The great genius Zakir Hussain - praises another - A.R.Rahman:

Who have been the best music composers in Bollywood? 
If we consider the olden times, I am partial to my father's 
compositions. But one of my favourite composers has always been Madan 
Mohan for the Indian kind of film music. I have really liked Pancham 
da's music. I think it was way beyond it's time. He was a fabulous 
composer in terms of arrangement of songs– they had the melody of 
Indian origin and orchestration of westernized origin. The kind of 
music that is happening now in Bollywood was installed many years ago 
by Pancham. I liked Laxmikant Pyarelal's music very much so I have to 
say that these three have been my favourite composers. But in today's 
world, where the music has so globally evolved, I must say that the 
work of A. R. Rahman comes forth as one of the best. Shankar-Ehsaan-
Loy have also done us proud. They have done some fabulous music 
compositions. 
I don't know if I like the word Bollywood. It means we are paying 
homage to Hollywood. 

Do you think any music composer in Bollywood is overrated? 
I don't think that a music composer can be said to be overrated. 
Because we have to realize that what the composer is projecting in 
the film is the director's idea. Ideally, the composer himself does 
not get to execute his own thoughts, unless it is someone as able as 
Rahman, who will present something to the director and the director 
will say fine. I don't think music composers can be faulted for 
whatever may go wrong with music because they are just doing what 
they have been told.


....
Additionally one of the very interesting observations that I am a 
total believer of:
Do you think the quality of Bollywood music is deteriorating by the 
hour? 
No I don't think so. I don't know if I like the word Bollywood. It 
means we are paying homage to Hollywood. We are an industry by 
ourselves, and the art work that is put out here is unique and one of 
its kind. So we don't need to relate ourselves with somebody else to 
be able to get the attention we deserve. The music in this part of 
the world, I think, is much more intelligent these days. In the olden 
days you had the classical music of India, and the singers who were 
classically trained, that is why this one area of music that you 
worked in and performed in was easy. O.P Nayyar saab recorded three 
songs in a day because the formula was set – the number of 
instruments, the procedure, and all. All the musicians knew exactly 
what was to be done. But today, as you pointed out earlier, music 
draws inspiration from much more than just Indian roots. And to be 
able to incorporate so many elements from all over the globe in a 3-
minute song and to be able to do justice to each one of those 
elements is a very difficult job. It requires a mind that is able to 
absorb a multi-layered thought process and balance all the ideas in 
the right way. That is why I say that today's music is much more 
intelligent. And I must say that today's musicians and singers are 
great. They have the range that is unbelievable. They can sing 
between the lowest octaves to the highest octave and deliver the 
perfect timber. The tone of each octave is equally balanced and well-
projected. Today's singer is a multi-faceted singer. In the olden 
days when you wanted to do a sad song you had Talat Mehmood; if you 
wanted to do a happy song you had Rafi saab. But today any singer can 
do anything. And in that sense the musician today is much more well-
informed. Hats off to the composers – they are fabulous.


Entire interview at: http://www.indiafm.com/features/2007/01/23/2148/
index.html


-Ricky

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