I think most of the time songs in movies make it unnecessarily lengthy and
sometimes even hurts the narratives.  it is a good move by Mani ratnam to
reduce the number of songs in a movie. But I would like to see the
lip-syncing gone from the movies as well.

Recently watched The *Three Burials of* Melquiades Estrada.  and even bought
the OST after watching the movie.  it had 6 songs! all used in the
backgrounds.  and the ost came with beautiful background score.

I agree that Raavan is short. but I also think that is what it makes even
more beautiful. Less is more.

My only complaint - and i have been complaining about it for years - is that
none of the background scores are getting released.

Why not use official website to release the BGMs if the music labels don't
want to release it ?


>
> The album is so short to begin with.....I just can't help but feel
> disappointed and upset, even if I love the music of Raavan that's there.
> But, the shortness leaves a feeling of dissatisfaction....a lingering
> longing, and now confirmation about what could have been....if those 3 songs
> were added....perhaps a blockbuster CD....
>
> Why, Mani, why?????????
>
> --- In arrahmanfans@yahoogroups.com <arrahmanfans%40yahoogroups.com>,
> Prasad Varma <svspva...@...> wrote:
> >
> > Some great news for you guys esp chord. Three recorded songs for Raavan
> not included in the movie and most probably on the CD too
> >
> > Guess Mani sir's theory is "What you see (in the film) is what you get
> (on the CD)"
> >
> > See interview below:
> >
> >
> http://timesofindia.indiatimes.com/Entertainment/Music/Even-Ashas-song-was-not-used-Rahman/articleshow/5883263.cms
> >
> > That’s
> > Allah Rakha Rahman for you â€" man of few flamboyant words, but of
> > immensely
> > popular, globally hummed music. While his global appeal grows by the day,
> Rahman
> > continues to add to his Bollywood repertoire, the latest being Mani
> > Ratnam’s Raavan.
> >
> > Asha Bhonsle’s song
> > wasn’t used
> > While everyone gushed about Raavan’s music
> > launch with Rahman and Gulzar, Sonu Niigaam tweeted about his song
> missing from
> > the album. Rahman said, “Unfortunately, because of the narration, we
> > couldn’t fit many songs. We have three more songs that we recorded, but
> > couldn’t use. We had a song with Asha Bhonsle too, which wasn’t
> > used. The movie’s narration would’ve halted with so many songs. So,
> > we took a creative
> > decision.â€
> >
> > I want to work with
> > Mani Ratnam... always
> > Since Roja, Rahman’s been associated
> > with every Ratnam project. And, the camaraderie is “precious†to
> > him. He says, “He doesn’t do three movies in two years, but one in
> > two years. Which means, in about 20 years, he’s done about 10 movies.
> > That
> > translates into a great working opportunity with him. I want to do stuff
> with
> > him. The process excites us both; it’s
> > engaging.â€
> >
> > Mani wants me to
> > sing
> > Rahman also sang a number for the flick. But, doesn’t he
> > usually sing a song in all the movies that he does? “Not necessarily.
> > Sometimes, Mani wants me to sing. In fact, he was one of the first
> > people who
> > asked me to sing.â€
> >
> > You learn
> > to compartmentalise
> > Since he works with international artistes like
> > Usher and then comes back to Bollywood, does
> > he ever feel disconnected?
> > “No. When I work there, I feel excited. When I work here, I feel
> > excited.
> > After a while, you learn to compartmentalise and use all the inputs to
> > create a
> > new kind of product. As long as I create music anywhere, I am in great
> > spirit.â€
> >
> > I took a break for a
> > year, while taking awards for Slumdog
> > What happens when you
> > don’t feel like creating music? “I take a break,†he says. So,
> > when did he last take a break? “I took a break for almost a year in
> > 2009... when I was collecting awards for Slumdog
> > Millionaire!â€
> >
> > Slumdog a
> > turning point
> > Since the movie got him
> > international recognition,
> > was Slumdog the turning point of his life? He says that it was one of
> > the
> > turning points. So, which one was the most important? “The most
> > important
> > turning point was in the ’90s, when Roja released. My life took a 180
> > degree turn. My direction turned towards spirituality, it became more
> > Sufi.
> > Everything sort of aligned itself in the same
> > direction.â€
> >
> > If possible,
> > I’d visit a dargah everyday
> > Does Rahman always visit a dargah
> > before embarking on a big project? Says he, “Yeah, I try to. If
> > possible,
> > I would visit a dargah everyday. There’s so much spiritual energy. It
> > helps me.â€
> >
> > Choose
> > love
> > Besides his spirituality, what else makes him tick?
> > “Choosing love. It’s what I’d said in my Oscar speech. Choose
> > love â€" all my life I had a choice between hate and love, and I chose
> > love.â€
> >
>
>  
>



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