Re: [arr] Taal revisited - a review ...once again
Indeed nostalgiac and an apt reconciliation before the music of Yuvvraaj. Thanks for making me listen to the CD again and i remember it used to cost 299 during my college days. It was even worth more than that. Your friend, Ajay Nair. - Original Message From: Anil Nair [EMAIL PROTECTED] To: arrahmanfans@yahoogroups.com Sent: Sunday, 12 October, 2008 8:58:44 AM Subject: [arr] Taal revisited - a review ...once again Indeed a timeless classic . from naachgaana.com http://www.naachgaa na.com/2008/ 10/11/taal- music-review/ Hey y'all…lets revisit a timeless classic. Yes, a classic indeed. Ghai, Rahman Bakshi are the names behind such a brilliant album. I still remember the first time I skimmed through the cassette tape. I wasn't familiar with this type of music…it was very different…Rahman' s composition' s were just out of this world. As days went by, I kept listening and kept picking each note, each beat, each tune up…I started noticing Rahman's arrangement and coordination… and then finally I realized that this album will never be forgotten. Till this day, almost every month, I go back and listen to the songs of Taal. Ishq Bina - For many people the first track was the best track of the album. I remember when I used to go to my local video store, girls would be humming along to this track. My cousins would singing along to Bakshi Saab's amazing lyrics. This track definitely goes down well with the females. Rahman uses a singer named Anuradha. I never heard of her at that time. She does a marvellous job on this track. She has a very sweet and innocent voice. Her voice really suit's Ash's. Sonu comes in the middle of the track and shines the help of Bakshi's poetic lyrics. Yet, in this track Rahman himself is the complete show stealer. As he yells on top of his lungs, Ishq Bina Kya Jeena Yaaron…Ishq Bina Kya Marna Yaaron, you instantly get goosebumps on your hand. The violins and the dholak are the huge standout's in this composition. Super-Hit track. Taal Se Taal - From the moment your hear Sukhwinder's voice eckoing in the background you know that this track is going to be a huge success. Rahman's violins, strings, dholaks and claps come together to create magic. Anand Bakshi's lyrics are very real and pure. My favourite part is when Udit enters the track he belts out some of Bakshi's finest words: Maana Anjaan Hoon Tu Mere Vaaste…Maana Anjaan Hoon Main Tere Vaaste…Main Tujkho Jaan Loon Tu Mujkho Jaan Le…Aah Dil Ke Paas Aah…Is Dil Ke Raaste…Jo Tera Haal, Woh Mera Haal Hai…Is Haal Se Haal Mila…Taal Se Taal Mila. It was real nice to see Alka apart of this album as well. She sounds like an angel here.. This is Alka at her finest. Well composed track indeed. Nahin Samne - This is my favourite track from the lot. It's the slowest, yet most purest track composed. Rahman makes Hari Haran sing…and boy does Hari Saab sing…he sings his lungs out. This song is a probably one of the most difficult songs to sing. Not everyone has the amount of lung power that Hari Haran has. When he extends the note Priyasi it's like his voice reaches heaven. For many years I tried singing this song…I just can't…it's too damn hard. So I must give major props to Hari Haran. Lyrically, this is the best song in this album. Anand Bakshi outdoes himself here. All you have to do is close your eyes and you will find yourself lost in Rahman's composition. One word to describe this track…Ethereal. Kahin Aag Lage - I remember the first time I heard about this song. I wasn't too attracted to it. Honestly, I ain't an Asha fan. I know she's like a legend, one the queens of music. But as days progressed, this track got really catchy. I was yelling Kuk Kuk KO and saying Aaavo Saiyooo Aaavo Saiyo lol. Those little things Rahman saab adds in the middle of this track are just too memorable. By the time the promo came out I knew that this song will big big amongst the masses. People will love it and they did so. Asha's work in this song is mind-blowing. Today I have to admit that no one could of sung this song better than her. The background singers should also get props, because their work really added to this track. Good pacy track from Rahman here. Ni Main Samajh Gayee - This seemed like an experimental track from Rahman. There is only one beat from start to end. But AR is smart…he gets the two most powerful singers to create magic. Sukhwinder and Richa Sharma get together and hypnotize you. This is a hypnotic track that messes with your head. You get so caught up with it that there is no way out. The biggest plus point goes to the chemistry between the two singers. Anand Bakshi's lyrics once again get the job done. The magician is mesmerizing here. Ramta Jogi - This time around Rahman gives Sukhwinder his change to shine. Sukhwinder takes this track to another level. His voice blends in perfectly with Rahman's fantastic arrangements..
Re: [arr] Taal revisited - a review ...once again
Only a magician can compose something like this. - cool! overall, a well-written review from the heart... On Sat, Oct 11, 2008 at 8:28 PM, Anil Nair [EMAIL PROTECTED] wrote: Indeed a timeless classic from naachgaana.com http://www.naachgaana.com/2008/10/11/taal-music-review/ Hey y'all…lets revisit a timeless classic. Yes, a classic indeed. Ghai, Rahman Bakshi are the names behind such a brilliant album. I still remember the first time I skimmed through the cassette tape. I wasn't familiar with this type of music…it was very different…Rahman's composition's were just out of this world. As days went by, I kept listening and kept picking each note, each beat, each tune up…I started noticing Rahman's arrangement and coordination…and then finally I realized that this album will never be forgotten. Till this day, almost every month, I go back and listen to the songs of Taal. Ishq Bina - For many people the first track was the best track of the album. I remember when I used to go to my local video store, girls would be humming along to this track. My cousins would singing along to Bakshi Saab's amazing lyrics. This track definitely goes down well with the females. Rahman uses a singer named Anuradha. I never heard of her at that time. She does a marvellous job on this track. She has a very sweet and innocent voice. Her voice really suit's Ash's. Sonu comes in the middle of the track and shines the help of Bakshi's poetic lyrics. Yet, in this track Rahman himself is the complete show stealer. As he yells on top of his lungs, Ishq Bina Kya Jeena Yaaron…Ishq Bina Kya Marna Yaaron, you instantly get goosebumps on your hand. The violins and the dholak are the huge standout's in this composition. Super-Hit track. Taal Se Taal - From the moment your hear Sukhwinder's voice eckoing in the background you know that this track is going to be a huge success. Rahman's violins, strings, dholaks and claps come together to create magic. Anand Bakshi's lyrics are very real and pure. My favourite part is when Udit enters the track he belts out some of Bakshi's finest words: Maana Anjaan Hoon Tu Mere Vaaste…Maana Anjaan Hoon Main Tere Vaaste…Main Tujkho Jaan Loon Tu Mujkho Jaan Le…Aah Dil Ke Paas Aah…Is Dil Ke Raaste…Jo Tera Haal, Woh Mera Haal Hai…Is Haal Se Haal Mila…Taal Se Taal Mila. It was real nice to see Alka apart of this album as well. She sounds like an angel here. This is Alka at her finest. Well composed track indeed. Nahin Samne - This is my favourite track from the lot. It's the slowest, yet most purest track composed. Rahman makes Hari Haran sing…and boy does Hari Saab sing…he sings his lungs out. This song is a probably one of the most difficult songs to sing. Not everyone has the amount of lung power that Hari Haran has. When he extends the note Priyasi it's like his voice reaches heaven. For many years I tried singing this song…I just can't…it's too damn hard. So I must give major props to Hari Haran. Lyrically, this is the best song in this album. Anand Bakshi outdoes himself here. All you have to do is close your eyes and you will find yourself lost in Rahman's composition. One word to describe this track…Ethereal. Kahin Aag Lage - I remember the first time I heard about this song. I wasn't too attracted to it. Honestly, I ain't an Asha fan. I know she's like a legend, one the queens of music. But as days progressed, this track got really catchy. I was yelling Kuk Kuk KO and saying Aaavo Saiyooo Aaavo Saiyo lol. Those little things Rahman saab adds in the middle of this track are just too memorable. By the time the promo came out I knew that this song will big big amongst the masses. People will love it and they did so. Asha's work in this song is mind-blowing. Today I have to admit that no one could of sung this song better than her. The background singers should also get props, because their work really added to this track. Good pacy track from Rahman here. Ni Main Samajh Gayee - This seemed like an experimental track from Rahman. There is only one beat from start to end. But AR is smart…he gets the two most powerful singers to create magic. Sukhwinder and Richa Sharma get together and hypnotize you. This is a hypnotic track that messes with your head. You get so caught up with it that there is no way out. The biggest plus point goes to the chemistry between the two singers. Anand Bakshi's lyrics once again get the job done. The magician is mesmerizing here. Ramta Jogi - This time around Rahman gives Sukhwinder his change to shine. Sukhwinder takes this track to another level. His voice blends in perfectly with Rahman's fantastic arrangements. Some may feel that this track is all over the place, but for me everything clicked. One instrument that really stands out in this track is the trumpet which is used in between Bakshi's wise and accurate lyrics. If you carefully listen…you can hear
