In case you missed THE LORD OF THE RINGS segment, you can access it 
below: 

Click on the link below: 
http://video.msn.com/v/us/v.htm?g=2db83090-cb2e-48f5-9282-
0d7402d85204&f=kw_goog 


With a cast of 55, a running time of 3-1/2 hours, an estimated cost 
of $27 million and a boast that this is a new genre of theater, "The 
Lord of the Rings" finally has opened.

One has to admire the single-mindedness of producer Kevin Wallace and 
his creative team to adapt the J.R.R. Tolkien trilogy into one 
evening in the theater.

Whether it works is another matter.

Rob Howell's set and costume design is nothing short of spectacular. 
The set revolves with sections rising and falling suggesting 
mountains, valleys, rumbling rivers and deep earth. Paul Pyant's 
brilliant lighting is equally as effective in creating this dark 
world.

Then why is "Rings" so boring? Because with our senses being 
bombarded by dazzling images and blaring sound effects, there is 
nothing left for the audience's imagination. Added to that is the 
complicated story. Those unfamiliar with the books and films will be 
mystified by Shawn McKenna and Matthew Warchus' crammed book. While 
there is an extensive synopsis in the program, there is so much 
information whizzing by in the production that we have either 
information overload or not enough information for clarity.

Most problematic is that, for the most part, we don't care. With most 
of the cast declaring their lines as if on a mountain addressing the 
multitudes, there is an unengaging sameness to many performances. The 
usually compelling Brent Carver plays the wizard Gandalf with such 
deliberate uncertainty in many scenes that you wonder why anyone 
would revere him. But he then rises to the occasion by being 
commanding when faced with evil.

The exception is the touching story of the friendship of Frodo and 
Sam. We can identify with their loyalty -- certainly when acted with 
such genuine compassion by Loye and Howe. Special mention must be 
made of Therriault as Gollum. He is an embodiment of evil and twitchy 
impishness. Therriault is nothing short of mesmerizing.

Warchus directs with a keen sense of the big picture. Scenes moves 
with efficiency, but the details slip by. Frodo putting on the ring 
and becoming invisible, for example, is muddy.

Wallace says this is not a musical, in spite of lovely music and 
songs by A.R. Rahman, Finnish folk-rock band Varttina and Christopher 
Nightingale and athletic choreography by Peter Darling. Nor is it a 
play with music. Rather, Wallace says, it's a "theatrical spectacle." 
Spectacular, yes, but boring.  












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