[arr] Nice review of Guru's music - well thought out and intelligent
Reviews GURU Music [qalandari.blogspot.com] Mani Ratnam's much discussed penchant for duos returns as drunken parody in Ek lo Ek muft. This crazy bit of inebriated revelry is especially welcome inasmuch as it shows (for the second time this year, after Sillunu Oru Kadhal's Kummi Aadi) that the man's ear for "low brow" rambunctiousness remains as sharp as ever. Bappi Lahiri's enthusiastic neo-quaver is the perfect vehicle for this chattering number that takes many a detour, bringing the basti into one's living room, until one is reduced to gibbering idiotically "ye-maw ye-maw ye-maw ye-maw yh". And that's not a bad thing. Speaking of Sillunu Oru Kadhal, if you thought Machakari was a fine example of decadent globalized sound (and even if you didn't), Mayya ramps up the intensity several notches. If Ek lo Ek muft was carousing revelry, this one is drunken lewdness given form, oozing sex and overripe fruit from every second. Full marks are... ... owed to Maryam Toller and Chinmayee for demonstrating that mere vocals can in themselves push the boundaries of the censor code. And there's a lot more in this song: in particular, the tension between the come hither vocals and Gulzar's stylish vocals makes an unforgettably stylish yet unrestrained number -- and that's even before the song erupts toward the end. Imagine a cross between the Madan Mohan's classic Lata solo from Woh Kaun Thi -- Lag ja gale ke phir yeh haseen raat ho na ho -- and A.R. Rahman's own Azaadi from Bose, then add night and solitude, and you'll get the haunting Jaage Hain. The best way to describe this song is as a lori for adults, perhaps the most private song in this film that appears to be another Ratnam take on power that is "public" in some way, shape or form. Appropriately enough, the seclusion does not last, as choral voices meld into the song after a point. Perhaps even the dreams of those whose lives are lived in the public gaze are populated by multitudes. Is this the year for retro? For Baazi Laga (Paisa Chale) appears to be Rahman's attempt at a 1980s Laxmikant Pyarelal or perhaps Lawaaris-style number, and while it is very catchy it lacks the nuanced richness I associate with Rahman's work. Not to mention that its lyrics are far less cynical than the thematically similar Takay Takay from Mangal Pandey, possibly a reflection of Javed Akhtar's own Marxist inclinations to a certain extent, but which also make this cheerfully hustling and bustling song a fitting anthem to an urban India that is increasingly optimistic and enthusiastic about commerce. Barso Re is a saawan song, once a staple of Hindi films; although my first impressions of this song are not especially favorable, it is elevated from "mere" sweetness by Rahman's use of an urgent -- and rousing -- vocal refrain that insists upon the listener's attention. I doubt this will ever be a great Rahman number in my estimation, although I do expect it to grow on me with time, as Sandha Kozhi/Kabhi Neem Neem from Aayitha Ezhuthu/Yuva did. Rahman's passion for the neo-qawwali love song remains undimmed, as Tere Bina shows: the chorus is smoother, less edgy than Bombay's Kannalane/Kehna hi kya or Alai Payuthey's Sneghidane (indeed the song is shot where Bombay's was), but Chinmayee's voice is throatier, earthier than anything Chitra managed (or was aiming for) in Kannalane/Kehna hi kya. Unquestionably, Rahman stresses the repetitive aspect of the qawwali in this song rather than the virtuosity he has explored in qawwali-ish songs in the past, and the result is less energetic and more decorous, yet heartfelt and (for me, I predict) ultimately addictive. Ae Hairat-e-Aashiq is the most conventional song in the album, a reminder (if any were needed after Khamoshiyan Gungunaane Lageen from One 2 ka 4 and Sunta hai mera Khuda or Qismet se tum humko mile ho from Pukaar) that Rahman's command over the traditional Hindi film duet is second to none among his peers. A "classic" love song by Hariharan and Alka Yagnik, this is for me musically the least surprising song here, although its evergreen freshness ensures that it will age well, and with a wide audience.
[arr] Nice review of RDB music
Found this review on the net (mouthshut.com) and thought it was well written. And by the way, out of the 24 reviews on mouthshut, almost everyone has given the music 4 or 5 stars out of 5. _ When all else fails and has no meaning or comfort, there remains music. If you are looking for any new fresh music, which can take you out from regular stressful life, listen to this album. Music washes away from the soul the dust of everyday life and the songs and music of this album proves this definition of music. I'll recommend this album to all those who are looking for some relax and fun from stressed mind. Rang De Basanti: Few songs are meant to fill your heart with a new zeal (Kuchh gane apmein josh bhar dete hain). This song is definitely one of those songs. Start from beginning till the end you will feel excited and energized. It's a blunt brag, where soloist urges to fill every aspect of his life with momentous colors. Listen to these lines carefully "sapnen rang de, apne rang de, khushiyaan rang de, gam bhi rang de, naslen rang de, faslein rang de, rang de dhadkan, rang de sargam, aur mohe tuu rang de basanti yaara". ding ding ding ding ding ding ding ding ding ding ding ding thodisi dhuul meri dharti ki mere watan ki thodisi Khushbuu baurai se mast pavan ki thodisi dhondhane waali dhak-dhak dhak-dhak dhak-dhak saansein jin mein ho junoon junoon voh boonde laal lahuu ki yeh sab tuu mila mila le phir rang tuu khila khila le aur mohe tuu rang de basanti yaara mohe tuu rang de basanti mohe mohe tuu rang de basanti oh mohe rang de basanti basanti rang de basanti - Daler Mehendi Luka Chuppi: It's a song, which has a consequential conversation between a mother and a son. Generation gap always prevents you to share some of your deeds with your elders. This song beautifully illustrates that. Lataji has given her voice for mother and A.R.Rahman for son. Luka Chuppi bahut huyi saamne aa ja naa Kahan kahan dhoondha tujhe thak gayi hai ab teri maa Aaja saanjh hui mujhe teri fikar Dhundhla gayi dekh meri nazar aa ja na - Lata Mangeshkar, A.R.Rahman Lalkar: It's a patriotic shouting and not a typical song. Amir Khan usually sang unusual songs and this also falls in same category. People who like to listen nationalistic theme will definitely like this. hai liye hathiyaar dushman taak mein baitha udhar aur hum taiyyaar hain seena liye apna idhar khoon se khelenge holi gar vatan muskhil mein hai sarfaroshi ki tamanna ab hamaare dil mein hai - Amir Khan khalbali hai khalbali: It's a slow but rocking song, which gives a different feeling. Beats are typical A.R.Rahman beats. It's a chorus song. khalbali hai khalbali, hai khalbali khalbali hai khalbali, hai khalbali (shola shola balkhaye dariya dariya lehraye zarra zarra tharraye hai khalbali) khalbali hai khalbali, hai khalbali khalbali hai khalbali, hai khalbali khalbali hai khalbali, hai khalbali hone hone de nasha khone khone ko hai kya ek saans mein pee ja zara zindagi chadha hai yeh toh ek jashan tu thirakne de kadam abhi saanson mein hai dam abhi chalne de sitam - A R REHMAN, ASLAM, NACIM Roobaroo: One fine day you woke up in the morning and realize that some of your dreams come true. These dreams were very important and crucial for you. You feel excited and a sense of self-obsession also approaches your mind. This song exactly portrays the same feeling. aye saala abhi abhi huaa yaqeen ki aag hai mujh mein kahi hui subaah main chal gaya suraj ko main nigal gaya ruu-ba-ruu roshni heyy jo gumshuda-sa khwaab tha voh mil gaya voh khil gaya uulon hathaa pighal gaya kichhaa kichhaa machal gaya sitaar mein badal gaya ruu-ba-ruu roshni heyy - A R REHMAN, NARESH IYER Apni Toh Pathshala: A fun filled, thrilling, exciting and interesting song, which will definitely drag your feet towards dance floor. It's a real youthful song, which has everything to celebrate and provoke a young life. A life which has no tension, no stress, no confusion, just "masti hi masti". Listen to these lines "talli hoke girne se samjhi hamne gravity, ishq ka practical kiya tab aayi clearity. This song is my favorite song from this album. na koi padhne wala na koi sikhne wala apni toh paathshala masti ki paathshala chehare ki kitaabein hain ham woh padhne aate hai yeh surat teri meri mobile library yaaron ki equation hain love multiplication hain jisne dil ko jeeta hain woh alpha hain deeta hain - NARESH IYER, MOHAMED ASLAM Khoon Chala: When you feel to do something. You empower your inner strength, you motivate yourself. This song depicts that inner call. It has a very slow rather say ignorable music. kuch
[arr] nice review.....
hi karannice review u stole my wrds on the overkill of mangal mangal.but it is a nice song any how my favrte being the last sad one. chill. jagdeep. Message: 1 Date: Mon, 18 Jul 2005 11:54:46 +0100 (BST) From: karan oberoi <[EMAIL PROTECTED]>Subject: RISING is a great album.please guys ...dont listen to pple who say that rising is a boring album.it is a beautiful albummelody at the forefront i have not in a long time heard melodies like vaari jaaoon ( not since teri mehfil me kismat azmaa kar_ mughale azam _ music naushad!!!) it is beautifulthe stanza ...wowthe line badi mehengi padi mujhe.( 2:50 to 3: 15)have me reaching fr the rewind button on my cd playerthe tabla is recorded like never before and the bass is awesome...the image it creates is awesome!!! holi re started with the disappointing beats ( notorious by now) but it is the best holi melodytrust me guys. takey is out of this wrldthe stanza is a wonderfully clear ,,,shining melody ...brilliant like th e sunshine. same with rasiya...the goriyaa manat manat man gayi is so sexy...it oozes oomph i guess it will be used in a sensuous way in the movie added with the magic of richa sharma...wow...she outsings herself in this one for sure!! al madaht maula i cry listening to the poignant song so full of pathos that it makes me wonder how a person can think of it as a song for " jehaadis" and one for the "extermination of non muslims"..it scares me to think of the existance of such non secular elements in the society ..leave alone the group.pathos and pain are the correct words to describe what the song invokes !!! and mangal is a good melody although an overkill of sorts in the album...but anythign for such a GEM of an album the final word..Rising power.GO ...GET IThahaha.may rising be the hit of the decade.the promos have all i know , hooked to itlong live ARRkaran. M a k e a D i f f e r e n c e !!! Too much spam in your inbox? Yahoo! Mail gives you the best spam protection for FREE!http://in.mail.yahoo.com This August, Discover the Birth of Your Independence and The Magic of A.R.Rahman's Music in Mangal Pandey - The Rising http://www.risingthefilm.com http://www.mangalpandeythefilm.com Music released: Jul 14, 2005 Movie releases: Aug 12, 2005 Explore, Experience, Enjoy A.R.Rahman - The Man, The Music, The Magic. Only at arrahmanfans - The definitive A.R.Rahman e-community. Homepage: http://www.arrahmanfans.com Admin: [EMAIL PROTECTED] To Subscribe: [EMAIL PROTECTED] To Unsubscribe: [EMAIL PROTECTED] SPONSORED LINKS New music artists Music artists Country music artists Christian music artists New country music artists Unsigned music artist YAHOO! GROUPS LINKS Visit your group "arrahmanfans" on the web. To unsubscribe from this group, send an email to: [EMAIL PROTECTED] Your use of Yahoo! Groups is subject to the Yahoo! Terms of Service.
