Re: [arr] Roja's Rahman faded? Nah....Here is the Answer !

2008-08-30 Thread Mahima Sengupta

So we can give ARR the title of King Of RagaMaalika :)
--- On Fri, 8/29/08, Vithur [EMAIL PROTECTED] wrote:

From: Vithur [EMAIL PROTECTED]
Subject: [arr] Roja's Rahman faded? NahHere is the Answer !
To: arrahmanfans@yahoogroups.com
Date: Friday, August 29, 2008, 5:23 PM








Roja's Rahman faded? NahHere is the Answer !
In one of the interviews, A.R.Rahman said that a composer who moulds his music 
that suits the idiosyncrasies and tastes of the audience belonging to that 
moment would be a failure in the long run but at the same time a composer who 
can mould his music to suit the contemporary audience as well as satisfy the 
old generations can definitely come out as a winner and will last for a long 
time ! 
and yu know what ! This is a widely acclaimed fact !!! 

Roja came in 1992, which was almost 16 years ago when there was an audience 
acclimatized to the classical music and folk.The sound of Roja was 
completely new...it was like a whiff of air for the audience used to those 
genre and accepted Roja which created waves in the music world and established 
a new horizon in composing music ! 

In Roja's music, Rahman explored various raagams like Des, Kapi, Yaman Kalyani 
which are purely carnatic the mathruk of the song was the raaga but the 
flavour is something which is unheard ever beforeActually this is the basic 
mantra in analyzing Rahman's music and which demarcates his stature from the 
lot !! 

For example, Ilaiyaraja composes a song in Kalyani...he sticks to it throughout 
the songbut Rahman is totally different... ..If he starts a song with a 
raag he rarely sticks to itthe chain of raags keep on instigating in the 
song...for example, Kannamochi Yennada from Kandukondain Kandukondain starts 
with Sudha Dhanyasi and then flows to Nattkurinji and then deviates to Lalitha, 
then again yu hear some other thingwhich is totally an absurd to do in the 
books of a carnatic musician But thatz where his success liesand he stuck 
to that through out his career till date...Even in Ada, I can see a song(Hawa) 
which starts with Hamsadhwani and then shifts to mishra Kalyani ! One has to 
accept this coz ARR had redifined the barriers in the music school !  
 
COURTESY :- RAGHAV 

-- 
regards,
Vithur

ARR -- The Sweet Cube always
 














  

[arr] Roja's Rahman faded? Nah....Here is the Answer !

2008-08-29 Thread Vithur
Roja's Rahman faded? NahHere is the Answer ! In one of the interviews,
A.R.Rahman said that a composer who moulds his music that suits the
idiosyncrasies and tastes of the audience belonging to that moment would be
a failure in the long run but at the same time a composer who can mould his
music to suit the contemporary audience as well as satisfy the old
generations can definitely come out as a winner and will last for a long
time !
and yu know what ! This is a widely acclaimed fact !!!

Roja came in 1992, which was almost 16 years ago when there was an audience
acclimatized to the classical music and folk.The sound of Roja was
completely new...it was like a whiff of air for the audience used to those
genre and accepted Roja which created waves in the music world and
established a new horizon in composing music !

In Roja's music, Rahman explored various raagams like *Des, Kapi, Yaman
Kalyani* which are purely carnaticthe mathruk of the song was the raaga
but the flavour is something which is unheard ever beforeActually this
is the basic mantra in analyzing Rahman's music and which demarcates his
stature from the lot !!

For example, Ilaiyaraja composes a song in *Kalyani*...he sticks to it
throughout the songbut Rahman is totally different.If he starts a
song with a raag he rarely sticks to itthe chain of raags keep on
instigating in the song...for example, Kannamochi Yennada from Kandukondain
Kandukondain starts with *Sudha Dhanyasi* and then flows to
*Nattkurinji*and then deviates to
*Lalitha*, then again yu hear some other thingwhich is totally an absurd
to do in the books of a carnatic musician But thatz where his success
liesand he stuck to that through out his career till date...Even in Ada,
I can see a song(Hawa) which starts with *Hamsadhwani* and then shifts
to *mishra
Kalyani* ! One has to accept this coz ARR had redifined the barriers in the
music school !


COURTESY :- RAGHAV

-- 
regards,
Vithur

ARR -- The Sweet Cube always