rang De 
Basanti'.
> 
> A.R Rehman shows his flair for classical sentimental music in all 
the six
> original soundtracks of the album. The album is targeted towards 
class
> audiences who demand quality music with soulful experience. Its 
commercial
> aspects are negligible but it will garner colossal critical 
acclaim from all
> sections of the media and the critics.
> 
> 
> http://ww.smashits.com/news/bollywood/music-review/6061/water.html
>


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